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Relevant bibliographies by topics / Sonic cyberfeminisms

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Academic literature on the topic 'Sonic cyberfeminisms'

Author: Grafiati

Published: 7 September 2024

Last updated: 31 July 2025

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Journal articles on the topic "Sonic cyberfeminisms"

1

Goh, Annie, and Marie Thompson. "Sonic Cyberfeminisms: Introduction." Feminist Review 127, no. 1 (2021): 1–12. http://dx.doi.org/10.1177/0141778920967624.

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2

James, Robin. "Sonic Cyberfeminisms, Perceptual Coding and Phonographic Compression." Feminist Review 127, no. 1 (2021): 20–34. http://dx.doi.org/10.1177/0141778920973208.

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I argue that sound-centric scholarship can be of use to feminist theorists if and only if it begins from a non-ideal theory of sound; this article develops such a theory. To do this, I first develop more fully my claim that perceptual coding was a good metaphor for the ways that neoliberal market logics (re)produce relations of domination and subordination, such as white supremacist patriarchy. Because it was developed to facilitate the enclosure of the audio bandwidth, perceptual coding is especially helpful in centring the ways that patriarchal racial capitalism structures our concepts and e

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3

Yates-Richard, Meina. "‘Hell You Talmbout’: Janelle Monáe’s Black Cyberfeminist Sonic Aesthetics." Feminist Review 127, no. 1 (2021): 35–51. http://dx.doi.org/10.1177/0141778920973648.

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This article explores the ways in which Janelle Monáe’s audiovisual performances leverage black female flesh to trouble historically constituted imaginings of ‘the human’. Tracking Monáe’s audiovisual aesthetics across ‘Many moons’ and Dirty Computer, I interrogate acoustic and imagistic resonances that recall the repeating horrors of bondage, and which also constitute performative ‘fabulations’ whereby freedoms that are engendered specifically by and within black female flesh might be imagined. Monáe ‘enfleshes’ the cyborg to critique cyberfeminist and posthumanist theories that advocate for

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Dissertations / Theses on the topic "Sonic cyberfeminisms"

1

(9827711), Patricia Preece. "Oscillations: Exploring a Performance Ecosystem Through a Sonic Cyberfeminisms Lens." Thesis, 2023. https://figshare.com/articles/thesis/Oscillations_Exploring_a_Performance_Ecosystem_Through_a_Sonic_Cyberfeminisms_Lens/26953810.

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The audiovisual installation Oscillations turns irons and ironing boards into electronic instruments, in an attempt to deconstruct stereotypical ideas of gender and its assigned roles. The creative practice project aims to investigate the relationships we have with domestic objects and ponder their structures and significance through the design and performance of an interactive ecosystem. Oscillations, both the installation and exegesis, use a sonic cyberfeminisms lens to critically explore aesthetic and relational hierarchies at the intersection of sound, gender, and technology. Three irons a

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Books on the topic "Sonic cyberfeminisms"

1

Goh, Annie. Sonic cyberfeminisms. Wysing Arts Centre, 2018.

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