Academic literature on the topic 'Sonic portals'

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Journal articles on the topic "Sonic portals"

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Becker, Harold L. "Computerized sonic portable testing laboratory." Journal of the Acoustical Society of America 101, no. 2 (1997): 659. http://dx.doi.org/10.1121/1.419443.

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Young, Miriama. "Let Me Whisper in Your Earbud: Curating Sound for Ubiquitous Tiny Speakers." Leonardo Music Journal 26 (December 2016): 10–13. http://dx.doi.org/10.1162/lmj_a_00959.

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In the contemporary moment, the typical sonic experience is solitary and portable—occurring through headphones, mobile phone, tablet, watch, laptop or in the automobile. This article evaluates some of the possibilities and constraints of producing music for Pod-dissemination.
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Have, Iben, and Birgitte Stougaard Pedersen. "Sonic mediatization of the book: affordances of the audiobook." MedieKultur: Journal of media and communication research 29, no. 54 (2013): 18. http://dx.doi.org/10.7146/mediekultur.v29i54.7284.

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<p>This article addresses cultural changes resulting from the growing number of audiobook users and changes in audiobook use emerging from digital technological developments of the past decade. The sonification of the written text is inscribed in the general transformation and mediatization of the printed book but offers radically different affordances than do visually perceived e-books. New portable digital audio media change the act of reading, moving it towards fields of practice in which reading has not been common before: the gym, the bicycle ride, gardening, resting in the dark, etc. From being a medium typically associated with children, the visually handicapped, or the dyslexic, the audiobook has developed into a popular phenomenon, which, we argue, has as much in common with other kinds of mediated mobile listening practices, like music and radio listening, as it has with the reading of printed books. Taking an inductive approach from the micro-level of the individual’s use, the term <em>affordances</em> will be used as a methodological tool within the concept of mediatization.</p>
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Lasen, Amparo. "Disruptive ambient music: Mobile phone music listening as portable urbanism." European Journal of Cultural Studies 21, no. 1 (2017): 96–110. http://dx.doi.org/10.1177/1367549417705607.

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This article explores the use of mobile phones as portable remediated sound devices for mobile listening – from boom boxes to personal stereos and mp3 players. This way of engaging the city through music playing and listening reveals a particular urban strategy and acoustic urban politics. It increases the sonic presence of mobile owners and plays a role in territorialisation dynamics, as well as in eliciting territorial conflicts in public. These digital practices play a key role in the enactment of the urban mood and ambience, as well as in the modulation of people’s presence – producing forms of what Spanish architect Roberto González calls portable urbanism: an entanglement of the digital, the urban and the online that activates a map of a reality over the fabric of the city, apparently not so present, visible or audible.
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Li, Hui-Yan, Fang-Fei Yin, Xin-Yi Li, et al. "Novel aptasensor-based assay of sonic hedgehog ligand for detection of portal vein invasion of hepatocellular carcinoma." Biosensors and Bioelectronics 174 (February 2021): 112738. http://dx.doi.org/10.1016/j.bios.2020.112738.

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Norman, Joseph. "‘[…] tentacular invisible mother divine!’: (The) Weird (in) Metal as convergence of sonic extremities and literary margins." Metal Music Studies 5, no. 2 (2019): 225–42. http://dx.doi.org/10.1386/mms.5.2.225_1.

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Weird Fiction is often understood as an unclassifiable fusion of horror, science fiction (SF) and fantasy, and therefore a kind of generically hybridized writing. Here I discuss various parallels between Weird Fiction and music marketed and recognized as ‘extreme metal’, an umbrella term for bands playing in the core styles of black, death and doom metal, and their various offshoots like grindcore and sludge. Analysis of all Weird Metal is beyond the scope of this article, so I focus on artists who achieve Weirdness through the presence and interrelationship of hybridity, numinosity (an overwhelming feeling of majesty) and alterity (radical difference), especially: Wolves in the Throne Room, Howls of Ebb, Portal, A Forest of Stars, Voices and (The Unsearchable Riches of) Void. I also consider how metal relates to the ‘New Weird’, radical developments in traditions of the form, concluding with thoughts on the wider theorization of The Weird.
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Silveira, Paulo. "Algumas novidades do quinto ano da revista ARJ." ARJ – Art Research Journal / Revista de Pesquisa em Artes 5, no. 1 (2019): I—III. http://dx.doi.org/10.36025/arj.v5i1.17370.

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Editorial da ARJ – Art Research Journal/Revista de Pesquisa em Artes, volume 5, número1, 2018, em que é apresentada a nova concepção gráfica da revista, considerando a migração de todo seu conteúdo para a nova plataforma de fluxo de trabalho, agora na versão OJS 3.1.1.2, mantendo-se a colaboração do LabDesign, Universidade do Estado de Santa Catarina, e a hospedagem e suporte do Portal de Periódicos da Universidade Federal do Rio Grande do Norte. Seguem-se apresentações aos artigos de Gisela Reis Biancalana, Marcilio de Souza Vieira e Denise Mancebo Zenicola, e às contribuições de alguns dos participantes do V Encontro ARJ e II Fórum Nacional de Editores de Periódicos da Área de Artes, 2017, Camila Monteiro de Barros, Marc Barreto Bogo, Rildeci Medeiros e Sonia Regina Albano de Lima, assim como o registro do trabalho de coordenação de Rejane Coutinho, Rita Luciana Berti Bredariolli e Margarete Arroyo, inclusive com os caminhos para repositório na internet com os vídeos das mesas do evento.
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Casadei, Delia. "Sound Evidence, 1969: Recording a Milanese Riot." Representations 147, no. 1 (2019): 26–58. http://dx.doi.org/10.1525/rep.2019.147.1.26.

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On 19 November 1969, two members of Milan’s neofolk music collective the Nuovo Canzoniere Italiano (NCI) armed themselves with portable sound recorders and wandered amongst a crowd of demonstrators near Milan’s Duomo. The resulting LP, I fatti di Milano (The events of Milan), is a puzzling hybrid of artistic and political intent. As the sleeve note explains, the demonstration degenerated into a riot and resulted in the violent—and to this day legally unresolved—death of a police officer. The NCI members presented the recording as sonic evidence of the day’s events, hoping to help the case of the demonstrators accused of murdering the policeman. The record thus constitutes not only a swerve from “music” to “sound” in the collective’s output but also a move from aesthetic artifact to sound document, indeed, to putative forensic evidence. And yet, the evidence grows inexorably murkier with every listening. This essay homes in on the contradiction between I fatti di Milano’s declared purpose and the sound recording it mobilizes toward that end. Drawing on both sound studies and Italian political philosophy, the essay argues that the record embodies and actively stages idiosyncratic but highly contemporary relationships between music and soundscape, between sound event and its technological reproduction, and ultimately between political event and the act of writing history.
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Bruquetas Galán, Rocío. "Créditos." Ge-conservacion 5 (December 22, 2013): 2. http://dx.doi.org/10.37558/gec.v5i0.209.

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Dirección Editorial: Rocío Bruquetas Galán y Ana Calvo Manuel Consejo de Redacción: María Aguiar, Emilio Cano Ruiz, Emma García Alonso, Marisa Gómez González, Ana Laborde Marqueze, Emilio Ruiz de Arcaute Martínez, Margarita San Andrés Moya, Sandra Zetina Ocaña. Secretario de Edición: Christhiam Fiorentino Vásquez Revisores en esta edición: Isabel Argerich Fernández, Maite Barrio Olano, Ana Carrasson-López de Letona, José Manuel de la Roja de la Roja, Silvia García Fernández-Villa, Sara González Cambeiro, María Isabel Herráez Martín, Juan Antonio Herráez Ferreiro, Pilar Ineba Tamarit, Domingo Marquina, María Teresa Martínez Lopéz, Silvia Montero Redondo, María Antonia Moreno Cifuentes, Anna Nualart Torroja, Guadalupe Pinar, Sonia Santos Goméz, Ana Schoebel Orbea, Gabriela Siracusano, Carmén Vega Martín. Webmaster GEIIC: Emma García Alonso Dieño página web: Pepe Nieto PEZRED Maquetación: Christhiam Fiorentino Vásquez Traducción: María Aguiar Foto portada: Detalle de la obra pictórica Albacín (1962), del pintor José Guerrero. ©2013, Colección del Centro José Guerrero. www.centroguerrero.org
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van Dalfsen, W., J. C. Doornenbal, S. Dortland, and J. L. Gunnink. "A comprehensive seismic velocity model for the Netherlands based on lithostratigraphic layers." Netherlands Journal of Geosciences - Geologie en Mijnbouw 85, no. 4 (2006): 277–92. http://dx.doi.org/10.1017/s0016774600023076.

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AbstractA seismic velocity model is necessary to map depth and thickness of subsurface layers interpreted from seismic reflection images. We have built a seismic velocity model (VELMOD-1) for the entire Netherlands area, both onshore and offshore, using non-confidential data (sonic logs, time-depth pairs, lithostratigraphic marker depths and downhole position data) of 720 boreholes in DINO - National Geoscientific Portal, and a preliminary isochore map (in seismic traveltime representation) of the layer of the Zechstein Group. The model is based on the Vint-zmid method applied to the following lithostratigraphic layers: Lower, Middle and Upper North Sea groups; Chalk Group; Rijnland Group; Schieland, Scruff and Niedersachsen groups; Altena Group; Lower and Upper Germanic Trias groups; Upper Rotliegend Group; and Limburg Group. Per layer, the linear least squares approximation, applied to Vint as a function of zmid, provides parameters V0 and K for a linear velocity function V(z) = V0 + K · z. In VELMOD-1, K is constant, at least at the scale of structural elements, whereas V0 varies with location. At borehole locations, V0 is calibrated such that traveltime through the layer according to the linear velocity model equals the traveltime according to the borehole data. A kriging procedure is applied to the calibrated V0(x, y)-values resulting in an estimated V0-value at any other location. The model V0-values were determined on an areal grid with cells of 1 km × 1 km. On the same grid, kriged interval velocities constitute the model for the Zechstein Group. These interval velocities stem directly from interval velocities at borehole locations; at other positions they are also dependent on the thickness (in terms of seismic traveltime isochores) of the layer of the Zechstein Group. Maps are presented of the distributions of both V0 and its standard deviation for two layers: that of the Chalk Group and that of the Lower and Upper Germanic Trias groups.
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Dissertations / Theses on the topic "Sonic portals"

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Harcrow, Michael A. "Trios of Simon A. Sargon including horn." Thesis, Recital, recorded Jan. 30, 2006, in digital collections. Access restricted to the University of North Texas campus. connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-5171.

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Thesis (D.M.A.)--University of North Texas, 2007.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Nov. 16, 2004, June 20, 2005, Jan. 30, 2006, and Aug. 27, 2007. Includes bibliographical references (p. 88-92).
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Book chapters on the topic "Sonic portals"

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"Writing Sonic Fictions: Literature as a Portal into the Possibility of Art Research." In Artistic Research and Literature. Wilhelm Fink Verlag, 2019. http://dx.doi.org/10.30965/9783846763339_010.

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Schulthies, Becky L. "Mediating Moroccan Muslims." In Channeling Moroccanness. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823289714.003.0006.

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Chapter five brings morality, literate listening, and sonic reading together to explore the semiotics of the “Moroccan model of Islam,” a state-sponsored effort to shape religious discourse and practices via media in the wake of “extremism.” In May 2003, Morocco experienced a major religiously motivated attack, in which thirty-seven Moroccans were killed. Extremist Islam, learned through foreign media, was blamed. In particular, people claimed satellite television and small portable media (like audio cassette and VCR tapes, as well as VCD and DVD disks, and more recently internet videos) had corrupted and confused Moroccans about proper Islam. One of the Moroccan state responses was to re-cultivate what they called the Moroccan model or pattern of Islam نموذج المغربي‎, namūdhaj almaghribī, a historically “moderate” Islam, which they would spread via modern radio and television stations, training institutes, and global dissemination of training materials. The Moroccan pattern of Islam included a bundle of semiotic forms promoted as uniquely Moroccan: clothing, Qur’anic recitation styles, writing scripts, textual reasoning patterns, and television/radio communicative channels for connecting Moroccans to Islam. This chapter examines critical Fassi responses to the state media efforts at semiotically shaping Islam in Morocco and the social non-movements precipitated from those responses.
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Psuty, Norbert P., and Philip E. Steinberg. "Coastal and Marine Geography." In Geography in America at the Dawn of the 21st Century. Oxford University Press, 2004. http://dx.doi.org/10.1093/oso/9780198233923.003.0032.

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The 1990s witnessed a significant increase in popular interest in the US regarding the geography of the world’s coastal and marine spaces. Factors motivating this renewed interest included growing public environmental awareness, a decade of unusually severe coastal storms, more frequent reporting of marine pollution hazards, greater knowledge about (and technology for) depleting fishstocks, domestic legislation on coastal zone management and offshore fisheries policies, new opportunities for marine mineral extraction, heightened understanding of the role of marine life in maintaining the global ecosystem, new techniques for undertaking marine exploration, the 1994 activation of the United Nations Convention on the Law of the Sea, reauthorization of the US Coastal Zone Management Act in 1996, and designation of 1998 as the International Year of the Ocean. Responding to this situation, the breadth of perspectives from which coastal and marine issues are being encountered by geographers, the range of subjects investigated, and the number of geographers engaging in coastal-marine research have all increased during the 1990s. As West (1989a) reported in the original Geography in America, North American coastal-marine geography during the 1980s was focused toward fields such as coastal geomorphology, ports and shipping, coastal zone management, and tourism and recreation. Research in these areas has continued, but in the 1990s, with increased awareness of the importance of coastal and marine areas to physical and human systems, geographers from a range of subdisciplines beyond those usually associated with coastal-marine geography have begun turning to coastal and marine areas as fruitful sites for conducting their research. Climatologists are investigating the sea in order to understand processes such as El Niño, remote-sensing experts are studying how sonic imagery can be used for understanding species distribution in three-dimensional environments, political ecologists are investigating the ocean as a common property resource in which multiple users’ agendas portend conflict and cooperation, and cultural geographers are examining how the ocean is constructed as a distinct space with its own social meanings and “seascapes.” Despite (or perhaps because of ) this expansion in coastal-marine geography, the subdiscipline remains fragmented into what we here call “Coastal Physical Geography,” “Marine Physical Geography,” and “Coastal-Marine Human Geography.”
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Conference papers on the topic "Sonic portals"

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Salamone, Joe. "Portable Sonic Boom Simulation." In INNOVATIONS IN NONLINEAR ACOUSTICS: ISNA17 - 17th International Symposium on Nonlinear Acoustics including the International Sonic Boom Forum. AIP, 2006. http://dx.doi.org/10.1063/1.2210441.

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Akinyose, Olusegun, Rima Ali, Rajeev Kumar, and J. Adam Donald. "INTRODUCING SONIC IMAGING WITH A SLIM-DIPOLE MEASUREMENT IN HIGH-ANGLE WELLS." In 2021 SPWLA 62nd Annual Logging Symposium Online. Society of Petrophysicists and Well Log Analysts, 2021. http://dx.doi.org/10.30632/spwla-2021-0100.

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Sonic imaging has been traditionally provided using wireline acoustic logging tools in vertical or deviated pilot wells, and, in horizontal wells, using tractors and drillpipe conveyance, to provide information such as lithological changes and natural fractures extending tens of meters from the borehole. Providing a sonic imaging capability on other conveyance methods, particularly closer to drill time, has been a long-held ambition to reduce rig time and provide more timely information during the well construction process. Particularly where conventional wireline operations are not advisable or not possible, the slim-dipole logging technology offers greater flexibility and reduces operational risk. The small-diameter logging tool can be conveyed through the drillstring using a mud pump flow to deliver the tool out through a specialized 2 ½-in. portal in the bit to the open borehole. Sonic logging conveyed through the drillstring was primarily intended for estimating formation slownesses along extended reach wells providing essential information for designing completions and optimizing perforation performance along the reservoir interval. Providing a sonic imaging capability for this conveyance platform involved a tool firmware modification to extend the waveform listening times for both the monopole and dipole sources and optimizing on-board memory for data storage. New workflows were developed to reduce the interference of the direct borehole modes that typically obscure the underlying reflected arrival events, which account for the differences in the signal response, as compared to a traditional larger diameter wireline tool. Using finite difference modeling, we quantify the effects of the tool’s smaller diameter on the azimuth precision of the sonic imaging measurements and confirm the capabilities for providing useful sonic imaging results. Automated sonic imaging and migration workflows were used to convert these reflected arrival events into a 3D formation model and corresponding log of true dip and azimuth useful for formation evaluation and completions design in a timely manner. We present data from the study area introducing far-field imaging on slim dipole technology. Monopole and dipole sonic imaging waveform measurements were acquired along a highly deviated well through a complex fractured carbonate formation. Horizontally polarized shear (SH) reflections from major horizons through the formation were identified in the filtered dipole waveforms to provide structural insight for layers not crossing the wellbore. In addition, the automated workflows identified mode-converted refracted arrivals and P reflections from fractures along the lateral, and thus complemented the borehole image analysis.
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