Log in

Relevant bibliographies by topics / Sonnet sequences

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Sonnet sequences'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Sonnet sequences.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Sonnet sequences"

1

Khavzhokova, Lyudmila Borisovna. "Versification as a genre-forming factor in the sonnet sequence “Faithful to Love” by M. Bemurzov." Philology. Issues of Theory and Practice 17, no. 4 (April 22, 2024): 1217–22. http://dx.doi.org/10.30853/phil20240176.

Full text

Abstract:

The paper addresses the problem of identifying the role of versification factors in shaping certain genres and genre forms of Adyghe poetry. The study is based on the sonnet sequence “Faithful to Love” by the Circassian poet Mukhadin Hamidovich Bemurzov (1948-2007). The study aims to determine the genre-forming functions of meter, rhyme, and stanzaic structure in a specific literary context. The study is original in that it represents the first attempt to consider the listed components of versification as dominant genre features of sonnets comprising the sonnet sequence “Faithful to Love”. As a result of the study, the determining role of versification in shaping a number of poetic genres and the genre form of the sonnet sequence is confirmed. The adoption of the “solid form” of the sonnet by Adyghe poets is largely explained by their desire to enhance the level of literary skills and fully unfold their creative potential. Sonnet sequences are created with the aim of expanding the genre boundaries of the sonnet and introducing its innovative forms into the national literary process. The paper analyzes the meter and rhyme system and stanzaic structure of the sonnets included in the sequence “Faithful to Love”, determining whether they comply with the genre’s canon.

APA, Harvard, Vancouver, ISO, and other styles

2

Evans, Robert C., and Thomas P. Roche. "Petrarch and the English Sonnet Sequences." Sixteenth Century Journal 21, no. 3 (1990): 520. http://dx.doi.org/10.2307/2540317.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Evans, Robert C., and Thomas P. Roche. "Petrarch and the English Sonnet Sequences." Sixteenth Century Journal 21, no. 2 (1990): 290. http://dx.doi.org/10.2307/2541078.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Hakobyan, Levon. "THE CROWN OF SONNETS: PROBLEMS OF GENESIS AND GENRE FORMATION." Проблемы исторической поэтики 19, no. 4 (December 2021): 82–104. http://dx.doi.org/10.15393/j9.art.2021.9722.

Full text

Abstract:

The established, yet unconfirmed, viewpoint states that the crown of sonnets originated in the 13th century, although the first known instances of this genre form belong to the 16th century. These works differ from the modern (canonical) crown by the unregulated number of texts and the absence of the master sonnet. The thematic and stylistic variety of the Baroque crowns suggests that certain sonnet crown sequences did exist before the 16th century, albeit they are still undiscovered. In the absence of relevant texts, the study of the formal poetic preconditions required for the emergence of the crown of sonnets could clarify the time of the appearance of this supertextual form. Two factors determine the structure of the crown: the cohesion of adjacent texts and the ring-like organization of the supertextual unit. The first refers to the repetition of the last verse of the preceding text at the beginning of the following one. This poetic technique originates from the Provençal troubadours, who created a specific form of chained stanzas (coblas capfinidas); the Galician-Portuguese poets discovered another form of strophic concatenation (leixaprén). The second factor is the repetition of the first verse of the initial text at the end of the last one. Despite the verbatim coincidence, these verses are not semantically equal to each other, since the last verse, enriched by the previous context, acquires new semantic characteristics. One of the first poetic forms that combines the beginning and end of the text was the rondel, created in the 15th century. The examination of medieval poetic genres from the point of view of their crown-forming potential led to the conclusion that only the sonnet form meets the requirements for a poetic crown. The studied material suggests that, despite the common opinion, the non-canonical crown of sonnets could not appear in the 13th century, as the entire complex of formal poetic conditions for the emergence of this genre form developed at the end of the 15th century.

APA, Harvard, Vancouver, ISO, and other styles

5

Prescott, Anne Lake, and Christopher Warley. "Sonnet Sequences and Social Distinction in Renaissance England." Sixteenth Century Journal 38, no. 4 (December 1, 2007): 1115. http://dx.doi.org/10.2307/20478668.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Hanson, Elizabeth. "Boredom and Whoredom: Reading Renaissance Women's Sonnet Sequences." Yale Journal of Criticism 10, no. 1 (1997): 165–91. http://dx.doi.org/10.1353/yale.1997.0004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Cotter, James Finn. "Sequences of Phrase and Feeling in “The Windhover”." Religion and the Arts 22, no. 4 (September 10, 2018): 488–500. http://dx.doi.org/10.1163/15685292-02204006.

Full text

Abstract:

Abstract Gerard Manley Hopkins distinguished and approved “sequences of feeling and phrase” in his friend Robert Bridges’s sonnets. A close reading of “The Windhover” reveals Hopkins’s own use of these sequences with a remarkable shift between the octave, developed by a series of adverbial and adjectival participial and prepositional phrases, and the sestet which proceeds as a series of declarative-exclamatory statements. The first half of the sonnet follows the kestrel’s flight as it “hovers” (hence its name) into a fixed position either by beating its wings (“hurl”) or by sitting still (“gliding”). This act of hovering is then transferred from the bird “there” to the poet’s own heart “here” by the verb “Buckle,” with its meaning of joining, bending, putting on, and holding back. This shift in action occurs also in place and time, from past to present, outdoors to an indoor chapel where the poet attended Mass each May morning. The action itself incorporates inscape as catching sight of the pattern of the kestrel’s flight in the morning of Christ’s created light and instress as the heart’s response in thought and being to Christ’s uplifting grace in the fire of redemption. “As kingfishers catch fire” reverses the sequences of feeling and phrase in “The Windhover” as it too moves from the physical (“each mortal thing”) to the supernatural as the “just man” becomes an after-Christ.

APA, Harvard, Vancouver, ISO, and other styles

8

Hawkes, David. "Sonnet Sequences and Social Distinction in Renaissance England (review)." Shakespeare Quarterly 57, no. 2 (2006): 218–20. http://dx.doi.org/10.1353/shq.2006.0059.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Wilkes, G. A. "Petrarch and the English sonnet sequences (review)." Parergon 8, no. 1 (1990): 174–75. http://dx.doi.org/10.1353/pgn.1990.0066.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Reith, Louis J., and Roger Kuin. "Chamber Music: Elizabethan Sonnet-Sequences and the Pleasure of Criticism." Sixteenth Century Journal 32, no. 1 (2001): 305. http://dx.doi.org/10.2307/2671499.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Sonnet sequences"

1

Wilson, Scott. "Elizabethan subjectivity and sonnet sequences." Thesis, Cardiff University, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293055.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Smith, Rosalind. "Gender, genre and reception : sonnet sequences attributed to women, 1560-1621." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363677.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

McCarthy, Erin Ann. "“Get me the Lyricke Poets”: Poetry and Print in Early Modern England." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338379173.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Ballantyne, Aileen Helen Georgina. "Voiceprints of an astronaut : a poetry collection, and, Politics and the personal in the sonnet and sonnet sequence : Edwin Morgan's 'Glasgow Sonnets' Tony Harrison's 'from The School of Eloquence' and selected sonnets by Paul Muldoon." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/10583.

Full text

Abstract:

“Voiceprints of an Astronaut” is a multi-faceted collection of poems that explores the fluid borders between memory and the imagined, the personal and the sociohistorical. The “voiceprints” of the title poem are the words, both imagined and real, of the only twelve men who ever walked on the moon. My own device, of an imagined ‘interview’ with figures from history, is deployed in the title poem. It is also used, for example, in the form of voiceprints from R.L. Stevenson, (“Tusitala”), Mary Queen of Scots’ maidservant, (“Beheaded”,“A Prayer fir James VI”), an acrobat-magician from the Qin Dynasty, (Bi xi Terracotta) and a time-travelling 14th century monk transposed to the Scottish Poetry Library (“In the Library”). In poems such as “Earthrise”, “Starlight from Saturn”, “In the Library”, and “Lines for Edwin Morgan” the tone is lyrical, taking the form of the sonnet, or sometimes simply reflecting the ghost of a sonnet framework. Recent events such as the Haiti earthquake are reflected, at times, by a purely personal response, such as in “Beads”, while poems about the Aids epidemic in the 80’s, (“Lunch-times with Rick”, “The Quilts”) spring from a period as Medical Correspondent for the Guardian, covering Aids conferences in London, Stockholm, Montreal and San Francisco. Others, such as “Roosevelt’s Bats”, “Fire-and-Forget” and “At Sea” are responses to modern war and conflict. In all of these, my aim has been to explore the political through the personal. The poems in this collection reflect an adult life split, almost equally, between two cities: Edinburgh and London. Regular visits too, to North America are another influence. An important part of the journey involved in writing these poems was a discovery of a Scots voice I thought I’d misplaced, only to find again, in poems such as “Beheaded” or “Haud tae me”. Some of these poems are autobiographical, dealing with parenthood, childhood, and growing up. Others, such as “Dana Point” or “Boy with Frog” celebrate a moment, a time and a place. In the case of the series of poems beginning with “Jim” and ending with “Black and White” the places and times take the form of memories, both in Scotland and Canada, of a much older sister. The critical essay that forms the second part of this thesis is entitled “Politics and the Personal in the Sonnet and Sonnet Sequence: Edwin Morgan's “Glasgow Sonnets”, Tony Harrison's “from The School of Eloquence” and selected sonnets by Paul Muldoon”. The first chapter examines the use of the sonnet form in Edwin Morgan’s “Glasgow Sonnets”; the second chapter concerns the sonnets written by Tony Harrison in from The School of Eloquence and Other Poems, published in 1978, while the third chapter looks at selected sonnets by Paul Muldoon.

APA, Harvard, Vancouver, ISO, and other styles

5

Gressman, Melissa R. "Performing Sincerity in Elizabeth Barrett Browning’s Sonnets from the Portuguese." University of Toledo Honors Theses / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1450401175.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Holmes, John Robert. "The Victorian sonnet-sequence and the crisis of belief, 1870-1890." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365661.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Carr, Maureen. "So full of poetic suggestiveness : Christina Rossetti's Monna Innominata sonnet sequence." Thesis, Loughborough University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337993.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Camp, Cynthia Turner. ""As though thy song could search me and divine": The intersubjective innovations of Augusta Webster's sonnet sequence "Mother and Daughter"." Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/26455.

Full text

Abstract:

Augusta Webster's (1837--1894) sonnet sequence Mother and Daughter (1895), twenty-seven sonnets spoken by a mother who is also a poet to her daughter and only child, combines the popular Victorian genre of motherhood poetry with the long-standing and highly codified tradition of the romantic sonnet sequence. Webster's fusion of these genres questions the primary assumption which underlies both traditions, that the poetic object, be it beloved or child, must be distanced from, "other" to, the poet himself or herself. Webster suggests a different, even radical, model of poetic creation and interaction between poet and object, as the daughter becomes an integral part of, and takes an active role in, the development of the mother-poet's psyche and the related writing of the sonnet sequence itself. The mother-daughter relationship which develops throughout the sequence is one of reciprocality and connectivity. Chapter 1 will provide background to the two genres under discussion, the familiar and often-explored sonnet sequence and the rarely-discussed topic of Victorian motherhood poetry. The second chapter introduces the intersubjectivity theory of feminist psychoanalyst Jessica Benjamin as an entree into the relationship of mutuality, then explores the intersubjective nature of selected sonnets. Chapter 3 discusses the breakdown and re-establishment of the reciprocal relationship, while Chapter 4 examines the effects of this intersubjective relationship on the aging mother's poetic confidence and the linguistic maturation of the mother-daughter relationship.

APA, Harvard, Vancouver, ISO, and other styles

9

Cohen-Haguenauer, Odile, and Jean Frézal. "Contribution a l'etablissement d'une carte genetique humaine : localisation physique de sondes anonymes polymorphes et de sequences specifiques clonees." Paris 7, 1990. http://www.theses.fr/1990PA077239.

Full text

Abstract:

Etablir la carte genetique de l'homme consiste a repertorier les localisations geniques et a les ordonner le long des chromosomes. Ceci permet l'analyse: 1) de la situation d'un gene en se referant a ceux qui sont deja localises, 2) des familles multigeniques, 3) des maladies hereditaires et chromosomiques, 4) de l'evolution des especes. Le travail presente ici reunit des localisations geniques utilisant des methodes de cartographie physique; il est oriente selon deux axes: la carte genetique de liaison ou carte factorielle, pour les sondes anonymes polymorphes; la carte genetique physique pour les sequences codantes. Les localisations de sondes anonymes polymorphes regroupent, outre la localisation principe du gene de la fibrose kystique du pancreas, celle de 14 sondes genomiques en collaboration avec collaborative research et de 8 segments d'adn hautement polymorphes et 7 vntr, en collaboration avec l'equipe de ray white. Les localisations de sequences codantes sont presentees en trois sections: localisations fines utilisant un panel d'hybrides somatiques homme-rongeur et hybridation in situ sur chromosomes metaphasiques (amh; ren; gfap; c1s; c1s; c1inh); localisations relativement precises mettant a profit l'existence de translocations chromosomiques (myl1; chrng/chrnd; d6leh89); et localisations chromosomiques simples, utilisant le panel d'hybrides somatiques (myl3; myl4; chat; aldoa; 49ht8; bcei). L'elaboration progressive d'une carte genetique incluant des donnees de plus en plus nombreuses et precises trouve ses applications dans l'etude des maladies genetiques, de la biologie du developpement, des cancers et tumeurs hematopoietiques. L'application medicale immediate en est le diagnostic prenatal de maladies hereditaires. Une autre application, majeure, est representee par l'identification de genes, conduisant a elucider les mecanismes physiopathologiques de la maladie, a concevoir a facon des therapeutiques et en envisager une therapie genique

APA, Harvard, Vancouver, ISO, and other styles

10

Yousef, Mohamad Khalil. "Diversité génétique des souches de chlamydophila pecorum : recherche et identification des marqueurs épidémiologiques." Thesis, Tours, 2009. http://www.theses.fr/2009TOUR4012/document.

Full text

Abstract:

Chlamydophila pecorum est une espèce bactérienne intracellulaire obligatoire de la famille Chlamydiaceae. Le criblage d’une banque génomique de C. pecorum en utilisant un sérum ovin spécifique a permis d’identifier la protéine de la membrane d’inclusion (IncA) comme un candidat potentiel pour le sérodiagnostic de C. pecorum et de mettre en évidence une séquence répétée codante (CTR) riche en alanine et proline dans le gène incA de C. pecorum. Cette CTR présente des motifs d’acides aminés différents suivant la pathogénicité des souches de C. pecorum. La variabilité génétique de 19 souches de C. pecorum isolées de ruminant a été étudiée par MVLST (multi-virulence sequence typing). Les gènes ompA qui code pour la protéine majeure de la membrane externe, incA et l’ORF663 (cadre ouvert de lecture) permettent de différencier les souches pathogènes de C. pecorum des souches non-pathogènes. Cette hypothèse a été confirmée sur 32 autres souches comprenant 11 souches isolées de porcs. Les souches de C. pecorum isolées de lésions sont génétiquement différentes des souches isolées d’animaux asymptomatiques. Les 3 gènes ompA, incA et l’ORF663 sont des marqueurs moléculaire épidémiologiques potentiels qui pourraient être liés à la virulence de C. pecorum
Chlamydophila pecorum, an obligate intracellular bacterium belonged to Chlamydiaceae family. Screening of a genomic DNA library of C. pecorum by using a specific ovine serum, allowed to identify inclusion membrane protein (IncA) as a potential candidate for C. pecorum serodiagnosis and to highlight a coding tandem repeat (CTR) rich in alanine and proline in the C. pecorum incA gene. The CTR presents several amino acids motifs according to the pathogenesis of C. pecorum strains. The genetic variability of 19 C. pecorum strains isolated from ruminants was studied using MVLST (multi-virulence sequence typing) system. The genes ompA that code for the major outer membrane protein, incA and ORF663 (open reading frame) allowed to distinguish the pathogenic C. pecorum strains from non-pathogenic strains. This hypothesis was confirmed on additional 32 strains including 11 strains isolated from swine. The C. pecorum strains isolated from clinical cases are genetically different from strains isolated from healthy animals. ompA, incA and ORF663 genes are epidemiological molecular markers which could be related to the virulence of C. pecorum

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Sonnet sequences"

1

Harju, Mary. Trish: A Romance (Funtime Press, 2019). Philadelphia, PA: Funtime Press, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Old York Road At Midnight, ed. Trish: A Romance. Conshohocken, Pa: Tumblr: Old York Road At Midnight, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

2, Art Recess, ed. Trish: A Romance: (on Trish: A Romance in Art Recess 2). Conshohocken, Pa: Art Recess 2, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Young, Mark, ed. When You Bit... (original Otoliths book pdf '08). Rockhampton, Queensland, Australia: Otoliths, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Room, Red, ed. When You Bit... (excerpt: WYB sonnets, RR). California, USA: Red Room, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Palm, Lars, ed. Three Sets of Teeth, Cocaine Gums, Screw, etc. (6 sonnets). Malmo, Sweden: Skicka, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Side, Jeffrey. 8 pages: book review: WYB, Jacket 37. Edited by John Tranter. Sydney, Australia: Jacket Magazine, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Side, Jeffrey. Jeffrey Side's 8-page review of When You Bit... in Jacket 37 in Trove (NLA): Saved in NLA Wayback Machine. Edited by John Tranter and Trove (NLA). Australia: Trove (National Library of Australia), 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Young, Mark, ed. When You Bit...: First print edition. Rockhampton, Queensland, Australia: Otoliths, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Press, Funtime, ed. Early Books. 2nd ed. Conshohocken, Pa-Plymouth Meeting, Pa: Funtime Press, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Sonnet sequences"

1

Guissin-Stubbs, Tara. "Sonnet Sequences." In The Modern Irish Sonnet, 69–112. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53242-0_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Innes, Paul. "Sequences and Others." In Shakespeare and the English Renaissance Sonnet, 39–71. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372917_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Richardson, LeeAnne M. "Sonnets and Sonnet Sequences: Wild Honey from Various Thyme (1908)." In Palgrave Studies in Nineteenth-Century Writing and Culture, 159–95. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-86126-1_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Bates, Catherine. "Synecdochic Structures in the Sonnet Sequences of Sidney and Spenser." In A Companion to Renaissance Poetry, 276–88. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118585184.ch20.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Smith, Rosalind. "Introduction: Gender, Genre and Attribution in Early Modern Women’s Sonnet Sequences and Collections." In Sonnets and the English Woman Writer, 1560–1621, 1–12. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230513686_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Chapman, Alison. "Sonnet and Sonnet Sequence." In A Companion to Victorian Poetry, 99–114. Oxford, UK: Blackwell Publishers Ltd, 2008. http://dx.doi.org/10.1002/9780470693537.ch5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Phelan, Joseph. "‘Illegal Attachments’: The Amatory Sonnet Sequence." In The Nineteenth-Century Sonnet, 107–33. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230512627_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Fuller, John. "Sequences." In The Sonnet, 37–49. Routledge, 2017. http://dx.doi.org/10.4324/9781315115436-4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Vuillemin, Rémi. "Barnabe Barnes’s sonnet sequences." In The early modern English sonnet. Manchester University Press, 2020. http://dx.doi.org/10.7765/9781526144409.00015.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

McCarthy, Erin A. "Typography, Genre, and Authorship in The Passionate Pilgrim (1599) and Shake-speares Sonnets (1609)." In Doubtful Readers, 57–104. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198836476.003.0003.

Full text

Abstract:

This chapter argues that Thomas Thorpe’s 1609 edition of Shake-speares Sonnets was stymied by the success of The Passionate Pilgrim, a poetry collection first published by William Jaggard in 1599 and reprinted in 1612. Critics have suggested that the success of Jaggard’s volume may “have spoiled the market for authentic ‘sugred Sonnets’ by Shakespeare.” But to date, no one has read The Passionate Pilgrim as a sonnet sequence in its own right. This chapter outlines a history of sonnet publication that reveals striking resemblances between The Passionate Pilgrim and the printed English sonnet sequences then in fashion. Moreover, every element of the book—the title page, the poems it contained, and even its format—seems designed to highlight its place within Shakespeare’s oeuvre. Thus, when Thorpe’s Shake-speares Sonnets was printed in 1609, it appeared to be less sequence-like and less Shakespearean than The Passionate Pilgrim.

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Sonnet sequences"

1

Kazlauskiene, Vitalija. "Sequences prefabriquees dans le corpus d’apprenants en FOS/FOU." In Language for International Communication. University of Latvia Press, 2023. http://dx.doi.org/10.22364/lincs.2023.17.

Full text

Abstract:

L’analyse de séquences préfabriquées permet de décrire l’acquisition précoce de séquences lexicales. Ces dernières sont l’un des facteurs les plus importants de l’idiomaticité et de la richesse lexicale de la langue ; ils constituent donc un outil efficace pour développer le FOS. L’objet principal de notre recherche est l’analyse quantitative et qualitative de séquences lexicales dans le corpus écrit d’étudiants lituaniens en philologie française. Ce corpus est constitué de mémoires d’étudiants de troisième année de licence. Ayant pour but de recenser la métalinguistique propre à ce type d’écrits, plus précisément l’utilisation des termes spécifiques au sujet de la linguistique, nous présentons un aperçu des constructions lexicales utilisées dans les séquences préfabriquées (désignées ci-après SP) du corpus à notre disposition ; nous décrirons ensuite les particularités de leur composition. Les données issues de l’analyse du corpus-pilote permettent d’identifier certaines particularités et démontrent la nécessité de ce type d’analyse pour le développement du FOU et du FOS chez les apprenants.

APA, Harvard, Vancouver, ISO, and other styles

2

Yaghoubi, A., M. B. Dusseault, and Y. Leonenko. "Stress Variation Around the Balarud Lineament in the Zagros Fold and Thrust Belt and its Implication for Reservoir Geomechanics." In 57th U.S. Rock Mechanics/Geomechanics Symposium. ARMA, 2023. http://dx.doi.org/10.56952/arma-2023-0270.

Full text

Abstract:

ABSTRACT We investigate horizontal stress variation in the vicinity of the deep-seated Balarud Lineament in the northern part of Iran's Dezful Embayment in the Zagros Fold and Thrust Belt (ZFTB). Both petrophysical data from drilled oil and gas wells (3-4 km deep) and earthquake focal plane solutions (6 to 25 km deep) are used to constrain the orientation and relative magnitudes of the local and regional stresses. The stress orientations in the sedimentary rock strata and the basement are of two entirely distinct types. In the basement, constant regional NE-SW SHmax orientation is observed in the northern ZFTB. The seismologically determined local SHmax direction from 25 focal mechanisms around the Balarud Lineament is 29.3°±8.5°. However, observations of borehole breakouts and tensile-induced fractures indicate that the dominant SHmax orientation is N-S near the Balarud Lineament. The consistent stress direction in the basement indicates a high differential horizontal stress magnitude, whereas the principal stress orientation rotates 35° counter-clockwise in the sedimentary cover where the state of stress is extensional. The Lineament's second-order stress patterns are discussed in terms of wellbore placement and completion decisions. INTRODUCTION Anomalous relative stress magnitudes and orientations have been observed in the world's various uniform lithospheric stress fields. Stress deflection may be observed due to lateral density/strength contrasts, flexural stresses, or superimposed geological structures such as faults (Sonder, 1990) and salt diapirs (Dusseault et al., 2004). In the east-west-trending Transverse Ranges (California), the horizontal stress orientation is different by 25° from the reference stress state in the NW-SE San Andreas fault (Sonder, 1990). The regional NE-SW SHmax is reoriented to N-S in the area overlying the Peace River Arch in the Western Canadian Sedimentary Basin (Bell & McCallum, 1990). The same phenomenon is reported for the Amazon rift in central Brazil (Zoback & Richardson, 1996) and in the Swiss Alps and the northern Alpines foreland (Kastrup et al., 2004). Stress deflections can also be caused by reservoir depletion (Yale et al., 1994) and by earthquakes (Hauksson, 1994). Hauksson (1994) observed a 15° (±10°) rotation of local stress axes due to the 1992 Mw = 7.3 Landers's earthquake sequence. The scale at which second-order stress patterns occur depends on the degree of lateral density/strength contrasts and the size of geological structures and their orientation relative to regional stress fields (Sonder, 1990; Zoback, 1992).

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!