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Academic literature on the topic 'Sonnets'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Sonnets"

1

Lotman, Rebekka. "The patterns of the Estonian sonnet: periodization, incidence, meter and rhyme." Studia Metrica et Poetica 4, no. 2 (January 4, 2018): 67–124. http://dx.doi.org/10.12697/smp.2017.4.2.04.

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The first sonnets in Estonian language were published almost 650 years after this verse form was invented by Federico da Lentini in Sicily, in the late of 19th century. Sonnet form became instantly very popular in Estonia and has since remained the most important fixed form in Estonian poetry. Despite its widespread presence over time the last comprehensive research on Estonian sonnet was written in 1938.This article has a twofold aim. First, it will give an overview of the incidence of Estonian sonnets from its emergence in 1881 until 2015. The data will be studied from the diachronic perspective; in calculating the popularity of the sonnet form in Estonian poetry through the years, the number of the sonnets published each year has been considered in relation to the amount of published poetry books. The second aim is to outline through the statistical analyses Estonian sonnets formal patterns: rhyme schemes and meter. The sonnet’s original meter, hendecasyllable, is tradionally translated into Estonian as iambic pentameter. However, over the time various meters from various verse systems (accentual, syllabic, syllabic-accentual, free verse) have been used. The data of various meters used in Estonian sonnets will also be examined on the diachronic axis. I have divided the history of Estonian sonnets into eight parts: the division is not based only on time, but also space: post Second World War Estonian sonnet (as the whole culture) was divided into two, Estonian sonnet abroad, i. e in the free world, and sonnet in Soviet Estonia.The material for this study includes all the published sonnets in Estonian language, i.e almost 4400 texts.

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Guty, Zuzanna. "Wielopostaciowość sonetu w poezji Rafała Wojaczka." Colloquia Litteraria 21, no. 2 (January 13, 2018): 81. http://dx.doi.org/10.21697/cl.2016.2.6.

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This paper attempts to present four different variations of the sonnet form in the poetry of Rafał Wojaczek. Through the analysis of Wojaczek’s sonnets it identifies the following variations of the sonnet’s form: a graphic sonnet, a classic sonnet, a sonnet with a final couplet (dystych), a free sonnet. It uses archival sources. This paper argues for the vitality of some of the forms of Polish poetry after 1989, and particularly of free verse, making a classical sonnet alive again in multiple ways.

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Rega, Christine. "The Politics of Sentiment in Tony Harrison’s The School of Eloquence." Critical Survey 30, no. 4 (December 1, 2018): 54–66. http://dx.doi.org/10.3167/cs.2018.300405.

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Tony Harrison’s filial sonnets, from his major ongoing sonnet sequence The School of Eloquence (1978–), are widely regarded as among the most moving poems in the language, and have conversely been criticized for sentimentality. Blake Morrison observes that the focus upon the sentiment of the filial sonnets has obscured their political concerns. What has not been noticed is the sonnets’ politics of sentiment. Harrison’s merging of filial and political concerns and the way his socialist humanism is refracted in these intimate sonnets is examined in this article in relation particularly to the great elegiac sonnet ‘Marked with D’ and ‘Heredity’, the brilliant, little-discussed verse epigraph to the sonnet sequence. A purpose of this article is to show the extent to which the filial sonnets merge empathy and politics and express powerful personal and political feeling in their own terms.

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Gadzhilova, Shanisat Magomedovna. "Sonnets by Magomed Akhmedov and the development of sonnet genre in modern Avar poetry." Филология: научные исследования, no. 11 (November 2020): 19–31. http://dx.doi.org/10.7256/2454-0749.2020.11.34056.

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The subject of this research the artistic distinctness of the sonnets by M. Akhmedov in the context of evolution of sonnet genre in modern Avar poetry. The sonnets of M. Akhmedov represent a significant part of his poetic path, and are viewed as a new phenomenon in modern Avar poetry, the origin of which is associated with the works Of R. Gamzatov and M. Abasil. The object of this research is the sonnet genre in Avar literature. The goal consists in determination of the sonnet in multigenre poetry Of Magomed Akhmedov, as well as comprehension of their artistic content and form in conjunction with development of the genre in modern Avar poetry. Special attention is turned to the stages of evolution of the indicated genre in Dagestan, and namely Avar, literature. Emphasis is placed on the artistic distinctness of M. Akhmedov's sonnets, their comparative analysis, imagery structure, and ideological- thematic peculiarities. The scientific novelty lies in the fact that this is first to review M. Akhmedov’s sonnets, which hold a special place in development of the sonnet genre in modern Avar poetry. The acquired results demonstrate that the examination of M. Akhmedov's sonnets allow revealing not only the range of his poetic pursuits, but also richness of the genre system of modern Avar poetry. The sonnets by M. Akhmedov draw attention by synthesizing the old and new traditions of the poet's precursors and contemporaries. The authors’s special contribution is defined by carrying out a comprehensive analysis of the sonnets M. Akhmedov that fill the gap in studying the evolution and development of this genre in particular, and poetry of M. Akhmedov overall.

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Hao, Tianhu. "The Reading, Translation, and Rewriting of Shakespeare’s Sonnets in China." Style 56, no. 4 (November 2022): 461–82. http://dx.doi.org/10.5325/style.56.4.0461.

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ABSTRACT Shakespeare’s sonnets are widely loved and very popular in China, and major poet-translators such as Tu An and Liang Zongdai devoted a lifetime to their task of translation. The translation of the Bard’s sonnets involves cross-cultural understanding. In terms of poetic style, Shakespeare’s sonnets may be rendered in two styles, either modern or classical. Both styles have their pros and cons, but the general tendency leans toward the modern. In the course of over a century, the sonnet form has successfully been indigenized, and the Chinese sonnet has largely been developed from the reading and transplantation of Western sonneteers including Shakespeare and Milton. Among others, Shakespeare has exerted a significant impact on modern Chinese poetry by contributing new content and new form. This article aims to survey the reading, translation, and rewriting of Shakespeare’s sonnets in China and demonstrate how the Bard’s sonnets influenced the scene of modern Chinese poetry.

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Blair, Kirstie. "Reforming the Religious Sonnet: Poetry, Doubt and the Church in the Nineteenth and Twentieth Centuries." Studies in Church History 52 (June 2016): 413–36. http://dx.doi.org/10.1017/stc.2015.24.

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This essay examines the tradition of ‘doubting’ poetics through an assessment of selected nineteenth- and twentieth-century sonnets. Through considering recent work on Victorian literature and culture, it argues for the importance of the poetics of faith in this period, and assesses the presence of nineteenth-century Christian, and particularly Anglican, forms and concepts in the genre of the sonnet. Analysing later twentieth-century sonnets by Geoffrey Hill and Carol Ann Duffy, it suggests that the sonnet remains vitally linked to the literature of faith and that these sonnets have vital links to their Victorian predecessors.

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Lappo-Danilevskii, Konstantin Yu. "The Polemics of V.K. Trediakovsky and A.P. Sumarokov About the Sonnet." Studia Litterarum 9, no. 2 (2024): 172–99. http://dx.doi.org/10.22455/2500-4247-2024-9-2-172-199.

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The article investigates the early period of the sonnet form in Russia, covering the period from 1732 to 1759. It examines the ideas of two prominent poets of the time, Vasily Trediakovsky and Aleksandr Sumarokov, regarding the sonnet. Trediakovsky appears as the true unventor of the sonnet form in Russia: in 1732, he translated the famous “penitential”-sonnet of Jacques Vallée, Sieur Des Barreaux, “Grand Dieu, tes jugements sont remplis d’équité…” into 13-syllable lines. Trediakovsky translated this poem again in 1735 and 1752 with various variants of trochaic verses. In his “Epistle on Poetry” of 1747, Sumarokov displayed a different conception of the sonnet as a salon and playful poetry. In 1755, he published in the “Monthly Review” six sonnets in alexandrines, demonstrating his understanding of this form. Younger poets followed Sumarokov’s recommendations and imitated his sonnets. Trediakovsky had to accept defeat, and in 1759, wrote a sonnet in alexandrines. Apparently, Trediakovsky’s conception of the sonnet as a genre for elevated subject matter nonetheless influenced Sumarokov. In his late sonnets, written in 1769 and 1774, Sumarokov treated religious and philosophical subjects.

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Leerintveld, Ad, and Jeroen Vandommele. "Instruments of Community." Early Modern Low Countries 6, no. 1 (June 29, 2022): 71–102. http://dx.doi.org/10.51750/emlc12172.

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This article analyses the emergence and development of Dutch sonnets through Netherlandish alba amicorum from the period 1560 to 1660. It discusses the advent of the sonnet in the Renaissance literature of the Low Countries in the 1560s, showing how artists, scholars, and poets with connections to the Dutch refugee community in London became early adapters of this genre through their alba amicorum. We argue that this group used the sonnet as a form of exile literature, which communicated attachment to the fatherland and the righteous causes of the Dutch Revolt. Next, the essay explores the Dutch sonnets in the alba amicorum of Janus Dousa and Jan van Hout. Instrumental in establishing Leiden University in 1575 and expanding its reputation, both Dousa and van Hout encouraged the writing of sonnets in their alba as a means to advocate the use of Dutch as a literary language. Tracing the Dutch sonnet within the alba amicorum of the Low Countries, it is clear that the Dutch sonnet should be considered as the outcome of an emancipatory effort. At a moment in time where traditional non-personal inscriptions in alba amicorum were the mode, these poets used the sonnet to distinguish themselves from other contributors in the album, while at the same time conveying a clear message. First, Dutch sonnets in alba were written to claim a specific group identity connected to a Dutch migrant community. Second, these sonnets were adopted within the friendship books of the intellectual elite in Holland in order to assert a forefront position for the vernacular language equal to that of Latin, and which supported political and linguistic emancipation. After the establishment of the Dutch Republic and the emancipation of the Dutch language were completed in the first quarter of the seventeenth century, the sonnet seemed to have achieved currency in Netherlandish culture. Around the same time the number of sonnets in alba drastically dropped. The lack of exclusivity might have been the main cause of this decline.

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Blackman, Shane. ""Listen to Irene Cara", "Octavio Paz and the Nobel", "The Goals of Diego Maradona"." Latin American Literary Review 49, no. 99 (September 9, 2022): 83–84. http://dx.doi.org/10.26824/lalr.333.

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These 3 sonnets explore the lives of pop-star Irene Cara, author and Nobel Prize winner Octavio Paz, and soccer legend Diego Maradona. Though one major sonnet form from literary history has included iambic pentameter, the sonnets here drop the iambic part, but keep the pentameter. In the history of the sonnet, there traditionally have been rhyme schemes. There is no particular rhyme scheme in these 3 sonnets. They are written with a mixture of free verse and rhyming. The poems span across Latin America -- from Mexico to Argentina and from Cuba to Puerto Rico -- and they celebrate the rich musical, literary, and sporting worlds of three icons and legends. The 3 sonnets employ ordinary language to describe extraordinary people, so that everyone and all readers can be inspired to be creative and to enjoy, shape, and impact the world.

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Rasouli Firoozabadi, Ameneh, and Habib Jadidoleslamy. "RHETORIC (PROSODY) IN THE LYRICS OF BIDDLE DEHLAVĪ." Malaysian Journal of Languages and Linguistics (MJLL) 6, no. 2 (November 20, 2017): 101–6. http://dx.doi.org/10.24200/mjll.vol6iss2pp101-106.

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In the Persian poem, the elements constituting the music are: metrical prosody, the rhymes, and homophony of words in the poem that is the result of the artistic repetition of the various phonetic units of the language. Harmony between these elements and poem content can be considered as a footnote of this phonetic phenomenon and Complementary of the musical quality of the lyrics. In the form of “sonnet”, with regard to the structural characteristics, the mentioned musical elements can be divided into two groups: one is related to the sonnet structure (which is constantly in a sonnet) and other is related to the couplet (which in the different couplet of a sonnet may be changed). The Biddle Dehlavī lyrics is described by “roam” adjective, but his sonnet meter is to a large extent “ordinary”, because high frequency meters of the sonnet, which four fifth of sonnets were versified in that format, are according to the lyric tradition of that time period. However, in low frequency meters of his sonnets, there are uncommon meters that distinguishes it from other poets. Most of the readers of Biddle poems and experts in the Biddle poems believe that his sonnets are the most valuable of his poems. In the other hand, because of its history and lyric nature, the sonnet form has a stronger link to the musics and the meter role is more highlighted in his sonnets.

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Dissertations / Theses on the topic "Sonnets"

1

Burman, Lars. "Den svenska stormaktstidens sonett." Stockholm : Almqvist och Wiksell, 1990. http://catalogue.bnf.fr/ark:/12148/cb35519731h.

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2

Rippey, John. "Woodblock Sonnets and Floating World : reflections on writing 'Woodblock Sonnets'." Thesis, Lancaster University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.656335.

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This essay explores the writing of "Woodblock Sonnets," a poem composed of fifty-six sonnet stanzas. The essay represents a sustained enquiry into this poem's development, from its first inchoate sources and urges, to realization through shape, structure, and artifice. The development of the poem is tracked in five central writing concerns: content, language, form, time, and universality. In each concern, "Woodblock Sonnets" is observed to evolve, over the course of the writing, from more latent and intuitive versions into more manifest and deliberated ones. The poem emerges as creation of inspiration and labor, as both a spontaneously occurring phenomenon and a crafted object. In order to explore the reason of poetry, the accounts of this evolving search for significances are extended into consideration of the advantages which specific poetic practices - image, ekphrasis, rhyme, the sonnet form, and so on - provide a poem. "Woodblock Sonnets" possesses a cross-cultural nature, and the essay explores the poem's unusual fusing of Eastern and Western idioms and sensibilities, as well. "Woodblock Sonnets," the conclusion suggests, takes up the intrinsic interconnectedness of lives - natural and human, past and present, and especially our own lives and those of others, in dimensions that range from the personal to the cultural. The poem demonstrates a primary interest in revealing and interpreting relationships. Poetry, in general, is conceived as an opportunity for fusing the figurative and literal.

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Roberson, Triche. ""The conceit of this inconstant stay": Shakespeare's Philosophical Conquest of Time Through Personification." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1203.

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Throughout the procreation sonnets and those numerous sonnets that promise immortality through verse for Shakespeare's beloved young man, the poet personifies time as an agent of relentlessly destructive change. Yet Shakespeare's approach to the personification of time, as well as his reactions to time, changes over the course of the sequence. He transforms his fear of and obsession with time as a destroyer typical of most sonnets to an attitude of mastery over the once ominous force. The act of contemplating time's power by personification provides the speaker with a deeper awareness of time, love, and mutability that allows him to form several new philosophies which resolve his fear. By the end of the sequence, the poet no longer fortifies himself and the beloved against time's devastation because his new outlook fosters an acceptance of time that opposes and thus negates his previous contention with this force.

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4

Mobley, Aaron. "Sonnets and psalm." Thesis, The University of Arizona, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3605915.

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Sonnets and Psalm investigates the relationships between the sacred nature of Psalm 91 and the secular nature of two sonnets, William Shakespeare's Sonnet 73 and Henry Howard, Earl of Surrey's Sonnet 8. Sonnets and Psalm exploits a dynamic that arises from the juxtaposition of disparate musical universes, choral and instrumental, and the unique and, at times, ineffable aesthetic qualities that emerge as a result of the intentional ordering of musical language and block structures. In a five movement form the listener is guided from vocal events painted on orchestral palettes, to solely instrumental movements, and back again. While the movements can stand independently of each other, there are ponderous transformations of material within and throughout the piece that create a thread that functions as a consistent generative unifying element. A recurrent utilization of motive, color, register, pitch-specific sonorities and gesture, enhances the unity of the work while exploiting the contradistinctive nature of each movement. Relational aspects of hidden and transformed materials from the Psalm and the sonnets (including the Mosaic movements) that are present throughout create a forward and back-relating dynamic. There is a programmatic element at work as well that in itself is a statement: after the sonnets and the mosaics, the listener is finally presented with the Psalm, a conclusion.

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Mobley, Aaron Darnell. "Sonnets and Psalm." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/311586.

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Sonnets and Psalm investigates the relationships between the sacred nature of Psalm 91 and the secular nature of two sonnets, William Shakespeare's Sonnet 73 and Henry Howard, Earl of Surrey's Sonnet 8. Sonnets and Psalm exploits a dynamic that arises from the juxtaposition of disparate musical universes, choral and instrumental, and the unique and, at times, ineffable aesthetic qualities that emerge as a result of the intentional ordering of musical language and block structures. In a five movement form the listener is guided from vocal events painted on orchestral palettes, to solely instrumental movements, and back again. While the movements can stand independently of each other, there are ponderous transformations of material within and throughout the piece that create a thread that functions as a consistent generative unifying element. A recurrent utilization of motive, color, register, pitch-specific sonorities and gesture, enhances the unity of the work while exploiting the contradistinctive nature of each movement. Relational aspects of hidden and transformed materials from the Psalm and the sonnets (including the Mosaic movements) that are present throughout create a forward and back-relating dynamic. There is a programmatic element at work as well that in itself is a statement: after the sonnets and the mosaics, the listener is finally presented with the Psalm, a conclusion.

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6

Frossard, Leticia. "Addressivity in Shakespeare's sonnets." Thesis, University of Nottingham, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313199.

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Innes, Paul. "Subjectivity in Shakespeare's sonnets." Thesis, University of Stirling, 1990. http://hdl.handle.net/1893/3508.

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This thesis undertakes a study of Shakespeare's sonnets that seeks to locate them in the determinate historical circumstances of the moment of their production. Subjectivity in the sonnets is read as the location of a series of conflicts which are ultimately socio-historical in nature. Contemporaries identified the sonnet form as a discourse of the aristocracy, especially in its manifestation of courtly love. Shakespeare's sonnets attempt to manage the pressures that the history of the late sixteenth century impose upon this discursive formation from within the genre itself. The first and second chapters of the thesis set out the historical framework within which the generic requirements of the sonnet were played out, and discuss the tensions which result. Chapter three reads the first seventeen sonnets in the light of this work, arguing against a view of these particular poems as a homogeneous group of marriage sonnets. These sonnets set out the homosocial considerations that underpin the relationship between the addressor and the young nobleman in a way that foreshadows the conflicts that are played out in later poems. Chapter four traces these conflicts in terms of the subjectivity of the young man, noting that the historical crisis in the ideology of the aristocracy renders his subject-position unstable. Chapter five relates this result to the related subjectivity of the adressor, the poetic persona of the poems, and reads his position as noting the disjunctions in the dominant ideology, while nevertheless being unable to move away from its interpellation of his position. Chapter six notes the consequent disruption of gendered identity, both for the "dark lady" and the poetic persona himself. The conclusion argues for a materialist perspective on the sonnets' problematising of subjectivity in the Renaissance.

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Ballantyne, Aileen Helen Georgina. "Voiceprints of an astronaut : a poetry collection, and, Politics and the personal in the sonnet and sonnet sequence : Edwin Morgan's 'Glasgow Sonnets' Tony Harrison's 'from The School of Eloquence' and selected sonnets by Paul Muldoon." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/10583.

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“Voiceprints of an Astronaut” is a multi-faceted collection of poems that explores the fluid borders between memory and the imagined, the personal and the sociohistorical. The “voiceprints” of the title poem are the words, both imagined and real, of the only twelve men who ever walked on the moon. My own device, of an imagined ‘interview’ with figures from history, is deployed in the title poem. It is also used, for example, in the form of voiceprints from R.L. Stevenson, (“Tusitala”), Mary Queen of Scots’ maidservant, (“Beheaded”,“A Prayer fir James VI”), an acrobat-magician from the Qin Dynasty, (Bi xi Terracotta) and a time-travelling 14th century monk transposed to the Scottish Poetry Library (“In the Library”). In poems such as “Earthrise”, “Starlight from Saturn”, “In the Library”, and “Lines for Edwin Morgan” the tone is lyrical, taking the form of the sonnet, or sometimes simply reflecting the ghost of a sonnet framework. Recent events such as the Haiti earthquake are reflected, at times, by a purely personal response, such as in “Beads”, while poems about the Aids epidemic in the 80’s, (“Lunch-times with Rick”, “The Quilts”) spring from a period as Medical Correspondent for the Guardian, covering Aids conferences in London, Stockholm, Montreal and San Francisco. Others, such as “Roosevelt’s Bats”, “Fire-and-Forget” and “At Sea” are responses to modern war and conflict. In all of these, my aim has been to explore the political through the personal. The poems in this collection reflect an adult life split, almost equally, between two cities: Edinburgh and London. Regular visits too, to North America are another influence. An important part of the journey involved in writing these poems was a discovery of a Scots voice I thought I’d misplaced, only to find again, in poems such as “Beheaded” or “Haud tae me”. Some of these poems are autobiographical, dealing with parenthood, childhood, and growing up. Others, such as “Dana Point” or “Boy with Frog” celebrate a moment, a time and a place. In the case of the series of poems beginning with “Jim” and ending with “Black and White” the places and times take the form of memories, both in Scotland and Canada, of a much older sister. The critical essay that forms the second part of this thesis is entitled “Politics and the Personal in the Sonnet and Sonnet Sequence: Edwin Morgan's “Glasgow Sonnets”, Tony Harrison's “from The School of Eloquence” and selected sonnets by Paul Muldoon”. The first chapter examines the use of the sonnet form in Edwin Morgan’s “Glasgow Sonnets”; the second chapter concerns the sonnets written by Tony Harrison in from The School of Eloquence and Other Poems, published in 1978, while the third chapter looks at selected sonnets by Paul Muldoon.

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Chong, Kenneth Tze Aun School of English UNSW. "Donne???s Holy Sonnets and Calvin." Awarded by:University of New South Wales. School of English, 2006. http://handle.unsw.edu.au/1959.4/26154.

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Criticism on Donne???s Holy Sonnets has traditionally been concerned with trying to find an explanation for the doubt, anxiety, and despair that is often expressed by the speaker of those poems. In recent decades, critics have increasingly made recourse to Calvinist theology in an effort to explain these melancholy states of mind. The accounts that such critics provide of ???Calvinism,??? however, have been varied and largely inadequate, mainly because they fail to engage with Calvin???s work at the level it requires. My thesis seeks to correct such deficiencies by providing a detailed reading of Calvin???s view on salvation and the way in which it is received. Calvin argues that we obtain salvation through a firm and certain faith, a faith that is nevertheless attacked by the unbelief that still resides in the believer. In other words, there is a division between the flesh and the spirit within the soul of the believer, which means that he or she is never free (until death) from the sinful temptations of this life. This division, which Calvin invokes to reconcile the uncertainties of the Christian life with the assurance of faith, is dramatised in the Holy Sonnets. In the five poems that I analyse, the speaker is torn between a desire for righteousness and an inclination toward evil, a division that is also represented in the structural qualities of the text. The various temptations which the speaker registers and confronts (and often falls to) are, I believe, a demonstration of Calvin???s view that the regenerate person is in continuous warfare against the remnants of the flesh.

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Roig, Miranda Marie. "L'art de Quevedo dans ses Sonnets." Paris 4, 1987. http://www.theses.fr/1987PA040074.

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Les deux premières parties s'efforcent d'apporter, à la suite d'une analyse minutieuse des 502 sonnets de Quevedo, une meilleure connaissance de l'originalité de son style. Découvrir et exprimer exactement l'analogie apparait au centre de l'activité créatrice du poète. L'étude des moyennes par sonnet d'utilisation des tropes et figures révèle des variations selon le thème traité et donc la richesse et la variété de l'art de Quevedo. Chez lui, idées, sentiments et sensations apparaissent indissolublement lies et le moi du poète se manifeste avec pudeur. Les phénomènes stylistiques déterminent la construction du concepto et trouvent un lieu adéquat et harmonieux dans la forme du sonnet. La troisième partie utilise les résultats chiffrés de l'analyse stylistique pour s'attacher à répondre aux problèmes d'attributions et de datations que pose la poésie quevédienne. L'art de Quevedo se caractérise en effet, d'une part, par un certain nombre de constantes d'autre part, par une évolution du début à la fin de sa création poétique. Ainsi ont pu être établis des degrés de probabilité d'attribution pour six sonnets qui apparaissent chacun dans un seul manuscrit. En ce qui concerne la chronologie, une datation plus précise a été proposée pour 77 sonnets et une situation dans l'une des quatre périodes de la création quevédienne pour 273 sonnets non datés jusqu'ici
A detailed analysis of Quevedo's 502 sonnets is provided in part I and part II, which makes it possible to appreciate the originality of his style more thoroughly. The discovery and accurate expression of analogy seem to lie at the very heart of the poet's concerns and activity. A statistical study of the tropes and figures shows how the style varies according to the theme of each sonnet, and reveals the richness of Quevedo's art. Ideas and feelings are indissolubly linked and the poet's ego discloses itself with delicacy. Stylistic phenomena determine the construction of the concepto, and are adequately and harmoniously seated in the sonnets’ form. The statistical results thus obtained are next used, in the third part, to address the problems of attribution and dating raised by Quevedo's poetry: his art is best characterized, on the one hand, by a certain number of constants and, on the other hand, by a specific evolution from the beginning to the end of his creative work. It has thus been possible to establish different degrees of probability for the attribution of six sonnets which are known from one single manuscript. Moreover, as far as chronology is concerned, more precised dates are put forth for 77 sonnets as well as an approximate localization within one the poet's four main periods for 273 sonnets which had never been dated hitherto

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Books on the topic "Sonnets"

1

1948-, Baer William, ed. Sonnets: 150 contemporary sonnets. Evansville, IN: University of Evansville Press, 2005.

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Whitehead, James Madison. Sonnets. [Cambridge, England]: J.M Whitehead, 2006.

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Heisey, Daniel J. Sonnets. Carlisle, PA: New Loudon Press, 1998.

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Shakespeare, William. Sonnets. New York: Bloch Pub. Co., 2002.

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Saint-Gelais, Mellin de. Sonnets. Genève: Droz, 1990.

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Richard, Jones. Sonnets. Easthampton, MA: Adastra Press, 1990.

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Saint-Gelais, Mellin de. Sonnets. Genève: Droz, 1990.

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Shakespeare, William. Sonnets. Paris: P.O.L., 2010.

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Fouche-Saillenfest, Philippe. Sonnets. Paris: Pont de l'epee, 1987.

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Houston, D. P. Project Sonnet: 88 Sonnets. Lulu Press, Inc., 2021.

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Book chapters on the topic "Sonnets"

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Thompson, Judith. "Sonnets." In John Thelwall, 87–102. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137344830_4.

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Pinion, F. B., and M. Pinion. "Sonnets." In The Collected Sonnets of Charles (Tennyson) Turner, 57–106. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19359-2_3.

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Netzley, Ryan. "Milton's Sonnets." In A New Companion to Milton, 270–81. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118827833.ch17.

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Shrank, Cathy, and Raphael Lyne. "Shakespeare’s Sonnets." In The Complete Poems of Shakespeare, 269–623. Abingdon ; New York : Routledge, 2017. | Series: Longman annotated English poets: Routledge, 2017. http://dx.doi.org/10.4324/9781315707945-5.

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Guy-Bray, Stephen. "The sonnets." In Shakespeare and Queer Representation, 127–47. Abingdon, Oxon; New York, NY: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429423802-6.

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Hart, Jonathan. "Shakespeare’s Sonnets." In From Shakespeare to Obama, 29–42. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137375827_3.

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Hart, Jonathan. "The Sonnets." In Shakespeare, 45–70. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230103986_4.

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Smith (née Turner), Charlotte. "‘Sonnet XXXII: To Melancholy’ from Elegiac Sonnets." In Literature and Philosophy in Nineteenth Century British Culture, 83–85. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003427858-13.

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Stamatakis, Chris. "Sonnet." In The Oxford History of Poetry in English, 211–28. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198830696.003.0012.

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This chapter considers sixteenth-century sonnets as products of labour and difficulty—the labour of demonstrating poetic inventiveness within formal constraints, and the difficulty of eloquent expression when the resources of the sonnet tradition itself appear already spent. Whether a stand-alone form or embedded in larger gatherings, whether deployed for erotic, religious, commendatory, or topical purposes, the sonnet faces a series of dilemmas. Celebrated for their artful compactness, sonnets seek to cultivate abundance (copia), yet must avoid mere repetition (copy); must resolve the contending priorities of argument and rhyme, sense and sound, visual and acoustic; must resist invention that hardens into convention or into algorithmic, mechanical linkages between the sonnet’s parts; and must negotiate the potentially ossifying tendencies of print (especially in privileging the final couplet in the sonnet’s mise-en-page) while embracing the canonising possibilities of that medium. The history of the sixteenth-century sonnet is the history of these competing pulls.

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Post, Jonathan F. S. "4. On first looking into Shakespeare’s Sonnets." In Shakespeare's Sonnets and Poems: A Very Short Introduction, 71–92. Oxford University Press, 2017. http://dx.doi.org/10.1093/actrade/9780198717577.003.0004.

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Shakespeare’s Sonnets are generally regarded as the finest collection of sonnets in the English language, and ‘On first looking into Shakespeare’s Sonnets’ seeks to offer yet one more perspective on why this is so. It outlines some of the puzzles and problems linked to the date of authorship and structure of the Sonnets; describes the sonnet form, comparing Shakespeare’s sonnet structure with that of Spenser; and considers some of the Sonnets in more depth, including Sonnet 116, the great ‘marriage’ poem. It is also noted that the Sonnets raise many ‘contemporary’ issues: matters of homosexual desire and transsexuality, of gender and racial stereotyping, of temptation and sexual addiction.

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Conference papers on the topic "Sonnets"

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Oblasova, T. "MEANING-FORMING ROLE OF THE SUBJECT ORGANIZATION “NOT A WREATH OF SONNETS” BY A. EREMENKO." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3704.rus_lit_20-21/107-111.

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Structural analysis of “Not a Wreath of Sonnets” by A. Eremenko allowed the author to discover semantic contradictions between the levels of the text. Thus, at the lexical level, lexically explicit various kinds of gaps, inconsistencies, the absence of external connections in the picture of the universe and the lyrical subject’s relationship with it are observed, which is reflected in the deliberate frequent use of the particle “not”, starting with the title “Not a Wreath of Sonnets,” an emphasized break with the poetic tradition at the level of direct formulations in the first sonnet, Fet: “will leave forever”, in the second sonnet, variations on the theme of a “broken” language / wrong word arise and then repeat, up to its loss and transformation into “barking” (in Sonnet 11). The identified lexical-thematic group of words with the meaning of language, speaking, communication, presented quite widely and diversely, made it possible to interpret communication, the forms of which are revealed in the texts, as disturbed and devoid of understanding. In the world, nothing corresponds to anything and nothing is connected to anything: “wrong”, “not right”, “by chance”, “at random”, “nature does not look at us”, “the pigeon does not depend on the conditions in which it reproduces” giraffe”, “a thought is not equivalent to a word”, etc. At the same time, the analysis of the subjective organization of the text of “Not a Wreath of Sonnets” gives the ground for asserting the presence of a multi-address dialogue of the lyrical subject (me) with various “you” in it.Thus, the article reveals the meaning-forming role of a subject organization, focused on the dialogue, on communication with various “you”, in affirming the continuity/inevitability of communication as a new way of “connectedness” of the world: in the absence of external connections in the usual meaning of closeness, “friendliness”, the subject’s fatality is recorded on different forms of communication with the world and in the world, the fundamental impossibility of being taken out of them, its dialogical appeal to various aspects of existence.

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Torkut, N. M., and N. V. Gutaruk. "Metaphorical concept of child in Shakespeare’s sonnets." In PHILOLOGICAL SCIENCES AND TRANSLATION STUDIES: EUROPEAN POTENTIAL. Baltija Publishing, 2022. http://dx.doi.org/10.30525/978-9934-26-261-6-24.

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Wan, Yongkun. "Time: A Major Thematic Study of Shakespeare’s Sonnets." In Proceedings of the 2018 8th International Conference on Management, Education and Information (MEICI 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/meici-18.2018.93.

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Ruiz, Pablo, Clara Martínez Cantón, Thierry Poibeau, and Elena González-Blanco. "Enjambment Detection in a Large Diachronic Corpus of Spanish Sonnets." In Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature. Stroudsburg, PA, USA: Association for Computational Linguistics, 2017. http://dx.doi.org/10.18653/v1/w17-2204.

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"Plenary Presentation: 'Laura & Petrarca', Modelling Emotions by Sonnets and Classic Modelling Techniques." In 2011 UkSim 13th International Conference on Computer Modelling and Simulation (UKSim). IEEE, 2011. http://dx.doi.org/10.1109/uksim.2011.118.

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Navarro, Borja. "A computational linguistic approach to Spanish Golden Age Sonnets: metrical and semantic aspects." In Proceedings of the Fourth Workshop on Computational Linguistics for Literature. Stroudsburg, PA, USA: Association for Computational Linguistics, 2015. http://dx.doi.org/10.3115/v1/w15-0712.

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Zhou, Aoying, Weining Qian, Xueqing Gong, and Minqi Zhou. "Sonnet." In the 2007 ACM SIGMOD international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1247480.1247618.

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Islert, Camille. "« Je ne pouvais pourtant pas refuser À mes vers la protection de ma prose ». Théorie et dérision dans la préface de Quelques portraits-sonnets de femmes de Natalie Barney." In Théorie littéraire féminine à la Belle Époque. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11037.

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Tang, Junxiu, Jiayi Zhou, Yifang Wang, Xinhuan Shu, Peiquan Xia, Xiaojiao Chen, Tan Tang, and Yingcai Wu. "Loss of Sonnet 18." In SIGGRAPH Art Gallery '24: ACM SIGGRAPH 2024 Art Gallery. New York, NY, USA: ACM, 2024. http://dx.doi.org/10.1145/3641523.3669939.

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Savenko, E. G., Zh M. Mukhina, and V. A. Glazyrina. "Use of experimental biotechnology for accelerated development of breeding material." In CURRENT STATE, PROBLEMS AND PROSPECTS OF THE DEVELOPMENT OF AGRARIAN SCIENCE. Federal State Budget Scientific Institution “Research Institute of Agriculture of Crimea”, 2020. http://dx.doi.org/10.33952/2542-0720-2020-5-9-10-93.

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The combination of such biotechnological techniques as experimental haploidy and molecular marking allows developing breeding material with simultaneous DNA analysis of its genetic homogeneity (obtaining microsatellite profiles). According to the results of SSR genotyping, DNA passports were obtained for androgenic cultivars ‘Sonnet’ and ‘Sonata’.

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Reports on the topic "Sonnets"

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Shakespeare, W. SONET to Sonnet Translation. RFC Editor, April 1994. http://dx.doi.org/10.17487/rfc1605.

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Coffin, Richard B., Thomas J. Boyd, Paula S. Rose, Brandon Yoza, Lewis C. Millholland, Ross Downer, and Stan Woods. Geochemical Cruise Report SO226/2 RV Sonne Chatham Rise Expedition. Fort Belvoir, VA: Defense Technical Information Center, May 2013. http://dx.doi.org/10.21236/ada587416.

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Biasca, Federico. La prise en charge des personnes converties à l’islam par les associations musulmanes en Suisse latine. Freiburg (Schweiz): Schweizerisches Zentrum für Islam und Gesellschaft (SZIG), Freiburg, 2024. http://dx.doi.org/10.51363/unifr.szigs.2024.011.

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La conversion à l’islam fait l’objet d’une attention scientifique et médiatique accrue en contexte européen, mais pour l’heure peu de recherches ont porté sur l’aspect institutionnel de ce phéno-mène. Cela est particulièrement vrai dans le contexte helvétique. Or face à la demande des per-sonnes converties, ou désireuses d’embrasser l’islam, les associations musulmanes en Suisse ont commencé à mettre en place des activités en leur direction. Cette étude, de nature exploratoire, porte sur ces dernières en mettant en lumière leurs formes et contenus. Elle analyse, en partant de la réalité de 15 associations musulmanes de Suisse romande et italienne, la prise en charge proposée par les référent·e·s des converti·e·s au sein de ces associations, appelés dans cette re-cherche les ‘agents de conversion’. Les entretiens effectués avec ces agents ainsi que d’autres res-ponsables musulmans fournissent la plus grande partie du matériel empirique de cette recherche, qui a été complété par un ensemble d’observations d’une partie des activités organisées en direc-tion des converti·e·s ainsi que par la récolte du matériel employé avec ces derniers par les associations.

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Haeck, Catherine, Geneviève Lefebvre, Pierre Lefebvre, and Philip Merrigan. Surdiagnostic du TDAH au Québec: Impact de l’âge d’entrée à l’école, différences régionales et coûts sociaux et économiques. CIRANO, April 2023. http://dx.doi.org/10.54932/dtdb7162.

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Au Québec, les enfants doivent avoir 5 ans avant le 1er octobre pour être admis en maternelle. Dans une même classe, les plus jeunes ont donc jusqu’à un an de moins que les plus vieux. Dans cette étude, les auteurs montrent que les enfants nés fin septembre ont des taux de diagnostic et de médication du TDAH 35 % plus élevés que ceux nés début d’octobre. Le TDAH serait confondu avec des comportements d’inattention ou de plus grande turbulence. S’appuyant sur des données inédites de la RAMQ incluant les dossiers de services médicaux de près de 800 000 jeunes nés entre 1996 et 2005, les auteurs tirent des conclusions non équivoques sur l’ampleur du phénomène et sonnent l’alarme sur un enjeu extrêmement préoccupant.

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Haeck, Catherine, Pierre Lefebvre, Geneviève Lefebvre, and Philip Merrigan. Confondre comportements immatures en classe et TDAH. Résultats d’analyses inédites sur les liens entre l’âge d’entrée à l’école et les diagnostics du TDAH chez les enfants québécois. CIRANO, March 2023. http://dx.doi.org/10.54932/qzmz2828.

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Au Québec, les enfants doivent avoir 5 ans avant le 1er octobre pour être admis en maternelle. Dans une même classe, les plus jeunes ont donc jusqu’à un an de moins que les plus vieux. Dans une étude CIRANO, les auteurs montrent que les enfants nés fin septembre ont des taux de diagnostic et de médication du TDAH 35 % plus élevés que ceux nés début d’octobre. Le TDAH serait confondu avec des comportements d’inattention ou de plus grande turbulence. S’appuyant sur des données inédites de la RAMQ incluant les dossiers de services médicaux de près de 800 000 jeunes nés entre 1996 et 2005, les auteurs tirent des conclusions non équivoques sur l’ampleur du phénomène et sonnent l’alarme sur un enjeu extrêmement préoccupant.

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Kieslinger, Daniel, and Judith Owsianowski. Newsletter Inklusion jetzt! Juli 2023. BVKE, EREV, Inklusion jetzt!, July 2023. http://dx.doi.org/10.54953/ixam7633.

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Nun sind wir bereits mitten im Sommer. Sonne und Hitze wechseln sich mit Gewitter und starkem Regen ab. Ähnliche Wechsel spiegeln sich in der Kinder- und Jugendhilfelandschaft wider. Vielerorts ist es durch Urlaube und Ferien sehr ruhig. Und andernorts jagt eine Herausforderung die nächste – sei es ein zu besetzender Dienst oder eine Krise im Alltag. Für die Kinder und Jugendlichen werden bunte Ferienprogramme und -aktivitäten angeboten. In diesem Newsletter möchten wir Sie ebenso abwechslungsreich wieder über unterschiedliche Themen informieren.

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Kehew, J., K. Douglas, M. Riedel, I. Klaucke, T. Norgard, C. Du Preez, Z. Li, and C. Stacey. Swiftsure Bank water column survey SO294, offshore British Columbia. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331402.

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A water column survey at Swiftsure Bank shows evidence of venting from the seabed across a 47.8 km transect with 109 individual plumes identified (Figure 1). The RV Sonne SO294 CLOCKS expedition, from September 12-October 27, 2022, provided opportunity for a multibeam echosounder survey at Swiftsure Bank on behalf of Fisheries and Oceans Canada (DFO) and Natural Resources Canada (NRCan) while transiting on September 17, 2022. The data and results are presented here. Cold seeps are relevant to marine spatial planning as they are ecologically and biologically significant areas (EBSAs), providing unique habitat for chemosynthetic organisms.

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Berndt, Christian. RV SONNE Fahrtbericht / Cruise Report SO277 OMAX: Offshore Malta Aquifer Exploration, Emden (Germany) – Emden (Germany), 14.08. – 03.10.2020. GEOMAR Helmholtz Centre for Ocean Research Kiel, January 2021. http://dx.doi.org/10.3289/geomar_rep_ns_57_20.

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SO277 OMAX served two scientific projects. The objectives of the first project, SMART, were to develop multi-disciplinary methodologies to detect, quantify, and model offshore groundwater reservoirs in regions dominated by carbonate geology such as the Mediterranean Sea. To this end we acquired controlled-source electromagnetic, seismic, hydroacoustic, geochemical, seafloor imagery data off Malta. Preliminary evaluation of the geophysical data show that there are resisitivity anomalies that may represent offshore freshwater aquifers. The absence of evidence for offshore springs means that these aquifers would be confined and that it will be difficult to use them in a sustainable manner. The objective of the second project, MAPACT-ETNA, is to monitor the flank of Etna volcano on Sicily which is slowly deforming seaward. Here, we deployed six seafloor geodesy stations and six ocean bottom seismometers for long-term observation (1-3 years). In addition, we mapped the seafloor off Mt. Etna and off the island of Stromboli to constrain the geological processes that control volcanic flank stability.

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Seus, Sarah, and Maria Stadler. Evaluating a CIty Lab Process in Mannheim's distric Neckarstadt-West: Three main challenges for the evaluation. Fteval - Austrian Platform for Research and Technology Policy Evaluation, April 2022. http://dx.doi.org/10.22163/fteval.2022.550.

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During the last few years, city labs have emerged as promising formats to address transformative change. The aim of these formats often is to create collaborative spaces in which different stakeholders can jointly experiment with novel solutions for certain problems. While city labs start to establish transdisciplinary research settings, evaluating the effects of a city lab still brings about several chal- lenges. In this contribution, we reflect on three main challenges that emerged in the course of evaluating a city lab in Mannheim’s district Neckarstadt-West. The city lab was conducted as part of the research project SONNET (Social Innovation in Energy Transitions) and aimed to encourage social innovation in energy and thereby enable local energy transition. In the context of evaluating the city lab, we identified three main challenges that were related to a) evaluating an ongoing and open process, b) external shocks (especially in the context of the COVID-19 pandemic) and c) evaluating new forms of innovation under the concept of ‘social innovation’. The main achievement of this evaluation was to trace the process of a city lab and identify changes in objectives as well as the engagement of different stakeholder groups. However, an evaluation of the city lab’s outcomes remains challenging due to the openness of the process. This suggests rethinking linear evaluation models in favour of co-designing evaluation criteria in the course of the city lab process.

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Haeckel, Matthias, and Peter Linke. RV SONNE Fahrtbericht/Cruise Report SO268 - Assessing the Impacts of Nodule Mining on the Deep-sea Environment: NoduleMonitoring, Manzanillo (Mexico) – Vancouver (Canada), 17.02. – 27.05.2019. GEOMAR Helmholtz-Zentrum für Ozeanforschung Kiel, November 2021. http://dx.doi.org/10.3289/geomar_rep_ns_59_20.

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Cruise SO268 is fully integrated into the second phase of the European collaborative JPI-Oceans project MiningImpact and is designed to assess the environmental impacts of deep-sea mining of polymetallic nodules in the Clarion-Clipperton Fracture Zone (CCZ). In particular, the cruise aimed at conducting an independent scientific monitoring of the first industrial test of a pre-protoype nodule collector by the Belgian company DEME-GSR. The work includes collecting the required baseline data in the designated trial and reference sites in the Belgian and German contract areas, a quantification of the spatial and temporal spread of the produced sediment plume during the trials as well as a first assessment of the generated environmental impacts. However, during SO268 Leg 1 DEME-GSR informed us that the collector trials would not take place as scheduled due to unresolvable technical problems. Thus, we adjusted our work plan accordingly by implementing our backup plan. This involved conducting a small-scale sediment plume experiment with a small chain dredge to quantify the spatial and temporal dispersal of the suspended sediment particles, their concentration in the plume as well as the spatial footprint and thickness of the deposited sediment blanket on the seabed.

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