Relevant bibliographies by topics / Sonnets italiens

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  2. Dissertations / Theses
  3. Books
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  5. Reports

Academic literature on the topic 'Sonnets italiens'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Sonnets italiens"

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Pezzini, Sara. "Góngora viajero entre Berni y Ariosto (a propósito de tres sonetos)." Criticón 145-146 (2022): 151–65. http://dx.doi.org/10.4000/12dlf.

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Cet article étudie trois sonnets dans lesquels Góngora combine le motif autobiographique du mauvais voyage avec celui du mépris de la cour et il le fait à la lumière de ses possibles modèles italiens: les capitoli de Francesco Berni et des Berneschi ; et les Satire de l'Arioste. Le motif du mauvais hébergement et l’utilisation de certains procédés rhétoriques renvoient au premier ; au second, le motif horatien du repas frugal et la perspective du poète d’abandonner le lieu. Si, d’une part, cette lecture suggère l’affiliation littéraire de Góngora au thème du voyage (ce qui pourrait impliquer u
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Brūzgienė, Rūta. "Existential Motives and the Musicality of the Form in Vytautas Mačernis’ Cycle of Poems “The Sonnets of the Seasons” [Metų sonetai." Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (December 20, 2024): 47–55. https://doi.org/10.62119/cils.17.2024.8658.

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Vytautas Mačernis (1921-1944), is one of the youngest classical canon authors of Lithuanian literature. He was a student of philosophy, English philology, could read in 7 languages, translated poetry of Ch. Baudelaire, R. Burns, A. Blok, O. Milosz, F. Petrarca. His own writing bears characteristics of a distinctive harmony between archaic Baltic culture (“Vsions”) and modern Western culture as well as manifestations of existential philosophy (“The Sonnets of the Seasons”). Mačernis’ sonnets are distinctive not only because of their structural variations of the Italian, English and French canon
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Aceituno Martínez, Eduardo. "À propos de l’origine du sonnet marotique." Çédille, no. 24 (2023): 189–209. http://dx.doi.org/10.25145/j.cedille.2023.24.11.

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Several contradictory theories have been proposed in an attempt to elucidate the reasons that lead Clément Marot and his followers to introduce the sonnet in France with a rhyme scheme different from those adopted by the Italian sonnet. After submitting these hypotheses to examination, we will offer a new explanation, complementary to those exposed by Jasinski and Vianey: the sonnet marotique is due to an effort to respect the ancestral rules of versification typical of French poetry. Hence, Marot and the other creators of the early French sonnets arranged the rhyme of the tercets according to
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Tranchida, Giuseppe Giorgio. "L'attrito del metro." Polisemie 1 (April 3, 2020): 47–65. http://dx.doi.org/10.31273/polisemie.v1.606.

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This article analyses the use of the sonnet in Valerio Magrelli’s poetry, focusing on the effect of friction produced by metrical choices in relation to the other textual levels. The essay highlights the relationship between the author’s sonnets and free verse production and some models of Italian twentieth-century tradition. The study examines the texts in detail and shows how meter is used to generate short circuits and new paths of meaning under the surface of the text.
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Semyonov, Vadim B. "THE FIRST ENGLISH SONNET AND ITS PARODIC ESSENCE." Vestnik of Kostroma State University 30, no. 1 (2024): 100–106. http://dx.doi.org/10.34216/1998-0817-2024-30-1-100-106.

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The article is devoted to the consideration of questions about which sonnet was the first example of a national genre form in English poetry, and about the relationship between its text and previous traditions and specific monuments. The research material was a fragment of the chivalric romance “Amoryus and Cleopes” by John Metham. Topicality of the study is due to the lack of knowledge of this text. The form of graphic organisation of the selected fragment is analysed against the background of comparisons with various ways of setting up classical Italian sonnets, then the meaningful motifs an
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Regan, Stephen. "The Sonnet and its Travels." CounterText 3, no. 2 (2017): 162–75. http://dx.doi.org/10.3366/count.2017.0086.

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As well as being one of the oldest and best known of all poetic forms, the sonnet is also one of the most widely travelled. Critical studies of the sonnet in English have traced its historical development from its Italian predecessors, through its domestication in Elizabethan England, to its remarkable popularity among modern British, Irish, and American poets. There is still much to learn, however, about the geography of the sonnet. This essay looks at some of the ways in which the sonnet has been shaped in places distant from its familiar European cultural domain: in Roy Campbell's South Afr
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Хавжокова, Л. Б. "Poetics of Ruslan Atskanov's sonnets: tradition and innovation." Вестник Адыгейского государственного университета, серия «Филология и искусствоведение», no. 1(312) (June 26, 2023): 36–45. http://dx.doi.org/10.53598/2410-3489-2023-1-312-36-45.

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В статье исследуется сонетное творчество кабардинского поэта Руслана Ацканова. Основное внимание уделяется поэтике сонетов с целью установления их соответствия/несоответствия заявленному жанру. Выявляются главные мотивные линии, рассматривается образная система, исследуется метрико-рифмовочный комплекс. Детализированному анализу подвергаются отдельные сонеты, созданные по английской, итальянской и французской формам. Оценивается уровень художественного мастерства поэта, продемонстрированный при освоении этих жанровых форм. В целом в исследовании воссоздается индивидуально-авторский стиль Р. Ац
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West, Simon. "EZRA POUND'S CAVALCANTI: Fidelity and the Masculine Spirit." Forum Italicum: A Journal of Italian Studies 39, no. 2 (2005): 421–40. http://dx.doi.org/10.1177/001458580503900206.

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This paper aims to provide a close, rigorous and systematic analysis of Ezra Pound's various English versions of the sonnet 'Chi è questa che vèn' by Guido Cavalcati. Pound's interest in Cavalcanti began as early as 1909 when he started working on translations of the Italian poet during a period in which his own verse was influenced by the Pre-Raphaelites, including the first English translator of Cavalcanti, Dante Gabriel Rossetti. In 1912 he published The Sonnets and Ballate of Guido Cavalcanti. Pound sought a balance between a desire to capture the spirit of Cavalcanti and a desire to achie
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Markova, Mariana M. "AN INTIMATE DIALOGUE WITH GOD IN JOHN DONNE’S “HOLY SONNETS”: PETRARCHAN CONTEXT." Alfred Nobel University Journal of Philology 1, no. 27 (2024): 34–52. http://dx.doi.org/10.32342/2523-4463-2024-1-27-3.

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The purpose of the paper is to study the images of the platonic and courtly in the protagonist’s personal relations with God in J. Donne’s “Holy Sonnets” in the context of the connection with the Petrarchan tradition. In order to accomplish this, a complex approach including elements of biographical, genealogical, typological, hermeneutic, comparative, and structural-semiotic methods of literary analysis has been used. The views of literary critics on the sources of the “Holy Sonnets” (Christian meditative practices, Bible books, traditions of English religious lyrics) have been reviewed, thei
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Salmon, Frank. "Praedatrix Praeda Fit Ipsa Suae: Mary Magdalen, Federico Borromeo And Henry Constable's Spirituall Sonnettes." Recusant History 18, no. 3 (1987): 227–36. http://dx.doi.org/10.1017/s0268419500020572.

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THERE EXISTS, in Harleian MS. 7553 of the British Library, a set of seventeenSpiritual1 Sonnettes to the honour of God and hys Sayntes by H. C..In his 1812 edition of the manuscript, Thomas Park attributed these poems to the Elizabethan courtier-poet and later recusant Henry Constable on the grounds of the ‘regular Italian structure, and the sainted names of those addressed’.’ Three years later, in hisHeliconia,Park substantiated his attribution by reference to Constable's known Roman Catholicism and to a recantation found at the end of his secular sonnet cycleDianain Dyce MS. 44: ‘When I had
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Dissertations / Theses on the topic "Sonnets italiens"

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Fortier, John R. 1950. "Milton's rite of passage: The function of form in the Italian sonnets." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/282166.

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John Milton's Italian sonnets are more significant than they are generally thought to be. In spite of attempts to revive interest in them, they are among the poet's least valued works. In this dissertation, I demonstrate that the practices of publishing the sonnets out of their original order and including English translations along side of the original Italian alter readings of the sonnets by altering their context. These practices are largely responsible for the sonnets' poor reception. In addition to being altered by editorial practices and translations, the context in which the sonnets are
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Umstead, Randall A. "A new perspective on the Italian songs of Franz Liszt: an Italian perspective." Cincinnati, Ohio : University of Cincinnati, 2009. http://www.ohiolink.edu/etd/view.cgi?acc_num=ucin1235678838.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2009.<br>Advisors: Kenneth Griffiths M.M. (Advisor). Mary Henderson-Stucky M.M. (Committee Member), Barbara Paver M.M. (Committee Member). Title from electronic thesis title page (viewed May 1, 2009). Includes abstract. Keywords: Franz Liszt; Petrarch Sonnets; Tre sonetti di Petrarca, national influence. Includes bibliographical references.
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Vuong, Thomas. "Usages du sonnet européen (Allemagne, France, Grande-Bretagne, Italie) durant la Seconde Guerre-Mondiale (1939-1945)." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCD089.

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On dresse ici un panorama ample des usages de la forme poétique du sonnet durant la Seconde Guerre mondiale, en France, Allemagne, Grande-Bretagne et Italie. Ce parcours à travers la poésie de pays opposés militairement donne lieu à des analyses ciblées, qui visent à mettre en avant le fonctionnement d’une forme qui connaît une réelle floraison durant ce dürftiger Zeit de l’Europe. De nombreux poètes emploient en effet le sonnet pour donner un ordre à une expérience individuelle ou collective du désordre. On envisage la manière dont ces usages interrogent parfois profondément le rôle de la poé
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Grave, I. "A study of figurative language in the thirteenth century Italian love lyric based on a repertory, together with an analysis of the correspondence sonnets concerning questions of style." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384766.

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Howard, Paul. "Casus Belli : Giuseppe Gioachino waging war between tradition and experimentation." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:eaa66fdb-827c-4c78-bc1d-190000f7d780.

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This thesis explores the notion of opposition in the Sonetti romaneschi by the Roman poet Giuseppe Gioachino Belli (1791-1863). It sees the poet as a warring rebel on the literary scene and examines his poetics and rhetoric of war through his choice of form (the hallowed sonnet structure), language (the ‘rotten’ vernacular) and subject (the downtrodden, previously voiceless underclass); it shows that these cornerstones of Belli’s opus are in polemical response to literary stimuli and intimately connected to the political, religious and sociological upheavals in and beyond Rome in the troubled
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FERRANDO, ANDREA. "Fiore dei conversi. Testo inedito di fine sec. XIV. Edizione critica e commento." Doctoral thesis, Università degli studi di Genova, 2022. http://hdl.handle.net/11567/1088484.

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Il "Fiore dei Conversi" è un poemetto anonimo in sonetti ritornellati (372 poesie), databile alla fine del sec. XIV e tràdito da un solo manoscritto (B.A.V., Chig. M.IV.99). Vi viene narrato il racconto di un viaggio allegorico tra le stelle - e con meta il paradiso - che il protagonista, il cui nome resta sconosciuto, compie, mentre è ancora in vita, accompagnato da una guida saggia e fedele soventemente apostrofata con l'appellativo di "duca". La tesi consiste in una proposta di edizione critica e commentata del poemetto: la prima parte si sostanzia di alcuni capitoli introduttivi in cui il
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Hodder, Mike. "Petrarch in English : political, cultural and religious filters in the translation of the 'Rerum vulgarium fragmenta' and 'Triumphi' from Geoffrey Chaucer to J.M. Synge." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:49cdf913-cd2a-48c6-bf1e-533052018285.

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This thesis is concerned with one key aspect of the reception of the vernacular poetry of Francesco Petrarca (Petrarch), namely translations and imitations of the Rerum vulgarium fragmenta (Rvf) and Triumphi in English. It aims to provide a more comprehensive survey of the vernacular Petrarch’s legacy to English literature than is currently available, with a particular focus on some hitherto critically neglected texts and authors. It also seeks to ascertain to what degree the socio-historical phenomena of religion, politics, and culture have influenced the translations and imitations in questi
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Books on the topic "Sonnets italiens"

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Ughetto, André. Le sonnet: Une forme européenne de poésie : étude, suivie d'un choix de sonnets italiens, espagnols, anglais, allemands, russes et français. Ellipses, 2005.

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Ruschioni, Ada. Il sonetto italiano: Morfologia, profilo storico, antologia. Celuc, 1985.

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Tonelli, Natascia. Aspetti del sonetto contemporaneo. ETS, 2000.

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Meninni, Federigo. Il ritratto del sonetto e della canzone. Argo, 2002.

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Zanzotto, Andrea. Ipersonetto. Carocci, 2001.

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Fasani, Remo. Sonetti morali. Casagrande, 1995.

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Zanzotto, Andrea. Ipersonetto. Carocci, 2001.

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Belli, Giuseppe Gioachino. Seventeen sonnets. Arkos, 1998.

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vaticana, Biblioteca apostolica. Sonetti anonimi del Vaticano Lat. 3793. Presso l'Accademia della Crusca, 1992.

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Cavalcanti, Guido. Thirty-three sonnets of Guido Cavalcanti. Arion Press, 1991.

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Book chapters on the topic "Sonnets italiens"

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Correia, António, and Michela Graziani. "Deideia / Dell’idea." In Traduzione di Deideia / Dell’idea e Amagao meu amor / Macao amore mio. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0173-5.05.

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Macao amore mio and Dell’idea are the Italian translations of the two Portuguese colletions of sonnets of António Correia: Deideia and Amagao meu amor. These literary works have been translated for the first time in Italian language by Michela Graziani in this volume. The Italian translation provides the Italian reader to appreciate the poetry style of António Correia and to approach this fascinating Portuguese author of our contemporary age.
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Correia, António, and Michela Graziani. "Amagao meu amor / Macao amore mio." In Traduzione di Deideia / Dell’idea e Amagao meu amor / Macao amore mio. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0173-5.06.

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Dell’idea and Macao amore mio are the Italian translations of the two Portuguese colletions of sonnets of António Correia: Deideia and Amagao meu amor. These literary works have been translated for the first time in Italian language by Michela Graziani in this volume. The Italian translation provides the Italian reader to appreciate the poetry style of António Correia and to approach this fascinating Portuguese author of our contemporary age.
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Kaborycha, Lisa. "The notary who invented the love sonnet." In Voices from the Italian Renaissance. Routledge, 2024. http://dx.doi.org/10.4324/9781003284284-46.

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"‘The Sonnet’s Claim’: Petrarch and the Romantic Sonnet." In British Romanticism and Italian Literature. BRILL, 2005. http://dx.doi.org/10.1163/9789401202312_007.

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"Dante Gabriel Rossetti (1828-82)." In A Century of Sonnets, edited by Paula R. Feldman and Daniel Robinson. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195115611.003.0084.

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Abstract Dante Gabriel Rossetti and his siblings, William Michael and Christina, were the children of an Italian patriot who came to England in 1824. A poet, highly influenced by Keats, and painter apprenticed to his mentor and life­ long friend Ford Madox Brown (1821-93), and driven by his own aesthetic principles, Rossetti founded the Pre-Raphaelite Brotherhood in 1848 to re­ form the styles and manners of Victorian art. His interests in poetry and painting are inextricably combined, as he demonstrates in his important early sequence Sonnets for Pictures. His later sonnet sequence, The House
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Maiano, Dante da. "Sonnet." In The Early Italian Poets. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8501397.159.

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Robinson, Peter. "What Kind of Question?" In Poetry, Poets, Readers. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780199251131.003.0003.

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Abstract IN the month that Yeats died, Auden composed another of his pocket biographies of artists: ‘Edward Lear’. Reviewing Another Time, MacNeice put this sonnet among poems about people and places that ‘are a little too pat, too much written to formula’, while Empson found that ‘a horrid false note of infantilism’ occasionally gets into the pieces ‘about famous men’. Something pat and formulaic does shape the sonnet’s turn. Its octave evokes ‘the white | Italian shore’ where Lear breakfasts alone, weeps to himself in the night, and hates his nose; he is upset by ‘Germans and boats’ in surro
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Fuller, John. "The Italian Sonnet." In The Sonnet. Routledge, 2017. http://dx.doi.org/10.4324/9781315115436-1.

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"Towards a Baroque Poetics I." In Late Shakespeare and the English Baroque. Amsterdam University Press, 2024. https://doi.org/10.5117/9789048563180_ch05.

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Can the 1609 Quarto of Shakespeare’s sonnets help our understanding of the emerging baroque elements in his late work? French and Italian poets were modifying Petrarchan themes in baroque directions and Shakespeare also revisits the tradition. The baroque aspects of the sonnets display increased emotionality and expressiveness and beneath the loss, abandonment, self-laceration, cynicism, Höregkeit, and melancholy, is Shakespeare’s obsession with time. Many are not ‘sugred’ sonnets but brooding baroque-inflected meditations, landmarks in the emergence of a baroque poetic.
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Pich, Federica. "The Invention of the Sonnet." In The Oxford Handbook of Italian Literature. Oxford University Press, 2024. https://doi.org/10.1093/oxfordhb/9780197613955.013.15.

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Abstract The chapter reflects on the transnational fortune of the sonnet, and in particular of the “Italian sonnet,” from the time of its invention to the present. After an introductory section, the argument is organized into three parts, each addressing an opposition that is essential to what a sonnet is and does. The self-contained shape of the sonnet allows for both monody and dialogue, for both closure and connections within larger poetic structures. Similarly, the narrowness suggested by its fourteen-line measure and rhyme schemes proves inseparable from the wealth of discursive possibili
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Reports on the topic "Sonnets italiens"

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Biasca, Federico. La prise en charge des personnes converties à l’islam par les associations musulmanes en Suisse latine. Schweizerisches Zentrum für Islam und Gesellschaft (SZIG), Freiburg, 2024. http://dx.doi.org/10.51363/unifr.szigs.2024.011.

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La conversion à l’islam fait l’objet d’une attention scientifique et médiatique accrue en contexte européen, mais pour l’heure peu de recherches ont porté sur l’aspect institutionnel de ce phéno-mène. Cela est particulièrement vrai dans le contexte helvétique. Or face à la demande des per-sonnes converties, ou désireuses d’embrasser l’islam, les associations musulmanes en Suisse ont commencé à mettre en place des activités en leur direction. Cette étude, de nature exploratoire, porte sur ces dernières en mettant en lumière leurs formes et contenus. Elle analyse, en partant de la réalité de 15
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