Relevant bibliographies by topics / Sonorous body

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Sonorous body'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Sonorous body"

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Stojanović, Dragana. "Strategies of working with the sonorous body: Identifying other/new writing techniques in the field of bodily sound expression." New Sound, no. 47 (2016): 45–54. http://dx.doi.org/10.5937/newso1647045s.

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The issue of the entanglement and interdependence of corporeality and textuality in the process of creating writing attracts attention both in the field of sound and of semantic and bodily expression in sound. When the body is established in the process of semanticization (and re-semanticization), as a specific threshold o f writing, the place and role of the sonorous body forms the focus of theoretical research in that discursive space. This text explores the body's relational connection with writing, focusing on the always present transformative potential of speaking writing (again) as a con
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Gergely, Gábor. "Sonority, Difference and the Schwarzenegger Star Body." Film-Philosophy 23, no. 2 (2019): 137–58. http://dx.doi.org/10.3366/film.2019.0106.

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Discussions of the exilic body in Hollywood cinema have tended to focus on the personal trajectories of émigré actors in the context of the broader history of the industry in which they achieved star status. Significant work has been done in particular on the fate of European women stars in Hollywood but what has been rarely addressed, however, is the way in which Hollywood films imagine the exilic experience via the narratives built around specific stars. This article focuses on Arnold Schwarzenegger as one of the dominant stars of the 1980s–1990s, whose foreignness, accent and body are used
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Trower, Shelley. "Nerves, Vibration and the Aeolian Harp." Articles, no. 54 (December 15, 2009): 0. http://dx.doi.org/10.7202/038761ar.

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Abstract This essay examines how the Aeolian harp functions as a model for the workings of the human nervous system as understood in the late eighteenth and early nineteenth centuries. It sets out the scientific contexts – ranging from Hartleyan associationism to medical theories regarding the origin of life – that informed, in particular, two of Coleridge’s best-known poems: “The Aeolian Harp” and “Dejection: An Ode.” The essay provides a materialist account of mind, emphasising its inseparability from the body and physical world, as a corrective to the tendency in past criticism to overempha
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Nagai, Michelle. "Listen Compose Listen: A study of perception, process and the spaces between in two works made from listening." Organised Sound 16, no. 3 (2011): 211–19. http://dx.doi.org/10.1017/s1355771811000215.

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This paper presents a detailed study of two works that arrive at sounds composed through the experience of sounds heard. Frances White's composition Centre Bridge, composed in 1999 for two shakuhachi and tape, is based largely on the sounds of a sonorous metal grate bridge that crosses the Delaware River between New Jersey and Pennsylvania. ASound Map of the Danube, composed by Annea Lockwood in 2005, reflects four years of sound recording along the length of that river's European to Balkan trajectory. Employing a range of diverse technical tools and aesthetic ideas, both works convey, powerfu
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Hussain, Nur, and Islam MD Hasibul. "The Impact of Spatial Changes of Wetlands on Bio-Diversity: A Geo-Spatial Study on Tanguar Haor- Ramsar Site, Bangladesh." Journal of Wetlands Environmental Management 5, no. 2 (2017): 34. http://dx.doi.org/10.20527/jwem.v5i2.142.

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<p>Bangladesh is the largest delta in the world. Geographical location and seasonal diversity have made this country unique. Tanguar Haor as a Ramsar site is famous throughout the world with a reservoir of aquatic biodiversity. Due to availability of water flow throughout the year it has reached biodiversity compared to other haors in Bangladesh. In every winter, this haor becomes sonorous with the presence of thousands of migratory and resident birds. A lot of aquatic plants are floating and some are submerged. These aquatic plants decompose with seasonal shift and make the soil fertile
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Cusick, Suzanne G. "Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy." Journal of the American Musicological Society 46, no. 1 (1993): 1–25. http://dx.doi.org/10.2307/831804.

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This essay examines the presence of gender metaphors in the documents of the Monteverdi-Artusi controversy. Such metaphors include literal and figurative representations of sexuality and gender in the theoretical arguments on both sides; representations of gender, sexuality, and power in the oratione asserted to have governed the composition of the two most discussed works, the madrigals "Cruda Amarilli" and "O Mirtillo"; and representations of resistance to patriarchal authority in the armonia of both madrigals. Such examination shows (1) that the focus on these two madrigals by both parties
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Favero, Franciele, and Maria Raquel Da Silva Stolf. "Publicações sonoras: entre processos de escuta e participação." Interfaces Brasil/Canadá 19, no. 1 (2019): 83. http://dx.doi.org/10.15210/interfaces.v19i1.15927.

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O texto propõe reflexões sobre processos de desdobramentos de publicações sonoras em instalações, proposições e ações sonoras, ou vice-versa, em que a partir de intervenções, ações e instalações sonoras são produzidas publicações sonoras, envolvendo diferentes processos de escuta, entre o infra-ordinário e uma escuta infra-mince, entre o lugar de escuta de espaços sonoros fronteiriços, que pressupõe trânsitos entre contextos e falas atravessadas, pensando-se e praticando-se a escuta como situação, campo e espaço de participação. Deste modo, são investigadas as publicações e projetos sonoros Th
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Malakhov, Vladimir, Julia Zograf, and Vladimir Yushin. "Ultrastructure of spermatogenesis in the free-living marine nematode Halichoanolaimus sonorus (Chromadorida: Selachinematidae)." Nematology 6, no. 6 (2004): 797–809. http://dx.doi.org/10.1163/1568541044038614.

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AbstractSpermatogenesis of the free-living marine nematode Halichoanolaimus sonorus was studied with electron microscopy. The spermatocyte cytoplasm is filled with ribosomes, mitochondria, cisternae of the RER and Golgi bodies. The spermatids are subdivided into the residual body, which includes the entire synthetic apparatus of the cell, and the main cell body with a centrally located nucleus lacking a nuclear envelope. The mitochondria and the precursors of the fibrous bodies form a layer at the periphery of the main cell body. The main cell body surface bears numerous filopodia. The immatur
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Makevic, Zorica. "The light of the word in Ljubica Maric's music." Muzikologija, no. 9 (2009): 65–82. http://dx.doi.org/10.2298/muz0909065m.

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Ljubica Maric's music provides manifold encouragements for consideration in the light of the Logos, according to the teaching exposed in the prologue of the Gospel by St. John. It speaks of the essential inconceivability of time and life, which have their cause in God and His Logos. Seeing through and praising 'the logos of things' guide all its aspects: the tone reveals itself as a vibration, as the energy of lasting and existing, as the beginning of every time and motion; the sonority of different instrumental media is freely expressed and mutually determined in co-action with specific music
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Cultid-Medina, Carlos Andres, Paola Andrea Gonz´´ález-Vanegas, and Brenda Bedolla-García. "Wild bees as floral visitors to Salvia assurgens (Lamiaceae): a contribution to the pollination ecology of a white-flowered endemic Mexican sage." Acta Botanica Mexicana, no. 128 (February 10, 2021): e1785. http://dx.doi.org/10.21829/abm128.2021.1785.

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Background and Aims: Salvia assurgens (a white-flowered sage) is considered to be a melittophilous species due to its floral architecture. However, there are no current empirical data supporting its assignment to this pollination syndrome. The present study aimed to record the diurnal floral visitors of S. assurgens to confirm its characterization as melittophilous and to evaluate which species of bees are potential pollinators. Methods: We collected wild bee visitors to the flowers of one population of S. assurgens in northeastern Michoacán, Mexico, during the summers of 2018 and 2019. We ana
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Dissertations / Theses on the topic "Sonorous body"

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Sweeney-Turner, Steve. "Sonorous body : music, enlightenment & deconstruction." Thesis, University of Edinburgh, 1994. http://hdl.handle.net/1842/8204.

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How forgivable is a musicological text on deconstruction two decades after its assimilation by the other "humanities" disciplines? Moreover, how forgivable is a discipline as a whole which has allowed one of the most challenging aspects of post-war critical theory to pass it by to this extent? In no other field are Laing's remarks more likely to resonate today than that of critical musicology. Even the adoption of the critical epithet itself is a relatively recent phenomenon. However, it is indicative of an emergent desire for musicology to finally engage with contemporary critical discourse i
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Espíndola, Luz Marina. "O vestido azul: educação e música na infância - ressonâncias antropológicas." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-27082010-092255/.

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Trata-se de dissertação de mestrado que pretende aprofundar a reflexão sobre a música e a educação na infância. Nesse sentido, não se trata de inventariar metodologias do ensino musical ou considerações de caráter técnico-musical para aplicações didáticas, mas a possibilidade de uma educação da infância que tenha como objetivo o encontro entre professor e aluno, a busca de auto-conhecimento e a expressão, através da música. A autora coloca no primeiro capítulo, Parte A, uma abordagem antropológica da música, pensando-se na universalidade dos sons humanos que se ouve e se produz, sugerindo o co
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Nash, Ricardo. "Música e(m) Cena: processo de criação em mídias diversas." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/4869.

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Made available in DSpace on 2016-04-26T18:16:04Z (GMT). No. of bitstreams: 1 Ricardo Nash.pdf: 1690915 bytes, checksum: bfb10abe06787448339a20808dab6a85 (MD5) Previous issue date: 2006-10-16<br>Sounds and scene have always been connected to each other. Throughout history, several ways of connecting them were developed. Regarding the understanding of the principles which motivated the development of this relationship between sound and scenic compounds, this dissertation intends to research this relation to such a hybrid process of creation, lately amplified into several media. The goal
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Faubert, Julie. "Artistes sonores et «espaces du commun» : enjeux esthétiques, éthiques et politiques de l'expérience de l'écoute dans la ville." Thèse, 2017. http://hdl.handle.net/1866/21114.

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Books on the topic "Sonorous body"

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Pitozzi, Enrico. Body Soundscape. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.43.

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Starting from an interdisciplinary perspective of methodological integration of the concepts of body and sound in the contemporary dance scene, this chapter addresses the general aesthetic notion ofsonorous body. Through a survey of some key practices and pieces by Wayne McGregor, Ginette Laurin, Angelin Preljocaj, Cindy Van Acker and others, the author analyzes the audiovisual dimension of these works, developed with digital technologies and in a collaboration of choreographers with electronic musician and sound artists such as Scanner, Kasper T. Toeplitz, Granular Synthesis, and Mika Vainio.
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Valentini, Valentina. The Dramaturgy of Sound and Vocality in the Theatre of Socìetas Raffaello Sanzio. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.29.

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This chapter examines the vocal and sonorous dramaturgy of a series of performances by the Italian experimental theatre company Socìetas Raffaello Sanzio, fromSanta Sofia(1986) to the cycleTragedia Endogonidia(2002–2004). The company aimed to create a new language calledGeneralissima, to satisfy the need for a re-foundation of theanti-logosof the word. Thus it experimented with the conflict that exists between voice and body and between the spoken word and action. The voice constitutes a terrain for experimentation, an adequate domain for the theatre to be regenerated, using the body to the si
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Book chapters on the topic "Sonorous body"

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Zarrilli, Phillip, and Evan Thompson. "The voicing body and sonorous speech." In (toward) a phenomenology of acting. Routledge, 2019. http://dx.doi.org/10.4324/9780429322525-6.

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Bates, Marlin. "The Ur-Real Sonorous Envelope." In Handbook of Research on Technoself. IGI Global, 2013. http://dx.doi.org/10.4018/978-1-4666-2211-1.ch015.

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In the rhetorical construction of identity, we are often tasked with analyzing how rhetoric either points to or creates a space for identity. This chapter would seek to move beyond that. This chapter seeks to analyze how ur-real rhetoric creates identity not through a textual sense. It creates an effect on our psyches. The exigence is no longer the over-riding guide for the identity construct. Rather, the rhetoric is called forth not just by the situation but instead by the sum total of the rhetorical effect on the bodies being changed. It is the totality of the milieu in which we find ourselves. This represents what can be considered to be a fundamental shift within identity theory: Heretofore, we seek to explain reality and ur-reality in terms of how it aligns/misaligns with the physical realm. This chapter examines World of Warcraft’s and Ultima Online’s impact not just on the lexical construction of rhetorical identity, but also on the somatic; we need to be looking as to how the body responds. The chapter attempts to discern where the somatic and the lexical construction of rhetorical identity intersect by applying theories from Black, Burke, and others.
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"Psychic Envelopes and Sonorous Baths: Siting the Body in Relational Theory and Clinical Practice." In Relational Perspectives on the Body. Routledge, 2015. http://dx.doi.org/10.4324/9781315803340-12.

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"Chapter Two. A Silent Body in a Sonorous World: Silence and Heroic Values in the Iliad." In Silence in the Land of Logos. Princeton University Press, 2010. http://dx.doi.org/10.1515/9781400823765.46.

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Whittaker, Tom. "Sonorous Flesh: The Visual and Aural Erotics of Skin in Eloy de la Iglesia’s Quinqui Films." In Spanish Erotic Cinema. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474400473.003.0010.

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This chapter is a study of the erotic content of Eloy de la Iglesia’s quinqui films. Informed by senses-receptor-based film theories, the author reflects on the importance of the visual erotics of touch and skin, using the body of de la Iglesia’s actor fetiche José Luis Manzano as a productive and very fitting case study. The chapter proposes that the aesthetic roughness, the post-synch sound, and the delinquent narratives characteristic of this type of film, make it ideal to illustrate the kind of visual immediacy that sensually engages the viewer with the image on the screen. Manzano’s skin is often shown in close-up, pierced and tattooed. Through his work in de la Iglesia’s quinqui films, the actor became iconic of a genre fascinated with ‘the fragile glamour of male youth’ as a memorable example of what the press at the time referred to as the ‘estética de calzoncillo’,
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