Relevant bibliographies by topics / Sony Lab'Ou Tansi Lopes

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Academic literature on the topic 'Sony Lab'Ou Tansi Lopes'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Sony Lab'Ou Tansi Lopes"

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Vilar, Fernanda Salomão. "Le langage tropical de Sony Labou Tansi." Non Plus 6, no. 12 (2017): 201–15. http://dx.doi.org/10.11606/issn.2316-3976.v6i12p201-215.

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L’écriture de Sony Labou Tansi engage une réflexion historique, politico-sociale et idéologique par l’emploi d’un mode de langage qui bouleverse les normes. Par l’analyse de deux de ses romans, La vie et demie et Les sept solitudes de Lorsa Lopez nous voulons montrer comment il s’approprie de la langue française pour faire de l’hybridation un troisième espace habité et habitable par la différence, une différence créatrice de nouvelles possibilités de comprendre le divers.
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Garnier, Xavier. "La résurgence perpétuelle des apocalypses postcoloniales: Une étude des Sept solitudes de Lorsa Lopez de Sony Labou Tansi." French Forum 41, no. 1-2 (2016): 51–62. http://dx.doi.org/10.1353/frf.2016.0005.

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Dissertations / Theses on the topic "Sony Lab'Ou Tansi Lopes"

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Lawson-Ananissoh, Laté E. "Le roman nouveau en Afrique francophone Henri Lopes, Sony Labou Tansi : Eléments d'une poétique /." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1999. http://books.google.com/books?id=wltcAAAAMAAJ.

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Lawson-Ananissoh, Laté E. "Le roman "nouveau" en afrique francophone (sony labou tansi, henri lopes) elements d'une poetique." Paris 3, 1996. http://www.theses.fr/1996PA030157.

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Les romans de sony labou tansi et d'henri lopes, comme ceux ecrits depuis la fin de l'epoque coloniale en afrique, sont des textes qui ont pour problematique principale la communaute politique. Les deux ecrivains congolais presentent l'etat de desordre et de cruaute qui regne lorsque les etres humains, par indiscipline morale, refusent de vivre dans le respect de la loi. Pour decrire un tel etat, labou tansi et henri lopes imaginent des personnages incapables de se maitriser, des lieux ou regne la guerre de tous contre tous. Le langage est un aspect important de ces textes. Labou tansi cree des neologismes, des expressions ; son narrateur tient un discours peremptoire et prophetise sans cesse. Henri lopes prefere emprunter au continent africain ses differentes facons de s'exprimer. Chez les deux ecrivains, le narrateur appartient au milieu qu'il decrit mais s'adresse a un destinataire qui, lui, est etranger. Une telle situation a quelques consequences sur la coherence poetique des textes que nous etudions
The main subject of the novels written by sony labou tansi and henri lopes is as in all fiction written since the end of colonialism in africa - the political community. The two congolese writers show the state of disorder and cruelty which predominates as long as morally undisciplined human beings refuse to live in respect of the law. For the description of such a state labou tansi and henri lopes invent characters who are totally unable to controll themselves and places where a war governs in which everybody is fighting everybody. The language is considered as one of the main aspects of these texts. Labou tansi creates neologisms and expressions ; his narrator is ceaselessly talking in a peremptory and prophetic manner. Henri lopes prefers to borrow its different modes of expression from the african continent. Both authors show narrators coming from just the social background they are discribing but their adressees are no others than strangers. Such a situation has certain consequences for the poetic coherence of the texts shown here
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Potts, Shona. "Between the flag and the mask : the demystification of political independence in the African novel in French, 1960-1990." Thesis, University of Aberdeen, 1998. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU099272.

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In the first three decades since the granting of political independence to France's former African colonies, the novel form has been appropriated by postcolonial authors and articulates the possibility of a new relationship between the centre and the former margins. Fictional narrative has become central to the (re-) negotiation of power, authority, class and gender in a postcolonial African society. This thesis is a socio-historical study of selected texts which examines the re-writing of the African past and the appropriate of narrative voice by the inhabitants of marginal sites. Close readings of two earlier novels by Ousmane Sembene trace the development from the optimism of the pro-independence movement to the growing divisions within African society as an African elite replaces the former colonial population. While Sembene's novels reflect a belief in the certainties of the French language as a means of expression, Ahmadou Kourouma challenges its hegemony, introducing African grammatical structures and vocabulary into his texts. The shifting narrative voices and fragmented chronologies of Kourouma's texts expose the partial nature of historical writing and its relationship with fictional narrative. A close reading of texts by women authors examines the portrayal of female subjectivity and the ways in which these characters transcend the previously limiting stereotypes. Urban African society is explored from both a class and a gender perspective and in particular the way in which the post-colonial topology is disrupted by the marginalised. Finally, I chart the rise of neo-colonialism and the conditions which led to the rise of dictatorial regimes, revealing the centrality of language and iconography to the maintenance of governmental authority. I investigate the way in which satire and the presence of alternative, opposition discourses in the novels of Henri Lopes and Sony Labou Tansi calls into question the monolithic authority of the nation state.
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Cissé, Oualhassane Idrissa. "Réalités politiques nouvelles et écriture romanesque chez trois romanciers africains contemporains Tierno Monenembo (Les Crapauds-Brousse), Sony Labou Tansi (La Vie et demie), Henri Lopes (Le Pleurer-Rire)." Lille 3 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb37596754c.

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Cissé, Oualhassane Idrissa. "Realites politiques nouvelles et ecriture romanesque chez trois romanciers africains contemporains : tierno monenembo (les crapauds-brousse), sony labou tansi (la vie et demie), henri lopes (le pleurer-rire)." Paris 3, 1986. http://www.theses.fr/1986PA030104.

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Notre travail est un examen des themes de critique chez les auteurs de notre corpus. En partant du nouveau personnage romanesque, le dictateur, nous avons decrit les realites sociales. En insistant sur la nature et la portee des societes nouvelles telles qu'elles apparaissent dans les oeuvres. Le deuxieme moment nous a conduit a nous interesser a l'ecriture, en tant que mode de production du texte : comment chacun des auteurs presente-t-il les realites sociales de facon personnelle? ici, nous nous sommes egalement interesse a la satire, non pas seulement en tant que ton, mais aussi et surtout comme theme (la violence, la barbarie, la fantaisie). Le renouveau thematique qui s'accompagne d'une nouvelle ecriture imposait la recherche de nouveaux modeles, surtout dans le cas de labou tansi. Il a su s'impregner de l'influence de marquez qu'il a reussi a depasser par la suite
The thesis is an analysis of some topics of social criticism by the writers of the novels we've been working on. Starting with the "new romantic character", that is, the dictator, we described social realities, emphasizing on the nature and pertinence of new societies, just as they appear in the novels. Then we went on to analyze the style as a way of producing : how does each of the writers gives a personal presentation of social realities. We also got interested in the satirical style, not just because of the mood but and over all as a topic (viloence, barbarism, fancy). To bring in thisnew set of topics there was a search of new models and this is particularly thrue for labou tansi. He was clearly influenced by marquez but on the long run, he went further his own way
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Ravet, Roger. "La vie et demie de Sony Labou Tansi : du rire a l'abjection : ressorts thematiques et effets d'un roman fondateur." Thesis, University of Aberdeen, 2002. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=128368.

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This thesis is an in-depth analysis of La Vie et demie, the first novel of the Congolese writer Sony Labou Tansi, which I consider as a foundational text to the five novels he wrote subsequently.  The novel concerns an imaginary and chaotic country called Katamalanasie which is ruled by the Guide Proventiel, a cruel and sadistic dictator, followed in time by a string of equally barbaric and ruthless tyrants. The thesis explores in close detail the novel’s underlying themes, discusses the literary or mode it belongs to, and maps out the possible effects it has on the reader. My analysis has as its theoretical focus the violence, the ambiguity and the uncanny which characterize three important episodes. Following Christopher L. Miller’s recommendation, that a better understanding by a Western reader of a text emanating from, and embedded in, Africa should involve a dialogic reading of other texts, the thesis is structured as a dialogue between a range of theorists in the fields of the fields of philosophy, sociology, anthropology, psychoanalysis, and literary theory.  This thematic exploration leads me to identify one overarching theme, namely the precariousness of the state of culture and the dangers of the state of nature.  The literary aspects of this analysis shows that the highly ambiguous nature of the novel forces the reader to question and relativize his or her approach to any African writer whose work is set within an African context. And in a concluding stage to my thesis, I show how the effects of the violence, the ambiguity and the uncanny eventually give way to abjection, causing the reader to experience him or herself the dangers that the breakdown of the state of culture by barbarism represents.
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Ogunfolabi, Kayode Omoniyi. "History, horror, reality the idea of the marvelous in postcolonial fiction /." Diss., Connect to online resource - MSU authorized users, 2008.

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8

Mashihi, Thapelo. "Narrating post-colonial crisis: the post-colonial state and the individual in the works of Sony Labou Tansi." Thesis, 2014.

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Thesis (M.A.)--University of the Witwatersrand, 1999.
In this study I will examine two texts by the Congolese author Sony Labou Tansi, namely The Seven Solitudes of Lorsa Lopez and Parenthesis of Blood. The aim of the research is to examine how and why the author uses techniques of allegory and magic realism instead of realism in his work. By closely examining the two texts and with the help of comparisons with his other works, I intend to show that the world he is representing is too fabulous to be rendered in a realistic manner. The use of allegory and irony in the text is a strategy that helps the author to challenge the oppression and despair in his society. The issue of gender is also important in both texts, therefore, I will examine how Labou Tansi portrays women in his works. I will do this by comparing his presentation of women to other female characters found in African canonical works by male writers.
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Kabongo, Kanyanga Gilbert. "La dualité de l'oeuvre romanesque de Sony Labou Tansi." 2004. http://books.google.com/books?id=yjBlAAAAMAAJ.

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Books on the topic "Sony Lab'Ou Tansi Lopes"

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Henri Lopes et Sony Labou Tansi: Immersion culturelle et écriture romanesque. L'Harmattan, 2011.

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Lawson-Ananissoh, Laté E. Le roman "nouveau" en Afrique francophone: Henri Lopes, Sony Labou Tansi : eléments d'une poétique. Presses universitaires du Septentrion, 1999.

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Confidences et révélations littéraires: Henri Lopes, Sony Labou Tansi, Matondo Kubu Turé, Alain Mabanckou, Ghislaine Sathoud et Henri Djombo. L'Harmattan, 2012.

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