Relevant bibliographies by topics / Sophocle Sophocles

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Academic literature on the topic 'Sophocle Sophocles'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Sophocle Sophocles"

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Wright, Matthew. "Sophocles - (J.) Jouanna Sophocle. Pp. 906. Paris: Librairie Arthème Fayard, 2007. Paper, €30. ISBN: 978-2-23-60384-1." Classical Review 60, no. 1 (2010): 20–22. http://dx.doi.org/10.1017/s0009840x09990175.

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Tessier, Andrea. "Elia Borza: Sophocles redivivus. La survie de Sophocle en Italie au début du XVIe siècle. Éditions grecques, traductions latines et vernaculaires." Gnomon 81, no. 3 (2009): 213–17. http://dx.doi.org/10.17104/0017-1417_2009_3_213.

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Bers, Victor, H. Lloyd-Jones, and N. G. Wilson. "Sophoclea: Studies on the Text of Sophocles." Classical World 85, no. 2 (1991): 141. http://dx.doi.org/10.2307/4351053.

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Laemmle, Rebecca. "ATALANTE PHILANDROS: TEASING OUT SATYRIC INNUENDO (SOPHOCLES, FR. 1111 RADT = HERMOGENES, ON IDEAS 2.5)." Classical Quarterly 69, no. 2 (2019): 846–57. http://dx.doi.org/10.1017/s0009838819000958.

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Among the one-word fragments from unknown plays of Sophocles, fr. inc. 1111 R. (φίλανδρον) has been treated as one of the more straightforward. It derives from a passage in Hermogenes of Tarsos’ treatise Περὶ Ἰδεῶν (late second century c.e.), which includes the Sophoclean adjective, its referent and a brief gloss: … ὁ Σοφοκλῆς … φίλανδρόν που τὴν Ἀταλάντην εἶπε διὰ τὸ ἀσπάζεσθαι σὺν ἀνδράσιν εἶναι (‘… Sophocles called Atalante philandros somewhere because she enjoyed being with men’). Brunck assigned the fragment to Sophocles’ tragic Meleagros; most subsequent editors have edited the fragment
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Fernandes, Sara. "Da Ética à Religião." Philosophica: International Journal for the History of Philosophy 8, no. 16 (2000): 103–15. http://dx.doi.org/10.5840/philosophica200081617.

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Paul Ricoeur sustains in Soi-même comme un autre that the tragical conflict in Sophocle’s Antigone is only ethical. Antigone and Creon confront each other because they both have limited and partial views of good life. The aim of this brief paper is to show that Antigone's tragedy must be situated in the religions domain. Only Greek theology - the belief in a ‘cruel’ and ‘satanic’ God - gives us the ‘tools’ to understand Sophocles' complex imaginary.
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Komorowska, Joanna. "SPOKOJNY SEN KLITAJMESTRY ALBO CZEGO „BRAK” W EURYPIDESOWEJ „ELEKTRZE"." Colloquia Litteraria 8, no. 1/2 (2009): 7. http://dx.doi.org/10.21697/cl.2010.1.01.

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Peaceful dream of Clytemnestra, or what is missing in Euripides’ Electra Clytemnestra’s dream features as an important element of the vengeance dramas of both Aeschylus and Sophocles: still, is remains absent from the Euripidean version. This short essay sketches the possible implications of such an ‘omission’, while simultaneously highlighting the highly contrasting implications of the dream in the Choephorae and in the Sophoclean Electra.
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García Pérez, David. "La peste del tirano Edipo: política, medicina y desmesura." Nova Tellus 39, no. 1 (2021): 27–43. http://dx.doi.org/10.19130/iifl.nt.2021.39.1.27542.

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This paper exposes the thematic relationship between politics and medicine which can be inferred from the Oedipus Tyranus by Sophocles. We can find the concept of excess (ὕβρις) as a common thread between both arts (τέχναι) as it is the cause of the wrecking plague in 430 BC Attica, just as it is formulated in the Tragic version of Oedipus̓ myth. We resort to the History of Thucydides to help us approaching Sophocles̓ tragedy from historiography and, thus, configurating Oedipus as a tyrant, conception linked to the theme of the aforementioned plague.
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Brown, Andrew. "Notes on Sophocles' Antigone." Classical Quarterly 41, no. 2 (1991): 325–39. http://dx.doi.org/10.1017/s000983880000450x.

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My recent edition of Antigone (Warminster, 1987) was not intended primarily as a contribution to textual criticism. I did no work on the manuscripts, and little work on tracing the sources of old conjectures. Nevertheless, some of my thoughts on the text may merit fuller discussion than I was able to give them in a beginners' edition. And there have been more recent developments: in particular we now have a new Oxford Text of Sophocles with a companion volume of Sophoclea, and I have benefited from stimulating discussion with Dr David Kovacs, who has kindly allowed me to see a draft of some fo
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Hiscock, Matthew. "Sophoclean Suicide." Classical Antiquity 37, no. 1 (2018): 1–30. http://dx.doi.org/10.1525/ca.2018.37.1.1.

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This article aims to show that Sophocles anticipates questions about the autonomous subject and “ownership” of the self that are central to contemporary discourse. It suggests that Sophoclean self-killing, often considered quintessentially individualistic, in fact reflects a preoccupation with the autocheir, a less definite figure than our “suicide,” since s/he may also be (actually or potentially) a kin-killer. Also, that where Sophocles attempts to distinguish self-killing from kin-killing, it is to isolate and explore the nature and (not inevitably negative) implications of autocheiria. Clo
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Prauscello, Lucia. "The language of pity: eleos and oiktos in Sophocles' Philoctetes." Cambridge Classical Journal 56 (2010): 199–212. http://dx.doi.org/10.1017/s1750270500000324.

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Pity and the characters' response to it have always been recognized as one of the central themes of Sophocles' Philoctetes. In recent years scholarship on the play has mainly focused either on the cognitive aspects of the dynamics triggered by pity-related emotions (that is, how pity seems to activate and at the same time is triggered by rational reflection and experience) or on its self-conscious meta-theatrical dimension (what Halliwell has called the intrinsic ‘theatricality of pity’ and the audience's response to it). My intention is to contribute to this critical debate by focusing more n
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Dissertations / Theses on the topic "Sophocle Sophocles"

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Ditmars, Elizabeth Van Nes. "Sophocles' "Antigone" : lyric shape and meaning /." Pisa : Giardini, 1992. http://catalogue.bnf.fr/ark:/12148/cb35599318v.

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Daly, James. "Horizontal resonance as a principle of composition in the plays of Sophocles." New York : Garland, 1990. http://books.google.com/books?id=l8xfAAAAMAAJ.

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Markantonátos, Gerásimos An. "Tragic narrative : a narratological study of Sophocles' "Oedipus at Colonus /." Berlin : W. de Gruyter, 2002. http://catalogue.bnf.fr/ark:/12148/cb40004855x.

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Dago, Djiriga Jean-Michel. "La lecture idéologique de Sophocle. Histoire d'un mythe contemporain : le théâtre démocratique." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2013. http://tel.archives-ouvertes.fr/tel-00968677.

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Depuis plus d'un siècle, la Grèce antique ne cesse d'éblouir philosophes et hommes de lettre en Occident. La tragédie occupe une place éminente dans cet émerveillement venu de l'Athènes du Ve siècle avant Jésus-Christ. C'est pour matérialiser cette fascination que ce théâtre a donné lieu à des interprétations de tout genre : philosophique, humaniste, politique et morale... Il s'agit de lectures idéologiques dont la tragédie en général et Sophocle en particulier a fait l'objet. Dans cette perspective, il importait d'effectuer un panorama des lectures de cette tragédie devenue un mythe contempor
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Noel, Anne-Sophie. "La dramaturgie de l'objet dans le théâtre tragique du Ve siècle avant J.C. - Eschyle, Sophocle, Euripide -." Thesis, Lyon 3, 2012. http://www.theses.fr/2012LYO30079.

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Dans l’Athènes du Ve siècle avant J.-C., les poètes tragiques étaient responsables de la production entière de leurs œuvres dramatiques, de l’élaboration de l’intrigue à la composition des parties parlées et chantées, de la chorégraphie à la direction d’acteurs, de l’entraînement du chœur à la mise en scène, et Eschyle et Sophocle furent mêmes acteurs dans certains de leurs drames. Les objets font partie des ressources matérielles auxquelles ils ont eu recours pour représenter leurs tragédies dans l’orchestra du théâtre de Dionysos. Épées, boucliers, vases, urnes funéraires, lits ou même chari
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Lagrou, Sarah. "La création poétique dans le théâtre grec classique ou comment surprendre toujours dans un cadre traditionnel : l’exemple du mythe d’Œdipe dans la tragédie grecque." Thesis, Lille 3, 2016. http://www.theses.fr/2016LIL30012.

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Cette thèse de doctorat vise, à partir de l'exemple que constitue le traitement du mythe d'Œdipe par les trois dramaturges que sont Eschyle, Sophocle et Euripide, à comprendre comment les tragiques grecs, qui traitaient toujours des mêmes histoires, et suscitaient pourtant l'intérêt du public, ont su renouveler la création théâtrale, en parvenant à ne pas faire les mêmes pièces à partir des mêmes légendes. Certes, la matière mythique n'était pas figée en soi ; toutefois, comme la tragédie était un genre très codifié dans sa structure et relativement limité en termes d’effets visuels, c'est sur
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Saint, Martin Marie. "Etre sœur sur la scène tragique : Electre dans l’Athènes du Ve siècle et dans l’Europe moderne (1525-1830)." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040182.

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Dans la réadaptation d’un mythe, l’évolution des mentalités, notamment en ce qui concerne les représentations familiales, donne lieu à de larges remaniements de l’intrigue proposée par la tradition antique. Le mythe d’Electre, peut-être parce qu’il propose un modèle déjà compliqué à assumer pour les Grecs anciens (un fils tuant sa mère), est l’objet d’une transmission difficile. La rareté des Electre au XVIIe siècle, puis les innovations auxquelles les dramaturges sont contraints pour les adapter dans la seconde moitié du XVIIIe siècle, attestent ces difficultés. Le personnage d’Electre, en ta
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Spiegel, Francesca. "Exclusion in Sophocles." Doctoral thesis, Humboldt-Universität zu Berlin, 2020. http://dx.doi.org/10.18452/21979.

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"Exclusion in Sophocles" dass Exklusion als Motiv sich durch alle erhaltenen Sophoklesstücke zieht nebst einiger der längeren Fragmente. Auffällig ist die Vielfalt des Motivs, welches sich auf einen Ausschluss aus der Familie (Elektra), der Stadt (Ödipus-Dramen), der Armee (Philoktet), der Gemeinschaft der Menschen (Tereus) und noch vieles Weitere bezieht. Diese Arbeit sammelt, ordnet und analysiert sophokleische Exklusionsszenarien. Insbesondere wird der Gebrauch von Tropologien des Un/Menschlichen in der extrinsischen Charakterisierung der tragischen Protagonisten herausgestellt sowie da
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Kampen, Angeliek van Verfasser], and Hartwin [Akademischer Betreuer] [Brandt. "The generations of Sophocles. Analyses of generational awareness, generational relations and generation conflicts within the Sophoclean tragedies / Angeliek van Kampen. Betreuer: Hartwin Brandt." Bamberg : Otto-Friedrich-Universität Bamberg, 2009. http://d-nb.info/1058478451/34.

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Ridd, Stephen John. "Sophocles' 'Philoctetes' : a study." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335730.

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Books on the topic "Sophocle Sophocles"

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Sophocles. Sophocle, Philoctète. CIACO, 1985.

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Lloyd-Jones, Hugh. Sophoclea: Studies on the text of sophocles. Clarendon Press, 1990.

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Sophocles. Sophocles. 2nd ed. University of Chicago Press, 1991.

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Sophocles. Sophocles. University of Pennsylvania Press, 1998.

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Sophocles. Sophocles. Edited by Jebb, Richard Claverhouse, Sir, 1841-1905., Easterling P. E, and March Jennifer R. Bristol Classical Press, 2004.

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Sophocles. Sophocles. Harvard University Press, 1997.

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Sophocle. Fayard, 2007.

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Sophocles. Sophocles. Harvard University Press, 1994.

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Sophocles. Sophocles. printed by A. J. Valpy, M.A. and sold by all booksellers, 1991.

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Sophocles. Sophocles: Plays. Edited by Jebb, Richard Claverhouse, Sir, 1841-1905., Easterling P. E, and Goward Barbara. Bristol Classical Press, 2004.

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Book chapters on the topic "Sophocle Sophocles"

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May, Keith M. "Sophocles." In Nietzsche and the Spirit of Tragedy. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-09882-8_3.

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Magrini, James M. "Sophocles." In Meet the Philosophers of Ancient Greece. Routledge, 2021. http://dx.doi.org/10.4324/9781315249223-23.

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Juchler, Ingo. "Sophocles: Antigone." In Political Narrations. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70755-6_2.

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Scodel, Ruth. "Sophocles' Biography." In A Companion to Sophocles. Wiley-Blackwell, 2013. http://dx.doi.org/10.1002/9781118350508.ch3.

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Woodruff, Paul. "ThePhiloctetesof Sophocles." In A Companion to Sophocles. Wiley-Blackwell, 2013. http://dx.doi.org/10.1002/9781118350508.ch10.

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Murnaghan, Sheila. "Sophocles' Choruses." In A Companion to Sophocles. Wiley-Blackwell, 2013. http://dx.doi.org/10.1002/9781118350508.ch16.

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Jouanna, Jacques. "L’hymne chez Sophocle." In L'hymne antique et son public. Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.rrr-eb.4.00399.

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"Introduction." In Sophocles: Oedipus Tyrannus, edited by Jenny March. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622546.003.0001.

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The introduction begins with a brief description of the Oedipus myth before Sophocles in literature and art. It then sets out what we know about the play itself; the dramatic design of the plot; analysis of the events that take place; innovations by Sophocles; staging and performers. This is followed by a detailed exploration of the characters and main themes. These include the importance of dramatic irony; sight and blindness; recognition; foundlings; the role of Apollo; Oedipus’ tragic fate and the question of whether we have the authentic Sophoclean ending of Oedipus Tyrannus. Finally the myth in ancient literature after Sophocles is set out, and the parameters for this edition.
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"SOPHOCLES." In Narrators, Narratees, and Narratives in Ancient Greek Literature. BRILL, 2004. http://dx.doi.org/10.1163/9789047405702_019.

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"SOPHOCLES." In Sophrosyne and the Rhetoric of Self-Restraint. BRILL, 2004. http://dx.doi.org/10.1163/9789047406983_006.

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Conference papers on the topic "Sophocle Sophocles"

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Megawati, Erna. "Implicature within Script Play of Oedipus Rex by Sophocles." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.158.

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Megawati, Erna. "Implicature within Script Play of Oedipus Rex by Sophocles." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.265.

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Megawati, Erna. "Implicature within Script Play of Oedipus Rex by Sophocles." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.51.

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"Blindness: the Novel and the Film. From Sophocles to Saramago and Meirelles." In Feb. 2021 International Conferences. Excellence in Research & Innovation (EIRAI), 2021. http://dx.doi.org/10.17758/eirai9.f0221405.

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