Relevant bibliographies by topics / Sophocles. Antigone

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Academic literature on the topic 'Sophocles. Antigone'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Sophocles. Antigone"

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Kirkwood, G. M., Sophocles, and Andrew Brown. "Sophocles: Antigone." Classical World 82, no. 3 (1989): 213. http://dx.doi.org/10.2307/4350371.

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Gregory, Justina, and Mark Griffith. "Sophocles: Antigone." Phoenix 55, no. 3/4 (2001): 424. http://dx.doi.org/10.2307/1089132.

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Cairns, Douglas, and Brendan Kennelly. "Sophocles' Antigone." Classics Ireland 5 (1998): 141. http://dx.doi.org/10.2307/25528328.

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LEACH, COLIN. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 155—a—155. http://dx.doi.org/10.1093/nq/47-2-155a.

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LEACH, COLIN. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 155—b—155. http://dx.doi.org/10.1093/nq/47-2-155b.

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STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 156—a—156. http://dx.doi.org/10.1093/nq/47-2-156a.

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STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 156—b—156. http://dx.doi.org/10.1093/nq/47-2-156b.

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STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 156—c—156. http://dx.doi.org/10.1093/nq/47-2-156c.

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STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 157—a—157. http://dx.doi.org/10.1093/nq/47-2-157a.

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STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 157—b—157. http://dx.doi.org/10.1093/nq/47-2-157b.

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Dissertations / Theses on the topic "Sophocles. Antigone"

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Ditmars, Elizabeth Van Nes. "Sophocles' "Antigone" : lyric shape and meaning /." Pisa : Giardini, 1992. http://catalogue.bnf.fr/ark:/12148/cb35599318v.

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Christianaki, Elpida. "Political rebellion in Sophocles Antigone, Anouilhs Antigone and Fugards The Island." Thesis, University of Kent, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.443779.

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Spaulding, Gerald R. "Sophocles' Antigone an exploration of modern and contemporary versions /." Diss., Connect to online resource - MSU authorized users, 2007.

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Reinhart, Leslie A. "Restoring the Classics: Teaching Morality in Sophocles' Antigone Through Film." University of Dayton / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1310584393.

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Spiegel, Francesca. "Exclusion in Sophocles." Doctoral thesis, Humboldt-Universität zu Berlin, 2020. http://dx.doi.org/10.18452/21979.

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"Exclusion in Sophocles" dass Exklusion als Motiv sich durch alle erhaltenen Sophoklesstücke zieht nebst einiger der längeren Fragmente. Auffällig ist die Vielfalt des Motivs, welches sich auf einen Ausschluss aus der Familie (Elektra), der Stadt (Ödipus-Dramen), der Armee (Philoktet), der Gemeinschaft der Menschen (Tereus) und noch vieles Weitere bezieht. Diese Arbeit sammelt, ordnet und analysiert sophokleische Exklusionsszenarien. Insbesondere wird der Gebrauch von Tropologien des Un/Menschlichen in der extrinsischen Charakterisierung der tragischen Protagonisten herausgestellt sowie damit verbundene Metaphern des Pathologischen, Monströsen, Bestialen und sog. Primitiven als Marker und Auslöser von strukturellen Exklusionen. Dabei wird das Exklusionsmotiv nicht als vollendete Tatsache erfasst, sondern als dynamischer und sich teilweise über ganze Plots hinweg erstreckender Prozess, als Narrativ eines ehemals gut Eingegliederten und von der Gemeinschaft nach und nach Exkludierten. Gleichwohl diese Entwicklung vom tragischen Protagonisten in eloquenten und selbstdarstellerischen Reden vehement kritisiert wird, erwächst im Bereich der Metaphern und rhetorischen Bildsprache der Gemeinschaft eine regelrechte Ausradierung und Neuzuweisung seiner Identität. Durch eine vergleichende Gegenüberstellung beider Standpunkte stellt sich heraus, wie tiefgreifend die als Exkludierend handelnde Gemeinschaft in das Vorantschreiten des tragischen Geschehens involviert ist und die Dramen eben nicht nur—wie in zahlreichen Forschungsstandpunkten festgehalten—die Manci des Exkludierten Protagonisten als moralische Fabel vorführen.
Social exclusion as a literary theme is common to all of Sophocles' fully extant plays as well as some of the longer fragments. The variety of settings is wide, between exclusion from the family like for example in Electra, exclusion from the city as in the case of Oedipus, from a regiment of the armed forces like in Ajax or Philoctetes, or even humankind, like with Tereus. This inquiry sets out to present, taxonomize and unpack Sophoclean discourses of exclusion and their attaining literary tropes of the pathological, the bestial, the brutish, the monstrous, and the so-called uncivilized. The aim is to demonstrate how deeply implicated the whole cast of characters and their language are in the process of a tragedy unfolding, rather than the causes of tragedy being lodged in the doings of one protagonist alone. One key point argued here is that, instead of taking 'the isolation of the tragic hero' as fait accompli, exclusion is a dynamic process that often takes up the entire plot arc of a tragedy. In the space of extrinsic characterization, it is argued that a process of rhetorical erasure and overwriting of identity takes place, where peer groups gradually dismantle a formerly well-established identity and re-assign a new and undesirable one. It is shown how the protagonists seek to resist, lament or somehow negotiate this process through long and expansive speeches of futile self-reinstatement. In the synthesis of both, it is argued that Sophocles' deployment of the theme puts a critical spotlight on the rhetorics of exclusion and its discourses of the bestial, the brutal, and especially the pathological, which embed and frame the work's overall literary, cultural and dramatic effects.
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Soman-Çelik, Türkan. "Die ethischen Werte in Sophokles', Bertolt Brechts und Kemal Demirels Antigone." Berlin Avalon, 2009. http://d-nb.info/999315838/04.

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Adamian, Stephen P. "Family values : filial piety and tragic conflict in Antigone and King Lear." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79816.

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Most people place their sincerest hopes for emotional fulfillment on a rewarding family life. The "loved ones" that constitute our nuclear and extended familial worlds are the primary beneficiaries of our affections and of the fruits of our labors. In return for the primacy we accord our family members, we expect their behavior to demonstrate their loyalty to the clan. However, at a certain point obligations to the family can conflict with the needs of the individual. In this thesis I examine how filial duties influence the plights of the tragic heroines in Sophocles's Antigone and Shakespeare's King Lear. Both Antigone and Cordelia organize their lives around the virtue of family honor, and yet the strength of these commitments is not sufficient to spare them from their respective, calamitous ends. Their unwavering dedication to the sanctity of family bonds leaves them susceptible, as individuals, to great harm.
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Trimble, Grace Lorraine. "Between two worlds representing duality in the costumes of the University of Central Florida Conservatory Theatre's production of Seamus Heaney's The burial at Thebes: a version of Sophocles' Antigone." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5064.

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The costume design for the University of Central Florida Conservatory Theatre's production of Seamus Heaney's The Burial at Thebes: A Version of Sophocles' Antigone took an ancient Greek classic by Sophocles and infused it with influences from avant-garde theatre. This thesis documents the process of designing the costumes from academic, artistic, and technical aspects. Through this process, I explored how to communicate abstract ideas about humanity into actual costumes and how multiple cultural heritages can be intertwined in a united visual which pushes the audience to think more critically about the story. The recurring themes of duality are central to the final costume design: silk chiffon chitons draped over seemingly nude tattooed bodies, representing the ever-present competing allegiances to the will of the gods or to the law of man. Working backwards through the process, this thesis discusses the avant-garde aims of the production and how they were achieved in design. The historical and cultural research, and how it directly influenced the costume design, is discussed for both Seamus Heaney and The Burial at Thebes, as well as for Sophocles and Antigone. Moving through a thorough script analysis and text-to-text comparison of Antigone and The Burial at Thebes illuminates the character and situation traits that are expressed in the design. Script-to-script comparisons reveal the heightened political language Heaney has created to make a story readily accessible to modern audiences. This gives Creon more humanity, thus magnifying the conflict, which is analyzed using conflict theory.
ID: 029809291; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.F.A.)--University of Central Florida, 2011.; Includes bibliographical references (p. 139-143).
M.F.A.
Masters
Theatre
Arts and Humanities
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Dago, Djiriga Jean-Michel. "La lecture idéologique de Sophocle. Histoire d'un mythe contemporain : le théâtre démocratique." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2013. http://tel.archives-ouvertes.fr/tel-00968677.

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Depuis plus d'un siècle, la Grèce antique ne cesse d'éblouir philosophes et hommes de lettre en Occident. La tragédie occupe une place éminente dans cet émerveillement venu de l'Athènes du Ve siècle avant Jésus-Christ. C'est pour matérialiser cette fascination que ce théâtre a donné lieu à des interprétations de tout genre : philosophique, humaniste, politique et morale... Il s'agit de lectures idéologiques dont la tragédie en général et Sophocle en particulier a fait l'objet. Dans cette perspective, il importait d'effectuer un panorama des lectures de cette tragédie devenue un mythe contemporain. L'oeuvre de Sophocle a servi d'illustration à la visée idéologique d'un théâtre qui s'intégrait à l'origine dans le cadre des manifestations culturelles en l'honneur de Dionysos à Athènes. Y avait-il lieu d'universaliser et d'immortaliser ces interprétations, fruits de l'imaginaire occidental ? Fallait-il continuer la réincarnation des personnages de Sophocle qui aurait avec son Antigone et son OEdipe-roi réussi à élaborer des modèles inimitables de la tragédie et de l'existence de l'homme ? C'est pour questionner cette vision de Sophocle qu'il semble nécessaire d'exploiter les éléments esthétiques (chant, musique) de cette tragédie qui offrent de nouvelles pistes de réflexion en porte-à-faux avec la lecture idéologique observée dans la critique contemporaine.
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Konstantinidis, Damianos. "Mises en scène des tragédies de Sophocle en France de 1960 à 1986 : Antigone, Oedipe-Roi, Electre." Paris 10, 1989. http://www.theses.fr/1989PA100013.

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Les problèmes scéniques propres à la tragédie grecque (traduction, espace scénique, personnages, chœur, etc. ), ainsi que le message du théâtre antique aujourd'hui, constituent les thèmes principaux de cet ouvrage. A travers des représentations contemporaines d’Antigone, d'Œdipe roi et d'Electre de Sophocle, l'auteur s'efforce de suivre et d'analyser l'évolution du phénomène de la mise en scène de tragédies grecques, en France, de 1960 à 1986. Dans la première partie de sa thèse, il expose et critique les réponses apportées par les différents metteurs en scène de cette période aux questions que soulève le genre tragique, dans l'intention de donner un aperçu général de la situation et de proposer une typologie des représentations de pièces antiques. Enfin, il consacre la seconde partie de son étude aux spectacles de trois metteurs en scène français de Sophocle : Jean Vilar, Jean-Paul Roussillon, et Antoine Vitez, leurs positions envers la tragédie grecque lui paraissant comme les plus représentatives dans la période et dans le domaine examiné, méritant donc un traitement monographique
Theatrical problems related to Greek tragedy (translation, scenic space, characters, chorus, etc. ), as well as the ancient theater's 'message' today, are the essential themes of this essay. Through contemporaneous directions of three Sophocles's plays: Antigona, Oedipus rex, Elektra, the author strives to follow and analyse the evolution concerning the way Greek tragedies have been directed in France from 1960 to 1986. In his thesis's first part, the author considers, emiting some critics, the solutions suggested by the directors from this period to solve the problems brought up by the tragic repertoire, intending to give a general vision of the situation and to propose a typology of antic drama's scenic treatment. Finally, the second part of this study is dedicated to the work of three French directors on Sophocles's opera: Jean Vilar, Jean-Paul Roussillon, Antoine Vitez, as the author considers their point of view on Greek tragedy as the most relevant according to the period and domain herein studied, therefore deserving a monographic treatment
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Books on the topic "Sophocles. Antigone"

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Sirish, Rao, Roy Indrapramit, and Sophocles, eds. Sophocles' Antigone. Los Angeles: J. Paul Getty Museum, 2001.

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Sophocles. Sophocles, Antigone. Stutgardiae: Teubneri, 1996.

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Brecht, Bertolt. Sophocles' Antigone. New York, NY: Applause Theatre Book Publishers, 1990.

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1949-, Bennett Larry J., ed. Recapturing Sophocles' Antigone. Lanham, Md: Rowman & Littlefield Publishers, 1998.

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Sophocles. Hölderlin's Sophocles: Oedipus & Antigone. Highgreen, Tarset, Northumberland: Bloodaxe Books, 2001.

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Antigone: Sophocles' art, Holderlin's insight. Aurora, Colo: The Davies Group, Publishers, 2010.

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Sophocles, ed. Sophocles' Antigone: A new version. Newcastle upon Tyne: Bloodaxe Books, 1996.

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Sophocles. The burial at Thebes: Sophocles' Antigone. London: Faber and Faber, 2004.

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Sophocles. Antigone: An adaptation of Sophocles' play. [Toronto: Lyricalmyrical Press, 2004.

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Ditmars, Elizabeth van Nes. Sophocles' Antigone: Lyric shape and meaning. Pisa: Giardini Editori e Stampatori, 1992.

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Book chapters on the topic "Sophocles. Antigone"

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Juchler, Ingo. "Sophocles: Antigone." In Political Narrations, 7–33. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70755-6_2.

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Lardinois, André. "Antigone." In A Companion to Sophocles, 53–68. Oxford, UK: Wiley-Blackwell, 2013. http://dx.doi.org/10.1002/9781118350508.ch5.

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Van Steen, Gonda. "Enter Antigone, Let theAgonesBegin: Sophocles'Antigonein Nineteenth-Century Greece." In A Companion to Sophocles, 538–56. Oxford, UK: Wiley-Blackwell, 2013. http://dx.doi.org/10.1002/9781118350508.ch36.

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Haines, Simon. "Sophocles’ Antigone and Thucydides’ Athens: Romanticism and Realism in Politics." In Poetry and Philosophy from Homer to Rousseau, 17–32. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230502772_2.

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LeBlanc, John Randolph, and Carolyn M. Jones Medine. "“The Better Angels of Our Nature” Sophocles’ Antigone and the Crisis of Union." In Ancient and Modern Religion and Politics, 89–105. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137071514_6.

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"ANTIGONE." In Sophocles: Second Thoughts, 66–86. Göttingen: Vandenhoeck & Ruprecht, 1997. http://dx.doi.org/10.13109/9783666252006.66.

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"Antigone." In Brill's Companion to Sophocles, 111–28. BRILL, 2012. http://dx.doi.org/10.1163/9789004217621_008.

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Morwood, James. "Antigone." In The Tragedies of Sophocles, 36–46. Liverpool University Press, 2008. http://dx.doi.org/10.5949/liverpool/9781904675716.003.0004.

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"Antigone." In The Plays of Sophocles. Bloomsbury Academic, 2005. http://dx.doi.org/10.5040/9781474233385.0008.

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Sidiropoulou, Avra. "Antigone by Sophocles." In How to Teach a Play. Methuen Drama, 2020. http://dx.doi.org/10.5040/9781350017566.ch-005.

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You might also be interested in the extended bibliographies on the topic 'Sophocles. Antigone' for particular source types:
Journal articles Dissertations / Theses Books
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