Relevant bibliographies by topics / Sophocles. Antigone / Journal articles
To see the other types of publications on this topic, follow the link: Sophocles. Antigone.

Journal articles on the topic 'Sophocles. Antigone'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Sophocles. Antigone.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Kirkwood, G. M., Sophocles, and Andrew Brown. "Sophocles: Antigone." Classical World 82, no. 3 (1989): 213. http://dx.doi.org/10.2307/4350371.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Gregory, Justina, and Mark Griffith. "Sophocles: Antigone." Phoenix 55, no. 3/4 (2001): 424. http://dx.doi.org/10.2307/1089132.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Cairns, Douglas, and Brendan Kennelly. "Sophocles' Antigone." Classics Ireland 5 (1998): 141. http://dx.doi.org/10.2307/25528328.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

LEACH, COLIN. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 155—a—155. http://dx.doi.org/10.1093/nq/47-2-155a.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

LEACH, COLIN. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 155—b—155. http://dx.doi.org/10.1093/nq/47-2-155b.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 156—a—156. http://dx.doi.org/10.1093/nq/47-2-156a.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 156—b—156. http://dx.doi.org/10.1093/nq/47-2-156b.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 156—c—156. http://dx.doi.org/10.1093/nq/47-2-156c.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 157—a—157. http://dx.doi.org/10.1093/nq/47-2-157a.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 157—b—157. http://dx.doi.org/10.1093/nq/47-2-157b.

Full text
APA, Harvard, Vancouver, ISO, and other styles
11

LEACH, COLIN. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 155—a—155. http://dx.doi.org/10.1093/nq/47.2.155-a.

Full text
APA, Harvard, Vancouver, ISO, and other styles
12

LEACH, COLIN. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 155—b—155. http://dx.doi.org/10.1093/nq/47.2.155-b.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 156—a—156. http://dx.doi.org/10.1093/nq/47.2.156-a.

Full text
APA, Harvard, Vancouver, ISO, and other styles
14

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 156—b—156. http://dx.doi.org/10.1093/nq/47.2.156-b.

Full text
APA, Harvard, Vancouver, ISO, and other styles
15

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 156—c—156. http://dx.doi.org/10.1093/nq/47.2.156-c.

Full text
APA, Harvard, Vancouver, ISO, and other styles
16

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 157—a—157. http://dx.doi.org/10.1093/nq/47.2.157-a.

Full text
APA, Harvard, Vancouver, ISO, and other styles
17

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 157—b—157. http://dx.doi.org/10.1093/nq/47.2.157-b.

Full text
APA, Harvard, Vancouver, ISO, and other styles
18

Frank, Bernhard. "Sophocles' Antigone." Explicator 56, no. 4 (1998): 170–71. http://dx.doi.org/10.1080/00144949809595302.

Full text
APA, Harvard, Vancouver, ISO, and other styles
19

Taylor, George. "Sophocles' Antigone:." Studies in Theatre Production 3, no. 1 (January 1991): 4–16. http://dx.doi.org/10.1080/13575341.1991.10806835.

Full text
APA, Harvard, Vancouver, ISO, and other styles
20

Brown, Andrew. "Notes on Sophocles' Antigone." Classical Quarterly 41, no. 2 (December 1991): 325–39. http://dx.doi.org/10.1017/s000983880000450x.

Full text
Abstract:
My recent edition of Antigone (Warminster, 1987) was not intended primarily as a contribution to textual criticism. I did no work on the manuscripts, and little work on tracing the sources of old conjectures. Nevertheless, some of my thoughts on the text may merit fuller discussion than I was able to give them in a beginners' edition. And there have been more recent developments: in particular we now have a new Oxford Text of Sophocles with a companion volume of Sophoclea, and I have benefited from stimulating discussion with Dr David Kovacs, who has kindly allowed me to see a draft of some forthcoming notes of his own.
APA, Harvard, Vancouver, ISO, and other styles
21

Kocijančič, Matic. "First as Creon, then as Chorus: Slavoj Žižek’s Antigone." Interlitteraria 25, no. 1 (June 30, 2020): 231–45. http://dx.doi.org/10.12697/il.2020.25.1.19.

Full text
Abstract:
The article critically evaluates The Three Lives of Antigone, Slavoj Žižek’s first dramatic work. Žižek’s polemical rewriting of Sophocles’ tragedy is examined in the broader perspective of Žižek’s philosophy and other Antigones: those of Sophocles, Jean Anouilh, Bertolt Brecht and Dominik Smole. Slavoj Žižek has interpreted Sophocles’ Antigone in numerous philosophical works. In his earlier treatises, he mainly gave a cautious summary of Hegel’s, Heidegger’s and Lacan’s theses on Antigone; lately, however, Žižek’s attitude to Sophocles’ Antigone has grown decidedly negative. The main point in Žižek’s critique of Sophocles’ tragedy is that his Antigone is not an appropriate symbol of genuine social revolt. Based on this conviction, Žižek contrived his own version of Antigone with an alternative ending in which the choir carries out a revolution and condemns Antigone to death. It is argued in the article that Žižek’s dramatic project fails to convince. It is essentially a superficial apology for political violence, which can ultimately only be understood as a veiled defence of the political status quo.
APA, Harvard, Vancouver, ISO, and other styles
22

Fernandes, Sara. "Da Ética à Religião." Philosophica: International Journal for the History of Philosophy 8, no. 16 (2000): 103–15. http://dx.doi.org/10.5840/philosophica200081617.

Full text
Abstract:
Paul Ricoeur sustains in Soi-même comme un autre that the tragical conflict in Sophocle’s Antigone is only ethical. Antigone and Creon confront each other because they both have limited and partial views of good life. The aim of this brief paper is to show that Antigone's tragedy must be situated in the religions domain. Only Greek theology - the belief in a ‘cruel’ and ‘satanic’ God - gives us the ‘tools’ to understand Sophocles' complex imaginary.
APA, Harvard, Vancouver, ISO, and other styles
23

Wilson, Joseph P., William Blake Tyrrell, and Larry J. Bennett. "Recapturing Sophocles' "Antigone"." Classical World 94, no. 3 (2001): 294. http://dx.doi.org/10.2307/4352574.

Full text
APA, Harvard, Vancouver, ISO, and other styles
24

Davidson, J. F. "Sophocles Antigone 134." Mnemosyne 40, no. 3-4 (1987): 268–75. http://dx.doi.org/10.1163/156852587x00472.

Full text
APA, Harvard, Vancouver, ISO, and other styles
25

Toohey, Peter. "Sophocles, Antigone 567." Mnemosyne 41, no. 3-4 (1988): 375–78. http://dx.doi.org/10.1163/156852588x00642.

Full text
APA, Harvard, Vancouver, ISO, and other styles
26

Jones, D. Mervyn. "Sophocles, Antigone 2–3." Classical Quarterly 45, no. 1 (May 1995): 237. http://dx.doi.org/10.1017/s0009838800041847.

Full text
Abstract:
The duplication ο τι…οποιν has caused much trouble. However, schol. on explains ο τι by αντι τον οποιον. The οποιον may well have begun life as an intramarginal gloss written against the beginning of 2–3, which the next scribe mistook for the first word of 3 in the text, and dropped the original first word, which on this hypothesis would not necessarily bear any literal resemblance to οποιον. As for what this word was, there are obviously many possibilities; if for instance it was οανοντος, that would make explicit the contrast between the dead Oedipus and νωνπωοαιν, in a manner helpful to the context.
APA, Harvard, Vancouver, ISO, and other styles
27

Ledbetter, Grace M. "Sophocles, Antigone 1226–30." Classical Quarterly 41, no. 1 (May 1991): 26–29. http://dx.doi.org/10.1017/s0009838800003499.

Full text
Abstract:
‘Unhappy boy, what a deed you have done! What came into your mind? What disaster destroyed your reason?’ This version of 1228–9, by Andrew Brown in his recent commentary, represents the majority opinion. But what ‘deed’ has Haemon done that justifies such an outburst? Jebb, followed by Kamerbeek and Brown, claims that the deed which causes Creon to wail aloud with charges of insanity is Haemon's entry into Antigone's tomb. Kamerbeek and Brown justify the extremity of Creon's reaction by claiming that Creon knows that Haemon intends to kill himself. But is it reasonable to suppose that Creon's first reaction to the shocking scene of Antigone's hanging corpse and Haemon helplessly wailing would be that Haemon is on the verge of killing himself? Creon has not had time to predict his son's actions and his screams of dismay are most naturally read as a reaction to something he sees before his eyes. It would also be strange if Creon had absolutely no reaction to Antigone's death; he expected to find her alive.
APA, Harvard, Vancouver, ISO, and other styles
28

Hadjistephanou, C. E. "Sophocles Antigone 179 f." Mnemosyne 46, no. 2 (1993): 227–28. http://dx.doi.org/10.1163/156852593x00510.

Full text
APA, Harvard, Vancouver, ISO, and other styles
29

Viketos, Emmanuel. "Sophocles Antigone 435-36." Classical Philology 81, no. 1 (January 1986): 55. http://dx.doi.org/10.1086/366957.

Full text
APA, Harvard, Vancouver, ISO, and other styles
30

Noguera, Lía Sabrina. "Reescrituras de la tragedia en el teatro latinoamericano contemporáneo. El caso Antígona." Catedral Tomada. Revista de crítica literaria latinoamericana 7, no. 13 (January 8, 2020): 54–74. http://dx.doi.org/10.5195/ct/2019.407.

Full text
Abstract:
In the present article we propose to perform an analysis of various rewrites that from Latin America have been made from the text Antigone by Sophocles, taking as corpus of analysis: Antigone Velez (1951-Argentina) by Leopoldo Marechal, Furious Antigone (1986-Argentina) by Griselda Gambaro, The passion according to Antígona Pérez (1968-Puerto Rico) by Luis Rafael Sánchez, Antigone (1999- Peru) by José Watanabe, Antigonon. An epic contingent (2013-Cuba) by Rogelio Orizondo and Antigones. Court of women (2014-Colombia) by Carlos Satizabal. We start from the assumption that these dramas do this rewriting as a way of rethinking the national past and present and, especially, as a way of not forgetting the often traumatic experiences that these territories have experienced.
APA, Harvard, Vancouver, ISO, and other styles
31

Lima, Paulo Alexandre. "Religious Conflict in Sophocles’ Antigone." Cultura, no. 35 (December 1, 2016): 267–87. http://dx.doi.org/10.4000/cultura.2620.

Full text
APA, Harvard, Vancouver, ISO, and other styles
32

Bennett, Larry J., and Wm Blake Tyrrell. "Sophocles' Antigone and Funeral Oratory." American Journal of Philology 111, no. 4 (1990): 441. http://dx.doi.org/10.2307/295240.

Full text
APA, Harvard, Vancouver, ISO, and other styles
33

Lloyd-Jones, Hugh. "Sophocles, Oc 1729–30." Classical Quarterly 41, no. 2 (December 1991): 532–33. http://dx.doi.org/10.1017/s0009838800004699.

Full text
Abstract:
Antigone and Ismene know that the situation of their father's grave must remain a secret to all except Theseus; but Antigone cannot help suggesting to her sister that they make their way back in the hope of setting eyes upon the burial place of Oedipus. How, Ismene asks her, can this be right in the sight of heaven? θμις δ πς τάδ'στί; μν | οὐχ ρις;
APA, Harvard, Vancouver, ISO, and other styles
34

SINGH, FRANCES B. "Antigone's Changed Punishment: Gynaecology as Penology in Sophocles' Antigone." Australian Feminist Studies 18, no. 40 (March 2003): 7–16. http://dx.doi.org/10.1080/0816464022000056330.

Full text
APA, Harvard, Vancouver, ISO, and other styles
35

Clarke, Michael. "Thrice-Ploughed Woe (Sophocles, Antigone 859)." Classical Quarterly 51, no. 2 (December 2001): 368–73. http://dx.doi.org/10.1093/cq/51.2.368.

Full text
APA, Harvard, Vancouver, ISO, and other styles
36

Brown, Andrew. "Foreign Bodies: Sophocles Antigone 1080-1083." Mnemosyne 69, no. 1 (January 26, 2016): 29–54. http://dx.doi.org/10.1163/1568525x-12341773.

Full text
Abstract:
The article seeks to place Wunder’s deletion of Antigone 1080-1083 beyond reasonable doubt. The standard interpretation of the lines makes them intrusive both in their immediate context and in the play as a whole: we find that a ruling which Creon has not issued has led to pollution which does not make sense at cities which do not exist, provoking them to hatred which Creon will ignore and which will have no effect within the play or beyond it. An alternative interpretation, taking the lines as a generalisation, is no more successful, and the lines themselves are poorly written. An appendix discusses other possible interpolations in the speeches of Tiresias, concluding that lines 1004, 1013 and 1079 are probable instances.
APA, Harvard, Vancouver, ISO, and other styles
37

Sourvinou-Inwood, Christiane. "THE FOURTH STASIMON OF SOPHOCLES' ANTIGONE." Bulletin of the Institute of Classical Studies 36, no. 1 (December 1, 1989): 141–65. http://dx.doi.org/10.1111/j.2041-5370.1989.tb00571.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
38

Rosivach, Vincent J. "The Interpretation of Sophocles "Antigone" 926." Classical Philology 84, no. 2 (April 1989): 116–19. http://dx.doi.org/10.1086/367147.

Full text
APA, Harvard, Vancouver, ISO, and other styles
39

Jirsa, Jakub. "Value pluralism, Sophocles' Antigone and liberalism." Aither 2, no. 4 (September 30, 2010): 69–105. http://dx.doi.org/10.5507/aither.2010.021.

Full text
APA, Harvard, Vancouver, ISO, and other styles
40

Burns, Tony. "Sophocles' Antigone and the History of the Concept of Natural Law." Political Studies 50, no. 3 (August 2002): 545–57. http://dx.doi.org/10.1111/1467-9248.00384.

Full text
Abstract:
This paper focuses on two related questions. The first of these is a general question. Where are the origins of the concept of natural law to be located in the history of political thought? The second is more specific. Sophocles puts into the mouth of the eponymous heroine of his Antigone an argument justifying her disobedience to an edict of her uncle Creon, who forbade her to bury her brother Polyneices. Does this argument involve an appeal to the concept of natural law? The paper takes issue with the claim, first made by Aristotle in his Rhetoric, that Sophocles' Antigone is indeed an early example of the application of the concept of natural law in political argument and debate. This interpretation of the political message of the Antigone is inconsistent with what we know about Sophocles' attitude towards the fundamental questions of Athenian politics in the classical era of Periclean democracy during the fifth century BC.
APA, Harvard, Vancouver, ISO, and other styles
41

DeBrohun, Jeri Blair. "TRAGIC CONTAMINATIO AND POLLUTED SACRIFICE IN SENECA'S OEDIPUS." Ramus 46, no. 1-2 (December 2017): 35–57. http://dx.doi.org/10.1017/rmu.2017.3.

Full text
Abstract:
It has long been noticed that in his Oedipus, Seneca diverges conspicuously from his primary model, Sophocles’ Oedipus Tyrannus (OT), in a number of aspects. Prominent among these is an expansive, two-part ritual sequence at the play's center, comprising a prodigy-filled yet spectacularly unsuccessful sacrifice and extispicium followed by a more successful, if no less terrifying, necromancy to raise the slain Laius. This article concentrates on the sacrifice and extispicium (Sen. Oed. 288-402). I argue that in this episode Seneca has employed tragic contaminatio (the weaving into one play of significant elements from two or more different source plays) and allusion to produce an exceptionally innovative scene that is a remarkable display of the Roman playwright's ingenuity. For while Sophocles’ OT remains an active intertext, Seneca has also imported elements from Euripides’ Phoenissae. His primary model for the passage, moreover, is actually to be found in a different Sophoclean Theban play, Antigone. Specifically, Seneca has reworked and elaborated upon the climactic reversal scene between Creon and Tiresias in Antigone (998-1114), in which the seer reports on the corruption of the prophetic rites he has just performed and identifies Creon as the cause of the pollution, both for his continued refusal to allow the burial of the fallen Polyneices and for his entombment of the living Antigone.
APA, Harvard, Vancouver, ISO, and other styles
42

Kierstead, James. "Democracy’s Humility: A Reading of Sophocles’ Antigone." Polis: The Journal for Ancient Greek Political Thought 34, no. 2 (November 11, 2017): 288–305. http://dx.doi.org/10.1163/20512996-12340128.

Full text
Abstract:
Abstract Hegelian readings of Antigone would have us believe that Creon and Antigone are both heroes and villains at once. In this essay, I argue that Creon is in fact the villain of the piece, and a paradigmatic tyrant. Far from representing democratic rationalism, Creon is in fact the antitype of the epistemic humility that was one of the foundational ideals of Athenian democracy. As the Ode to Man and Protagoras’ Great Speech in Plato’s dialogue both suggest, human expertise ultimately reaches its limits in the sphere of ethics, an area overseen by the gods. For both Protagoras and Sophocles, in my reconstruction, democratic and religious practices are not an arrogant attempt to deny this fact, but a way of humbly accepting it. Through the humbling of Creon and the piety and reasonableness of Teiresias, Haimon, and even the Guard, Antigone illustrates an essential characteristic of democracy: its humility.
APA, Harvard, Vancouver, ISO, and other styles
43

MUELLER, MELISSA. "THE POLITICS OF GESTURE IN SOPHOCLES' ANTIGONE." Classical Quarterly 61, no. 2 (November 9, 2011): 412–25. http://dx.doi.org/10.1017/s000983881100019x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
44

Rosenfield, Kathrin H. "Getting Inside Sophocles' Mind Through Holderlin's Antigone." New Literary History 30, no. 1 (1999): 107–27. http://dx.doi.org/10.1353/nlh.1999.0013.

Full text
APA, Harvard, Vancouver, ISO, and other styles
45

Craik, Elizabeth M. "Significant Language in Sophocles, "Antigone" 1192-1243." Quaderni Urbinati di Cultura Classica 70, no. 1 (2002): 89. http://dx.doi.org/10.2307/20546715.

Full text
APA, Harvard, Vancouver, ISO, and other styles
46

Cannizzaro, Francesco, Stefano Fanucchi, Francesco Morosi, and Leyla Ozbek. "SKĒPTRON IN SOPHOCLES’ OEDIPVS REX." Classical Quarterly 69, no. 2 (November 12, 2019): 515–22. http://dx.doi.org/10.1017/s0009838819000909.

Full text
Abstract:
In Sophocles’ Oedipus Coloneus, after laying hands on Antigone and Ismene, Creon ridicules Oedipus by saying these words (OC 848–9):οὔκουν ποτ’ ἐκ τούτοιν γε μὴ σκήπτροιν ἔτιὁδοιπορήσῃς.Then you shall never more walk with the aid of these two props!It is possible that Creon is here alluding to Oedipus’ actual appearance throughout the play. As far as we know, Oedipus comes on stage with no walking stick, and uses Antigone and Ismene as a crutch while walking. Creon's comparing Oedipus’ daughters to a crutch, however, is also metaphorical. Such a metaphor is quite common in some modern languages (for example in Italian, ‘bastone della vecchiaia’, or in French, ‘bâton de vieillesse’), but was known by ancient Greek poetry as well. In Euripides’ Hecuba, for instance, Hecuba depicts her daughter Polyxena as her crutch (281 βάκτρον).
APA, Harvard, Vancouver, ISO, and other styles
47

Sommerstein, Alan H. "Sophocles and Democracy." Polis: The Journal for Ancient Greek Political Thought 34, no. 2 (November 11, 2017): 273–87. http://dx.doi.org/10.1163/20512996-12340127.

Full text
Abstract:
Abstract Sophocles was both a great dramatist and a significant figure in Athenian public life. As a public figure, he was elected to important offices by the Athenian demos, but he also had a hand in the abolition of democracy in 411 bc – and then won first prize in the first tragic contest held after democracy was restored. As a dramatist, he frequently gives the impression that the common people are helpless without strong and wise leadership; but he can also suggest that a leader is worth nothing if he neglects his people or ignores their opinions, and in Antigone he seems to go out of his way to highlight the importance of the opinion of the ordinary man as well as that of the elite.
APA, Harvard, Vancouver, ISO, and other styles
48

Todd, Robert B. "Sophocles, "Antigone" 523, and British Appeasement in 1938." Classical World 94, no. 4 (2001): 377. http://dx.doi.org/10.2307/4352590.

Full text
APA, Harvard, Vancouver, ISO, and other styles
49

Melissidis, N. S. "Human Condition and Political Authority in Sophocles' Antigone." Philosophical Inquiry 27, no. 1 (2005): 203–10. http://dx.doi.org/10.5840/philinquiry2005271/216.

Full text
APA, Harvard, Vancouver, ISO, and other styles
50

Essen-Fishman, Lucy Van. "Generalization and Characterization in Sophocles’ Trachiniae and Antigone." Classical Philology 115, no. 3 (July 1, 2020): 315–38. http://dx.doi.org/10.1086/708892.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Sophocles. Antigone' for other source types:
Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography