Academic literature on the topic 'Sophocles. Oedipus Rex'

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Journal articles on the topic "Sophocles. Oedipus Rex"

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Green, Janet. "Sophocles' Oedipus Rex." Explicator 52, no. 1 (1993): 2–3. http://dx.doi.org/10.1080/00144940.1993.9938718.

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Cannizzaro, Francesco, Stefano Fanucchi, Francesco Morosi, and Leyla Ozbek. "SKĒPTRON IN SOPHOCLES’ OEDIPVS REX." Classical Quarterly 69, no. 2 (2019): 515–22. http://dx.doi.org/10.1017/s0009838819000909.

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In Sophocles’ Oedipus Coloneus, after laying hands on Antigone and Ismene, Creon ridicules Oedipus by saying these words (OC 848–9):οὔκουν ποτ’ ἐκ τούτοιν γε μὴ σκήπτροιν ἔτιὁδοιπορήσῃς.Then you shall never more walk with the aid of these two props!It is possible that Creon is here alluding to Oedipus’ actual appearance throughout the play. As far as we know, Oedipus comes on stage with no walking stick, and uses Antigone and Ismene as a crutch while walking. Creon's comparing Oedipus’ daughters to a crutch, however, is also metaphorical. Such a metaphor is quite common in some modern language
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Agosto, Mauro. "On Sophocles, Oedipus Rex 258–264." ATHENS JOURNAL OF PHILOLOGY 6, no. 3 (2019): 171–88. http://dx.doi.org/10.30958/ajp.6-3-2.

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Cardullo, Bert. "Ibsen’s Ghosts and Sophocles’ Oedipus Rex." Explicator 47, no. 4 (1989): 41–43. http://dx.doi.org/10.1080/00144940.1989.11483996.

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Mahony, Patrick. "The Oedipus Rex of Sophocles and psychoanalysis." International Journal of Applied Psychoanalytic Studies 7, no. 4 (2010): 290–306. http://dx.doi.org/10.1002/aps.247.

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Whitman-Raymond, Lee. "Defect and Recognition in Sophocles’ Oedipus Rex." American Journal of Psychoanalysis 65, no. 4 (2005): 341–52. http://dx.doi.org/10.1007/s11231-005-7886-5.

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Barbosa, Tereza Virgínia Ribeiro. "Sófocles, Sêneca e Pasolini." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 99–108. http://dx.doi.org/10.17851/2317-2096.8..99-108.

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Resumo: Vamos refletir sobre o filme Edipo Rei de Pier Paolo Pasolini a partir de cenas conjugadas com a forma e os elementos constitutivos das tragédias de Sófocles e Sêneca; com trechos de poesia antiga e ainda com alguns pontos de estudo de mitologia. Pretendemos também mostrar como Pasolini dialoga com Aristóteles acerca da elaboração do trágico e de seus efeitos.Palavras-chave: tragédia; cinema; Édipo; Sófocles; Sêneca; Pasolini.Abstract: The paper aims at examining, in terms of form and content, Oedipus Rex by Pier Paolo Pasolini in relation to theatrical scenes in tragedies by Sophocles
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Klik, Marcin. "Metamorphoses of Oedipus in Modern French Literature. From an Intellectual Drama to a Psychoanalytical Reflection on Ideal Love." Interlitteraria 25, no. 1 (2020): 170–84. http://dx.doi.org/10.12697/il.2020.25.1.15.

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Oedipus Rex, a tragedy created twenty-five centuries ago, is still a source of inspiration for many writers. However, the overall message of modern interpretations of the Oedipus myth differs considerably from the message of Sophocles’ play; these works are no longer the stories of a man punished by gods for his haughtiness (hybris). André Gide modernizes Sophocles’ tragedy, transforming it into a lesson in secular humanism. The play by Jean Cocteau focuses on the transition from ignorance to awareness. Alain Robbe-Grillet creates an anti-story about the contemporary version of Oedipus, whose
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Li, Ruoqi. "The Complex Relation of Self-determination to Destiny in Oedipus Tyrannos." English Language and Literature Studies 5, no. 4 (2015): 115. http://dx.doi.org/10.5539/ells.v5n4p115.

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<p>Oedipus Rex, one of the three famed Theban tragedies by the Greek dramatist Sophocles, vividly portrays the complex and often troubling theme of humanity’s relationship to fate. By detailing the way in which Oedipus, king of Thebes, is reduced by the cruelty of predestination into a puppet with no semblance of control over the course of his own life, Sophocles seems to cast doubt on, not only the effectiveness, but also the meaning of self-control. Thus, freedom of choice, humanity’s final assertion of independence, appears to dissolve into hollow mockery. But even then, Sophocles con
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Manoussakis, John Panteleimon. "Thebes Revisited: Theodicy and the Temporality of Evil." Research in Phenomenology 39, no. 2 (2009): 292–306. http://dx.doi.org/10.1163/156916409x448210.

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AbstractThis essay gives a close reading of Sophocles' Oedipus Rex in light of Schelling's discussion of theodicy as teleology. The article raises the question of the connection between ethics and time, and it argues that ethical categories are really temporal ones, so much so that it would make little sense to posit a choice between good and evil as if there were two simultaneous options. Instead, the story of Oedipus shows us how Thebes is always to precede if one is to reach Colonus, that evil precedes and enables the good.
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Dissertations / Theses on the topic "Sophocles. Oedipus Rex"

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Goulart, Rildo Rodrigues. "Édipo rei: as relações entre édipo e Jocasta." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-26102010-104453/.

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O texto da tragédia grega Édipo Rei de Sófocles, do século V a.C., permite até os dias de hoje inúmeros estudos sobre seu mito, face a tamanha riqueza existente em seu mitologema. Pressuposto a tantas pesquisas existentes, elaboramos uma visão inerente aos estudos realizados, compondo uma dissertação comparativa, revisitando o texto de Sófocles e incluindo uma nova ótica sobre a tragédia do rei de Tebas. Porém, antes de mergulharmos na essência do mito, procuramos entender a tragédia grega e seu período de existência. Da mesma forma, investigamos o homem Sófocles, artista e poeta na sociedade
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Thomas, Benjamin. "Illuminating a Tragic Miasma in Shepard’s A Particle of Dread." Thesis, Université d'Ottawa / University of Ottawa, 2021. http://hdl.handle.net/10393/41623.

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Sam Shepard was a playwright who used a variety of stories and styles to explore and understand the country he called home, The United States of America. This thesis launches the process of understanding how Greek tragedy had influenced the work of Shepard in his explorations by looking at Shepard’s final play before his passing, A Particle of Dread (Oedipus Variations). Using the concept of miasma that has been established as important to Greek tragedy to analyze A Particle of Dread and its primary source work, Oedipus Rex, this thesis reveals the extent of the ancient tragic form’s presence
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Lurje, Michael. "Die Suche nach der Schuld : Sophokles' Oedipus Rex, Aristoteles' Poetik und das Tragödienverständnis der Neuzeit /." München ; Leipzig : K. G. Saur, 2004. http://catalogue.bnf.fr/ark:/12148/cb39233455p.

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Books on the topic "Sophocles. Oedipus Rex"

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Harold, Bloom. Sophocles' Oedipus Rex. Chelsea House Publishers, 1988.

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Sophocles. The oedipus plays: Antigone, oedipus rex, and oedipus at colonus : Sophocles. Spark Publishing, 2014.

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Sophocles. Oedipus Rex. Dover Publications, 1991.

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Sophocles. Oedipus Rex. Cambridge University Press, 1991.

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Sophocles. Oedipus rex. 3rd ed. B.G. Teubner, 1996.

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Sophocles. Oedipus Rex. Players Press, 1992.

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Sophocles' Oedipus: Evidence and self-conviction. Cornell University Press, 1991.

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Freud and Oedipus. Columbia University Press, 1987.

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Edinger, Edward F. The psyche on stage: Individuation motifs in Shakespeare and Sophocles. Inner City Books, 2001.

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Stravinsky, Igor. BBC Third Programme presents Oedipus Rex: An opera-oratorio after Sophocles ; text by Jean Cocteau, translated into latin by J. Daniélou ...; the BBC Men's Chorus ..., the BBC Symphony Orchestra ..., conductor, Igor Stravinsky ... Brotish Broadcasting Corporation, 2000.

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Book chapters on the topic "Sophocles. Oedipus Rex"

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"Letter Describing the Performance of Oedipus Rex at Vicenza in 1585." In Sophocles. Routledge, 2013. http://dx.doi.org/10.4324/9781315046914-8.

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Scullion, Scott. "‘The road of excess’." In Rediscovering E. R. Dodds. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198777366.003.0006.

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This chapter addresses E.R. Dodds’s papers on Greek tragedy. Despite everything that can be said in criticism of Dodds’s Bacchae, the book is a compelling masterpiece of classical scholarship. Its shortcomings all have to do with his approach to ‘the Dionysiac’. However, Dodds’s vision is fundamental to the reception of his work: its impact on readers, within and beyond the academy, is a cultural fact independent of the validity of his treatment of any particular work, phenomenon, or body of evidence. The chapter then considers Dodds’s 1960 article on the Oresteia and another article on Oedipus Rex. By both ancient and modern reckoning, Sophocles’ Oedipus Rex is among the greatest of Greek tragedies, and what would perhaps be generally acknowledged as the most satisfying interpretation of it was given by Dodds in his 1966 article ‘On Misunderstanding the Oedipus Rex’, his final contribution to the study of Greek tragedy.
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Lev Kenaan, Vered. "The unconscious as a figura futurorum." In The Ancient Unconscious. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198827795.003.0005.

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The triangulation of classics, psychoanalysis, and comparative literature is the proper context for discussing the exegetical significance of what Erich Auerbach, the father of comparative literature, turned into a conceptual cornerstone: the figura futurorum. Reading Sophocles’ Oedipus Rex through the lens of Auerbach’s figura futurorum, the chapter explains the fruitfulness of analogy for psychoanalysis and comparative literature and the kinds of linking (Oedipus–Hamlet, savage–neurotic) that have been crucial in the making of Oedipus’ future into the central plot of psychoanalysis. The universalism of Freud’s claims for psychoanalysis are examined, and shown to depend on his relation to classical antiquity in the formulation of his own experience.
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Lev Kenaan, Vered. "Childhood memories." In The Ancient Unconscious. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198827795.003.0004.

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An analysis in which the Homeric digression intersects with Freud’s notion of regression leads into a comprehensive reading of the Homeric episode of the foot washing of the Odyssey, Book 19. The chapter concentrates on the mnemonic function of the scar in the Homeric epic and Sophocles’ tragedy. The chapter considers the significance of Oedipus’ childhood memories in shaping the tragic plot of Oedipus Rex as a tragedy of recollection. Oedipus’ and Odysseus’ scars bring home something that has collapsed into forgetfulness. The chapter discusses the significance of ancient and Freudian figures and images of scars as junctions of forgetting and remembering, and shows how ancient narratives of memory (Odysseus) and forgetfulness (Oedipus) can inform our understanding of Freud’s notion of the dream navel.
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Rose, Richard, and D. D. Kugler. "Newhouse adapted from Tirso de Molina's Don Juan (The Trickster of Seville] and Sophocles' Oedipus Rex." In The CTR Anthology, edited by Alan Filewod. University of Toronto Press, 1991. http://dx.doi.org/10.3138/9781442657540-016.

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Che Neba, Divine, and Daniel A. Nkemleke. "Revisioning Classical Mythology in African Dramaturgy: A Study of Sophocles’ Oedipus Rex and Ola Rotimi’s The Gods Are Not to Blame." In Our Mythical Education. The Reception of Classical Myth Worldwide in Formal Education, 1900-2020. University of Warsaw Press, 2021. http://dx.doi.org/10.31338/uw.9788323546245.pp.399-418.

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Mack, Michael. "The desire for power and the power of desire: The case of Pier Paolo Pasolini." In Incest in contemporary literature. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526122162.003.0008.

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This chapter focuses on Pasolini’s film Edipe Re (1967), his love poem to his mother, and his play “Affabulacione” (1966). The latter is concerned with a father who turns into a jealous lover of his son. He is so possessive of his son that he ends up killing the son. A reversal of Oedipus and Sophocles’ ghost is a key character in the play. Thus “Affublacione” or “Fabrications” problematizes incest as a gay reversal of the Oedipus complex. The crucial point is that the reversal of Oedipus in Pasolini’s play “Affabulacione” is Oedipal too: it is premised on the desire for power and the power of desire. Art and psychoanalysis here meet politics. The political aspect of mental life and its deceptive representations are also pertinent for a better understanding of Pasolini’s early films. “Mamma Roma” (1962) and Accatone (1961).
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Conference papers on the topic "Sophocles. Oedipus Rex"

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Megawati, Erna. "Implicature within Script Play of Oedipus Rex by Sophocles." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.158.

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Megawati, Erna. "Implicature within Script Play of Oedipus Rex by Sophocles." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.265.

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Megawati, Erna. "Implicature within Script Play of Oedipus Rex by Sophocles." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.51.

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