Academic literature on the topic 'Sophocles – Oedipus Rex – English'

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Journal articles on the topic "Sophocles – Oedipus Rex – English"

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Green, Janet. "Sophocles' Oedipus Rex." Explicator 52, no. 1 (October 1, 1993): 2–3. http://dx.doi.org/10.1080/00144940.1993.9938718.

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Cannizzaro, Francesco, Stefano Fanucchi, Francesco Morosi, and Leyla Ozbek. "SKĒPTRON IN SOPHOCLES’ OEDIPVS REX." Classical Quarterly 69, no. 2 (November 12, 2019): 515–22. http://dx.doi.org/10.1017/s0009838819000909.

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In Sophocles’ Oedipus Coloneus, after laying hands on Antigone and Ismene, Creon ridicules Oedipus by saying these words (OC 848–9):οὔκουν ποτ’ ἐκ τούτοιν γε μὴ σκήπτροιν ἔτιὁδοιπορήσῃς.Then you shall never more walk with the aid of these two props!It is possible that Creon is here alluding to Oedipus’ actual appearance throughout the play. As far as we know, Oedipus comes on stage with no walking stick, and uses Antigone and Ismene as a crutch while walking. Creon's comparing Oedipus’ daughters to a crutch, however, is also metaphorical. Such a metaphor is quite common in some modern languages (for example in Italian, ‘bastone della vecchiaia’, or in French, ‘bâton de vieillesse’), but was known by ancient Greek poetry as well. In Euripides’ Hecuba, for instance, Hecuba depicts her daughter Polyxena as her crutch (281 βάκτρον).
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Agosto, Mauro. "On Sophocles, Oedipus Rex 258–264." ATHENS JOURNAL OF PHILOLOGY 6, no. 3 (September 6, 2019): 171–88. http://dx.doi.org/10.30958/ajp.6-3-2.

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Cardullo, Bert. "Ibsen’s Ghosts and Sophocles’ Oedipus Rex." Explicator 47, no. 4 (July 1989): 41–43. http://dx.doi.org/10.1080/00144940.1989.11483996.

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Mahony, Patrick. "The Oedipus Rex of Sophocles and psychoanalysis." International Journal of Applied Psychoanalytic Studies 7, no. 4 (August 3, 2010): 290–306. http://dx.doi.org/10.1002/aps.247.

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Whitman-Raymond, Lee. "Defect and Recognition in Sophocles’ Oedipus Rex." American Journal of Psychoanalysis 65, no. 4 (December 2005): 341–52. http://dx.doi.org/10.1007/s11231-005-7886-5.

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Klik, Marcin. "Metamorphoses of Oedipus in Modern French Literature. From an Intellectual Drama to a Psychoanalytical Reflection on Ideal Love." Interlitteraria 25, no. 1 (June 30, 2020): 170–84. http://dx.doi.org/10.12697/il.2020.25.1.15.

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Oedipus Rex, a tragedy created twenty-five centuries ago, is still a source of inspiration for many writers. However, the overall message of modern interpretations of the Oedipus myth differs considerably from the message of Sophocles’ play; these works are no longer the stories of a man punished by gods for his haughtiness (hybris). André Gide modernizes Sophocles’ tragedy, transforming it into a lesson in secular humanism. The play by Jean Cocteau focuses on the transition from ignorance to awareness. Alain Robbe-Grillet creates an anti-story about the contemporary version of Oedipus, whose lot is determined, not by gods, but by chance and unconscious desires. As for the psychoanalytical interpretation of the myth by Jacqueline Harpman, it is first of all the reflection on ideal love, fully realized in an incestuous relationship between the son and his mother.
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Li, Ruoqi. "The Complex Relation of Self-determination to Destiny in Oedipus Tyrannos." English Language and Literature Studies 5, no. 4 (November 30, 2015): 115. http://dx.doi.org/10.5539/ells.v5n4p115.

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<p>Oedipus Rex, one of the three famed Theban tragedies by the Greek dramatist Sophocles, vividly portrays the complex and often troubling theme of humanity’s relationship to fate. By detailing the way in which Oedipus, king of Thebes, is reduced by the cruelty of predestination into a puppet with no semblance of control over the course of his own life, Sophocles seems to cast doubt on, not only the effectiveness, but also the meaning of self-control. Thus, freedom of choice, humanity’s final assertion of independence, appears to dissolve into hollow mockery. But even then, Sophocles confirms the fundamental significance of the self-knowledge and dignity that comes from struggling against tyrannical destiny. It is this dignity that sustains king Oedipus through his terrible ordeal so that he comes out of it tortured but not destroyed. It is also this elevation that adds to a tale of endless victimization a whole new dimension of complexity and imbues the words with a touch of tragic and transfiguring sublimity.</p>
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Kousoulis, Antonis A., Konstantinos P. Economopoulos, Effie Poulakou-Rebelakou, George Androutsos, and Sotirios Tsiodras. "The Plague of Thebes, a Historical Epidemic in Sophocles’ Oedipus Rex." Emerging Infectious Diseases 18, no. 1 (January 2012): 153–57. http://dx.doi.org/10.3201/eid1801.ad1801.

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Barbosa, Tereza Virgínia Ribeiro. "Sófocles, Sêneca e Pasolini." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 99–108. http://dx.doi.org/10.17851/2317-2096.8..99-108.

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Resumo: Vamos refletir sobre o filme Edipo Rei de Pier Paolo Pasolini a partir de cenas conjugadas com a forma e os elementos constitutivos das tragédias de Sófocles e Sêneca; com trechos de poesia antiga e ainda com alguns pontos de estudo de mitologia. Pretendemos também mostrar como Pasolini dialoga com Aristóteles acerca da elaboração do trágico e de seus efeitos.Palavras-chave: tragédia; cinema; Édipo; Sófocles; Sêneca; Pasolini.Abstract: The paper aims at examining, in terms of form and content, Oedipus Rex by Pier Paolo Pasolini in relation to theatrical scenes in tragedies by Sophocles and by Seneca. In addition, parts of old poems and some aspects of mythology will also be considered. The dialogue Pasolini has with Aristotle on the tragic and its effects is examined as well. Keywords: tragedy; cinema; Oedipus; Sophocles; Seneca; Pasolini.
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Dissertations / Theses on the topic "Sophocles – Oedipus Rex – English"

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Goulart, Rildo Rodrigues. "Édipo rei: as relações entre édipo e Jocasta." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-26102010-104453/.

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O texto da tragédia grega Édipo Rei de Sófocles, do século V a.C., permite até os dias de hoje inúmeros estudos sobre seu mito, face a tamanha riqueza existente em seu mitologema. Pressuposto a tantas pesquisas existentes, elaboramos uma visão inerente aos estudos realizados, compondo uma dissertação comparativa, revisitando o texto de Sófocles e incluindo uma nova ótica sobre a tragédia do rei de Tebas. Porém, antes de mergulharmos na essência do mito, procuramos entender a tragédia grega e seu período de existência. Da mesma forma, investigamos o homem Sófocles, artista e poeta na sociedade em que viveu, e suas relações sociais e políticas com seu amigo e estrategista Péricles. Ponto imprescindível da dissertação é a constatação de que Sófocles fundiu em um só personagem feminino a figura das duas esposas de Laio, condensadas em Jocasta. Tornada mãe e esposa de Édipo, o personagem de Jocasta aumentou profundamente o efeito dramático desejado pelo autor grego, criando um dos maiores textos trágicos da antiguidade que chegaram até hoje. Sem perder a essência do texto sofocliano, decodificamos o mito em suas diversas vertentes, situamos as condições sociais nas relações da mulher no século V a.C., e, assim, estabelecemos as relações que envolveram Édipo e Jocasta no conjunto poético da tragédia reelaborada por Sófocles.
The text of the Greek tragedy Oedipus Rex, by Sophocles, 5th century BC, allows us, until the present days, to make innumerous studies about its myth, due to the immense richness of its mythologem. Considering so many existing researches, we have elaborated a vision inherent to the studies already done, writing a comparative dissertation, revisiting Sophoclestext and throwing some new light upon the tragedy of the King of Thebes. However, before plunging into the essence of the myth, we have tried to understand the Greek tragedy and its existing context. In the same way, we have investigated the man Sophocles, artist and poet in the society he lived in, and his social and political relationship with his friend and strategist Pericles. The essential point of the dissertation is the thesis that Sophocles has melted, in a single feminine character, the profiles of the two wives of Laius, condensed in Jocasta. Transformed into mother and wife of Edipo, the character Jocasta deeply increased the dramatic effect desired by the Greek author, creating one of the greatest tragic text of antiquity that have arrived to present days. Without losing the essence of the sophoclean text, we have decoded the myth in its various aspects, contextualized the social conditions of the womens relations in the 5th century BC, and, finally, we have established the relations that involved Edipo and Jocasta in the poetic set of the tragedy re-elaborated by Sophocles.
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Thomas, Benjamin. "Illuminating a Tragic Miasma in Shepard’s A Particle of Dread." Thesis, Université d'Ottawa / University of Ottawa, 2021. http://hdl.handle.net/10393/41623.

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Sam Shepard was a playwright who used a variety of stories and styles to explore and understand the country he called home, The United States of America. This thesis launches the process of understanding how Greek tragedy had influenced the work of Shepard in his explorations by looking at Shepard’s final play before his passing, A Particle of Dread (Oedipus Variations). Using the concept of miasma that has been established as important to Greek tragedy to analyze A Particle of Dread and its primary source work, Oedipus Rex, this thesis reveals the extent of the ancient tragic form’s presence in Shepard’s last play. To do so, I approach the work in a combination of theory and practice. I first use dramaturgical analysis of Oedipus Rex, to explain what tragic role miasma has in Sophocles’ play. This is followed by a mirrored dramaturgical analysis of A Particle of Dread to uncover and compare what place miasma (and therefore tragedy) has in Shepard’s play. Following this is the review and analysis of five performance workshops exploring scenes of Shepard’s play which used a combination of performance and lighting to physicalize that dramaturgical work so as to further it and hopefully reveal new aspects through their embodiment. This dramaturgical and practical work results in the discovery of how and to what end Shepard has chosen to use the Grecian content style to analyze and commentate on Western society. The work also offers the chance to compare how the engagement with pollution has changed from the characters of 5th Century BCE Greece to 2014 America, and what that might mean for 2020 onwards.
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Books on the topic "Sophocles – Oedipus Rex – English"

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Sophocles. Oedipus Rex. New York: Dover Publications, 1991.

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Sophocles. Oedipus Rex. Cambridge: Cambridge University Press, 1991.

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Sophocles. Oedipus rex. 3rd ed. Stutgardiae: B.G. Teubner, 1996.

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Sophocles. Oedipus Rex. Studio City, CA: Players Press, 1992.

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Harold, Bloom. Sophocles' Oedipus Rex. New York: Chelsea House Publishers, 1988.

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Sophocles. The oedipus plays: Antigone, oedipus rex, and oedipus at colonus : Sophocles. New York, NY: Spark Publishing, 2014.

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Sophocles. Sophocles' Oedipus trilogy. San Diego, CA: ICON Classics, 2005.

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Sophocles. Sophocles' Oedipus trilogy. San Diego, CA: ICON Classics, 2005.

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Sophocles. Sophocles' Oedipus trilogy. San Diego, CA: ICON Classics, 2005.

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Sophocles' Oedipus: Evidence and self-conviction. Ithaca: Cornell University Press, 1991.

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Book chapters on the topic "Sophocles – Oedipus Rex – English"

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"Letter Describing the Performance of Oedipus Rex at Vicenza in 1585." In Sophocles, 31–42. Routledge, 2013. http://dx.doi.org/10.4324/9781315046914-8.

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"Oedipus Tyrannus." In Sophocles: Oedipus Tyrannus, edited by Jenny March, 59–162. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622546.003.0002.

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The Greek text is accompanied by a full apparatus criticus at the foot of each page and also a facing English translation. The translation is as literal as possible, while still retaining a reasonable fluency. Where the translation is further from the Greek, a literal rendering is including in the Commentary for students who aim to understand the Greek. Some help with the Greek itself is also included.
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Scullion, Scott. "‘The road of excess’." In Rediscovering E. R. Dodds, 128–48. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198777366.003.0006.

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This chapter addresses E.R. Dodds’s papers on Greek tragedy. Despite everything that can be said in criticism of Dodds’s Bacchae, the book is a compelling masterpiece of classical scholarship. Its shortcomings all have to do with his approach to ‘the Dionysiac’. However, Dodds’s vision is fundamental to the reception of his work: its impact on readers, within and beyond the academy, is a cultural fact independent of the validity of his treatment of any particular work, phenomenon, or body of evidence. The chapter then considers Dodds’s 1960 article on the Oresteia and another article on Oedipus Rex. By both ancient and modern reckoning, Sophocles’ Oedipus Rex is among the greatest of Greek tragedies, and what would perhaps be generally acknowledged as the most satisfying interpretation of it was given by Dodds in his 1966 article ‘On Misunderstanding the Oedipus Rex’, his final contribution to the study of Greek tragedy.
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Lev Kenaan, Vered. "The unconscious as a figura futurorum." In The Ancient Unconscious, 129–62. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198827795.003.0005.

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The triangulation of classics, psychoanalysis, and comparative literature is the proper context for discussing the exegetical significance of what Erich Auerbach, the father of comparative literature, turned into a conceptual cornerstone: the figura futurorum. Reading Sophocles’ Oedipus Rex through the lens of Auerbach’s figura futurorum, the chapter explains the fruitfulness of analogy for psychoanalysis and comparative literature and the kinds of linking (Oedipus–Hamlet, savage–neurotic) that have been crucial in the making of Oedipus’ future into the central plot of psychoanalysis. The universalism of Freud’s claims for psychoanalysis are examined, and shown to depend on his relation to classical antiquity in the formulation of his own experience.
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Lev Kenaan, Vered. "Childhood memories." In The Ancient Unconscious, 91–128. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198827795.003.0004.

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An analysis in which the Homeric digression intersects with Freud’s notion of regression leads into a comprehensive reading of the Homeric episode of the foot washing of the Odyssey, Book 19. The chapter concentrates on the mnemonic function of the scar in the Homeric epic and Sophocles’ tragedy. The chapter considers the significance of Oedipus’ childhood memories in shaping the tragic plot of Oedipus Rex as a tragedy of recollection. Oedipus’ and Odysseus’ scars bring home something that has collapsed into forgetfulness. The chapter discusses the significance of ancient and Freudian figures and images of scars as junctions of forgetting and remembering, and shows how ancient narratives of memory (Odysseus) and forgetfulness (Oedipus) can inform our understanding of Freud’s notion of the dream navel.
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Rose, Richard, and D. D. Kugler. "Newhouse adapted from Tirso de Molina's Don Juan (The Trickster of Seville] and Sophocles' Oedipus Rex." In The CTR Anthology, edited by Alan Filewod. Toronto: University of Toronto Press, 1991. http://dx.doi.org/10.3138/9781442657540-016.

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Che Neba, Divine, and Daniel A. Nkemleke. "Revisioning Classical Mythology in African Dramaturgy: A Study of Sophocles’ Oedipus Rex and Ola Rotimi’s The Gods Are Not to Blame." In Our Mythical Education. The Reception of Classical Myth Worldwide in Formal Education, 1900-2020. University of Warsaw Press, 2021. http://dx.doi.org/10.31338/uw.9788323546245.pp.399-418.

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Conference papers on the topic "Sophocles – Oedipus Rex – English"

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Megawati, Erna. "Implicature within Script Play of Oedipus Rex by Sophocles." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.158.

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Megawati, Erna. "Implicature within Script Play of Oedipus Rex by Sophocles." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.265.

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Megawati, Erna. "Implicature within Script Play of Oedipus Rex by Sophocles." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.51.

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