Relevant bibliographies by topics / Sophocles Sophocles

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Academic literature on the topic 'Sophocles Sophocles'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Sophocles Sophocles"

1

Bers, Victor, H. Lloyd-Jones, and N. G. Wilson. "Sophoclea: Studies on the Text of Sophocles." Classical World 85, no. 2 (1991): 141. http://dx.doi.org/10.2307/4351053.

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Laemmle, Rebecca. "ATALANTE PHILANDROS: TEASING OUT SATYRIC INNUENDO (SOPHOCLES, FR. 1111 RADT = HERMOGENES, ON IDEAS 2.5)." Classical Quarterly 69, no. 2 (December 2019): 846–57. http://dx.doi.org/10.1017/s0009838819000958.

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Among the one-word fragments from unknown plays of Sophocles, fr. inc. 1111 R. (φίλανδρον) has been treated as one of the more straightforward. It derives from a passage in Hermogenes of Tarsos’ treatise Περὶ Ἰδεῶν (late second century c.e.), which includes the Sophoclean adjective, its referent and a brief gloss: … ὁ Σοφοκλῆς … φίλανδρόν που τὴν Ἀταλάντην εἶπε διὰ τὸ ἀσπάζεσθαι σὺν ἀνδράσιν εἶναι (‘… Sophocles called Atalante philandros somewhere because she enjoyed being with men’). Brunck assigned the fragment to Sophocles’ tragic Meleagros; most subsequent editors have edited the fragment as sedis incertae while commenting favourably on Brunck's ascription. This suggestion has also found support beyond Sophoclean scholarship, and, to my knowledge, no alternative has been brought forward. While the ascription of the fragment to the Meleagros is prima facie not implausible, I shall argue that a thorough analysis of the difficult passage in Hermogenes calls for a revision of the current lexicographical accounts of the word φίλανδρος—as well as φιλανδρία—and suggests that fr. 1111 may in fact originate in a satyr-play.
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Brown, Andrew. "Notes on Sophocles' Antigone." Classical Quarterly 41, no. 2 (December 1991): 325–39. http://dx.doi.org/10.1017/s000983880000450x.

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My recent edition of Antigone (Warminster, 1987) was not intended primarily as a contribution to textual criticism. I did no work on the manuscripts, and little work on tracing the sources of old conjectures. Nevertheless, some of my thoughts on the text may merit fuller discussion than I was able to give them in a beginners' edition. And there have been more recent developments: in particular we now have a new Oxford Text of Sophocles with a companion volume of Sophoclea, and I have benefited from stimulating discussion with Dr David Kovacs, who has kindly allowed me to see a draft of some forthcoming notes of his own.
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Segal, Charles, and Ruth Scodel. "Sophocles." Classical World 79, no. 3 (1986): 201. http://dx.doi.org/10.2307/4349856.

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Kirkwood, G. M., Sophocles, and Andrew Brown. "Sophocles: Antigone." Classical World 82, no. 3 (1989): 213. http://dx.doi.org/10.2307/4350371.

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Jones, Richard, Sophocles, and R. G. Ussher. "Sophocles: Philoctetes." Classical World 85, no. 2 (1991): 137. http://dx.doi.org/10.2307/4351048.

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Hubbard, Thomas K., and Malcolm Davies. "Sophocles: Trachiniae." Classical World 86, no. 4 (1993): 364. http://dx.doi.org/10.2307/4351374.

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Gregory, Justina, and Mark Griffith. "Sophocles: Antigone." Phoenix 55, no. 3/4 (2001): 424. http://dx.doi.org/10.2307/1089132.

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Cairns, Douglas, and Brendan Kennelly. "Sophocles' Antigone." Classics Ireland 5 (1998): 141. http://dx.doi.org/10.2307/25528328.

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Fitzpatrick, David. "Sophocles’ Tereus." Classical Quarterly 51, no. 1 (July 2001): 90–101. http://dx.doi.org/10.1093/cq/51.1.90.

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Dissertations / Theses on the topic "Sophocles Sophocles"

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Spiegel, Francesca. "Exclusion in Sophocles." Doctoral thesis, Humboldt-Universität zu Berlin, 2020. http://dx.doi.org/10.18452/21979.

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"Exclusion in Sophocles" dass Exklusion als Motiv sich durch alle erhaltenen Sophoklesstücke zieht nebst einiger der längeren Fragmente. Auffällig ist die Vielfalt des Motivs, welches sich auf einen Ausschluss aus der Familie (Elektra), der Stadt (Ödipus-Dramen), der Armee (Philoktet), der Gemeinschaft der Menschen (Tereus) und noch vieles Weitere bezieht. Diese Arbeit sammelt, ordnet und analysiert sophokleische Exklusionsszenarien. Insbesondere wird der Gebrauch von Tropologien des Un/Menschlichen in der extrinsischen Charakterisierung der tragischen Protagonisten herausgestellt sowie damit verbundene Metaphern des Pathologischen, Monströsen, Bestialen und sog. Primitiven als Marker und Auslöser von strukturellen Exklusionen. Dabei wird das Exklusionsmotiv nicht als vollendete Tatsache erfasst, sondern als dynamischer und sich teilweise über ganze Plots hinweg erstreckender Prozess, als Narrativ eines ehemals gut Eingegliederten und von der Gemeinschaft nach und nach Exkludierten. Gleichwohl diese Entwicklung vom tragischen Protagonisten in eloquenten und selbstdarstellerischen Reden vehement kritisiert wird, erwächst im Bereich der Metaphern und rhetorischen Bildsprache der Gemeinschaft eine regelrechte Ausradierung und Neuzuweisung seiner Identität. Durch eine vergleichende Gegenüberstellung beider Standpunkte stellt sich heraus, wie tiefgreifend die als Exkludierend handelnde Gemeinschaft in das Vorantschreiten des tragischen Geschehens involviert ist und die Dramen eben nicht nur—wie in zahlreichen Forschungsstandpunkten festgehalten—die Manci des Exkludierten Protagonisten als moralische Fabel vorführen.
Social exclusion as a literary theme is common to all of Sophocles' fully extant plays as well as some of the longer fragments. The variety of settings is wide, between exclusion from the family like for example in Electra, exclusion from the city as in the case of Oedipus, from a regiment of the armed forces like in Ajax or Philoctetes, or even humankind, like with Tereus. This inquiry sets out to present, taxonomize and unpack Sophoclean discourses of exclusion and their attaining literary tropes of the pathological, the bestial, the brutish, the monstrous, and the so-called uncivilized. The aim is to demonstrate how deeply implicated the whole cast of characters and their language are in the process of a tragedy unfolding, rather than the causes of tragedy being lodged in the doings of one protagonist alone. One key point argued here is that, instead of taking 'the isolation of the tragic hero' as fait accompli, exclusion is a dynamic process that often takes up the entire plot arc of a tragedy. In the space of extrinsic characterization, it is argued that a process of rhetorical erasure and overwriting of identity takes place, where peer groups gradually dismantle a formerly well-established identity and re-assign a new and undesirable one. It is shown how the protagonists seek to resist, lament or somehow negotiate this process through long and expansive speeches of futile self-reinstatement. In the synthesis of both, it is argued that Sophocles' deployment of the theme puts a critical spotlight on the rhetorics of exclusion and its discourses of the bestial, the brutal, and especially the pathological, which embed and frame the work's overall literary, cultural and dramatic effects.
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2

Daly, James. "Horizontal resonance as a principle of composition in the plays of Sophocles." New York : Garland, 1990. http://books.google.com/books?id=l8xfAAAAMAAJ.

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Ridd, Stephen John. "Sophocles' 'Philoctetes' : a study." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335730.

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Maggel, Avgi-Anna. "Silence in Sophocles' tragedies." Thesis, University College London (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267075.

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Okell, Eleanor Regina. "Practising politics in Sophocles." Thesis, University of Exeter, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288366.

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Budelmann, Felix Johannes. "Sophocles : language and communality." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.624885.

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Post, Doris Juliane Elisabeth. "Choral authoritativeness in Sophocles." Thesis, Open University, 2018. http://oro.open.ac.uk/54915/.

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The ‘authority’ of the chorus in Greek tragedy has been a matter of discussion for a very long time. The word authority, however, has two distinct meanings: it can refer to the status of the chorus within the dramatic world and to the truthfulness or reliability of the choral discourse. To avoid this confusion, I use the term authoritativeness in this thesis to indicate the extent to which we can trust what the chorus are saying, chanting, or singing. In chapter 1, I establish a number of textual and linguistic markers which suggest whether a choral discourse can potentially be regarded as authoritative. One important factor is identifying where the chorus operate as a stage figure and where qua chorus. The subsequent chapters are taken up by case studies in which I closely analyse the language and context of the chorus’s utterances in three of Sophocles’ seven extant tragedies. I have chosen the Philoctetes, the Antigone, and the Electra because, in each, the chorus is used in a different way. Altogether, my analysis shows how Sophocles constantly experiments with the use of the choral voice: some markers raise the expectations that choral comments and judgements can be taken as a reliable guide for an interpretation of the action. At the same time, however, different devices undermine this potential authoritativeness, making the precise meaning of the discourse ambiguous or multivalent and contributing to the continuing disagreements on the precise interpretation of the tragedies.
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Spiegel, Francesca [Verfasser]. "Exclusion in Sophocles / Francesca Spiegel." Berlin : Humboldt-Universität zu Berlin, 2020. http://d-nb.info/1222512513/34.

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Janz, Timothy. "The scholia to Sophocles' Philoctetes." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419030.

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Ray, Nicholas. "Tragedy and otherness : Sophocles, Shakespeare, psychoanalysis." Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/3052/.

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The thesis is concerned with the relationship between psychoanalysis and tragedy, and the way in which psychoanalysis has structured its theory by reference to models from tragic drama - in particular, those of Sophocles and Shakespeare. It engages with some of the most recent thinking in contemporary French psychoanalysis, most notably the work of Jean Laplanche, so as to interrogate both Freudian metapsychology and the tragic texts in which it claims to identify its prototypes. Laplanche has ventured an ‘other-centred’ re-reading of the Freudian corpus which seeks to go beyond the tendency of Freud himself, and psychoanalysis more generally, to unify and centralise the human subject in a manner which strays from and occults some of the most radical elements of the psychoanalytic enterprise. The (occulted) specificity of the Freudian discovery, Laplanche proposes, lies in the irreducible otherness of the subject to himself and therefore of the messages by which subjects communicate their desires. I argue that Freud’s recourse to literary models is inextricably bound up with the ‘goings-astray’ in his thinking. Laplanche’s work, I suggest, offers an important perspective from which to consider not only the function which psychoanalysis cells upon them to perform, but also that within them for which Freud and psychoanalysis have remained unable to account. Taking three tragic dramas which, more or less explicitly, have borne a formative impact on Freud’s thought, and which have often been understood to articulate the emergence of ‘the subject’, I attempt to set alongside Freud’s own readings of them, the argument that each figures not the unifying or centralising but the radical decentring of its principal protagonists and their communicative acts. By close textual analyses of these three works, and by reference to their historical and cultural contexts, the crucial Freudian motif of parricide (real or symbolic) which structures and connects them is shown ultimately to be an inescapable and inescapably paradoxical gesture: one of liberty and autonomy at the cost of self-division, and of a dependence at the cost of a certain autonomy.
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Books on the topic "Sophocles Sophocles"

1

Lloyd-Jones, Hugh. Sophoclea: Studies on the text of sophocles. Oxford: Clarendon Press, 1990.

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Sophocles. Sophocles. 2nd ed. Chicago: University of Chicago Press, 1991.

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Sophocles. Sophocles. Philadelphia: University of Pennsylvania Press, 1998.

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Sophocles. Sophocles. Edited by Jebb, Richard Claverhouse, Sir, 1841-1905., Easterling P. E, and March Jennifer R. Bristol: Bristol Classical Press, 2004.

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Sophocles. Sophocles. Cambridge, Mass: Harvard University Press, 1997.

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Sophocles. Sophocles. Cambridge, Mass: Harvard University Press, 1994.

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Sophocles. Sophocles. London: printed by A. J. Valpy, M.A. and sold by all booksellers, 1991.

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Sophocles. Sophocles: Plays. Edited by Jebb, Richard Claverhouse, Sir, 1841-1905., Easterling P. E, and Goward Barbara. London: Bristol Classical Press, 2004.

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Sophocles: Ajax. London: Duckworth, 2003.

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Sophocles. Sophocles' Elektra. London ; aToronto: Samuel French, 1997.

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Book chapters on the topic "Sophocles Sophocles"

1

May, Keith M. "Sophocles." In Nietzsche and the Spirit of Tragedy, 48–70. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-09882-8_3.

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Magrini, James M. "Sophocles." In Meet the Philosophers of Ancient Greece, 89–92. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315249223-23.

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Juchler, Ingo. "Sophocles: Antigone." In Political Narrations, 7–33. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70755-6_2.

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Scodel, Ruth. "Sophocles' Biography." In A Companion to Sophocles, 25–37. Oxford, UK: Wiley-Blackwell, 2013. http://dx.doi.org/10.1002/9781118350508.ch3.

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Woodruff, Paul. "ThePhiloctetesof Sophocles." In A Companion to Sophocles, 126–40. Oxford, UK: Wiley-Blackwell, 2013. http://dx.doi.org/10.1002/9781118350508.ch10.

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Murnaghan, Sheila. "Sophocles' Choruses." In A Companion to Sophocles, 220–35. Oxford, UK: Wiley-Blackwell, 2013. http://dx.doi.org/10.1002/9781118350508.ch16.

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"Introduction." In Sophocles: Oedipus Tyrannus, edited by Jenny March, 1–58. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622546.003.0001.

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The introduction begins with a brief description of the Oedipus myth before Sophocles in literature and art. It then sets out what we know about the play itself; the dramatic design of the plot; analysis of the events that take place; innovations by Sophocles; staging and performers. This is followed by a detailed exploration of the characters and main themes. These include the importance of dramatic irony; sight and blindness; recognition; foundlings; the role of Apollo; Oedipus’ tragic fate and the question of whether we have the authentic Sophoclean ending of Oedipus Tyrannus. Finally the myth in ancient literature after Sophocles is set out, and the parameters for this edition.
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"SOPHOCLES." In Narrators, Narratees, and Narratives in Ancient Greek Literature, 255–68. BRILL, 2004. http://dx.doi.org/10.1163/9789047405702_019.

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"SOPHOCLES." In Sophrosyne and the Rhetoric of Self-Restraint, 123–42. BRILL, 2004. http://dx.doi.org/10.1163/9789047406983_006.

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"Sophocles." In Characterization in Ancient Greek Literature, 337–54. BRILL, 2017. http://dx.doi.org/10.1163/9789004356313_020.

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Conference papers on the topic "Sophocles Sophocles"

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Megawati, Erna. "Implicature within Script Play of Oedipus Rex by Sophocles." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.158.

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Megawati, Erna. "Implicature within Script Play of Oedipus Rex by Sophocles." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.265.

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Megawati, Erna. "Implicature within Script Play of Oedipus Rex by Sophocles." In Proceedings of the Eleventh Conference on Applied Linguistics (CONAPLIN 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/conaplin-18.2019.51.

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"Blindness: the Novel and the Film. From Sophocles to Saramago and Meirelles." In Feb. 2021 International Conferences. Excellence in Research & Innovation (EIRAI), 2021. http://dx.doi.org/10.17758/eirai9.f0221405.

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