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Journal articles on the topic 'Sophocles Sophocles'

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Published: 4 June 2021
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1

Bers, Victor, H. Lloyd-Jones, and N. G. Wilson. "Sophoclea: Studies on the Text of Sophocles." Classical World 85, no. 2 (1991): 141. http://dx.doi.org/10.2307/4351053.

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2

Laemmle, Rebecca. "ATALANTE PHILANDROS: TEASING OUT SATYRIC INNUENDO (SOPHOCLES, FR. 1111 RADT = HERMOGENES, ON IDEAS 2.5)." Classical Quarterly 69, no. 2 (December 2019): 846–57. http://dx.doi.org/10.1017/s0009838819000958.

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Among the one-word fragments from unknown plays of Sophocles, fr. inc. 1111 R. (φίλανδρον) has been treated as one of the more straightforward. It derives from a passage in Hermogenes of Tarsos’ treatise Περὶ Ἰδεῶν (late second century c.e.), which includes the Sophoclean adjective, its referent and a brief gloss: … ὁ Σοφοκλῆς … φίλανδρόν που τὴν Ἀταλάντην εἶπε διὰ τὸ ἀσπάζεσθαι σὺν ἀνδράσιν εἶναι (‘… Sophocles called Atalante philandros somewhere because she enjoyed being with men’). Brunck assigned the fragment to Sophocles’ tragic Meleagros; most subsequent editors have edited the fragment as sedis incertae while commenting favourably on Brunck's ascription. This suggestion has also found support beyond Sophoclean scholarship, and, to my knowledge, no alternative has been brought forward. While the ascription of the fragment to the Meleagros is prima facie not implausible, I shall argue that a thorough analysis of the difficult passage in Hermogenes calls for a revision of the current lexicographical accounts of the word φίλανδρος—as well as φιλανδρία—and suggests that fr. 1111 may in fact originate in a satyr-play.
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3

Brown, Andrew. "Notes on Sophocles' Antigone." Classical Quarterly 41, no. 2 (December 1991): 325–39. http://dx.doi.org/10.1017/s000983880000450x.

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My recent edition of Antigone (Warminster, 1987) was not intended primarily as a contribution to textual criticism. I did no work on the manuscripts, and little work on tracing the sources of old conjectures. Nevertheless, some of my thoughts on the text may merit fuller discussion than I was able to give them in a beginners' edition. And there have been more recent developments: in particular we now have a new Oxford Text of Sophocles with a companion volume of Sophoclea, and I have benefited from stimulating discussion with Dr David Kovacs, who has kindly allowed me to see a draft of some forthcoming notes of his own.
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4

Segal, Charles, and Ruth Scodel. "Sophocles." Classical World 79, no. 3 (1986): 201. http://dx.doi.org/10.2307/4349856.

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5

Kirkwood, G. M., Sophocles, and Andrew Brown. "Sophocles: Antigone." Classical World 82, no. 3 (1989): 213. http://dx.doi.org/10.2307/4350371.

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6

Jones, Richard, Sophocles, and R. G. Ussher. "Sophocles: Philoctetes." Classical World 85, no. 2 (1991): 137. http://dx.doi.org/10.2307/4351048.

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7

Hubbard, Thomas K., and Malcolm Davies. "Sophocles: Trachiniae." Classical World 86, no. 4 (1993): 364. http://dx.doi.org/10.2307/4351374.

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8

Gregory, Justina, and Mark Griffith. "Sophocles: Antigone." Phoenix 55, no. 3/4 (2001): 424. http://dx.doi.org/10.2307/1089132.

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9

Cairns, Douglas, and Brendan Kennelly. "Sophocles' Antigone." Classics Ireland 5 (1998): 141. http://dx.doi.org/10.2307/25528328.

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10

Fitzpatrick, David. "Sophocles’ Tereus." Classical Quarterly 51, no. 1 (July 2001): 90–101. http://dx.doi.org/10.1093/cq/51.1.90.

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11

LEACH, COLIN. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 155—a—155. http://dx.doi.org/10.1093/nq/47-2-155a.

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12

LEACH, COLIN. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 155—b—155. http://dx.doi.org/10.1093/nq/47-2-155b.

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13

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 156—a—156. http://dx.doi.org/10.1093/nq/47-2-156a.

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14

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 156—b—156. http://dx.doi.org/10.1093/nq/47-2-156b.

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15

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 156—c—156. http://dx.doi.org/10.1093/nq/47-2-156c.

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16

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 157—a—157. http://dx.doi.org/10.1093/nq/47-2-157a.

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17

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (June 1, 2000): 157—b—157. http://dx.doi.org/10.1093/nq/47-2-157b.

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18

LEACH, COLIN. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 155—a—155. http://dx.doi.org/10.1093/nq/47.2.155-a.

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19

LEACH, COLIN. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 155—b—155. http://dx.doi.org/10.1093/nq/47.2.155-b.

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20

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 156—a—156. http://dx.doi.org/10.1093/nq/47.2.156-a.

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21

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 156—b—156. http://dx.doi.org/10.1093/nq/47.2.156-b.

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22

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 156—c—156. http://dx.doi.org/10.1093/nq/47.2.156-c.

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23

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 157—a—157. http://dx.doi.org/10.1093/nq/47.2.157-a.

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24

STANLEY, E. G. "SOPHOCLES' ANTIGONE." Notes and Queries 47, no. 2 (2000): 157—b—157. http://dx.doi.org/10.1093/nq/47.2.157-b.

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25

Taalman Kip, Maria van Erp. "Sophocles: Electra." Mnemosyne 62, no. 3 (2009): 481–85. http://dx.doi.org/10.1163/156852509x340174.

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26

Ryan, Cressida. "Sophocles Sublimis." Anabases, no. 21 (April 1, 2015): 79–97. http://dx.doi.org/10.4000/anabases.5239.

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27

Esposito, Stephen, and P. E. Easterling. "Sophocles: Trachiniae." American Journal of Philology 109, no. 1 (1988): 135. http://dx.doi.org/10.2307/294768.

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28

Frank, Bernhard. "Sophocles' Antigone." Explicator 56, no. 4 (1998): 170–71. http://dx.doi.org/10.1080/00144949809595302.

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29

Taylor, George. "Sophocles' Antigone:." Studies in Theatre Production 3, no. 1 (January 1991): 4–16. http://dx.doi.org/10.1080/13575341.1991.10806835.

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30

Fernandes, Sara. "Da Ética à Religião." Philosophica: International Journal for the History of Philosophy 8, no. 16 (2000): 103–15. http://dx.doi.org/10.5840/philosophica200081617.

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Paul Ricoeur sustains in Soi-même comme un autre that the tragical conflict in Sophocle’s Antigone is only ethical. Antigone and Creon confront each other because they both have limited and partial views of good life. The aim of this brief paper is to show that Antigone's tragedy must be situated in the religions domain. Only Greek theology - the belief in a ‘cruel’ and ‘satanic’ God - gives us the ‘tools’ to understand Sophocles' complex imaginary.
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31

Komorowska, Joanna. "SPOKOJNY SEN KLITAJMESTRY ALBO CZEGO „BRAK” W EURYPIDESOWEJ „ELEKTRZE"." Colloquia Litteraria 8, no. 1/2 (November 21, 2009): 7. http://dx.doi.org/10.21697/cl.2010.1.01.

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Peaceful dream of Clytemnestra, or what is missing in Euripides’ Electra Clytemnestra’s dream features as an important element of the vengeance dramas of both Aeschylus and Sophocles: still, is remains absent from the Euripidean version. This short essay sketches the possible implications of such an ‘omission’, while simultaneously highlighting the highly contrasting implications of the dream in the Choephorae and in the Sophoclean Electra.
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32

Hiscock, Matthew. "Sophoclean Suicide." Classical Antiquity 37, no. 1 (April 1, 2018): 1–30. http://dx.doi.org/10.1525/ca.2018.37.1.1.

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This article aims to show that Sophocles anticipates questions about the autonomous subject and “ownership” of the self that are central to contemporary discourse. It suggests that Sophoclean self-killing, often considered quintessentially individualistic, in fact reflects a preoccupation with the autocheir, a less definite figure than our “suicide,” since s/he may also be (actually or potentially) a kin-killer. Also, that where Sophocles attempts to distinguish self-killing from kin-killing, it is to isolate and explore the nature and (not inevitably negative) implications of autocheiria. Close readings of scenes from Antigone, Ajax, and Trachiniae demonstrate that this is achieved through the elision or obscuring of the moment of self-destruction, and the posthumous analysis of self-killing in the “verbal post-mortem.” A strand of metacriticism suggests that editors committed to a model of suicide as unequivocal act intentionally performed by a single agent have sometimes oversimplified the complexity evidenced by the transmitted text.
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33

García Pérez, David. "La peste del tirano Edipo: política, medicina y desmesura." Nova Tellus 39, no. 1 (January 27, 2021): 27–43. http://dx.doi.org/10.19130/iifl.nt.2021.39.1.27542.

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This paper exposes the thematic relationship between politics and medicine which can be inferred from the Oedipus Tyranus by Sophocles. We can find the concept of excess (ὕβρις) as a common thread between both arts (τέχναι) as it is the cause of the wrecking plague in 430 BC Attica, just as it is formulated in the Tragic version of Oedipus̓ myth. We resort to the History of Thucydides to help us approaching Sophocles̓ tragedy from historiography and, thus, configurating Oedipus as a tyrant, conception linked to the theme of the aforementioned plague.
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34

Wilson, Joseph P., William Blake Tyrrell, and Larry J. Bennett. "Recapturing Sophocles' "Antigone"." Classical World 94, no. 3 (2001): 294. http://dx.doi.org/10.2307/4352574.

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35

Tyrrell, Wm Blake. "Sophocles Wins Again." Classical World 99, no. 1 (2005): 21. http://dx.doi.org/10.2307/4353006.

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36

Bers, Victor, Akiko Kiso, and Dana F. Sutton. "The Lost Sophocles." Classical World 79, no. 5 (1986): 348. http://dx.doi.org/10.2307/4349921.

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37

Gregory, Justina, Dana F. Sutton, and Akiko Kiso. "The Lost Sophocles." Phoenix 39, no. 4 (1985): 387. http://dx.doi.org/10.2307/1088404.

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38

Olson, S. Douglas. "SOPHOCLES IN AFGHANISTAN." Classical Quarterly 69, no. 2 (October 23, 2019): 898–901. http://dx.doi.org/10.1017/s0009838819000740.

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In 1977, French excavations at Aï Khanoum in north-east Afghanistan—a foundation of Antiochus I Sotēr and subsequently one of the major cities of the Greco-Bactrian kingdom—of a building dating to shortly before the destruction of the place in 145 b.c.e. uncovered inter alia the remains of a papyrus and a parchment document. The papyrus text, dated by Cavallo on the basis of its letterforms to the mid third century b.c.e., preserved a fragment of a philosophical dialogue seemingly to be associated with the Peripatetic school. The second document consisted of two separate portions of a piece of parchment roughly assigned on the basis of its letterforms to the second half of the third or the first half of the second century b.c.e.; as also in the case of the papyrus, the letters survived not on the parchment itself but impressed upon the hardened dirt that surrounded it. Only column II of the original editors’ ‘Texte 2a’ (the more substantial of the two parchment fragments) contains a significant amount of text, which appears in neither TrGF nor PCG. I present it here without regard to standard editorial niceties, which are rendered impossible by the desperate state of the original document, now almost certainly lost, and the nature of the original publication.
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39

Sommerstein, Alan H. "Sophocles and Democracy." Polis: The Journal for Ancient Greek Political Thought 34, no. 2 (November 11, 2017): 273–87. http://dx.doi.org/10.1163/20512996-12340127.

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Abstract Sophocles was both a great dramatist and a significant figure in Athenian public life. As a public figure, he was elected to important offices by the Athenian demos, but he also had a hand in the abolition of democracy in 411 bc – and then won first prize in the first tragic contest held after democracy was restored. As a dramatist, he frequently gives the impression that the common people are helpless without strong and wise leadership; but he can also suggest that a leader is worth nothing if he neglects his people or ignores their opinions, and in Antigone he seems to go out of his way to highlight the importance of the opinion of the ordinary man as well as that of the elite.
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40

Davidson, J. F. "Sophocles Antigone 134." Mnemosyne 40, no. 3-4 (1987): 268–75. http://dx.doi.org/10.1163/156852587x00472.

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41

Toohey, Peter. "Sophocles, Antigone 567." Mnemosyne 41, no. 3-4 (1988): 375–78. http://dx.doi.org/10.1163/156852588x00642.

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42

Hendry, Michael, Oleg V. Bychkov, INGRID A. R. De Smet, P. T. Eden, W. M. Clarke, Wendell Clausen, A. Rijksbaron, and Martin Korenjak. "Sophocles Trachiniae 419." Mnemosyne 48, no. 4 (1995): 197–211. http://dx.doi.org/10.1163/156852595x00149.

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43

Lane, Nicholas. "Sophocles Trachiniae 602." Mnemosyne 70, no. 2 (February 20, 2017): 290–93. http://dx.doi.org/10.1163/1568525x-12342272.

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44

Wright, Matthew. "FRAGMENTS OF SOPHOCLES." Classical Review 54, no. 2 (October 2004): 301–3. http://dx.doi.org/10.1093/cr/54.2.301.

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45

Green, Janet. "Sophocles' Oedipus Rex." Explicator 52, no. 1 (October 1, 1993): 2–3. http://dx.doi.org/10.1080/00144940.1993.9938718.

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46

Tyrrell, William Blake. "Sophocles Wins Again." Classical World 99, no. 1 (2005): 21–24. http://dx.doi.org/10.1353/clw.2006.0022.

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47

Kocijančič, Matic. "First as Creon, then as Chorus: Slavoj Žižek’s Antigone." Interlitteraria 25, no. 1 (June 30, 2020): 231–45. http://dx.doi.org/10.12697/il.2020.25.1.19.

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The article critically evaluates The Three Lives of Antigone, Slavoj Žižek’s first dramatic work. Žižek’s polemical rewriting of Sophocles’ tragedy is examined in the broader perspective of Žižek’s philosophy and other Antigones: those of Sophocles, Jean Anouilh, Bertolt Brecht and Dominik Smole. Slavoj Žižek has interpreted Sophocles’ Antigone in numerous philosophical works. In his earlier treatises, he mainly gave a cautious summary of Hegel’s, Heidegger’s and Lacan’s theses on Antigone; lately, however, Žižek’s attitude to Sophocles’ Antigone has grown decidedly negative. The main point in Žižek’s critique of Sophocles’ tragedy is that his Antigone is not an appropriate symbol of genuine social revolt. Based on this conviction, Žižek contrived his own version of Antigone with an alternative ending in which the choir carries out a revolution and condemns Antigone to death. It is argued in the article that Žižek’s dramatic project fails to convince. It is essentially a superficial apology for political violence, which can ultimately only be understood as a veiled defence of the political status quo.
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48

Prauscello, Lucia. "The language of pity: eleos and oiktos in Sophocles' Philoctetes." Cambridge Classical Journal 56 (2010): 199–212. http://dx.doi.org/10.1017/s1750270500000324.

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Pity and the characters' response to it have always been recognized as one of the central themes of Sophocles' Philoctetes. In recent years scholarship on the play has mainly focused either on the cognitive aspects of the dynamics triggered by pity-related emotions (that is, how pity seems to activate and at the same time is triggered by rational reflection and experience) or on its self-conscious meta-theatrical dimension (what Halliwell has called the intrinsic ‘theatricality of pity’ and the audience's response to it). My intention is to contribute to this critical debate by focusing more narrowly on the semantics of pity-related words in the play: a linguistic analysis of the language of pity in Sophocles' Philoctetes will show that the seeming interchangeability of the words oiktos and eleos bears further investigation. The first section of this article will offer a brief diachronic survey of the semantics of oiktos- and eleos-related formations in Homer and the fifth century tragedians (with special attention to Sophoclean usage). Building upon recent studies on paradigmatic semantic relations, it will then be argued that the relation of eleos to oiktos is better described, from a synchronic perspective, in terms of ‘hyponymy’ or ’gradient synonymy.’
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49

Sorum, Christina Elliot. "Sophocles' "Ajax" in Context." Classical World 79, no. 6 (1986): 361. http://dx.doi.org/10.2307/4349934.

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50

Goins, Scott, C. K. Williams, and Gregory W. Dickerson. "Sophocles: Women of Trachis." Classical World 86, no. 2 (1992): 169. http://dx.doi.org/10.2307/4351295.

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