Relevant bibliographies by topics / Soprano

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Soprano'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Soprano"

1

Camargo, Thatiana Francisco de, Daniela Aparecida Barbosa, and Lídia Cristina da Silva Teles. "Características da fonetografia em coristas de diferentes classificações vocais." Revista da Sociedade Brasileira de Fonoaudiologia 12, no. 1 (March 2007): 10–17. http://dx.doi.org/10.1590/s1516-80342007000100004.

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OBJETIVO: Caracterizar a dinâmica vocal por meio da fonetografia em coristas de diferentes classificações vocais. MÉTODOS: Participaram 44 indivíduos, de 19 a 75 anos (média=51,9 anos) membros de um coral profissional; sendo, oito sopranos, 20 mezzo-sopranos, quatro tenores, sete barítonos e cinco baixos. Realizou-se a fonetografia, em sala acusticamente tratada. RESULTADOS: Foram obtidas as médias das freqüências mínimas e máximas, respectivamente: soprano 36st (130 Hz) e 72st (1084 Hz), mezzo-soprano 35st (124 Hz) e 68st (878 Hz); tenor 28st (85 Hz) e 65st (709 Hz), barítono 26st (74 Hz) e 59 (524 Hz) e baixo 26st (75 Hz) e 59st (513 Hz). Quanto às médias das intensidades mínimas e máximas, encontrou-se, respectivamente: soprano 64 dB e 131 dB, mezzo-soprano 75 dB e 123 dB, tenor 82 dB e 126 dB, barítono 75 dB e 121 dB e baixo 75 dB e 120 dB. Na análise estatística (Teste t de Student), observou-se diferença estatisticamente significante entre as vozes femininas: soprano apresentou maior freqüência máxima que mezzo-soprano. CONCLUSÃO: Tais achados indicam que a fonetografia permite o registro das características vocais relevantes para a classificação vocal de coristas, podendo auxiliar em uma classificação vocal adequada.
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Schreiber, Melvyn H. "Soprano." Academic Radiology 7, no. 12 (December 2000): 1142–43. http://dx.doi.org/10.1016/s1076-6332(00)80070-7.

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Lee, Hyung K., and Dong S. Ha. "An Efficient Automatic Test Pattern Generator for Stuck-Open Faults in CMOS Combinational Circuits." VLSI Design 2, no. 3 (January 1, 1994): 199–207. http://dx.doi.org/10.1155/1994/71941.

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In this paper, we describe a highly efficient automatic test pattern generator for stuck-open (SOP) faults, called SOPRANO, in CMOS combinational circuits. The key idea of SOPRANO is to convert a CMOS circuit into an equivalent gate level circuit and SOP faults into the equivalent stuck-at faults. Then SOPRANO derives test patterns for SOP faults using a gate level test pattern generator. Several techniques to reduce the test set size are introduced in SOPRANO. Experimental results performed on eight benchmark circuits show that SOPRANO achieves high SOP fault coverage and short processing time.
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Van Winckel, Nance. "Boy Soprano." Iowa Review 19, no. 3 (October 1989): 104–5. http://dx.doi.org/10.17077/0021-065x.3807.

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Wunderlich, Mark. "Soprano Authority." Yale Review 91, no. 3 (July 2003): 145–46. http://dx.doi.org/10.1111/0044-0124.00741.

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Forbes, Elizabeth, and Galina Vishnevskaya. "Committed Soprano." Musical Times 126, no. 1712 (October 1985): 605. http://dx.doi.org/10.2307/964920.

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McCauley, John, Robert L. Larsen, and John Glenn Paton. "Arias for Soprano." Notes 49, no. 2 (December 1992): 816. http://dx.doi.org/10.2307/897978.

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Sataloff, Robert Thayer, Joseph R. Spiegel, Linda M. Carroll, and Reinhardt J. Heuer. "Male Soprano Voice." Laryngoscope 102, no. 1 (January 1992): 90???93. http://dx.doi.org/10.1288/00005537-199201000-00018.

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Green, L. "Favourite Soprano Arias." Opera Quarterly 14, no. 2 (January 1, 1997): 176–77. http://dx.doi.org/10.1093/oq/14.2.176.

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Bialosky, Marshall, John Harbison, Mirabai, Robert Bly, and Rabindranath Tagore. "Mirabai Songs for Soprano (Or Mezzo-Soprano) and Piano (1982)." Notes 48, no. 2 (December 1991): 691. http://dx.doi.org/10.2307/942095.

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Dissertations / Theses on the topic "Soprano"

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Bonneau, Paul G. "Latin Mass for Choir, Orchestra, Soprano and Mezzo-Soprano Soloists." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20031/bonneau%5Fpaul/index.htm.

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Jacob, Lindsey. "Thoughts for soprano and orchestra." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367943723.

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Frehner, Paul (Paul Anton). "Souvenirs du vent : pour soprano et orchestre de chambre = for soprano and chamber for orchestra." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28027.

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Souvenirs du vent is a composition for soprano and chamber orchestra with a duration of approximately 16'.30". The piece consists of three movements, a prelude, two interludes and a postlude. The poems set in the three movements were chosen for their similar subject matter, the wind. This common subject is emphasized by a music in which both the large-scale and small-scale formal divisions are blurred through structural counterpoint. The poets of the three poems are all from the Montreal area; they are: Emile Nelligan, Claude Brouille and Remi-Paul Forgues.
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Bizzarri, Pietro. "Cantata »Che ti dirò Regina«." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2011. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-70009.

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Am 8. Dezember 1747 feierte die sächsische Kurfürstin und polnische Königin Maria Josepha (1699–1757) ihren 48. Geburtstag. Zu diesem Anlass verfasste ihre Schwiegertochter Maria Antonia Walpurgis den Text der Kantate »Che ti dirò Regina«. Die sächsische Kurprinzessin hatte den ältesten Sohn des Herrscherpaares, Friedrich Christian (1722–1763), im gleichen Jahr geheiratet und war im Juni nach Dresden gekommen.
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Naumann, Johann Gottlieb. "Par che di giubbilo." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2011. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-70131.

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Johann Gottlieb Naumann ist einer der wenigen Hofkapellmeister am kurfürstlich-sächsischen Hof, der auch aus Dresden stammt. Er wurde am 17. April 1741 in Blasewitz bei Dresden geboren. Nach einer entbehrungsreichen Jugend und frühzeitigen musikalischen Ausbildung in Italien übertrug die hochmusikalische Kurfürsten-Witwe Maria Antonia Walpurgis bereits dem 23jährigen Naumann das verantwortungsvolle Amt als Kirchen-Compositeur in einer desolaten Lage der musikalischen höfischen Kultur. Naumann hat den Text – die Arie des Arpago aus Metastasios »Ciro riconosciuto«, Wien 1736 – nochmals vertont. So sind mehrere Abschriften eines Duettes für zwei Soprane und Basso continuo in Venedig und Padua überliefert. Eine Datierung des Werkes ist ungewiss, es gibt aber zwei indirekte Hinweise auf eine mögliche Entstehungszeit. 1778 erschien die Canzonette »Ecco quel fiero istante« nach Metastasio für zwei Violinen, Sopran und Basso1, neben dem vorliegenden Werk die einzige Canzonette mit Begleitung mehrere Instrumente. Weitere Gesänge auf italienische Texte für Solostimme und ausschließlicher Klavierbegleitung gehen auf das Jahr 1769 zurück. Naumann war mit Johann Adolf Faustinus Weiss, dem Sohn von Silvius Leopold Weiss, befreundet, der seit 1763 bis zu seinem Tod 1814 als Kammerlautenist an der Dresdner Hofkapelle verpflichtet war. Er kann als Interpret infrage kommen.
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Naumann, Johann Gottlieb. "Par che di giubbilo." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-149649.

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Johann Gottlieb Naumann ist einer der wenigen Hofkapellmeister am kurfürstlich-sächsischen Hof, der auch aus Dresden stammt. Er wurde am 17. April 1741 in Blasewitz bei Dresden geboren. Nach einer entbehrungsreichen Jugend und frühzeitigen musikalischen Ausbildung in Italien übertrug die hochmusikalische Kurfürsten-Witwe Maria Antonia Walpurgis bereits dem 23jährigen Naumann das verantwortungsvolle Amt als Kirchen-Compositeur in einer desolaten Lage der musikalischen höfischen Kultur. Naumann hat den Text – die Arie des Arpago aus Metastasios »Ciro riconosciuto«, Wien 1736 – nochmals vertont. So sind mehrere Abschriften eines Duettes für zwei Soprane und Basso continuo in Venedig und Padua überliefert. Eine Datierung des Werkes ist ungewiss, es gibt aber zwei indirekte Hinweise auf eine mögliche Entstehungszeit. 1778 erschien die Canzonette »Ecco quel fiero istante« nach Metastasio für zwei Violinen, Sopran und Basso1, neben dem vorliegenden Werk die einzige Canzonette mit Begleitung mehrere Instrumente. Weitere Gesänge auf italienische Texte für Solostimme und ausschließlicher Klavierbegleitung gehen auf das Jahr 1769 zurück. Naumann war mit Johann Adolf Faustinus Weiss, dem Sohn von Silvius Leopold Weiss, befreundet, der seit 1763 bis zu seinem Tod 1814 als Kammerlautenist an der Dresdner Hofkapelle verpflichtet war. Er kann als Interpret infrage kommen.
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Bizzarri, Pietro. "Cantata »Che ti dirò Regina«." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-149856.

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Am 8. Dezember 1747 feierte die sächsische Kurfürstin und polnische Königin Maria Josepha (1699–1757) ihren 48. Geburtstag. Zu diesem Anlass verfasste ihre Schwiegertochter Maria Antonia Walpurgis den Text der Kantate »Che ti dirò Regina«. Die sächsische Kurprinzessin hatte den ältesten Sohn des Herrscherpaares, Friedrich Christian (1722–1763), im gleichen Jahr geheiratet und war im Juni nach Dresden gekommen.
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Rodina, Elizabeth Ann. "An examination of works for soprano." Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/754.

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Saenz, Karlie E. "Karlie Saenz, mezzo-soprano senior recital." Click here to view, 2010. http://digitalcommons.calpoly.edu/musp/2/.

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Thesis (B.A.)--California Polytechnic State University, 2010.
Project advisors: Tom Davies. Title from PDF title page; viewed on Mar. 24, 2010. Includes bibliographical references. Also available on microfiche.
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Shibahara, Mai. "An examination of works for soprano." Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/1409.

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Books on the topic "Soprano"

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Dines, Carol. The queen's soprano. Orlando, Fla: Harcourt, 2007.

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The soprano sorceress. New York: Tor, 1997.

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Urbanová, Eva. Eva Urbanová: Soprano. Praha: Votobia, 1997.

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Dines, Carol. The queen's soprano. New York: Harcourt, 2006.

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Monteverdi, Claudio. Soprano duets & solos. Universal City, Calif: MCA Classics, 1988.

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Like a soprano. Florham Park, NJ: Serving House Books, 2014.

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Rimmer, John. A song of humility : for solo soprano, sopranos and altos. Auckland, N.Z: Catena, 1986.

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Soprano, Fernando. Fernando Soprano: Fotografije, 1944-1974 = Fernando Soprano : Photographs, 1944-1974. Zagreb: Muzej za umjetnost i obrt, 2001.

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Under a soprano sky. Trenton, N.J: Africa World Press, 1987.

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Sills, Herbert H. Eva Gauthier, mezzo soprano. Ottawa: Historical Society of Ottawa = Société historique d'Ottawa, 1986.

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Book chapters on the topic "Soprano"

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Avatangelou, Elena, Rochi Febo Dommarco, Michael Klein, Sonja Müller, Claus F. Nielsen, Ma Pilar Sala Soriano, Andreas Schmidt, Mohammad-Reza Tazari, and Reiner Wichert. "Conjoint PERSONA – SOPRANO Workshop." In Communications in Computer and Information Science, 448–64. Berlin, Heidelberg: Springer Berlin Heidelberg, 2008. http://dx.doi.org/10.1007/978-3-540-85379-4_51.

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Maloney, Marcus. "Tony Soprano and the Big Nothing." In The Search for Meaning in Film and Television, 113–51. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137499295_5.

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Wildes, Kevin Wm. "Institutional Integrity in Health Care: Tony Soprano and Family Values." In Philosophy and Medicine, 29–39. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-0153-2_3.

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Sixsmith, Andrew, Sonja Meuller, Felicitas Lull, Michael Klein, Ilse Bierhoff, Sarah Delaney, and Robert Savage. "SOPRANO – An Ambient Assisted Living System for Supporting Older People at Home." In Lecture Notes in Computer Science, 233–36. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-02868-7_30.

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Bierhoff, Ilse, Sonja Müller, Sandra Schoenrade-Sproll, Sarah Delaney, Paula Byrne, Vesna Dolničar, Babis Magoutas, Yiannis Verginadis, Elena Avatangelou, and Claire Huijnen. "Ambient Assisted Living Systems in Real-Life Situations: Experiences from the SOPRANO Project." In Technologies for Active Aging, 123–53. Boston, MA: Springer US, 2013. http://dx.doi.org/10.1007/978-1-4419-8348-0_8.

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Song, Uk-Jin, Ik-Soo Ahn, Myung-Sook Kim, and Myung-Jin Bae. "A Study on the Stability of Ultra-High Frequency Vocalization of Soprano Singers." In Software Engineering Research, Management and Applications, 245–53. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98881-8_17.

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Englert, Birgit. "Moving beyond Hip-Hop: Tracing Mobilities in the Work of Franco-Comorian Artists Soprano and Ahamada Smis." In Mobile Kulturen und Gesellschaften, 127–46. Göttingen: V&R unipress, 2020. http://dx.doi.org/10.14220/9783737012089.127.

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"Soprano." In Encyclopedia of Evolutionary Psychological Science, 7814. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-19650-3_305029.

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Heller, Wendy. "Bach and the Soprano Voice." In Rethinking Bach, 79–114. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190943899.003.0005.

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The chapter begins with a simple question: given the fact that Bach’s music for sopranos was composed almost exclusively for boys, why have early music practitioners—including those endorsed in 2018 by the Bach Leipzig Archive—become so accustomed to using female sopranos? Taking account both of the rhetorical strategies that Bach uses in a representative group of soprano arias (choice of affect, use of topoi, scoring, and vocal writing) and the use of female sopranos in this repertory in concert, radio, and recordings since the nineteenth-century revival, this chapter proposes that Bach imbued his soprano arias with an intrinsic sense of femininity—passion, optimism, desire, compliance, modesty, and submission—that was central to his expression of Lutheran theology and that emerges as no less vital for listeners, even long after the original theological context had lost its relevance. The chapter also shows how Bach’s unacknowledged capacity for representing female subjectivity has influenced even the most historically informed performance practices.
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"Soprano Masculinities." In Masculinity in Opera, 41–58. Routledge, 2013. http://dx.doi.org/10.4324/9780203082928-9.

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Conference papers on the topic "Soprano"

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Lee, Hyung Ki, and Dong Sam Ha. "SOPRANO." In Conference proceedings. New York, New York, USA: ACM Press, 1990. http://dx.doi.org/10.1145/123186.123432.

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Wade, Laura, Noel N. N. Hanna, John Smith, and Joe Wolfe. "Soprano singing, with and without resonances." In 22nd International Congress on Acoustics: Acoustics for the 21st Century. Acoustical Society of America, 2016. http://dx.doi.org/10.1121/2.0000354.

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Li, Yuan. "Research of Mezzo-Soprano Singing Art and Teaching." In 2015 International Conference on Management, Education, Information and Control. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/meici-15.2015.169.

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Stewart, D. Andrew, and Joseph Malloch. "Everybody to the power of one, for soprano T-stick." In the 28th of the international conference extended abstracts. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1753846.1753924.

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Hernández Espinosa, Miguel Ángel. "Hibridación de géneros y aceptación de la violencia en Los Soprano." In Nuevas Tendencias e hibridaciones de los discursos audiovisuales en la cultura digital contemporánea. ediciones de Ciencias Sociales, 2011. http://dx.doi.org/10.6035/978-84-87510-57-1.2011.68.

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Cojocaru, Daniela. "VARIATIONS FOR SOPRANO AND MIXED CHOIR CIULEANDRA WRITTEN BY VASILE SPATARELU." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s13.026.

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Kaburagi, Tokihiko. "A Study of Soprano Singing in Light of the Source-Filter Interaction." In Interspeech 2019. ISCA: ISCA, 2019. http://dx.doi.org/10.21437/interspeech.2019-1153.

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Bayazit, Onur, Adile Oniz, Serhat Taslica, and Murat Ozgoren. "Comparison of soprano and baritone dichotic listening test scores between genders: Preliminary results." In 2009 14th National Biomedical Engineering Meeting. IEEE, 2009. http://dx.doi.org/10.1109/biyomut.2009.5130388.

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Falletti, Emanuela, Davide Margaria, Mario Nicola, Gabriella Povero, and Micaela Troglia Gamba. "N-FUELS and SOPRANO: Educational tools for simulation, analysis and processing of satellite navigation signals." In 2013 IEEE Frontiers in Education Conference (FIE). IEEE, 2013. http://dx.doi.org/10.1109/fie.2013.6684836.

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Romero, Manola, Bénédicte Escudier, and Yves Gourinat. "Hands-On Education and students formation for aerospace systems engineering : looking back upon the SOPRANO experience." In 57th International Astronautical Congress. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2006. http://dx.doi.org/10.2514/6.iac-06-e1.p.1.03.

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Reports on the topic "Soprano"

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Breshears, Lily. "The Avalanche" : A Cantata for Mezzo-soprano, Flute, Viola, and Harp. Portland State University Library, July 2015. http://dx.doi.org/10.15760/honors.202.

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