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Journal articles on the topic 'Sorabji'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

East, Leslie. "Sorabji." Musical Times 129, no. 1740 (1988): 90. http://dx.doi.org/10.2307/964437.

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2

Mossman, Mary Jane. "Gender and Professionalism in Law: The Challenge of (Women’s) Biography." Windsor Yearbook of Access to Justice 27, no. 1 (2009): 20. http://dx.doi.org/10.22329/wyaj.v27i1.4561.

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This paper explores the story of a woman who “created” her life in the law in the late nineteenth and early twentieth centuries. Although now almost unknown, Cornelia Sorabji achieved prominence as a woman pioneer in the legal profession, who provided legal services to women clients in northern India, the Purdahnashins. Sorabji’s experiences as a woman in law were often similar to the stories of other first women lawyers in a number of different jurisdictions at the end of the nineteenth century: all of these women had to overcome gender barriers to gain admission to the legal professions, and

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3

Garvey, James. "Richard Sorabji interview." Philosophers' Magazine, no. 60 (2013): 66–74. http://dx.doi.org/10.5840/tpm20136019.

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4

Rapoport, Paul. "Sorabji Piano Music." Tempo 59, no. 232 (2005): 55–56. http://dx.doi.org/10.1017/s0040298205250155.

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SORABJI: Two Piano Pieces; Fantaisie espagnole; Valse-Fantaisie: Hommage à Johann Strauss; Three Pastiches; Le jardin parfumé; Nocturne Jami; Gulistan; Introito and Preludio corale from Opus clavicembalisticum; Prelude, Interlude, and Fugue; Fragment for Harold Rutland; Fantasiettina sul nome illustre dell'egregio poeta Christopher Grieve ossia Hugh M'Diarmid; Quære reliqua hujus materiei inter secretiora; St. Bertrand de Comminges: ‘He was Laughing in the Tower’. HABERMANN: À la manière de Sorabji: ‘Au clair de la lune’. Michael Habermann (pno). BMS 427CD–429CD (3-CD set).SORABJI: Piano Sonat

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5

Butti de Lima, Paulo. "Richard Sorabji (éd." Anabases, no. 27 (April 1, 2018): 239–41. http://dx.doi.org/10.4000/anabases.7330.

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6

Andrew Mead. "Gradus ad Sorabji." Perspectives of New Music 54, no. 2 (2016): 181–218. http://dx.doi.org/10.1353/pnm.2016.0004.

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7

Lennox, James G. "Commentary on Sorabji." Proceedings of the Boston Area Colloquium of Ancient Philosophy 4, no. 1 (1988): 64–75. http://dx.doi.org/10.1163/2213441788x00064.

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8

Inglis, Brian. "FRUITS OF SORABJI'S INDIAN SUMMER: ‘IL TESSUTO D'ARABESCHI’ AND ‘FANTASIETTINA ATEMATICA’." Tempo 64, no. 254 (2010): 41–49. http://dx.doi.org/10.1017/s0040298210000410.

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The Anglo-Indian composer Kaikhosru Shapurji Sorabji (1892–1988) is best known for his virtuosic, highly decorative and complex style of piano music and vast post-Romantic scale, as typified by his magnum opus, Opus Clavicembalisticum. In his last creative period (post-1973), however, he composed a number of more concise works which depart from the idiom of the piano. This article examines two of these works, Il tessuto d'arabeschi (1979) for flute and string quartet, and Fantasiettina Atematica (1981) for wind trio. It looks primarily at the place of these two works in Sorabji's oeuvre as a w

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9

Hamelin, Marc-Andre, and Paul Rapoport. "Sorabji: A Critical Celebration." Notes 51, no. 1 (1994): 150. http://dx.doi.org/10.2307/899208.

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10

Wright, David, and Paul Rapoport. "Sorabji: A Critical Celebration." Musical Times 134, no. 1805 (1993): 397. http://dx.doi.org/10.2307/1003097.

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11

COSTA, IVANA. "VISITA DE RICHARD SORABJI." Méthexis 5, no. 1 (1992): 47–49. http://dx.doi.org/10.1163/24680974-90000109.

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12

Andrew Mead. "Gradus ad Sorabji." Perspectives of New Music 54, no. 2 (2016): 181. http://dx.doi.org/10.7757/persnewmusi.54.2.0181.

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13

Zagal, Héctor. "Ricardo Salles (comp.), Metaphysics, Soul, and Ethics in Ancient Thought. Themes from the Work of Richard Sorabji." Crítica (México D. F. En línea) 43, no. 128 (2011): 98–109. http://dx.doi.org/10.22201/iifs.18704905e.2011.836.

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14

Roberge, Marc-André. "Opus sorabjianum : les joies et les souffrances d’un biographe." Articles 35, no. 1 (2017): 105–21. http://dx.doi.org/10.7202/1038946ar.

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La recherche, la rédaction et la publication de la première biographie du compositeur, pianiste et critique anglais Kaikhosru Shapurji Sorabji (1892–1988), parue en 2013 sous la forme d’un fichier au format PDF sur le Sorabji Resource Site, site documentaire géré par son auteur, a représenté un projet d’envergure qui s’est étalé sur de nombreuses années. L’article consiste en une visite individuelle guidée dans l’atelier du biographe permettant de constater l’ampleur des défis, les techniques de recherche mises en oeuvre, les difficultés rencontrées et les solutions adoptées pour arriver à fou

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15

Delattre Biencourt, Joëlle. "Richard Sorabji (éd.), Philoponus and the Reje." Philosophie antique, no. 11 (November 1, 2011): 251–54. http://dx.doi.org/10.4000/philosant.1215.

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16

Basu, Aparna. "Cornelia Sorabji: Indias Pioneer Woman Lawyer, A Biography." Indian Historical Review 34, no. 2 (2007): 248–51. http://dx.doi.org/10.1177/037698360703400227.

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17

Ortúzar, María José. "Anselm Oelze, Animal Rationality. Later Medieval Theories 1250–1350. Investigating Medieval Philosophy, 12. Leiden and Boston: Brill, 2018, 270 pp." Mediaevistik 32, no. 1 (2020): 520–24. http://dx.doi.org/10.3726/med.2019.01.150.

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Animal Rationality intends to show the variety of medieval views on the cognitive capacities of nonhuman animals—a variety which is obscured by the usual story about the crisis caused by Aristotle in confining animals to the sphere of a-rationality (Richard Sorabji).

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18

WILLIAMS, BERNARD. "STOIC PHILOSOPHY AND THE EMOTIONS Reply to Richard Sorabji." Bulletin of the Institute of Classical Studies 41, Supplement_68 (1997): 211–13. http://dx.doi.org/10.1111/j.2041-5370.1997.tb02272.x.

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19

Burton, Antoinette. "'Stray Thoughts of an Indian Girl' by Cornelia Sorabji." Indian Journal of Gender Studies 3, no. 2 (1996): 249–55. http://dx.doi.org/10.1177/097152159600300208.

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20

Feldman, Seymour. "Philoponus and the Rejection of Aristotelian Science. Richard Sorabji." Journal of Religion 68, no. 4 (1988): 589. http://dx.doi.org/10.1086/487936.

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21

Peters, Edward. "Philoponus and the Rejection of Aristotelian Science. Richard Sorabji." Isis 79, no. 1 (1988): 163–64. http://dx.doi.org/10.1086/354682.

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22

Jones, Michael. "Piano Music by Erik Chisholm." Tempo 59, no. 231 (2005): 72. http://dx.doi.org/10.1017/s004029820524007x.

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Piano music of Erik Chisholm and his friends. BARTÓK: With Drums and Pipes. SORABJI: Fantasiettina sul nome illustre dell'Egregio poeta Hugh MacDiarmid ossia Christopher Grieve. CHISHOLM: Piano Sonata in A, An Riobain Dearg. STEVENSON: A Threepenny Sonatina. BUSONI: Fantasia Contrappuntistica. Murray McLachlan (pno). Dunelm DRD0219.CHISHOLM: Music for piano Volume 1. Straloch Suite; Scottish Airs for Children; Piano Sonata in A (abridged version 2004). Murray McLachlan (pno). Dunelm DRD0222.

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23

Heinaman, Robert. "Actuality, Potentiality and De Anima II.5." Phronesis 52, no. 2 (2007): 139–87. http://dx.doi.org/10.1163/156852807x180063.

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AbstractMyles Burnyeat has argued that in De Anima II.5 Aristotle marks out a refined kind of alteration which is to be distinguished from ordinary alteration, change of quality as defined in Physics III.1-3. Aristotle's aim, he says, is to make it clear that perception is an alteration of this refined sort and not an ordinary alteration. Thus, it both supports his own interpretation of Aristotle's view of perception, and refutes the Sorabji interpretation according to which perception is a composite of form and matter where the matter is a material alteration in the body. I argue that Burnyea

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24

Ansari, S. "Cornelia Sorabji: India's Pioneer Woman Lawyer. A Biography, by Suparna Gooptu." English Historical Review 127, no. 527 (2012): 1013–15. http://dx.doi.org/10.1093/ehr/ces145.

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25

Magee, Joseph. "Sense Organs and the Activity of Sensation in Aristotle." Phronesis 45, no. 4 (2000): 306–30. http://dx.doi.org/10.1163/156852800510243.

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AbstractAmid the ongoing debate over the proper interpretation of Aristotle's theory of sense perception in the De Anima, Steven Everson has recently presented a well-documented and ambitious treatment of the issue, arguing in favor of Richard Sorabji's controversial position that sense organs literally take on the qualities of their proper objects. Against the interpretation of M. F. Burnyeat, Everson and others make a compelling case the Aristotelian account of sensation requires some physical process to occur in sense organs. A detailed examination of the interpretation by Everson and Sorab

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26

Vernezze, Peter J. "Gandhi and the Stoics: Modern Experiments on Ancient Values. By Richard Sorabji." Ancient Philosophy 34, no. 1 (2014): 232–34. http://dx.doi.org/10.5840/ancientphil201434120.

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27

Mossman, MaryJane. "Cornelia Sorabji (1866–1954): a pioneer woman lawyer in Britain and India." Women's History Review 29, no. 4 (2019): 737–47. http://dx.doi.org/10.1080/09612025.2019.1702791.

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28

Reeve, C. D. C. "Animal Minds and Human Morals: The Origins of the Western Debate.Richard Sorabji." Ethics 106, no. 1 (1995): 217–18. http://dx.doi.org/10.1086/293798.

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29

Fronterotta, Francesco. "R. Sorabji, Self: Ancient and Modern Insights about Individuality, Life, and Death." Études platoniciennes, no. 5 (November 1, 2008): 153–56. http://dx.doi.org/10.4000/etudesplatoniciennes.865.

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30

Wiesner, Hillary S. "Matter, Space, and Motion: Theories in Antiquity and Their Sequel. Richard Sorabji." Journal of Religion 70, no. 2 (1990): 302–3. http://dx.doi.org/10.1086/488392.

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31

Osborne, Catherine. "Matter, Space, and Motion: Theories in Antiquity and Their Sequel. Richard Sorabji." Isis 81, no. 1 (1990): 97–98. http://dx.doi.org/10.1086/355268.

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32

Kollipara, Bharani. "Gandhi and the Stoics: Modern Experiments on Ancient Values by Richard Sorabji." Philosophy East and West 65, no. 1 (2015): 354–59. http://dx.doi.org/10.1353/pew.2015.0001.

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33

Hudry, Jean-Louis. "Self: Ancient and Modern Insights about Individuality, Life, and Death ? Richard Sorabji." Philosophical Quarterly 57, no. 229 (2007): 686–88. http://dx.doi.org/10.1111/j.1467-9213.2007.521_1.x.

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34

Clausen, Ian. "Richard Sorabji, Moral Conscience through the Ages: Fifth Century BCE to the Present." Augustinian Studies 49, no. 1 (2018): 170–73. http://dx.doi.org/10.5840/augstudies201849161.

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35

Evans, David. "The Ethics of WarRichard Sorabji & David Rodin (eds.) Ashgate, 2006, pp.ix + 253." Philosophy 82, no. 2 (2007): 366–69. http://dx.doi.org/10.1017/s003181910732010x.

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36

Chattopadhyay, Sayan. "Disowning “Indianness”: Images of Indian Womanhood and the “English” Self of Cornelia Sorabji." Prose Studies 37, no. 1 (2015): 2–20. http://dx.doi.org/10.1080/01440357.2015.1056486.

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37

Martin, Raymond. "Review: Richard Sorabji: Self: Ancient and Modern Insights about Individuality, Life, and Death." Mind 117, no. 465 (2008): 223–28. http://dx.doi.org/10.1093/mind/fzn021.

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38

Majumdar, Deepa. "Gandhi and the Stoics, Modern Experiments on Ancient Values, written by Richard Sorabji." International Journal of the Platonic Tradition 11, no. 1 (2017): 96–98. http://dx.doi.org/10.1163/18725473-12341370.

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39

Huisman, Lukas, Bruno Gingras, Geert Dhondt, and Marc Leman. "Musical Complexity and "Embodied Notation": A Study of the Opus Clavicembalisticum (K. S. Sorabji)." Empirical Musicology Review 12, no. 1-2 (2017): 59. http://dx.doi.org/10.18061/emr.v12i1-2.4966.

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Scores of complex, 20th century, solo piano pieces can be difficult to perform and may even include elements that are physically impossible to play. This article investigates the role of music notation in the Opus Clavicembalisticum of Sorabji, which is a rather extreme case in terms of virtuosity and length. To analyze the effect of score notation on learning and performing, 9 pianists were asked to practice music fragments in 3 different score editions, namely the original Urtext edition (a 4-staff score), performance edition (same notes but organized according to an "embodied" performance v

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40

Pérez Ragone, Álvaro. "English civil justice after the Woolf and Jackson reforms: A critical analysis SORABJI, John." Ius et Praxis 20, no. 2 (2014): 601–4. http://dx.doi.org/10.4067/s0718-00122014000200021.

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41

Huby, Pamela M. "Richard Sorabji. Time Creation, and the Continuum. Pp. xviii + 473. (London: Duckworth, 1983.) £29.50." Religious Studies 21, no. 1 (1985): 100–103. http://dx.doi.org/10.1017/s0034412500016954.

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42

Roye, Susmita. "Saint or sinner? Suttee in the depiction of Flora Annie Steel and Cornelia Sorabji." Journal of Commonwealth Literature 52, no. 2 (2015): 281–99. http://dx.doi.org/10.1177/0021989415593401.

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43

Bunn, Robert. "Time, Creation, and the Continuum: Theories in Antiquity and the Early Middle Ages. Richard Sorabji." Philosophy of Science 55, no. 2 (1988): 304–6. http://dx.doi.org/10.1086/289436.

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44

Burrell, David. "Time, Creation, and the Continuum: Theories in Antiquity and the Early Middle Ages. Richard Sorabji." Journal of Religion 68, no. 1 (1988): 97–98. http://dx.doi.org/10.1086/487723.

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45

Ewbank, Michael. "Greek & Roman Philosophy: 100 BC - 200 AD. Edited by Robert Sharples and Richard Sorabji." Heythrop Journal 52, no. 1 (2010): 122–23. http://dx.doi.org/10.1111/j.1468-2265.2010.00624_10.x.

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46

Kumar, Pratyush. "Gandhi & the Stoics: Modern Experiments on Ancient Values Richard Sorabji, Oxford University Press, U.K., 2012." Journal of National Law University Delhi 2, no. 1 (2014): 140–44. http://dx.doi.org/10.1177/2277401720140109.

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47

Boehme, Armand J. "The Ethics of War: Shared Problems in Different Traditions – Edited by Richard Sorabji and David Rodin." Reviews in Religion & Theology 15, no. 2 (2008): 247–50. http://dx.doi.org/10.1111/j.1467-9418.2007.00380_18.x.

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48

Verheij, M. J. O. "Selves in Conflict: Gill vs. Sorabji on the Conception of Selfhood in Antiquity: A Reconciliatory Review." Classical World 107, no. 2 (2013): 169–97. http://dx.doi.org/10.1353/clw.2013.0135.

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49

Anderson, Martin. "London, Wigmore Hall: Erik Chisholm and Ronald Stevenson." Tempo 58, no. 228 (2004): 75. http://dx.doi.org/10.1017/s0040298204340155.

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Murray McLachlan's première of Erik Chisholm's Sonata in A minor on 4 January marked the centenary of Chisholm's birth (in Cathcart, outside Glasgow) to the day itself. Chisholm was a considerable force for good while he was busy in Scotland: the first British performances of Les Troyens, Béatrice et Bénédicte and Idomeneo; visits to his ‘Active Society for the Propagation of Contemporary Music’ in Glasgow from Bartók, Casella, Schmitt, Sorabji (a close friend), Szymanowski and other luminaries. But he could, apparently, be a difficult man, and with his posting to Singapore by ENSA in 1943, to

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50

Fronterotta, Francesco. "R. Salles (ed.), Metaphysics, Soul, and Ethics in Ancient Thought. Themes from the Work of Richard Sorabji." Elenchos 27, no. 2 (2006): 489–92. http://dx.doi.org/10.1515/elen-2006-270211.

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