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Journal articles on the topic 'Sorbonne (Paris, France). Bibliothèque'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Duba, William. "The Bull in the Book: A 1308 Witness to the Career of Francesco Caracciolo, Chancellor of Paris." Fragmentology, no. 3 (December 2020): 141–48. http://dx.doi.org/10.24446/fc88.

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Research note from Fragmentology 3 (2020). Bound with the 1338 Catalogue of the Library of the Collège de la Sorbonne (Paris, Bibliothèque nationale de France, N.A.L. 99) is a 1308 papal bull used as a pastedown in a previous binding (https://fragmentarium.ms/overview/F-nqp8). This Bull provides a further witness to the early career of the theologian Francesco Caracciolo (d. 1316), who served as Chancellor of the University of Paris.

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Postec, Amandine. "Un exemplaire singulier du De animalibus d’Albert le Grand et son illustration." Reinardus / Yearbook of the International Reynard Society 26 (December 31, 2014): 137–60. http://dx.doi.org/10.1075/rein.26.09pos.

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La Bibliothèque nationale de France conserve un manuscrit du commentaire d’Albert le Grand sur le De animalibus d’Aristote dont le texte autant que le décor méritent une attention toute particulière. Ce manuscrit, réalisé dans le second tiers du XIVe siècle, offre une version du texte au plus près du manuscrit autographe du grand maître dominicain, conservé aux archives de Cologne et dont les études, de Franz Pelster et Bernhard Geyer notamment, ont montré la complexité. Le manuscrit BnF Latin 16169, qui fut acheté à un prix élevé par la bibliothèque du Collège de Sorbonne, a par la suite contribué à la diffusion du texte à Paris comme l’attestent certains manuscrits qui s’y réfèrent explicitement. Il a par ailleurs bénéficié d’un riche décor parfaitement adapté aux enseignements de l’ouvrage. L’enlumineur a en effet pris grand soin à illustrer chaque livre du commentaire en tenant compte du contenu. Ce manuscrit offre donc un bel exemple d’ouvrage scientifique pour lequel l’enluminure participe au projet pédagogique.

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PETTEGREE, ANDREW. "Bibles imprimées du XVe au XVIIIe siècle conservées à Paris. Bibliothèque nationale de France. Bibliothèque Sainte-Geneviève. Bibliothèque de la Sorbonne. Bibliothèque Mazarine. Bibliothèque de la Société de l'histoire du protestantisme français. Bibliothèque de la Société biblique. Edited by Martine Delaveau and Denise Hillard. Pp. xlvii+862 incl. 11 ills. Paris: Bibliothèque national de France, 2002. €130. 2 7177 1846 X." Journal of Ecclesiastical History 55, no. 1 (January 2004): 168. http://dx.doi.org/10.1017/s0022046903687191.

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FADER, DON. "RETHINKING MUSIC IN FRANCE DURING THE BAROQUE ERA / REPENSER LA MUSIQUE EN FRANCE À L’ÉPOQUE BAROQUE UNIVERSITÉ PARIS-SORBONNE, BIBLIOTHÈQUE NATIONALE DE FRANCE, CENTRE DE MUSIQUE BAROQUE DE VERSAILLES, ABBAYE DE ROYAUMONT, 19–23 JUNE 2018." Eighteenth Century Music 16, no. 1 (February 14, 2019): 99–102. http://dx.doi.org/10.1017/s1478570618000519.

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Lavou-Zoungbo, Victorien, and Jean-Godefroy Bidima. "Parole(s), Espaces Publics de Discussion: Oralités politiques en devenir." Oralidad-es 4 (August 22, 2020): 1–11. http://dx.doi.org/10.53534/oralidad-es.v4a8.

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Jean Godefroy Bidima a fait ses études à L’Université de Yaoundé au Cameroun et à l’Université Paris I Panthéon-Sorbonne à Paris. Ses travaux de Doctorat à la Sorbonne ont porté sur l’Ecole de Francfort. Après avoir été Maître de Conférences invité (Gastdozent) à l’Université de Bayreuth, en Allemagne, et Directeur de programme au Collège International de Philosophie de Paris, il est actuellement Professeur Titulaire (Tenured Full Professor) à Tulane University (New Orleans) et détenteur de la Chaire Yvonne Arnoult. Il a publié : Théorie Critique et modernité négro-africaine : de l’École de Francfort à la « Docta Spes africana », Publications de la Sorbonne, 1993; La philosophie négro-africaine, Paris, Presses Universitaires de France, 1995; L’art négro-africain, Paris, Presses Universitaires de France, 1997; La palabre. Une juridiction de la parole, Paris, Editions Michalon, 1997, Traduction anglaise ; Law and Public Sphere in Africa : La Palabre and Other Writings, Indiana University Press, Bloomington, 1993.

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Cardoso, Catarina Figueiredo. "On Being Contemporary." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 2, no. 1 (November 8, 2014): 203–7. http://dx.doi.org/10.14195/2182-8830_2-1_15.

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Review of Anne Moeglin-Delcroix's new edition of Esthétique du Livre d'Artiste 1960-1980: Une Introduction à l'Art Contemporain. 2nd edition, Marseilles/Paris: Le mot et le reste/ Bibliothèque Nationale de France [1st ed., Esthétique du Livre d'Artiste: 1960-1980, Paris: Bibliothèque Nationale de France/Jean Michel Place, 1997], 2012, 444 pp. ISBN 9782360540136. DOI: http://dx.doi.org/10.14195/2182-8830_2-1_15

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Pust, Hans-Christian. "Ausstellung „Orages de Papier“ in Paris." WLBforum 12, no. 2 (October 15, 2010): 12–15. http://dx.doi.org/10.53458/wlbf.v12i2.395.

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Am 26. Oktober 2010 wurde in Paris die Ausstellung „Orages de Papier – La Grande Guerre des médias“ eröffnet. Die Bibliothek für Zeitgeschichte hat diese Ausstellung zusammen mit der Bibliothèque nationale et universitaire de Strasbourg (BNU), der Bibliothèque de Documentation Internationale Contemporaine (BDIC) in Paris-Nanterre und der Bibliothèque nationale de France (BnF) erarbeitet. Alle vier Institutionen haben zu der Ausstellung Exponate aus ihren Kriegssammlungen beigesteuert, die im Ersten Weltkrieg angelegt wurden. Die Ausstellung war 2008 und 2009 schon in Straßburg und in Stuttgart zu sehen. In Paris wird sie in den Ausstellungsräumen der BDIC im Hôtel National des Invalidesgezeigt.

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Кондаков, Денис. "Так с Севера ли к нам приходит свет? (Does the Light Come to Us from the North?)." ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies 6 (December 7, 2018): 107–11. http://dx.doi.org/10.21900/j.vivliofika.v6.540.

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Рецензия на книгу: Alexandre Stroev, La Russie et la France des Lumières : Monarques et philosophes, écrivains et espions. Paris: Institut d’études slaves (Bibliothèque russe de l’Institut d’études slaves, tome CXXXVI), 2017. 512 p. Review of: Alexandre Stroev, La Russie et la France des Lumières : Monarques et philosophes, écrivains et espions. Paris: Institut d’études slaves (Bibliothèque russe de l’Institut d’études slaves, tome CXXXVI), 2017. 512 p.

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Highman, Ludovic. "Creating National Champions in France: A Little Less Égalité, a Little More Sélectivité?" International Higher Education, no. 92 (January 14, 2018): 27. http://dx.doi.org/10.6017/ihe.2018.92.10222.

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The merger between Paris–Sorbonne University (Paris IV) and Pierre and Marie Curie University (Paris VI) will create a single, multidisciplinary institution in the heart of Paris. This merger needs to be contextualized within the national and European contexts, in order to shed light on the drivers, opportunities, and challenges behind a trend that has become increasingly visible among European nations, which seek torationalize and consolidate their higher education systems.

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Highman, Ludovic. "Creating National Champions in France: A Little Less Égalité, a Little More Sélectivité?" International Higher Education, no. 92 (January 14, 2018): 27–29. http://dx.doi.org/10.6017/ihe.2018.92.10288.

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The merger between Paris–Sorbonne University (Paris IV) and Pierre and Marie Curie University (Paris VI) will create a single, multidisciplinary institution in the heart of Paris. This merger needs to be contextualized within the national and European contexts, in order to shed light on the drivers, opportunities, and challenges behind a trend that has become increasingly visible among European nations, which seek torationalize and consolidate their higher education systems.

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Pust, Hans-Christian. "Ausstellung "1914-1918. In Papiergewittern. Die Kriegssammlungen der Bibliotheken" in der Württembergischen Landesbibliothek." WLBforum 11, no. 1 (April 15, 2009): 30–34. http://dx.doi.org/10.53458/wlbf.v11i1.406.

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Am 12. März wurde die Ausstellung "1914-1918. In Papiergewittern. Die Kriegssammlungen der Bibliotheken" in der WLB eröffnet. Die Ausstellung ist ein Gemeinschaftsprojekt von vier Bibliotheken, neben der Bibliothek für Zeitgeschichte in der WLB haben drei französische Bibliotheken mitgearbeitet: Die Partnerbibliothek der WLB, die Bibliothèque nationale et universitaire Strasbourg, die Bibliothèque de documentation internationale contemporaine (Paris) und die Bibliothèque nationale de France (Paris).

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Bélaval, Philippe. "Retour à la Bibliothèque Nationale de France." Alexandria: The Journal of National and International Library and Information Issues 9, no. 1 (April 1997): 45–58. http://dx.doi.org/10.1177/095574909700900103.

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The decision in July 1988 to build a new library in Paris has been the starting point of a deep change in every field of activity for the French national library, which combines the old Bibliothèque nationale in the Rue de Richelieu with the Bibliothèque de France in Tolbiac in what is now known as the Bibliothèque nationale de France (BnF). The collections will be divided between two sites: the Rue de Richelieu building will retain the special collections, in improved storage conditions and with better access; while the printed and audiovisual collections are being transferred to the new building at Tolbiac between the end of 1996 and the end of 1998. 370,000 books will be acquired specially to fill gaps in previously neglected areas such as law, economics and science. A new OPAC, due for completion in 1998, will provide access to merged files of the BnF, including 4.5 million converted records from the old hand-written catalogue. Next to the research reading rooms, which are for registered users only, will be ten reading rooms open to the general public for a fee, which will have 380,000 books on open access. The OPAC will be accessible remotely, as will the seat and book reservation system. A new preservation centre has been built in Marne-la-Vallée, 20 km east of Paris; there is a special emphasis on deacidification. There are two digitization programmes, for 100,000 texts and 300,000 pictures; negotiation is taking place with copyright holders. Experimental access to several bibliographic databases and digitized collections is already proving successful. The new reference library in the new building opened in December 1996 and the research library will open in 1998.

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13

Trump, Dominik. "In margine – Annotationen in der Handschrift Paris, Bibliothèque nationale de France, lat. 4417." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Romanistische Abteilung 136, no. 1 (June 26, 2019): 364–71. http://dx.doi.org/10.1515/zrgr-2019-0015.

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Abstract In margine – Annotations in codex Paris, Bibliothèque nationale de France, lat. 4417. This paper deals with Paris, Bibliothèque nationale de France, lat. 4417, a 9th century manuscript containing quite a few annotations, especially in the margin. Within the text of the Epitome Aegidii, five nota signs clearly indicate a user's special interests. The annotations will be analysed regarding their functions, and it will be emphasized that the reception of a text can be clearly understood based on the evidence in the manuscript itself.

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Lafleur, Claude, David Piché, and Joanne Carrier. "Porphyre et les universaux dans les Communia logice du ms. Paris, BnF, lat. 16617." Dossier publié sous la direction de Claude Lafleur 60, no. 3 (September 27, 2005): 477–516. http://dx.doi.org/10.7202/011361ar.

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RÉSUMÉ Cet article offre la première édition du début des Communia logic<a>e (et grammatic<a>e), une substantielle compilation didascalique issue de la Faculté des arts de l’Université de Paris au milieu du xiiie siècle et contenue dans un manuscrit légué par maître Pierre de Limoges († 1306) à l’ancienne bibliothèque de la Sorbonne. Après une présentation générale (section I) et avant des précisions sur la Ratio edendi (section III), l’étude doctrinale (section II) qui précède cette édition (section IV) montre comment l’auteur-compilateur des Communia logic<a>e répond — en le reformulant — au célèbre questionnaire porphyrien relatif aux universaux.

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Brault, Jean-Rémi. "Bibliothèque de France, bibliothèque ouverte. Actes du colloque du 11 septembre 1989. Paris, Institut Mémoires de l’édition contemporaine, (1990). 147 p. (Bibliothèque de France)." Documentation et bibliothèques 37, no. 3 (1991): 121. http://dx.doi.org/10.7202/1028478ar.

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16

Neuman, Robert. "Robert de Cotte and the Baroque Ecclesiastical Façade in France." Journal of the Society of Architectural Historians 44, no. 3 (October 1, 1985): 250–65. http://dx.doi.org/10.2307/990075.

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The façade of St. Roch, Paris (erected 1736-1738), the last major work by Robert de Cotte, is often viewed as anomalous in an oeuvre devoted almost exclusively to the design of secular buildings. However, the recent discovery in Paris of certain drawings and related documents from de Cotte's studio (Bibliothèque Nationale; Archives Nationales; Bibliothèque de l'Institut) makes it clear that he confronted the problem of the Italianate ecclesiastical façade throughout his career, although only a few of the commissions were actually carried out. The various solutions, while rooted in French tradition, betray a strong interest in Italian church portals of the Late Renaissance and Baroque. The notes and drawings made by the architect during his Italian sojourn of 1689-1690 confirm this interest. A chronological review of the projects reveals that the design for the St. Roch portal was closely related to de Cotte's earlier experiments for church façades in Paris, Dijon, and Orléans; the Premier Architecte relied particularly on precedents set by Jules Hardouin Mansart, as well as on his own unexecuted project for St. Louis de Versailles (1724).

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Farhi, Robert. "Comment lutter contre la désinformation scientifique ? Journée Sciences et Médias 2018." Reflets de la physique, no. 58 (June 2018): 33–37. http://dx.doi.org/10.1051/refdp/201858033.

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Le 11 janvier 2018 s’est tenue à la Bibliothèque nationale de France (quai François Mauriac, Paris, 13e) la quatrième journée Sciences et Médias. Le but de ces journées est de participer à la réflexion sur la façon dont les médias se saisissent des questions scientifiques. L’édition 2018 était organisée par l’Association des Journalistes Scientifiques de la Presse d’Information (AJSPI), la Bibliothèque nationale de France (BnF), la Société Chimique de France (SCF), la Société Française de Physique (SFP), la Société Française de Statistique (SFdS), la Société Informatique de France (SIF), la Société de Mathématiques Appliquées et Industrielles (SMAI) et la Société Mathématique de France (SMF).

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Arnaud, Françoise, and Jean-Claude Hureau. "PATRICK ARNAUD (1939-2016)." Polar Record 53, no. 3 (March 2, 2017): 333–34. http://dx.doi.org/10.1017/s0032247417000067.

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Patrick Arnaud was born in Paris on 27 May 1939. He completed his secondary school education at the Lycée Buffon and undergraduate studies at the Faculty of Sciences of the Sorbonne, before his doctoral studies in Biological oceanography in 1960, a field developed in France, at Marseille, by Professor Jean-Marie Pérès.

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Trump, Dominik. "Rezeptionsspuren in der Handschrift Paris, Bibliothèque nationale de France, lat. 4419 (Epitome monachi)." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Romanistische Abteilung 138, no. 1 (June 1, 2021): 607–15. http://dx.doi.org/10.1515/zrgr-2021-0018.

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Abstract Traces of reception in codex Paris, Bibliothèque nationale de France, lat. 4419 (Epitome monachi). This short article deals with the manuscript Paris lat. 4419, which contains the Epitome monachi and was written at the end of the 9th or at the beginning of the 10th century. Some interesting annotations in the margin show the reception and interaction of users with the text. Selected annotations are discussed and analysed and an appendix with all marginal annotations of the codex is given.

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Rodríguez González, Yliana. "Odette Bresson, Catalogue du fonds hispanique ancien (1492-1808) de la Bibliothèque Sainte-Geneviève de Paris. Préface d'Augustin Redondo. Presses de la Sorbone Nouvelle-Publications de la Sorbonne, Paris, 1994; 411 pp. (Textes et Documents du "Centre de Recherche sur l'Espagne des XVIe et XVIIe siècles [CRES]", 4)." Nueva Revista de Filología Hispánica (NRFH) 43, no. 2 (July 1, 1995): 541–42. http://dx.doi.org/10.24201/nrfh.v43i2.1903.

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Melot, Michel. "Le projet de Bibliotheque nationale des arts a Paris." Art Libraries Journal 18, no. 4 (1993): 4–10. http://dx.doi.org/10.1017/s030747220000849x.

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When the Bibliothèque Nationale moves into the new Bibliothèque de France, leaving behind only six specialised departments, the opportunity will arise to use the buildings of the Rue de Richelieu site to bring together a group of art history libraries and research centres. Priority will be given to the remaining Departments of the Bibliothèque Nationale, which need more space than they presently occupy; they will be joined by the inter-university library of art and archaeology from the Rue Michelet, the central library of the national museums, from the Louvre, and the older collections of the Ecole Nationale Supérieure des Beaux-Arts. The architectural holdings of the latter might be identified as the foundation for a major architectural collection to satisfy the demand for such a library in Paris. The collections thus brought together will not be merged, but will be exploited by means of shared services, including a union catalogue, and will be developed by means of a common acquisitions policy This concentration of resources on one site will not in itself constitute a ‘national art library’, but will provide a central node for a wider network. (An English version follows the original French text).

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Bodler, Markus. "„Halb Courteline, halb Ubu, halb Kafka“." apropos [Perspektiven auf die Romania], no. 1 (December 12, 2018): 145–60. http://dx.doi.org/10.15460/apropos.1.1263.

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Sammelrezension von: BOURILLON Florence et al. (ed). 2016. De l'Université de Paris aux universités de l'Île-de-France. Rennes : PUR. DORMOY-RAJRAMANAN Christelle. 2014. Sociogenèse d'une invention institutionnelle. Le Centre universitaire expérimental de Vincennes. Thèse présentée pour obtenir le grade de Docteure, sous la direction du Prof. Bernard Pudal. Université de Paris Ouest-Nanterre la Défense, <https://bdr.parisnanterre.fr/theses/internet/2014PA100149.pdf> MERCIER Charles. 2015. Autonomie, autonomies. René Rémond et la politique universitaire aux lendemains de Mai 1968 (collection Histoire de la France aux XIXᵉ et XXᵉ siècles, 77). Paris : Publications de la Sorbonne. MERCIER Charles. 2016. René Rémond et Nanterre. Les enfantements de 68 (1968-1976). Lormont : Le Bord de l'eau. VALENCE David & Bruno Poucet (ed.). 2016. La loi Edgar Faure. Réformer l'université après 1968. Rennes : PUR.

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Chung, David. "Paris, Bibliothèque nationale de France, Rés. Vm7 674–675: The Bauyn Manuscript ed. by Bruce Gustafson, and: Paris, Bibliothèque nationale de France, Rés. Vm7 674–675: The Bauyn Manuscript ed. Bruce Gustafson, and: Paris, Bibliothèque nationale de France, Rés. Vm7 674–675: The Bauyn Manuscript ed. by Bruce Gustafson, and: Paris, Bibliothèque nationale de France, Rés. Vm7 674–675: The Bauyn Manuscript ed. by Bruce Gustafson." Notes 72, no. 1 (2015): 216–21. http://dx.doi.org/10.1353/not.2015.0087.

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Camillo Ferrari, Michèle. "Der älteste touronische Pandekt, Paris, Bibliothèque Nationale de France lat. 8847 und seine Fragmente." Scriptorium 53, no. 1 (1999): 108–14. http://dx.doi.org/10.3406/scrip.1999.1868.

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Macouin, Francis. "De l’Indochine a l’Afghanistan: des arts etrangers dans les bibliotheques Parisiennes." Art Libraries Journal 18, no. 2 (1993): 26–33. http://dx.doi.org/10.1017/s0307472200008312.

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French interest in India and neighbouring regions dates back to the 17th century. Oriental studies developed as a distinct discipline through the 19th century, stimulated in France by French colonial activities in Indochina, and culminating at the end of the century in the emergence of Oriental art and archaeology as a subject in its own right. The Commission Archéologique de l’Indochine was established in 1898, and became the Ecole Francaise d’Extrême-Orient (EFEO) in 1901 with responsibility for listing and protecting antiquities in the French colonies; its library in Paris constitutes a major resource. France’s relationship with Afghanistan facilitated French archaeological activities in that country until 1975; archaeological finds enabled the Musée Guimet to extend its scope and to become a museum of Asiatic art, and its library became and remains the major library in Paris so far as Asian art is concerned. The library of the Ecole du Louvre supports courses on Asian art, while the Bibliothèque Nationale and such libraries as the Bibliothèque Forney also contain valuable collections. Photographic collections in some of these institutions have not been so well looked after as books, and their condition is a matter of concern. Unpublished archival materials are also held in some of the same institutions. The resources of a number of smaller, specialised institutes are currently being brought together in a new building under the name ‘Institute d’Asie du Collège de France’, while some other collections are being linked with the library of the EFEO to create a ‘Bibliothèque d’Asie’. Meanwhile it remains to be seen whether the new Bibliothèque Nationale des Arts will include the arts of Asia within its scope. No library in France has responsibility for modern Indian art. (An English translation follows the text in French).

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Gaudelus, Sébastien, Martine Poulain, and Lucile Trunel. "The renovation of the Richelieu building: a future centre for art researchers in Paris." Art Libraries Journal 36, no. 1 (2011): 11–16. http://dx.doi.org/10.1017/s0307472200016734.

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The historic site of the French national library is currently being renovated in order to become a major centre for art documentation and special collections. It will incorporate three separate institutions: the specialist departments of the Bibliothèque nationale de France, the library of the Institut national d’histoire de l’art, and the library of the Ecole nationale des Chartes. Completion of the project is scheduled for 2017.

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Puig, Marie-Christine Villanueva. "A propos d’une amphore du Peintre d’Amasis conservée au Cabinet des Médailles de la Bibliothèque Nationale de France à Paris : trois grandes divinités de l’Athènes archaïque." Tempo 21, no. 38 (December 2015): 30–56. http://dx.doi.org/10.1590/tem-1980-542x2015v213807.

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Résumé Le programme iconographique d’une amphore attique à figures noires, datée vers 540, signée du potier Amasis et attribuée au Peintre d’Amasis (Cabinet des Médailles de la Bibliothèque Nationale de France à Paris), est réexaminé. A partir de celui-ci, on se propose d’évaluer l’importance documentaire des images portées par les vases dans l’approche de l’histoire socio-religieuse de l’Athènes archaïque.

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McDonough, Christopher J. "Paris, Bibliothèque nationale de France lat. 16483: Contents, Audience, and the Matter of Old French." Mediaeval Studies 64 (January 2002): 131–216. http://dx.doi.org/10.1484/j.ms.2.306493.

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Lynde-Recchia, Molly. "Wauchier de Denain's Vie de seint Marciau (Paris, Bibliothèque nationale de France ms. fr. 411)." Revue Bénédictine 108, no. 1-2 (January 1998): 169–77. http://dx.doi.org/10.1484/j.rb.4.00370.

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Richardson, O. Sidney. "REFLECTIONS ON FORM: AN INTERVIEW WITH PASCAL DUSAPIN." Tempo 72, no. 283 (December 19, 2017): 34–44. http://dx.doi.org/10.1017/s0040298217000924.

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ABSTRACTComposer Pascal Dusapin has crafted an intriguing and idiosyncratic musical style that is both expressive and rigorously formal. Born in 1955 in Nancy, France, he studied piano and organ in his youth and later Plastic Arts and Sciences, Arts, and Aesthetic at the University of Paris 1 Panthéon-Sorbonne, notably under composer Iannis Xenakis. From 1981 to 1983, he held a resident scholarship from the Villa Medici in Rome. Among the numerous accolades Dusapin has received are the Cino del Duca Prize in 2005 and the Dan David Prize in 2007. The Collège de France conferred upon him a professorship to hold the Chair of Artistic Creation from 2006 to 2007. He is a Commander of the French Order of Arts and Letters. His body of work includes extensive explorations of solo, chamber, orchestral, and operatic forces. What follows is an edited translation of an interview I made with Dusapin in his studio in Paris on 9 July 2016.

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Simoroz, Olha. "Philosophy, terror, choice. Bloch, O. (Ed.). (2009). Philosopher en France sous l’Occupation. Paris: Éditions de la Sorbonne." Sententiae 39, no. 1 (June 29, 2020): 237–41. http://dx.doi.org/10.31649/sent39.01.237.

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Allison, Antony F. "The Origins of St. Gregory’s, Paris." Recusant History 21, no. 1 (May 1992): 11–25. http://dx.doi.org/10.1017/s0034193200001461.

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St. Gregory’s was a small college belonging to the English secular clergy founded at Paris in the late seventeenth century. Its main purpose was to enable suitable ecclesiastics who had completed their training at Douai or the other colleges abroad to pursue advanced studies at the Sorbonne before working on the mission in England. Its founders hoped it would serve to produce a corps of highly qualified men to fill the leading administrative and teaching posts in the Catholic Church in England. It survived until 1786 when financial difficulties forced it to close—temporarily, as was at first thought. During the Revolution it suffered the fate of the other English Catholic institutions in France, and it never, in fact, reopened. Among the documents that have survived from its archives is a Register Book covering the whole period of its existence from its first beginnings in 1667 until it closed down over a century later. This Register Book, which records the arrival and departure of students, the stages in their university career, their promotion to holy orders, deaths occurring at the college, and occasional memoranda of events affecting the life of the community, was edited for the Catholic Record Society in 1917 by the late Monsignor Edwin Burton.

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Dickinson, John. "Laurent Veyssière et Bernard Fonck (dir.), La guerre de Sept Ans en Nouvelle-France, Sillery/Paris, Septentrion/Presses de l’Université Paris-Sorbonne, 2012." Globe: Revue internationale d’études québécoises 17, no. 1 (2014): 234. http://dx.doi.org/10.7202/1028642ar.

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Lévêque, Victoria. "“Ça se voit aussi à Paris”: A Report on “Optical Errors,” The 2013 James Joyce Colloquium, Sorbonne Nouvelle, Paris, France, 8 June 2013." James Joyce Quarterly 49, no. 3-4 (2012): 421–23. http://dx.doi.org/10.1353/jjq.2012.0035.

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Denoël, Charlotte. "Le fonds des manuscrits latins de Notre-Dame de Paris à la Bibliothèque nationale de France." Scriptorium 58, no. 2 (2004): 131–73. http://dx.doi.org/10.3406/scrip.2004.3876.

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Mordeglia, Caterina. "Fedro e le favole latine dello pseudo-Dositeo (ms. Paris, Bibliothèque nationale de France, lat. 6503)." Reinardus / Yearbook of the International Reynard Society 27 (December 31, 2015): 162–81. http://dx.doi.org/10.1075/rein.27.09mor.

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Gli Hermeneumata Pseudodositheana, a partire dal XVI secolo falsamente attribuiti al grammatico tardoantico Dositeo, sono un manuale scolastico bilingue greco-latino databile al IV secolo e di origine incerta, che nel Medioevo si diffonde in tutta Europa in nove redazioni. Due codici riconducibili a due di esse, il ms. Paris, Bibliothèque nationale de France, lat. 6503 (Corbie, sec. IX3/4 = P) e il ms. Leiden, Bibliotheek der Rijksuniversiteit, Voss. Gr. Q. 7, (Köln, sec. X = L), riportano tra i testi di esercizio per gli studenti 18 favole esopiche, che si rivelano particolarmente importanti per tracciare l’evoluzione del genere nella tarda latinità. Il presente saggio rivaluta la versione di tali favole tramandata da P e pubblica, per la prima volta con traduzione italiana, il testo aggiornato delle quattro favole per cui si registra un corrispettivo in Fedro, con l’obiettivo di indagare sulla base delle acquisizioni critiche recenti la diffusione dell’opera del favolista latino in età tardoantica e altomedievale, anche alla luce dei suoi rapporti con il Romulus.

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Haug, Henrike. "hic in figura et textu habetur. Bezugsfelder diagrammatischer Formen in einer Mailänder Stadtchronik des 14. Jahrhunderts." Das Mittelalter 22, no. 2 (November 7, 2017): 351–71. http://dx.doi.org/10.1515/mial-2017-0021.

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AbstractThe Bibliothèque nationale de France in Paris (BnF, MS Latin 5184) holds a fragment of the ‘Manipulus florum’ of Galvanus Flamma. This copy of a milanese urban chronical dates back to 1340. In addition to a modified version of the text, it contains 118 geometrical schemata covered in text. The article focuses mainly on the circular representations of the city and – while exploring their variety – discusses the semantic field of these diagrams.

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Rozier, Gilles. "The Bibliothèque Medem: Eighty Years Serving Yiddish Culture." Judaica Librarianship 15, no. 1 (April 15, 2014): 25–34. http://dx.doi.org/10.14263/2330-2976.1042.

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The Bibliothèque Medem (or Medem-Bibliotek, in Yiddish), in Paris, is the largest Yiddish library in Western and Central Europe, as well as a major Jewish cultural center. Founded in 1928 by a group of Eastern European Jewish immigrants who were aligned with the socialist Bund, its trajectory over eight decades (including the four years of the German occupation) is chronicled here. Today, the collections of the Bibliothèque Medem comprise 20,000 volumes in Yiddish and 10,000 titles in the Latin alphabet dealing with Jewish culture. In addition, it maintains about 30,000 uncataloged book volumes, extensive serial holdings, 300 posters, archives of a number of Yiddish authors, and a sound archive containing 7,500 recordings. Together with the libraries of the Alliance Israélite Universelle and the Séminaire Israélite de France (SIF), the Bibliothèque Medem is a principal partner in the Réseau Européen des Bibliothèques Judaica et Hebraica (European Network of Judaica and Hebraica Libraries), which administers their union catalog and sponsors digitization projects of their holdings.

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Olivier Pédeflous. "Students and Teachers at the University of Paris: The Generation of 1500. A Critical Edition of Bibliothèque de l'Université de Paris (Sorbonne), Archives, Registres 89 and 90 (review)." Catholic Historical Review 94, no. 2 (2008): 373–74. http://dx.doi.org/10.1353/cat.0.0014.

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Jorge, Marcelo, and Biagio D’Angelo. "Debret, professor de desenho: gravuras inéditas da coleção da Bibliothèque nationale de France." Anais do Museu Paulista: História e Cultura Material 24, no. 3 (December 2016): 199–268. http://dx.doi.org/10.1590/1982-02672016v24n0308.

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RESUMO Este artigo apresenta e discute três conjuntos de gravuras inéditas de Jean-Baptiste Debret (1768-1848) encontradas nas coleções do Département des Estampes et de la Photographie da Bibliothèque nationale de France, em Paris. O primeiro grupo foi gravado por Gilles-Antoine Demarteau (1750-1802) em 1802; os outros dois foram gravados por L. M. Petit entre c. 1810-1813, o Nouveau Recueil Élémentaire de Dessin e as Têtes d´étude d´après David. A pesquisa busca fazer uma filologia histórica dessas gravuras, discutindo questões de autenticidade, atribuição, finalidade e correspondência com obras semelhantes do período. A metodologia adotada foi a análise e a comparação de bibliografia sobre o tema, de documentos de época e o cotejamento das informações levantadas com os dados já conhecidos sobre a biografia do artista. Os objetivos principais deste trabalho são tentar compreender quais as particularidades dessas pranchas em relação a outros exemplares da mesma época, como essas imagens se inserem no contexto da produção de estampas didáticas no início do século XIX, e como a carreira francesa e brasileira do pintor pode ser reinterpretada a partir das informações colhidas e dos debates sugeridos.

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Caldwell, Mary Channen. "‘FLOWER OF THE LILY’: LATE-MEDIEVAL RELIGIOUS AND HERALDIC SYMBOLISM IN PARIS, BIBLIOTHÈQUE NATIONALE DE FRANCE, MS FRANÇAIS 146." Early Music History 33 (2014): 1–60. http://dx.doi.org/10.1017/s0261127913000119.

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Paris, Bibliothèque nationale de France, MS français 146 (fr. 146), a manuscript well known for its inclusion of theRoman de Fauvel, also provides an important, albeit understudied, contribution to the history surrounding the allegorical ‘flower of the lily’, or fleur-de-lis – a floral symbol central to fourteenth-century theology and French royal heraldry. In medieval France, the fleur-de-lis emerges through text and music as a symbol capable of invoking, and being invoked by, the Holy Trinity, the Virgin Mary and the Virtues, all in the interest of supporting the religious and monarchical well-being of France. This study argues that the persistent return to the fleur-de-lis throughout thedits, theChronique metriqueand most especially the music and text ofFauvelin fr. 146 offers a necessary link between sacred and heraldic symbology both within the manuscript as well as within the larger historical development of this allegorical flower.

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Lecco, Margherita. "Le miniature di Renart le Contrefait nel manoscritto Paris BnF fr. 1630." Reinardus / Yearbook of the International Reynard Society 28 (December 31, 2016): 100–110. http://dx.doi.org/10.1075/rein.28.07lec.

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Le manuscrit fr.1630 de la Bibliothèque Nationale de France, qui nous a transmis la rédaction A de Renart le Contrefait (1319–1322), contient 31 miniatures. Elles accompagnent fidèlement le texte, révélant la présence de certains éléments satiriques, comme le sermon que Renard prononce devant un auditoire d’oiseaux. On peut y voir une parodie du sermon que saint François avait adressé aux oiseaux, les incitant à l’obéissance et à l’humilité. Dans le Contrefait les mêmes mots poussent les animaux dans la bouche de Renart… Peut-on y voir une parodie, et donc une critique, à l’égard de saint François, de son enseignement sur la pauvreté et des Franciscains, qui semble se lire parfois dans quelques épisodes du texte?

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Smith, Malcolm C. "Stephen Bamforth et al. Prosateurs Latins en France au XVIe Siècle. Paris: Presses de l'Université de Paris Sorbonne, 1987. 754 pp. No price given." Renaissance Quarterly 42, no. 2 (1989): 337–39. http://dx.doi.org/10.2307/2861647.

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Gallat-Morin, Élisabeth. "Une oeuvre musicale de « John James » Rousseau à Québec : une curiosité de notre patrimoine." Les Cahiers de la Société québécoise de recherche en musique 12, no. 1-2 (December 3, 2018): 115–20. http://dx.doi.org/10.7202/1054207ar.

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La présence dans la bibliothèque du Séminaire de Québec des romances de Jean-Jacques Rousseau, Les Consolations des misères de ma vie, suscite la curiosité. De format in-8 (l’édition originelle de 1781 est en format in-folio), le volume ne porte aucune indication d’éditeur ni de date. Plusieurs gravures anglaises y sont insérées dont, en page frontispice, un portrait de « John James » Rousseau. Comment situer cette édition des Consolations ? Les recherches ont permis de la retracer dans les Oeuvres complètes publiées à Paris de 1788 à 1793. L’étude des exemplaires appartenant à la Bibliothèque nationale de France a révélé que le contenu de ces volumes n’est pas toujours agencé de la même manière; le volume de Québec présente des similitudes avec certains exemplaires, mais est unique sous d’autres aspects.

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Allen, James Smith. "La bibliothèque de l'honnête homme: Livres, lecture, et collections en France à l'âge classique. By Jean‐Marc Chatelain. Conférences Léopold Delisle. Paris: Bibliothèque Nationale de France, 2003. Pp. 211. €20.00." Journal of Modern History 78, no. 1 (March 2006): 208–10. http://dx.doi.org/10.1086/502737.

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Nadal, Émilie. "Les animaux dans les manuscrits du Sud-Ouest de la France au 14e siècle." De Medio Aevo 13 (December 4, 2019): 99–118. http://dx.doi.org/10.5209/dmae.66816.

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Cet article s'interroge sur la place de l'animal dans les manuscrits enluminés produits au cours du 14e siècle et associés au quart Sud-Ouest de la France. Dans un rôle purement décoratif, on constate une prédilection pour les échassiers et les dragons, employés tout particulièrement dans l'enluminure toulousaine de la première moitié du 14e siècle. La faible diversité des espèces animales représentées est compensée par quelques cas à part qui témoignent de l'importation des marginalia septentrionales dans certaines productions associées au Sud-Ouest français : au début du siècle, avec deux ateliers qui travaillent respectivement dans l'entourage du pape Clément V et de l'abbé Augier de Cogeux; puis autour de 1350 avec deux manuscrits (Paris, BnF, latin 3313A et Paris, Biblitohèque Sainte-Geneviève, ms. 143) qui en dépit des attaches locales de leurs commanditaires sont toutefois très liés à la production avignonnaise. Enfin, deux manuscrits produits vers 1350 permettent de prouver que la région participe aux débuts du naturalisme pictural qui caractérise le siècle: dans un pontifical en partie enluminé par un artiste catalan (Narbonne, Trésor de la cathédrale, ms. 2) et dans une traduction en occitan du Livre des propriétés des choses (Paris, Bibliothèque Sainte-Geneviève, ms. 1029).

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MINOV, SERGEY. "Friday Veneration among Syriac Christians: The Witness of the Story of the Holy Friday." Journal of the Royal Asiatic Society 30, no. 2 (April 2020): 195–222. http://dx.doi.org/10.1017/s1356186319000129.

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AbstractThis article contains the original unpublished Syriac text of the Story of the Holy Friday, an anonymous hagiographic composition that promotes an idiosyncratic form of Friday veneration, which demands that Christians refrain from work on that day completely. The text of the Story, published on the basis of manuscript Paris, Bibliothèque nationale de France, syr. 234, is accompanied with an English translation and discussion of its unusual message, possibly related to the early period of Muslim-Christian relations in the Near East.

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Charbonneaux, Juliette. "Robert ValérieLa presse en france et en allemagne. une comparaison des systémes, 2011, Presses Sorbonne Nouvelle, Paris, 183 p." Communication & langages 2012, no. 173 (September 2012): 141–42. http://dx.doi.org/10.4074/s0336150012013129.

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Grier, James. "Scriptio interrupta : Adémar de Chabannes and the production of Paris, Bibliothèque nationale de France, MS latin 909." Scriptorium 51, no. 2 (1997): 234–50. http://dx.doi.org/10.3406/scrip.1997.1806.

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CURRAN, SEAN. "Reading and rhythm in the ‘La Clayette’ manuscript (Paris, Bibliothèque nationale de France, nouv. acq. fr. 13521)." Plainsong and Medieval Music 23, no. 2 (September 3, 2014): 125–51. http://dx.doi.org/10.1017/s0961137114000011.

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ABSTRACTPrevious commentators have maligned the La Clayette manuscript as a source of Ars Antiqua motets on three grounds: that its layout is not arranged for use in performance; that its notation is unsophisticated in its use of mensural forms; and that it is heavy with errors. This article offers a palaeographical account of the music fascicle and its methods of production, arguing that its layout was tailored to match the manuscript's literary portions, and was designed first by a text scribe specialising in the vernacular, which accounts for many of the supposed problems. The article describes the notator's ‘house style’ and his means of dealing with the text scribe's frequent errors, suggesting he was largely successful in transmitting usable musical readings. All this provides an opportunity to think through the historical possibilities for literate interaction with written polyphony in the thirteenth century. It is suggested that La Clayette was understood by its users as a tool with which a single reader could teach other, perhaps non-literate people to sing polytextual pieces.

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