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1

Uzlaner, Dmitry, and Kristina Stoeckl. "The legacy of Pitirim Sorokin in the transnational alliances of moral conservatives." Journal of Classical Sociology 18, no. 2 (2017): 133–53. http://dx.doi.org/10.1177/1468795x17740734.

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This article examines the legacy of Pitirim A. Sorokin (1889–1968), a Harvard sociologist from the Russian emigration. The authors scrutinise Sorokin as one of the nodal points for today’s moral conservatism. As a scholar, Sorokin has been relegated to the margins of his discipline, but his legacy as a public intellectual has persisted in the United States and has soared in Russia over the last three decades. This article examines Sorokin’s reception in these two nations, some of whose citizens have facilitated the burgeoning transnational phenomenon of twenty-first-century moral conservatism.
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2

Kovalenko, Alexander G., and Jiarui Hu. "Dystopia or Transgression? (Two readings of V. Sorokin’s story “The Blizzard”)." Neophilology, no. 4 (2023): 835–44. http://dx.doi.org/10.20310/2587-6953-2023-9-4-835-844.

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The subject of work is the question of V. Sorokin’s creative method. An attempt to explain the writer’s creative nature leads to the idea of an internal contradiction that is characteristic of his work as a whole and is realized in each individual work. The point is that the writer’s creative declaration, reduced solely to a “linguistic experiment”, does not fit well with real practice, which leads to contradictions in the interpretation of his work in criticism. There are as if “two Sorokins”, one insists that his works are exclusively texts for exercises in “transgression”, the other creates
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3

Kraevsky, A. A. "Pitirim Sorokin’s sociology and German jurisprudence." RUDN Journal of Sociology 22, no. 4 (2022): 749–63. http://dx.doi.org/10.22363/2313-2272-2022-22-4-749-763.

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The article considers the connection between the social-legal theory of P.A. Sorokin and the main directions of the German jurisprudence in the 17th - early 20th century: natural-legal school, historical school, jurisprudence of interests and the theory of the revived natural law. The genesis of Sorokin’s sociological ideas is usually considered in the context of the general development of sociology in the second half of the 19th century - early 20th century. At the beginning of the 20th century, when Sorokin was turning into an independent scholar, sociological issues were discussed in the te
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4

Vasil’eva, Nataliya V. "Harmony of Non-Conformism: Yu.A. Sorokin and His Terminological Creativity." Journal of Psycholinguistic, no. 2 (June 30, 2021): 48–56. http://dx.doi.org/10.30982/2077-5911-2021-48-2-48-56.

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The article discusses the terminological neologisms of Yu.A. Sorokin as both special lexical and text units. Yu.A. Sorokin had a peculiar predilection to creating terms based on the Greco-Latin derivational morphemes. He treated them creatively introducing new elements and reinterpreting the standard ones, for instance creating new correlative pairs. One of the favorite terminological models of Yu.A. Sorokin was emic which allows to briefly identify the category-forming entities. It is noted that, Yu.A. Sorokin rarely gave precise definitions to his terminological creations and did not worry a
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5

Sapov, Vadim. "A “Prophet” in the Country of “Pharisees”. “Social and cultural dynamics” by Pitirim Sorokin and its Critics. Article 1. Pitirim Sorokin and Alexander Goldenweiser." Sociological Journal 28, no. 4 (2022): 118–38. http://dx.doi.org/10.19181/socjour.2022.28.4.9318.

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The article is devoted to the history of the controversy that arose after the publication of the first three volumes of “Social and Cultural Dynamics” by Pitirim Sorokin and American anthropologist Alexander Goldenweiser. The reasons why Sorokin’s work was rejected by academic American sociology are analyzed. A full list of reviews on “Dynamics” is provided that was published by international media in 1937–1942. The possible causes of the conflict that broke out between Sorokin and Goldeneizer over the authorship of the “principle of limited opportunities” or the “principle of limit” are analy
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6

Sergieva, Natalia S., and Roger W. Smith. "Special considerations in translating Pitirim Sorokin’s work “City and country” (Prague, 1923)." Philological Sciences. Scientific Essays of Higher Education 2, no. 6 (2020): 227–31. http://dx.doi.org/10.20339/phs.6-20.227.

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The article deals with some distinctive features of an individual writer’s style — that of the eminent Russian-American sociologist Pitirim Sorokin — and a schema for its transmission when translated into English. Our research is based on a Russian-language article from the Prague period of Sorokin’s life. The authorial style of Sorokin is characterized by a combination of “scholarly” and acutely polemical journalism, which requires special techniques for transmitting the content and style of the original when translating.
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7

Wilkinson, David. "Pitirim Sorokin and COVID-19." European Scientific Journal, ESJ 17, no. 31 (2021): 1. http://dx.doi.org/10.19044/esj.2021.v17n31p1.

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In 1942, the sociologist Pitirim Sorokin, a survivor of the post-WorldWar I pandemic, published "Man and Society in Calamity," a comparative study of the human response (including political responses) to four recurrent mass-death events. One was "pestilence." Sorokin reached many general conclusions. In Fall of 2020, the author of this paper (Wilkinson) held a seminar whose students attempted to re-evaluate Sorokin's conclusions, based upon their own experiences, observations, and mutual dialogue. In general, the seminar found that Sorokin's conclusions were mostly still applicable, but that h
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8

Golovin, Nikolay. "Selected Formal and Casual Correspondence between sociologists P.A. Sorokin and L. von Wiese (1950–1966). Transl. from Eng. and publication by N.A. Golovin." Sociological Journal 28, no. 3 (2022): 118–32. http://dx.doi.org/10.19181/socjour.2022.28.3.9154.

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The postwar correspondence between P.A. Sorokin, head of the Harvard Centre for the Study of Creative Altruism, and L. von Wiese, President of the German Society for Sociology and publisher of a respected sociological journal from 1950 to 1966, describes their cooperation on issues of general sociology and in the search for practical ways of humanizing the postwar world. It covers notable events in P.A. Sorokin's scientific biography: his conflict with T. Parsons, L. von Wiese's role in its alleviation, Sorokin's creative plans and their implementation, the work of the Research Center for the
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9

Sapov, Vadim. "“Sociologos: Platonic Dialogue” by Alexander Goldenweizer and “Pseudo-Sociologos. A Reply to Professor Goldenweiser” by Pitirim Sorokin. Transl. from Eng. by V.V. Sapov." Sociological Journal 28, no. 3 (2022): 133–49. http://dx.doi.org/10.19181/socjour.2022.28.3.9155.

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For the reader’s consideration— an article never before translated to Russian written by American anthropologist Alexander Goldenweiser, where he attempts to dismantle the first three volumes of Pitirim Sorokin’s “Social and Cultural Dynamics” that came out in 1937. In it he comprehensively criticizes Sorokin’s “Dynamics” to the point where he completely refutes all of it. The article is written in the form of a “platonic dialog” partaken by world famous scientists, artists and sociologists, with Socrates himself presiding on this “Areopagus”, who, after hearing out the prosecution, sentences
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10

Sorokin, P. A. "on Sorokin." Science in Context 3, no. 1 (1989): 299–302. http://dx.doi.org/10.1017/s026988970000082x.

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Sorokin, Pitirim Alexandrovich, born January 21,1889, in the small village of Turia in Russia [died 1968]. Student at the Teachers' Seminary in the province of Kostroma in Russia (1903–6), at the evening school in St. Petersburg (1907–9), at the Psycho- Neurological Institute in St. Petersburg (1910–14); Magistrant of Criminal Law (1915); Ph.D in Sociology (1922); Privatdozent at the Psycho-Neurological Institute (1914–16), at the University of St. Petersburg (1916–17); Professor of Sociology at the same university (1919–22); Professor of Sociology at the Agricultural Academy (1919–22), at the
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11

Rusanova, V. S. "The English Revolution of the 17th century through the lens of P.A. Sorokin’s “The Sociology of Revolution”." Uchenye Zapiski Kazanskogo Universiteta Seriya Gumanitarnye Nauki 167, no. 1 (2025): 32–42. https://doi.org/10.26907/2541-7738.2025.1.32-42.

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The views of P.A. Sorokin, a renowned Russian-American scholar, on the political upheavals in England in 1640–1660 are explored in the context of his theory of revolution outlined in “The Sociology of Revolution,” one of his most influential yet contentious works, published in the United States in 1925. Seeking to validate his model of the revolutionary process, P.A. Sorokin cited numerous historical examples, focusing on the English Revolution of the 17th century (English Civil War). Here, P.A. Sorokin’s interpretation and evaluation of this revolutionary period in England, integrating both h
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12

Yu, Linghong. "Chinese text in the short stories "The Concrete Ones" and "Lu" by Vladimir Sorokin." Litera, no. 8 (August 2024): 59–68. http://dx.doi.org/10.25136/2409-8698.2024.8.71446.

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The article is devoted to the identification and analysis of Sinoisms and other markers of Chinese culture in Vladimir Sorokin's short stories "The Concrete Ones" and "Lu", from the collection "Feast" in 2001. The author examines in detail the Chinese motives in the above-mentioned stories, as well as analyzes the perception of the image of China in the socio-cultural context in Russia. Recall that in the previous novel "Blue Lard" the author's interest in China is already evident. The influence of Chinese culture on Sorokin's work is also noticeable in the stories "The Concrete Ones" and "Lu"
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13

Golovin, Nikolay A. "Historical-Sociological Notes on “Foreword” written by Pitirim A. Sorokin to F. Tönnies’ “Community and Society”." Sociological Journal 25, no. 1 (2019): 137–49. http://dx.doi.org/10.19181/socjour.2018.25.1.6283.

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This article presents an introduction to the publication of “Foreword” (1940) — prepared by P.A. Sorokin (1889–1968), a Russian and American sociologist — for the first American edition of “Community and Society” (1887) by F. Tönnies (1855‒1936), a German sociologist. “Foreword” is examined as a standalone theoretical piece in order to complete the historical-sociological facts and circumstances of its creation and publication, the ideological connections of the text in question with any other theories, and above all — with the sociology created by F. Tönnies. In “Foreword”, which is filled wi
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14

Pishchalnikova, Vera A. "Yuri Sorokin: Text as a Self-Developing Entity." Journal of Psycholinguistic, no. 2 (June 30, 2021): 86–95. http://dx.doi.org/10.30982/2077-5911-2021-48-2-86-95.

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Sorokin’s ideas remain relevant in many areas of Psycholinguistics. The specificity of Sorokin’s concept of text understanding is determined by its deep connection with traditions of world Psychology and Linguistics on one hand, and attention to human activity’s specifics where a human being cannot be dissociated from being a part of culture and products of his/her activity (including speech activity), on the other hand. Examining the text as a self-developing entity, Sorokin considers “psychosemantic epistemology” to be the most effective methodology of a literary text’s analysis. It is based
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15

Bulanova, Marina B. "P. SOROKIN’S WORKS DURING THE SECOND WORLD WAR: THE EXPERIENCE OF MODERN READING IN RUSSIA AND THE UNITED STATES." RSUH/RGGU Bulletin. Series Political Sciences. History. International Relations, no. 4 (2021): 119–31. http://dx.doi.org/10.28995/2073-6339-2021-4-119-131.

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The article attempts to analyze the experience of the present-day perusal in Russia and the United States of the works of outstanding sociologist P.A. Sorokin, written by him during the Second World War. P.A. Sorokin, a well-known Russian-American sociologist, has always attracted the attention of the scientific community with his extraordinary works that have opened new ways of development for social sciences. One of the issues of interest to the scientist was associated with the identification of the nature and essence of wars. The sociologist substantiated the relationship between the war a
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16

Osipova, N. G. "Methodology of the Analysis of Global Socio-Political Phenomena in Pitirim Sorokin's Creativity." Humanities and Social Sciences. Bulletin of the Financial University 9, no. 3 (2019): 51–57. http://dx.doi.org/10.26794/2226-7867-2019-9-3-51-57.

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Within the framework of sociological creativity of Pitirim Sorokin, special attention should be paid to the unique methodology by which this scientist carried out the analysis of large-scale social phenomena, including certainly wars and revolutions. The analysis of “an influence issue” of any global social phenomenon on the life of society is the cornerstone of this methodology. Within the framework of such an extensive problem, P. Sorokin singled out several important components of its issues, and then, for each of them, presented an overview of the accumulated knowledge, proven provisions a
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17

Mirčov, Velizar. "Pitirim Sorokin: Dynamics of social and cultural changes." Socioloski pregled 55, no. 3 (2021): 866–86. http://dx.doi.org/10.5937/socpreg55-33868.

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The paper gives a review and a critical overview of the theoretical approach to the dynamics of cultural and social changes of renowned sociologist Pitirim Sorokin. The first part of the paper is dedicated to the description of the most relevant theoretical contributions contained in Sorokin's most important book Social and Cultural Dynamics. In the second part of the paper, there is a critical overview by the author of this text of Sorokin's sociocultural dynamics theory, as well as of other authors who have studied Sorokin's approach. The conclusion of this paper is that Sorokin's approach i
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18

ZHILENE, EKATERINA, OLGA BOGDANOVA, MARIA BURAIA, and ELIZAVETA VLASOVA. "THE MONSTROUS PLOT IN VLADIMIR SOROKIN’S NOVEL “THE QUEUE”." AD ALTA: 14/01 14, no. 1 (2024): 25–28. http://dx.doi.org/10.33543/j.1401.2528.

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The article offers an interpretation of the earliest conceptual novel by the famous Russian novelist Vladimir Sorokin “The Queue” (1985). The authors of the article have implemented a new approach to the text of a modern conceptual novelist. If traditionally V. Sorokin’s novel was perceived by critics mainly from the side of the originality of its form, with the actualization of the author’s appeal to the pictorial art objects of conceptual artists (I. Kabakov, V. Pivovarov, D. Prigov et al.), then in this article a different research perspective is justified — the need to look at the Sorokin
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19

Menyaeva, M. P. "The Idea of Consent in P. A. Sorokin`s Philosophy of Culture." Izvestiya of Saratov University. Philosophy. Psychology. Pedagogy 12, no. 1 (2012): 14–18. http://dx.doi.org/10.18500/1819-7671-2012-12-1-14-18.

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Article is devoted to grasp the meaning of the idea of consent in the context of philosofy of culture by P. A. Sorokin. The idea of consent is the means of interpretation of P. A. Sorokin’s reflections on culture, person and sociaty and his concept of convergention of cultures.
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20

Pevak, Elena. "From Metaliterature to Literature Metareality: Vladimir Sorokin)." Actographe 1, no. 4 (2020): 55–65. http://dx.doi.org/10.24249/2490-9459-4-1-55-65.

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From Meta-Literature to Literature Metareality: Vladimir Sorokin In the article Vladimir Sorokin’s creative evolution is discussed in the light of the assessments of contemporary critics. For the most part it did not enthusiastically accept the changes in the writer’s worldview, reflected in his idiostyle. The problem of the discrepancy between the value judgments of critics and readers in relation to contemporary literature is also touched upon.
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21

Glownia, James, and James Misewich. "Peter Pitirimovich Sorokin." Physics Today 69, no. 7 (2016): 71–72. http://dx.doi.org/10.1063/pt.3.3245.

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22

Zafirovski, Milan. "Parsons and Sorokin." Journal of Classical Sociology 1, no. 2 (2001): 227–56. http://dx.doi.org/10.1177/14687950122232549.

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23

Golovin, Nikolay, та Roman Vissonov. "On the End of the Conceptual Conflict in the Early Theory of Social Systems: P.A. Sorokin, T. Parsons, and L. von Wiese". Sociological Journal 27, № 2 (2021): 146–63. http://dx.doi.org/10.19181/socjour.2021.27.2.8091.

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The dispute over the construction of a social system theory, which took place in Harvard between P.A. Sorokin (1889–1968) and T. Parsons (1902–1979), is still drawing the attention of historians and theorists of sociology. Both scientists were greatly respected by the scientific community of those times, both had their unique vision on creating a social theory and, of course, each of them claimed priority in the development of their respective system-sociological theory. According to P.A. Sorokin, who in 1951 was promoting his work “Similarities and Dissimilarities Between Two Sociological Sys
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Герасимов, Илья. "Гипермодерн “инженера” Гарина и преодоление постмодернизма Владимиром Сорокиным". Ab Imperio 2024, № 1 (2024): 150–84. http://dx.doi.org/10.1353/imp.2024.a927447.

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SUMMARY: The article discusses the two latest novels by the modern Russian classic writer Vladimir Sorokin: Legacy (2023) and especially Doctor Garin (2021). Based on his interpretation of Sorokin’s aesthetical and philosophical program developed elsewhere, Ilya Gerasimov reads Doctor Garin as a literary work that did not go as planned. Dismayed by the unexpected result, Sorokin wrote Legacy as a follow-up meant to explicate Doctor Garin ’s message and explain it to himself and his readers. Therefore, Legacy develops to the extreme only one aspect of the 2021 novel. According to Gerasimov, Doc
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25

Shmerlina, Irina A. "Sociological Realism in the Early Works of Pitirim Sorokin." Sociological Journal 25, no. 3 (2019): 142–56. http://dx.doi.org/10.19181/socjour.2019.25.3.6681.

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The subject of this article is the theoretical and methodological foundations for P.A. Sorokin’s sociological concept, set forth in his work “The System of Sociology” (1920). The article analyzes Sorokin’s interpretation of the dilemma of nominalism / realism and some general features of the vision of this dilemma in the field of sociological thought, namely: the failure to distinguish the notion “sociality” as an abstract concept and as an idea of society in the Platonic sense, the conversion of said dilemma into the form of the “atomism / holism” antitheses, and an anthropomorphic interpreta
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Uzlaner, Dmitry, and Kristina Stoeckl. "The Legacy of Pitirim Sorokin in the Transnational Alliances of Moral Conservatives." Journal of Classical Sociology 18, no. 2 (2018): 133–53. https://doi.org/10.1177/1468795X17740734.

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This article examines the legacy of Pitirim A. Sorokin (1889–1968), a Harvard sociologist from the Russian emigration. The authors scrutinise Sorokin as one of the nodal points for today’s moral conservatism. As a scholar, Sorokin has been relegated to the margins of his discipline, but his legacy as a public intellectual has persisted in the United States and has soared in Russia over the last three decades. This article examines Sorokin’s reception in these two nations, some of whose citizens have facilitated the burgeoning transnational phenomenon of twenty-first-century m
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27

Bogumil, Tatiana Aleksandrovna. "Siberia as a space of (anti)utopia in the work of V. Sorokin." Philology & Human, no. 4 (December 9, 2023): 204–14. http://dx.doi.org/10.14258/filichel(2023)4-13.

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The space of Siberia and Altai, being a traditional locus for placing (anti)utopias, is naturally used by V. Sorokin as an experimental base for historical, cultural and social models. The object of study in this work is the Siberian text of Sorokin, with an emphasis on the image of Altai. The subject of the research is Siberian utopian motifs and chronotopes. The purpose of the article is to designate the author's transformation of motifs and images that are canonical for the Siberian text and have a utopian component. Sorokin's Siberia is value-differentiated, it contains ambivalent uterine-
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Glazyrin, V. A. "Congeniality and P. A. Sorokin’s great dream of eternal peace." Sociology and Law 14, no. 4 (2022): 400–407. http://dx.doi.org/10.35854/2219-6242-2022-4-400-407.

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P. A. Sorokin’s concept of congeniality is presented in the article. This outstanding sociologist believed that after the end of World War II Kant’s idea of eternal peace was no longer utopian. It seemed possible to Sorokin to bring this dream to life. Sorokin saw congeniality as a crucial social factor of a lasting peace and friendship between peoples and countries. He carried out a large-scale comparative study of the USA and Russia and came to the conclusion that these countries are very much alike (they are congenial), thus they would play a leading role in establishing and ensuring peace
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Golovko, Y. V. "Evolution of the concept of crisis in philosophy of P. A. Sorokin." Izvestiya MGTU MAMI 8, no. 1-5 (2014): 108–11. http://dx.doi.org/10.17816/2074-0530-67454.

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This article discusses the concept of the crisis of modern society in the work of russian-american philosopher and sociologist P. A. Sorokin. The ideas of this area are shown through the whole science period of P. A. Sorokin work. There was analyzed the meaning of the concept of crisis through the papers of P.A. Sorokin and socio-philosophical thought in general.
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Tsypanov, E. A. "Language errors in the translation of Pitirim Sorokin’s autobiographical book «A Long Journey» into the Komi language." Bulletin of Ugric studies 11, no. 1 (2021): 130–38. http://dx.doi.org/10.30624/2220-4156-2021-11-1-130-138.

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Introduction: in modern linguistics, a branch of linguistics – translation studies – was formed. Its aim is to research the processes of translations from one language to other in different aspects. Based on the material of the Russian Finno-Ugric languages, this branch of science takes its first steps. In this article, we analyze the texts of the autobiography by P. Sorokin «A long Journey. The autobiography of Pitirim Sorokin» (1963) in the Russian and Komi languages; fragments of texts are compared with the original English text; language errors in translation were identified. Objective: to
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Boronoev, Asalkhan O. "Precepts of youth by Pitirim Sorokin. To the 100th anniversary of his speech at the solemn meeting on the day of the 103rd anniversary of St Petersburg University (February 21, 1922)." Vestnik of Saint Petersburg University. Sociology 15, no. 3 (2022): 197–205. http://dx.doi.org/10.21638/spbu12.2022.301.

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The article is devoted to the analysis of the text of P.A. Sorokin’s speech on the occasion of the 103rd anniversary of St Petersburg University on February 21, 1922, which at one time caused a wide resonance and discussion. The purpose of this article, firstly, is to recall this important event in the life of an outstanding social thinker and sociologist and the ideas that he expressed when addressing students. Secondly, to pay attention to the very contradictory history of his life and his personality. Sorokin himself attached great importance to his speech. In his speech, he expressed a sha
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Livers, Keith. "From Fecal Briquettes to Candy Kremlins: The Edible Ideal in Sorokin's Prose." Gastronomica 17, no. 4 (2017): 26–35. http://dx.doi.org/10.1525/gfc.2017.17.4.26.

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This article examines contemporary Russian postmodernist author Vladimir Sorokin's use of food thematics primarily in works written since the year 2000. Sorokin is perhaps best known for his signature technique of using grotesque sexual or violent imagery to parody the truth claims of various kinds of discourse, whether ideological, religious, or aesthetic. However, in a number of works, beginning with his first novel, The Norm (1983–87), and extending up to such recent short novels such as Day of an Oprichnik (2006) and Candy Kremlin (2008), Sorokin employs food imagery to critique the push f
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Sorokin, Pitirim A. "“Foreword” to the First American edition of “Community and Society” by F. Tönnies. Transl. from Eng., notes and comments by N.A. Golovin." Sociological Journal 25, no. 1 (2019): 150–56. http://dx.doi.org/10.19181/socjour.2018.25.1.6284.

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The currently being prepared for publication “Foreword” to F. Tönnies’ work “Community and Society” was written by Harvard University professor P.A. Sorokin (1889–1968), who was a Russian/American sociologist. It was first published alongside the English translation of Tönnies’ book, issued in New York back in 1940. According to P.A. Sorokin, Tönnies’ community and society dichotomy represents a universal categorical description of two opposing forms of social organization. They appear in the social evolution of various civilizations and in the writings of their founders. P.A. Sorokin consider
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34

Kychkyruk, T., and H. Salata. "ON PITIRIM SOROKIN, CIVILIZATIONAL THEORY, AND CREATIVE ALTRUISM." HUMANITARIAN STUDIOS: PEDAGOGICS, PSYCHOLOGY, PHILOSOPHY 12, no. 1 (2021): 98–103. http://dx.doi.org/10.31548/hspedagog2021.01.098.

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Among a wide variety of approaches to civilizational interactions, a special place belongs to the legacy of Pitirim Sorokin – the renowned Harvard sociologist who contributed greatly to macrosociology, philosophy of history, theory and history of civilizations. A deep study of the legacy of the great sociologist and humanist Pitirim Sorokin can provide us with intellectual resources and brilliant insights we need to outline new ways for human development. The paper aims to explore the civilizational theory of Pitirim Sorokin. The authors used cultural-historical and integrative approaches.
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Sergieva, Natalia S. "Creative laboratory of the author: functional bilingualism in the preparation of a written text." Philological Sciences. Scientific Essays of Higher Education 2, no. 6 (2021): 256–62. http://dx.doi.org/10.20339/phs.6-21.256.

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The report examines the peculiarities of bilingualism of the outstanding Russian-American sociologist Pitirim Sorokin (1898–1968) based on his archival working materials from the University of Saskatchewan (Canada). The purpose of the study is to identify and explain the linguistic features of his scientific thinking in connection with the conditions of translinguism. Based on the material of Pitirim Sorokin’s working notes, the features of his work on the creation of the book “Contemporary Sociological Theories” (1928) are considered. Correspondences between the preparatory notes and the fina
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Dmitryuk, Natalya V. "“And It’s All About Him...”." Journal of Psycholinguistic, no. 2 (June 30, 2021): 10–19. http://dx.doi.org/10.30982/2077-5911-2021-48-2-10-19.

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The proposed essay is a memoir about Yuri Alexandrovich Sorokin – the scientific supervisor of the author’s PhD thesis during her postgraduate studies, which is accompanied by a small selection of poems by Gleb Arsenyev (the creative pseudonym of Yu.A. Sorokin).
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Pešková, Michaela. "Sorokinův román Doktor Garin jako sequel." Slavica litteraria, no. 2 (2022): 63–82. http://dx.doi.org/10.5817/sl2022-2-5.

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Studie pojednává o románu Vladimira Sorokina Doktor Garin (2021) a jeho vztahu k dalším autorovým prózám. Analyzuje přímá tematická, motivická a ideová propojení, všímá si aluzí. Konstatuje, že Sorokin vytvořil ucelenou a časově návaznou projekci zabírající 20.–60. léta 21. století. Výklad se soustředí na vizionářskou a anticipační složku Sorokinova díla, a to zvláště směrem k (ruské) politice, geopolitice a moderním technologiím. Mezi texty sleduje vývoj na trajektorii totalita – anarchie – regionalismus – globalizace a digitalizace – technologická askeze – realizace transhumanistických idejí
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Sergieva, Natalia S. "American Stage of Pitirim Sorokin’s Linguistic Biography." Polylinguality and Transcultural Practices 16, no. 1 (2019): 35–44. http://dx.doi.org/10.22363/2618-897x-2019-16-1-35-44.

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The article discusses the features of the bilingualism of an eminent sociologist of the twentieth century Pitirim Sorokin in the American period of his life. The purpose of the study is to identify and explain the linguistic features of his scientific thinking in connection with the development of his scientific worldview. The study is based on the materials of Pitirim A. Sorokin Collection at the University of Saskatchewan (Canada). Archival manuscripts and research notes allow us to trace the process of changing the language and switching codes in the professional activities of Pitirim Sorok
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Mangone, Emiliana. "Sorokin and research of mass disasters." Heritage 14, no. 1 (2019): 32–41. http://dx.doi.org/10.31119/hrtg.2019.1.3.

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40

Belyanin, Valery P. "Memoirs about Yuri A. Sorokin." Journal of Psycholinguistic, no. 2 (June 30, 2021): 20–27. http://dx.doi.org/10.30982/2077-5911-2021-48-2-20-27.

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41

Editotial, Article. "SOROKIN READINGS 2017: THE RESULTS." Moscow State University Bulletin. Series 18. Sociology and Political Science 23, no. 4 (2017): 58–60. http://dx.doi.org/10.24290/1029-3736-2017-23-4-58-60.

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Golovko, Y. V. "Ideological origins of integral approach to society in philosophy of P.A. Sorokin." Izvestiya MGTU MAMI 8, no. 4-5 (2014): 90–94. http://dx.doi.org/10.17816/2074-0530-67390.

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The article studies the theory of integralism of P.A. Sorokin and its ideological origins. Sociological ideas of positivists and Russian philosophy of all-encompassing unity as the main prerequisites for the formation of an integrated approach to society in a philosophical doctrine of P.A. Sorokin are discussed.
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Linghong, Yu. "Chinese loanwords in the novel Blue Lard by Vladimir Sorokin." Izvestiya of Saratov University. Philology. Journalism 23, no. 1 (2023): 86–90. http://dx.doi.org/10.18500/1817-7115-2023-23-1-86-90.

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The article discusses the Chinese loanwords that appear in the novel Blue Lard by Vladimir Sorokin. The novel contains an allegory of the Russian language of the future. Most of the neologisms created by Sorokin in Blue Lard come from foreign words, including an abundance of Chinese loanwords. The author of the article analyzes the Chinese loanwords from the point of view of phonetics and semantics, points out the mistakes in pronunciation in the novel, when Sorokin uses Chinese words or expressions. The analysis also focuses on the aesthetics of the word “Mei guo”, which by pronunciation in C
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Kozárová, Zuzana. "Literary images of Russia in Vladimir Sorokin’s novels." Studia Rossica Posnaniensia 49, no. 2 (2024): 99–122. https://doi.org/10.14746/strp.2024.49.2.6.

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Vladimir Sorokin is one of the representatives of Russian postmodernism and one of the most translated contemporary Russian authors in Europe. His work reflects an alternative to the “accepted” Russian reality, focusing on its understanding and the influence it has on the Russian people. The author uses artistic means of expression without embellishment and through his works he reflects not only the political, economic and social situation, but also his views and attitudes as a resident of Russia. In our article we present the time map of Russia according to Sorokin as reflected in three novel
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Vastagh, Zoltán. "Elméleti megfontolások a disszociatív tézis empirikus vizsgálatához : Megjegyzések a Mobilitás és társadalmi integráció című írás kapcsán." socio.hu 10, no. 4 (2020): 78–91. http://dx.doi.org/10.18030/socio.hu.2020.4.78.

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A Socio.hu Társadalomtudományi Szemle 2019. évi 4. számának hasábjain jelent meg Hajdu Gábor, Huszár Ákos és Kristóf Luca (2019) Mobilitás és társadalmi integráció című elemzése, amely a társadalmi mobilitás potenciális negatív következményeinek empirikus vizsgálatára irányult. Elemzésemben Sorokin disszociatív tézisére vonatkozóan általuk levont konklúzió elméleti pontosításának szükségességére kívánom felhívni a figyelmet. Jelen írás központi kérdése az, hogy vajon elképzelhető-e, hogy Hajduéknak igaza van abban, hogy a „mobilitásnak” nincsenek negatív pszichés, illetve kapcsolathálózati köv
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Sorina, G. V., and Ph N. Gurov. "Institutional nature of the social elevator." Professional education in the modern world 12, no. 3 (2022): 553–61. http://dx.doi.org/10.20913/2618-7515-2022-3-17.

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Introduction. The concept of «social elevator» is directly related to the name of P. A. Sorokin. The term itself, as well as the phenomenon hiding behind it, become especially in demand in the conditions of crisis situations in which society finds itself. In the article, the social elevator is considered as one of the tools for overcoming the crisis. The introduction of the article substantiates the need for a qualitative study of the meanings of what is hidden behind this phrase; the relationship between the metaphor and the concept in its current interpretation, in understanding the problems
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Sorokin, Siim. "Karakteritega suhestumine, netimisogüünia ja representatsioonide materiaalsus." Mäetagused 80 (August 2021): 119–54. http://dx.doi.org/10.7592/mt2021.80.sorokin.

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The present multidisciplinary theoretical article develops its focal line of argument gradually. At first, feminist and narrative theory are consulted; after that, some treatments in the philosophy of mind are discussed. The latter’s correlative relationship with the recent “materialist turn” in philosophy affords to propose a tentative alternative to the current and universally accepted approaches to the (fictional) character much indebted to philosophical idealism. This latter observation also determines the broad – some might argue seemingly overtly complicated – theoretical reach of the ar
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Sorokin, Siim. "Paradoksaalsed igapäevakujut(l)used? Narratiivsed persoonid, pärisustamine ja "Halvale teele"." Mäetagused 73 (2019): 121–46. http://dx.doi.org/10.7592/mt2019.73.sorokin.

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ZHILENE, EKATERINA, OLGA BOGDANOVA, DMITRY BOGATYREV, and LUDMILA BOGATYREVA. "V. SOROKIN’S NOVEL “MARINA’S THIRTIETH LOVE” IN THE COORDINATES OF SOC-ART AND SOCIAL REALISM." AD ALTA: 14/01 14, no. 1 (2024): 283–88. http://dx.doi.org/10.33543/j.1401.283288.

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The purpose of the study is to analyze V. Sorokin’s conceptualist novel “Marina’s Thirtieth Love” (1984), to identify the features of its genre-structural constructions, to trace the connection of genre features of the “Soviet novel” with the tradition of Socialist realism literature and its deconstructions in the practice of conceptual art of the 1970s–80s. The paper identifies the target settings of the conceptual novelist Sorokin to overcome the principles and techniques of Soviet socialist realist art and to establish discrediting perspectives of perception of social and ideologically stab
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Zhilene, Ekaterina Sergeevna. "“The beast is enormous, disgusting, a-hundred-maws and barking” (“The Queue” by V. Sorokin)." Philology. Theory & Practice 17, no. 11 (2024): 3884–92. http://dx.doi.org/10.30853/phil20240548.

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The study aims to identify the ways of literary interpretation of the pictorial traditions of Moscow conceptualists in a novel by V. Sorokin. The article offers a new interpretation of Vladimir Sorokin’s earliest conceptual novel “The Queue” (1985). The scientific originality of the study consists in the fact that despite various critical and literary responses to the novel, which is very popular among readers and critics, the author of the article has implemented a new approach to the literary text of the modern conceptual novelist. While traditionally V. Sorokin’s novel was perceived by crit
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