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Journal articles on the topic 'Soul Brothers (Musical group)'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Blues, Elwood. "EVERY DAY I HAVE THE BLUES." Innovation in Aging 7, Supplement_1 (2023): 533. http://dx.doi.org/10.1093/geroni/igad104.1750.

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Abstract The Blues Brothers are an American blues and soul revivalist band founded in 1978 by comedians Dan Aykroyd and John Belushi as part of a musical sketch on Saturday Night Live. Belushi and Aykroyd fronted the band, in character, respectively, as lead vocalist ’Joliet’ Jake Blues and harmonica player/vocalist Elwood Blues, donning black suits with matching fedoras and sunglasses.

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Tilley, Janette. "LEARNING FROM LAZARUS: THE SEVENTEENTH-CENTURY LUTHERAN ART OF DYING." Early Music History 28 (August 24, 2009): 139–84. http://dx.doi.org/10.1017/s0261127909000345.

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The story of the Rich Man and Lazarus is the foundation upon which German composers of the seventeenth century experimented with longer musical forms. Composers interpolate new poetic material to a higher degree than with any other scriptural story, apart from the Passion. Additions to the story range from simple funeral songs for Lazarus to elaborate contrapuntal drinking songs for the Rich Man and his five brothers. We would expect the meaning imposed on the story in musical settings to be in line with local theology and exegesis. However, a close look at musical settings reveals how much th

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Khai, Mykhailo. "Nykolaieva by Prylypchany Brothers is a Pinnacle of World Traditional Instrumentalism." Materìali do ukraïnsʹkoï etnologìï 21 (24) (November 30, 2022): 125–46. http://dx.doi.org/10.15407/mue2022.21.125.

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Instrumental perfromance of pastoral songs, especially in large-format recreational instrumental and dance activities, occupies a peculiar place among the unusual phenomena of traditional musical culture of Ukrainians alongside the ancient manifestations of musical-heroic epics – bylynas and dumas, and the renown culture of group singing – calendar and ceremonial-ritual melodies and lyrical-sub-vocal songs. In this article, on the basis of a unique Hutsul «performance» on three homogeneous instruments, where the three main functions (melody, «contra» / «second» and «bass») are executed on thre

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Chinita, Fátima. "Tapping into the senses: Corporeality and immanence in The Piano Tuner of EarthQuakes (Quay Brothers, 2005)." Empedocles: European Journal for the Philosophy of Communication 10, no. 2 (2019): 151–66. http://dx.doi.org/10.1386/ejpc_00004_1.

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Abstract In The Piano Tuner of EarthQuakes (2006), the Quay Brothers' second feature, the sensual form and the meta-artistic content are truly interweaved, and the siblings' staple animated materials become part of the theme itself. Using Michel Serres's argument in Les cinq sens (2014, whose subtitle in English is A Philosophy of Mingled Bodies), I address the relationship between the Quays intermedial animation and the way the art forms of music, painting, theatre and sculpture are used to captivate the film viewer's sensorium in the same way that some of the characters are fascinated by the

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Zbikowski, Lawrence M. "Modelling the Groove: Conceptual Structure and Popular Music." Journal of the Royal Musical Association 129, no. 2 (2004): 272–97. http://dx.doi.org/10.1093/jrma/129.2.272.

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A musical groove is most typically created by a small group of musicians working together, each contributing parts to the whole. Characterizing the knowledge behind such interactive ventures has proved to be challenging. This article attempts to characterize the knowledge basic to grooves first by concentrating on ‘the groove’ as it is practised in soul, rhythm and blues, jazz fusion and various other popular genres, and second by focusing on cognitive knowledge structures called conceptual models. It is argued that musicians rely on such structures to produce grooves, and that listeners make

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Sasser, Patricia Puckett. "Collecting Music among the Kharbintsy." Notes 80, no. 3 (2024): 429–54. http://dx.doi.org/10.1353/not.2024.a919031.

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ABSTRACT: In 1923, a young woman named Bella Tarakhovska͡ia arrived in Seattle aboard the SS President Jackson . She had sailed from Yokohama, Japan but her voyage to America had begun much further away. Born in Melitópol’ Ukraine, she had lived in East Asia, and was now on her way to join her older brothers in Detroit, Michigan. Tarakhovska͡ia (1903–1983) was not only well-traveled but also deeply musical: she carried with her two bound volumes of print and manuscript scores that she had collected for her personal use. These albums documented her own development as a musician and her awarenes

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Sumarandak, Zefanya Christofel, Luccylle M. Takalumang, and Franklin Dumasi. "ANALYSIS ON THE STRUCTURE OF TRADITIONAL DANCE MAENGKET." SoCul: International Journal of Research in Social Cultural Issues 3, no. 6 (2024): 1032–42. http://dx.doi.org/10.53682/soculijrccsscli.v3i6.8352.

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This research aims to explore the musical structure of Maengket Art, a performing arts tradition in Kaweng village, Kakas sub-district, Minahasa district. Maengket art is typically performed in harvest ceremonies as a form of expression of gratitude and joy towards God for the harvest obtained by the local community. Maengket art performances generally involve many dancers and involve both male and female dancers dancing in pairs. Maengket art is divided into three main parts, namely Maowey Kamberu, Marambak, and Lalayaan. The choice of the title of this research was based on the researcher's

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Papkova, Elena A. "Self-parody in the works of Vsevolod Ivanov." Sibirskiy filologicheskiy zhurnal, no. 1 (2022): 91–100. http://dx.doi.org/10.17223/18137083/78/7.

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The paper considers self-parody as a kind of self-reflection in the works of Vsevolod Ivanov in the 1910s-1920s. The most striking and well-known self-parody example is the image of the Chinese Shin-Bin-Wu in the adventurous novel “Iprit” that comically reinterprets one of the plot twists and the same type of character in the famous story about the Civil War “Bronepoezd 14-69”. The origins of the self-parody are not due to external reasons: the social order for the “Krasny Pinkerton,” communication between Ivanov, as a member of the “Serapionov Brothers” group, and theorists and practitioners

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Jones, Brian E. "Thursday at Miller's." Journal of Jazz Studies 14, no. 1 (2023): 120–33. http://dx.doi.org/10.14713/jjs.v14i1.218.

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At seventy-three years old, jazz trumpeter/composer/bandleader John D’earth remains a vortex of swirling energy: gigging constantly, ceaselessly composing, and tirelessly teaching. An iconic musician with a world-class reputation, D’earth is a gifted post-bop trumpeter with a fat sound, a dense knowledge of harmony, and a virtuosic sense of rhythm. D’earth is the type of player that would demand attention in any major metropolitan jazz scene, but within the small confines of the Charlottesville, Virginia jazz community, D’earth is a pillar of influence. Simply put, D’earth is the heart and sou

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Sereda, Olena. "FRYDERYK CHOPIN IN THE POETIC PERCEPTION OF KORNEL UJEJSKI." Polish Studies of Kyiv, no. 39 (2023): 449–63. http://dx.doi.org/10.17721/psk.2023.39.449-463.

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The article is devoted to the study of the relationship between music and literature, on the example of the poetry of Kornel Ujejski’s cycle “Tłumaczenia Szopena”. The “last great poet of Romanticism”, as he is often called, shared the general belief in the unity of the arts, so there is a certain group of musically oriented works in his oeuvre. It is worth noting that in the synthesis of the arts, music occupies a prominent place as the least material mediator of contact with the infinite. It enhances the aesthetics of the epic, lyrical and dramatic word, adds weight and insight to it. We can

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Kolar, Emina Berbic, and Vesna Srnic. "Glocal, Holistic and Performative Education." European Journal of Teaching and Education 3, no. 3 (2021): 45–50. http://dx.doi.org/10.33422/ejte.v3i3.705.

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We look at innovative education through a global and local approach to the philosophy of existence, known as glocalization, and through the psychological Gestalt of experiencing a whole that is inevitably viewed within social science by a sociological holistic principle. Our glocal, holistic, aesthetic practice has been experienced and realized through intensive performative education that enhances the existential capacity in multi / media projects through the humanistic approach, affectively using digital framing. Performative projects are performed in the Media Culture course at the Faculty

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Tychinina, Alyona. "Hryhoriy Skovoroda’s Idea of Related Work in the Poetry of the Modernist Association “Muzaget”." Pitannâ lìteraturoznavstva, no. 106 (December 30, 2022): 25–40. http://dx.doi.org/10.31861/pytlit2022.106.025.

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Hryhoriy Skovoroda’s idea of the immanent existence (1722–1794) about related work in Ukrainian modernists poetry, in particular representatives of the artistic group “Muzaget” (1919) is considered as the main methodological prism that conceptualize related work of Panna, outlined with the support of V. Gorsky, L. Ushkalov, and D. Chyzhevsky. The article describes the history of creation and specifics of Kyiv post-revolutionary group of symbolists “Muzaget” activities. The literary and artistic almanac with a similar name was analyzed, where each member of the collective presented his “related

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Krasnoshchok, Kateryna. "Pages of Eugenie de Guerin’s “Diary” in the musical embodiment by Darius Milhaud." Aspects of Historical Musicology 34, no. 34 (2024): 92–111. http://dx.doi.org/10.34064/khnum2-34.04.

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Statement of the problem. The vocal-instrumental cycle «D’un cahier in&#233;dit du journal d’Eug&#233;nie de Gu&#233;rin» (“From the Unpublished Diary by Eug&#233;nie de Gu&#233;rin”) op. 27 (1915) is a work by D. Milhaud that was composed when the composer was twenty-four years old. The literary source attracts attention for the fact that it was written not to demonstrate the literary talent of the poetess, but as a confession of the human soul. Currently, domestic musicology does not have significant experience in researching musical interpretations of works of this type,

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Altashina, Veronika D., and Lathsadaphone Phanavanh. "Nearest Metempsychosis in the Cinderella Fairy-Tale." Proceedings of Southern Federal University. Philology 25, no. 3 (2021): 87–101. http://dx.doi.org/10.18522/1995-0640-2021-3-87-101.

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The article describes functional mechanism of heroine’s metempsychosis in the Oriental and Occidental Cinderella fairy-tale. According to the classification of Aarne - Thompson, these tales belong to the type 510 A “persecution of the heroine”, which is associated with a complex of other plots (510 B, 511, 511 A). We limit our research only to those tales in which the identification of the heroine occurs by the shoe. The origins of this literature phenomenon are disclosed in terms of religious conception and traditional believes of the representatives of the thai-kadai language group (IX-XIX c

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Geng, Hui. "Interview with Yudi Yap: A Humanistic Vocalist and Songwriter on Music, Life, and Cultural Expression." International Journal of Education and Literacy Studies 13, no. 2 (2025): 694–702. https://doi.org/10.7575/aiac.ijels.v.13n.2p.694.

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Yudi Yap, renowned as a charismatic vocalist, has been a time-honored household name in the Malaysian music scene, with a performing career spanning over a quarter of a century. Initially trained in Fine Arts, Yudi embarked on her musical journey during her student days with “Pertubuhan Muzik KITA” (激荡工作坊)”. In the 1990s, she served as the lead vocalist of the acclaimed trio “Alternative Music House” (另类音乐人) and also co-organized two editions of the influen-tial campus songwriting competition, the “Halo Songwriting Contest” (海螺新韵奖). Since the early 2000s, Yudi has ac-tively revived and interpr

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Maneliuk, Oksana. "CHAPEL “BESKYD” (IVANO-FRANKIVSK CITY) – POPULARIZER OF LEMKO SONGS." Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, no. 2 (May 23, 2023): 24–33. http://dx.doi.org/10.25128/2411-3271.19.2.4.

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The article deals with the importance of Lemko folklore for the collective conducted by P. Cholovsky, the Honored Art Worker of Ukraine, Associate Professor of the Department of Folk Instruments and Musical Folklore at the Institute of Arts of the V. Stefanyk Precarpathian National University. The place of Lemko folklore in the Ukrainian musical and ethno-cultural space was described and multi-genre models of the choral repertoire, which is a vivid expression of the Lemko “soul”, were analyzed. The creative figure of P. Cholovsky as an arranger of Lemko songs and his creative work was investig

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Maniez, François. "Traitement de l’ambiguïté syntaxique et sémantique en TA neuronale : analyse de la traduction de l’anglais vers le français, l’espagnol et l’italien." Traduction et Langues 21, no. 1 (2022): 10–27. http://dx.doi.org/10.52919/translang.v21i1.872.

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Syntactic and Semantic Ambiguity Processing in Neural MT from English to French, Spanish and Italian Despite recent advances in artificial intelligence, human translators outperform MT for at least three types of tasks: identifying referents in anaphora (especially of the interphrastic kind), resolving semantic ambiguity (which is mainly due to polysemy or homonymy), and resolving syntactic ambiguity (especially with poorly inflected source languages such as English). Using the results obtained by two freely available online machine translation programs, Google Translate and DeepL, we ex

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Dr., Vaijyanta Patil, and Shailaja B. Wadikar Dr. "Gandhiji's Concept of Swaraj." उदयगिरी - बहुभाषिक इतिहास संशोधन पत्रिका 01, no. 05 (2023): 19–24. https://doi.org/10.5281/zenodo.10071410.

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Mohandas Karamchand Gandhi was born in Porbandar on 2nd October 1869 and died in Delhi on 30th January 1948. He is commonly regarded as one of the greatest men of the 20th century. An advocate of nonviolence, he nevertheless led India's struggle against the greatest and most powerful empire in human history. That is why; he has been called the Father of the Nation and given the title "Mahatma" or great soul. No retailing of his life can be as effective as reading it in his own words in his autobiography "<i>The story of My Experiments with Truth"</i>.No doubt the word experiment in Gandhi's au

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Ndeta, Egidius Umbu. "THE TRADITIONAL MUSIC SAPE' THERAPY ON POST OPERATING PAIN SCALE REDUCTION AT SANTO VINCENTIUS HOSPITAL SINGKAWANG CITY." Tanjungpura Journal of Nursing Practice and Education 2, no. 2 (2020). http://dx.doi.org/10.26418/tjnpe.v2i2.44525.

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Background : The severity of postoperative pain depends on the individual's physiological and psychological assumptions, the established tolerance for pain, the location of the incision, the nature of the procedure, the depth of surgical trauma and the type of anesthetic agent and how the agent is administered. Apart from pharmacological action, pain can also be treated with music. Music is an expression of one's soul and one's communication language. Music can sometimes make people cry, laugh, even music can heal sick people. Sape 'or also known as sampe is a musical instrument or instrument

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M.NAVAJOTHI and J. ARUL ANAND Dr. "QUEST FOR DIASPORIC IDENTITY IN PAULE MARSHALL'S BROWN GIRL, BROWNSTONES." 17, no. 12 (2022): 202–5. https://doi.org/10.5281/zenodo.7418409.

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<strong>Abstract</strong> The Culture of a nation plays a significant role in shaping the personality of the every ethnic group. Caribbean culture is a term that explains the artistic, musical, literary, culinary, political and social elements that are representative of the Caribbean people all over the world. This paper deals with black women’s quest for diasporic, identity & cultural roots, in Marshall’s Brown Girl, Brownstones. It is also attempted to analyse the longing for a deserving place in society and a meaningful purpose in life. Quest for identity is a recurring them

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Firmansyah, Dedy, and Nugroho Notosusanto Arhon Doni. "Penataan Artistik Pertunjukan Teater Dul Muluk Tunas Harapan di Palembang." Besaung : Jurnal Seni Desain dan Budaya 5, no. 2 (2021). http://dx.doi.org/10.36982/jsdb.v5i2.1442.

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Artistic arrangement is important in theater performances, as is Dul Muluk theater. "Decoration (scenery) is a background scene (background) where to play the play". Dul Muluk Theater is inseparable from the elements that support the show. The elements are divided into two parts, namely the main elements and supporting elements of the show. The main elements consist of: director, script, performer (actor / actress) and audience, while supporting elements of the show include: dress, property set, musical system, and stage decoration / decoration set. But in discussing this research journal, the

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Jeziński, Marek, and Łukasz Wojtkowski. "To Grunge or Not to Grunge on the Periphery? The Polish Grunge Scene of the 1990s and the Assimilation of Cultural Patterns." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1479.

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Introduction – Polish GrungeThe main objective of this article is to examine the grunge scene of the 1990s in Poland in the context of acculturation and assimilation processes. Polish grunge was, on the one hand, the expression of trends that were observable in music industry since the late 1980s. On the other hand, it was symptomatic of a rapid systemic transformation. Youth culture was open for the diffusion of cultural patterns and was ready to adopt certain patterns from the West.Thus, we suggest that the local grunge scene was completely modelled on the American one: the flow of cultural

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Cuningham, Phillip Lamarr, and Melinda Lewis. "“Taking This from This and That from That”: Examining RZA and Quentin Tarantino’s Use of Pastiche." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.669.

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In his directorial debut, The Man with the Iron Fists (2012), RZA not only evokes the textual borrowing techniques he has utilised as a hip-hop producer, but also reflects the influence of filmmaker Quentin Tarantino, who has built a career upon acknowledging mainstream and cult film histories through mise-en-scene, editing, and deft characterisation. The Man with the Iron Fists was originally to coincide with Tarantino’s rebel slave narrative Django Unchained (2012), which Tarantino has discussed openly as commentary regarding race in contemporary America. In 2011, Variety reported that RZA h

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Ruiz, Jiménez Juan. "Cofradía de músicos de la colegiata del Salvador de Granada." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10395061.

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El asociacionismo de los músicos en las capillas musicales de las instituciones sacras hispanas surge ligado a la legislación que regula sus salidas al exterior en las que, con frecuencia, encontramos algunas cláusulas que están relacionadas con la labor social que el grupo llevaba a cabo con sus propios integrantes. Las constituciones de la capilla de música de la colegiata del Salvador, redactadas en 1723, dan buena cuenta de estas prácticas. The association of musicians in the musical chapels of the Hispanic sacred institutions was linked to the legislation regulating their external service

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Ruiz, Jiménez Juan. "Testamento de Pedro López, guitarrero (1671)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10395445.

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El testamento del guitarrero Pedro López (17/10/1671) nos proporciona algunos datos biográficos, sus disposiciones mortuorias y las mandas pías para la salvación de su alma, así como una serie referencias a ciertas cantidades de dinero que se le adeudaban, las cuales nos acercan a su actividad profesional. The will of the guitar maker Pedro López (17/10/1671) provides us with some biographical information, his funeral dispositions and the pious mandates for the salvation of his soul, as well as a series of references to certain sums of money owed to him, which bring us closer to his profession

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Firmansyah, Dedy, and Nugroho Notosutanto Arhon Dhony. "Penataan Artistik Pertunjukan Teater Dul Muluk Tunas Harapan di Palembang." Besaung : Jurnal Seni Desain dan Budaya 5, no. 2 (2020). http://dx.doi.org/10.36982/jsdb.v5i2.992.

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<p class="SammaryHeader" align="center"><strong>Abstract</strong></p><p><em>Artistic arrangement is important in theater performances, as is Dul Muluk theater. "Decoration (scenery) is a background scene (background) where to play the play". Dul Muluk Theater is inseparable from the elements that support the show. The elements are divided into two parts, namely the main elements and supporting elements of the show. The main elements consist of: director, script, performer (actor / actress) and audience, while supporting elements of the show include: dress, p

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Jones, Steve. "Seeing Sound, Hearing Image." M/C Journal 2, no. 4 (1999). http://dx.doi.org/10.5204/mcj.1763.

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“As the old technologies become automatic and invisible, we find ourselves more concerned with fighting or embracing what’s new”—Dennis Baron, From Pencils to Pixels: The Stage of Literacy Technologies Popular music is firmly rooted within realist practice, or what has been called the "culture of authenticity" associated with modernism. As Lawrence Grossberg notes, the accelleration of the rate of change in modern life caused, in post-war youth culture, an identity crisis or "lived contradiction" that gave rock (particularly) and popular music (generally) a peculiar position in regard to notio

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Nairn, Angelique. "Chasing Dreams, Finding Nightmares: Exploring the Creative Limits of the Music Career." M/C Journal 23, no. 1 (2020). http://dx.doi.org/10.5204/mcj.1624.

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In the 2019 documentary Chasing Happiness, recording artist/musician Joe Jonas tells audiences that the band was “living the dream”. Similarly, in the 2012 documentary Artifact, lead singer Jared Leto remarks that at the height of Thirty Seconds to Mars’s success, they “were living the dream”. However, for both the Jonas Brothers and Thirty Seconds to Mars, their experiences of the music industry (much like other commercially successful recording artists) soon transformed into nightmares. Similar to other commercially successful recording artists, the Jonas Brothers and Thirty Seconds to Mars,

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Marsh, Victor. "The Evolution of a Meme Cluster: A Personal Account of a Countercultural Odyssey through The Age of Aquarius." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.888.

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Introduction The first “Aquarius Festival” came together in Canberra, at the Australian National University, in the autumn of 1971 and was reprised in 1973 in the small rural town of Nimbin, in northern New South Wales. Both events reflected the Zeitgeist in what was, in some ways, an inchoate expression of the so-called “counterculture” (Roszak). Rather than attempting to analyse the counterculture as a discrete movement with a definable history, I enlist the theory of cultural memes to read the counter culture as a Dawkinsian cluster meme, with this paper offered as “testimonio”, a form of q

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Lillie, Jonathan. "Tackling Identity with Constructionist Concepts." M/C Journal 1, no. 3 (1998). http://dx.doi.org/10.5204/mcj.1712.

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Did you wake up this morning wondering: "What really is my true identity?" Or have you ever seen your favorite television news program do a spot on cultural identity? "Today we ask you the viewer about your cultural identity." Not likely. It is certainly not vital for each of us to be able to expound upon our personal identity issues and definitions (you don't necessarily have to talk about identity to know yourself and to be happy and well-rounded). And yet, with this said, a casual visit to the local "mall" for a dose of people/culture-watching is all that it might take to be reminded of the

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Brabazon, Tara. "Welcome to the Robbiedome." M/C Journal 4, no. 3 (2001). http://dx.doi.org/10.5204/mcj.1907.

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One of the greatest joys in watching Foxtel is to see all the crazy people who run talk shows. Judgement, ridicule and generalisations slip from their tongues like overcooked lamb off a bone. From Oprah to Rikki, from Jerry to Mother Love, the posterior of pop culture claims a world-wide audience. Recently, a new talk diva was added to the pay television stable. Dr Laura Schlessinger, the Mother of Morals, prowls the soundstage. attacking 'selfish acts' such as divorce, de facto relationships and voting Democrat. On April 11, 2001, a show aired in Australia that added a new demon to the decade

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Ryan, Robin Ann. "Forest as Place in the Album "Canopy": Culturalising Nature or Naturalising Culture?" M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1096.

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Every act of art is able to reveal, balance and revive the relations between a territory and its inhabitants (François Davin, Southern Forest Sculpture Walk Catalogue)Introducing the Understory Art in Nature TrailIn February 2015, a colossal wildfire destroyed 98,300 hectares of farm and bushland surrounding the town of Northcliffe, located 365 km south of Perth, Western Australia (WA). As the largest fire in the recorded history of the southwest region (Southern Forest Arts, After the Burn 8), the disaster attracted national attention however the extraordinary contribution of local knowledge

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Lerner, Miriam Nathan. "Narrative Function of Deafness and Deaf Characters in Film." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.260.

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Introduction Films with deaf characters often do not focus on the condition of deafness at all. Rather, the characters seem to satisfy a role in the story that either furthers the plot or the audience’s understanding of other hearing characters. The deaf characters can be symbolic, for example as a metaphor for isolation representative of ‘those without a voice’ in a society. The deaf characters’ misunderstanding of auditory cues can lead to comic circumstances, and their knowledge can save them in the case of perilous ones. Sign language, because of its unique linguistic properties and its la

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Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li

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Morrison, Susan Signe. "Walking as Memorial Ritual: Pilgrimage to the Past." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1437.

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This essay combines life writing with meditations on the significance of walking as integral to the ritual practice of pilgrimage, where the individual improves her soul or health through the act of walking to a shrine containing healing relics of a saint. Braiding together insights from medieval literature, contemporary ecocriticism, and memory studies, I reflect on my own pilgrimage practice as it impacts the land itself. Canterbury, England serves as the central shrine for four pilgrimages over decades: 1966, 1994, 1997, and 2003.The act of memory was not invented in the Anthropocene. Rathe

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Beckwith, Karl. ""Black Metal is for white people"." M/C Journal 5, no. 3 (2002). http://dx.doi.org/10.5204/mcj.1962.

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The power of culturally-bound controlling images around notions of 'colour' in regard to ethnicity have historically been marked and far-reaching. Most obvious examples of such political power relations can be seen in regard to racism and social domination. Biologically-based assertions that one specific category of people are somehow inherently inferior or superior to another were central and indeed continue to be paramount in (neo) Nazi-style rhetoric. Such political beliefs, most notable of course within the first half of the Twentieth Century, often went hand-in-hand with a right-wing ecol

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Kerasidou, Xaroula (Charalampia). "Regressive Augmentation: Investigating Ubicomp’s Romantic Promises." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.733.

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Machines that fit the human environment instead of forcing humans to enter theirs will make using a computer as refreshing as taking a walk in the woods. Mark Weiser on ubiquitous computing (21st Century Computer 104) In 2007, a forum entitled HCI 2020: Human Values in a Digital Age sought to address the questions: What will our world be like in 2020? Digital technologies will continue to proliferate, enabling ever more ways of changing how we live. But will such developments improve the quality of life, empower us, and make us feel safer, happier and more connected? Or will living with techno

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Williams, Graeme Henry. "Australian Artists Abroad." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1154.

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At the start of the twentieth century, many young Australian artists travelled abroad to expand their art education and to gain exposure to the modern art movements of Europe. Most of these artists were active members of artist associations such as the Victorian Artists Society or the New South Wales Society of Artists. Male artists from Victoria were generally also members of the Melbourne Savage Club, a club with a strong association with the arts.This paper investigates the dual function of the club, as a space where the artists felt “at home” in the familiar environment that the club offer

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Cover, Rob. "Reading the Remix: Methods for Researching and Analysing the Interactive Textuality of Remix." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.686.

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IntroductionWith the proliferation of remixed (audio-visual) texts such as fan music videos, slash video, mash-ups and digital stories utilising existing and new visual and audio material on sites such as YouTube, questions are opened as to the efficacy of current forms of media textual analysis. Remixed texts have been positioned as a new and transformative form of art that, despite industry copyright concerns, do not compete with existing texts but makes use of them as ‘found material’ in order to produce an ostensibly intertextual experience (Lessig). Intertexts include pastiche, parody and

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Masson, Sophie Veronique. "Fairy Tale Transformation: The Pied Piper Theme in Australian Fiction." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1116.

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The traditional German tale of the Pied Piper of Hamelin inhabits an ambiguous narrative borderland, a liminal space between fact and fiction, fantasy and horror, concrete details and elusive mystery. In his study of the Pied Piper in Tradition and Innovation in Folk Literature, Wolfgang Mieder describes how manuscripts and other evidence appear to confirm the historical base of the story. Precise details from a fifteenth-century manuscript, based on earlier sources, specify that in 1284 on the 26th of June, the feast-day of Saints John and Paul, 130 children from Hamelin were led away by a pi

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Hanscombe, Elisabeth. "A Plea for Doubt in the Subjectivity of Method." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.335.

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Photograph by Gonzalo Echeverria (2010)Doubt has been my closest companion for several years as I struggle to make sense of certain hidden events from within my family’s history. The actual nature of such events, although now lost to us, can nevertheless be explored through the distorting lens of memory and academic research. I base such explorations in part on my intuition and sensitivity to emotional experience, which are inevitably riddled with doubt. I write from the position of a psychoanalytic psychologist who is also a creative writer and my doubts increase further when I use the autobi

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Phillipov, Michelle. "“Just Emotional People”? Emo Culture and the Anxieties of Disclosure." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.181.

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In an article in the Sunday Tasmanian shortly after the deaths of Melbourne teenagers Jodie Gater and Stephanie Gestier in 2007, Tasmanian Catholic Schools Parents and Friends Federation president Bill Button claimed: “Parents are concerned because all of a sudden their child, if they have access to a computer, can turn into an Emo” (qtd. in Vowles 1).For a few months in 2007, the dangers of emo and computer use were significant themes in Australian newspaper coverage. Emo, an abbreviation of the terms “emocore” or “emotional hardcore”, is a melodic subgenre of punk rock music, characterised b

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