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Books on the topic 'Sound film'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Kotas, Joanna. Film sound. LCP, 2002.

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2

Cardullo, R. J. Teaching Sound Film. SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-726-9.

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3

Altman, Rick. Silent film sound. Columbia University Press, 2005.

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4

Sisto, Antonella C. Film Sound in Italy. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137387714.

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5

Wiegand, Daniel. Aesthetics of Early Sound Film. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463727372.

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This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films’ fundamentally experimental and inventive character. By considering films and production contexts often neglected in film studies, it strives to counter the still dominant view of the transitional period as a time of yet-to-be-perfected forerunners of ‘classical’ sound film. Instead, authors highlight the sense of ‘fruitful uncertainty’ in this period of media change and transformation. Subjects covered include visual and auditory style; the uses of speech, music, a

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6

Holman, Tomlinson. Sound for film and television. Focal Press, 1997.

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7

Holman, Tomlinson. Sound for film and television. 3rd ed. Focal Press, 2010.

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8

Group, Society of Archivists (Great Britain) Film and Sound. Film and sound archive sourcebook. Society of Archivists, 1999.

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9

Holman, Tomlinson. Sound for film and television. 3rd ed. Focal Press, 2010.

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10

Society of Archivists. Film and Sound Group. Film and sound archive sourcebook. Society of Archivists, 1999.

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11

1944-, Weis Elisabeth, and Belton John, eds. Film sound: Theory and practice. Columbia University Press, 1985.

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12

Barton, Ruth, and Simon Trezise, eds. Music and Sound in Silent Film. Routledge, 2018. http://dx.doi.org/10.4324/9781315276274.

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13

Institute, British Film, ed. Sight and sound film review volume. B.F.I., 1996.

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14

Institute, British Film, ed. Sight and sound film review volume. B.F.I., 1995.

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15

Lewis, Hannah. Imagining Sound Film. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.003.0002.

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Chapter 1 focuses on writings in the French press by filmmakers, composers, and critics about sound film and its arrival in France. From sound film’s first successes in Hollywood, French critics paid careful attention to the new technology, and they wrote prolifically and prescriptively about how they believed the French film industry should respond to it. Many filmmakers expressed concern that sound film would upset cinema’s aesthetic development, but many others approached the new technology with excitement, particularly when it came to its musical applications. The debates in the French pre

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16

Altman, Rick. Silent Film Sound. Columbia University Press, 2007.

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17

Silent film sound. Columbia University Press, 2004.

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18

Sound-on-film: Interviews with creators of film sound. Praeger, 1994.

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19

Jacobs. Film Rhythm after Sound. University of California Press, 2014.

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20

Jacobs, Lea. Film Rhythm after Sound. University of California Press, 2014.

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21

Sound Design for Film. The Crowood Press, 2021.

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22

Towne, Robert. Film: Chinatown (Sight & Sound). Faber and Faber, 1999.

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23

Altman, Rick. Silent Silent Film Sound. Columbia University Press, 2004.

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24

Film, a sound art. Columbia University Press, 2009.

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25

Altman. SOUND THEORY/SOUND PRACTICE CL (Afi Film Readers). Other, 1992.

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26

Sound for picture: Film sound through the 1990s. 2nd ed. MixBooks, 2000.

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27

Holman, Tomlinson. Sound for Film and Television. Taylor & Francis Group, 2001.

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28

E, Coen J. &. Film: Blood Simple *Sight & Sound*. Faber and Faber Ltd, 1999.

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29

Sound for film and television. 2nd ed. Focal Press, 2002.

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30

C, Crowe. Film: Almost Famous *Sight & Sound*. Faber and Faber Ltd, 2001.

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31

Holman, Tomlinson. Sound for Film and Television. Taylor & Francis Group, 2012.

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32

Holman, Tomlinson. Sound for Film and Television. Routledge, 2012. http://dx.doi.org/10.4324/9780240814322.

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33

Sound for film and television. Taylor and Francis, 2010.

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34

Holman, Tomlinson. Sound for Film and Television. Taylor & Francis Group, 2018.

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35

Sight and sound film review. British Film Institute, 1992.

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36

Film Sound: Theory and Practice. Columbia University Press, 1985.

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37

Holman, Tomlinson. Sound for Film and Television. Taylor & Francis Group, 2012.

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38

Holman, Tomlinson. Sound for Film and Television. Taylor & Francis Group, 2012.

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39

Holman, Tomlinson. Sound for Film and Television. 2nd ed. Focal Press, 2001.

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40

Harper, Graeme. Companion to Sound, Film, Visual. Continuum International Publishing Group, 2007.

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41

Holman, Tomlinson. Sound for Film and Television. Taylor & Francis Group, 2012.

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42

Schrader, Paul. Film: Taxi Driver *Sight Sound*. Faber and Faber Ltd, 1999.

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43

Cardullo, R. J. Teaching Sound Film: A Reader. BRILL, 2016.

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44

Cardullo, R. J. Teaching Sound Film: A Reader. BRILL, 2016.

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45

Sound for film and television. 2nd ed. Focal Press, 2002.

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46

Teaching Sound Film: A Reader. BRILL, 2016.

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47

Sergi, Gianluca. The Dolby Era: Film Sound in Contemporary Hollywood (Inside Popular Film). Manchester University Press, 2005.

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48

Sergi, Gianluca. The Dolby Era: Film Sound in Contemporary Hollywood (Inside Popular Film). Manchester University Press, 2005.

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49

Cinesonica: Sounding Film and Video. Manchester University Press, 2014.

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50

Cinesonica: Sounding film and video. Manchester University Press, 2010.

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