Journal articles: 'Sound in broadcasting'

1

Fellgett, Peter. "VHF sound broadcasting." IEE Review 38, no. 9 (1992): 309. http://dx.doi.org/10.1049/ir:19920134.

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Jeong, Jeong-ho. "Audibility of Emergency Broadcasting Sounds in Mechanical and Electrical Rooms in Office Facilities." Journal of the Korean Society of Hazard Mitigation 22, no. 1 (February 28, 2022): 105–13. http://dx.doi.org/10.9798/kosham.2022.22.1.105.

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For the clear presentation of fire warning and emergency broadcasting sounds to occupants of buildings, certain guidelines and requirements have been established. However, the parameters to evaluate the speech intelligibility of the generated sound have not been established. In the NFPA 72 and BS standards, a specific warning sound level for warning sounds in residential facilities is proposed and the speech transmission index (STI) for emergency broadcasting systems is regulated. Mechanical and electrical systems need to be maintained to supply water and electricity in fire and disaster situations. To maintain these functions in buildings, emergency broadcasting sounds need to be clearly delivered to workers in the facilities. For the clear understanding of emergency broadcasting sounds, the background noise in the facilities should be lower than the broadcasting sounds. In addition, broadcasting sounds should not reverberate. In this study, the noise characteristics in the mechanical rooms and electricity facilities of office buildings that were more than 40 years old were measured and used for the acoustic prediction of emergency broadcasting sounds. Audibility and room acoustic properties, such as the reverberation time and STI in the facilities, were simulated by using the room acoustic simulation method. The audibility and STI of emergency broadcasting sounds were evaluated as “bad” or “poor” under the basic conditions. For the clear delivery of emergency broadcast sounds in mechanical and electrical rooms, it is necessary to apply a sound-absorbing material on the walls and ceilings in the facilities to reduce the reverberation. At the same time, an increase in the volume of emergency broadcast sounds and the introduction of additional speakers should be considered.

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Yoshino, Takehiko, and Naoki Kawai. "Digital sound broadcasting system." Journal of the Institute of Television Engineers of Japan 41, no. 8 (1987): 726–30. http://dx.doi.org/10.3169/itej1978.41.726.

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Sinohara, Sobei. "CS-PCM Sound Broadcasting." Journal of the Institute of Television Engineers of Japan 47, no. 12 (1993): 1625–27. http://dx.doi.org/10.3169/itej1978.47.1625.

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Jeong, Jeongho. "Audibility of emergency broadcasting sound in a mechanical room in an office building." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 263, no. 3 (August 1, 2021): 3811–16. http://dx.doi.org/10.3397/in-2021-2531.

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Fire alarm and emergency broadcasting sound are important in fire and disaster situations. For the clear presentation of the fire alarm and emergency broadcasting sound to occupants of buildings, some guidelines and requirements were established. In NFPA 72 and BS standard, a specific alarm sound level for alarm sound of residential facilities was proposed and Speech Transmission Index(STI) was regulated for the emergency broadcasting system. In the fire and disaster situation, one of the important facility is a mechanical and electrical system to maintain water and electricity supply. To maintain this function in the buildings, clear presentation of emergency broadcasting sound to the workers in the mechanical and electrical room is crucial for the emergency operation of the system. In this study, the noise level in the mechanical rooms and electricity facilities of more than 40 years old office building were measured. Also, audibility and room acoustic properties such as reverberation time and STIwas simulated using Odeon 12. In order to deliver emergency broadcasting sound more clearly, sound absorption material and a soundproof chamber for noisy devices are needed. Also, the emergency broadcasting system in noisy facilities should be improved to produce the broadcasting sound louder and clearer.

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Stott, J. H. "Satellite broadcasting of sound radio." IEE Proceedings F Communications, Radar and Signal Processing 133, no. 4 (1986): 399. http://dx.doi.org/10.1049/ip-f-1.1986.0064.

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Le Floch, B., R. Halbert-Lassalle, and D. Castelain. "Digital sound broadcasting to mobile receivers." IEEE Transactions on Consumer Electronics 35, no. 3 (1989): 493–503. http://dx.doi.org/10.1109/30.44309.

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8

Miller, J. "Satellite Sound Broadcasting Around 1 GHz." IEEE Journal on Selected Areas in Communications 3, no. 1 (1985): 204–10. http://dx.doi.org/10.1109/jsac.1985.1146180.

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9

Yoshino, Takehiko. "3-1-4 PCM Sound Broadcasting." Journal of the Institute of Television Engineers of Japan 39, no. 1 (1985): 68–69. http://dx.doi.org/10.3169/itej1978.39.68.

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10

Henderson, Lesley, David Miller, and Jaqueline Reilly. "Heard the News? Banning Broadcasting Sound." Media Information Australia 60, no. 1 (May 1991): 11–16. http://dx.doi.org/10.1177/1329878x9106000105.

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Miller, J. "HF Satellite Sound Broadcasting - A Preliminary Assessment." IEEE Journal on Selected Areas in Communications 3, no. 1 (January 1985): 186–203. http://dx.doi.org/10.1109/jsac.1985.1146179.

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12

Lemaire, Jean. "Digital sound broadcasting: Satellites or Terrestrial Networks?" International Journal of Satellite Communications 13, no. 4 (July 1995): 211–14. http://dx.doi.org/10.1002/sat.4600130404.

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Jeong, Jeong-Ho. "Prediction and Evaluation of Emergency Broadcasting Sound and Speech Intelligibility for Safety Zones in High-rise Buildings." Fire Science and Engineering 34, no. 6 (December 31, 2020): 37–43. http://dx.doi.org/10.7731/kifse.91d2fd5b.

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As construction of high-rise buildings is increasing, the installation of a fire safety zone for the safe evacuation of residents has become mandatory. Even for building complexes with an underground connection between 30 and 49 stories, a fire safety zone must be installed when the residential density exceeds 1.5 people per square meter. In the fire safety zone, an automatic fire detection system and a system to assist radio communication must be installed. In addition, an emergency broadcasting system must be installed to announce the fire situation and to guide the safe evacuation of the residents. The fire safety zone was constructed with non-combustible material to minimize flames or smoke and was furnished to maintain a very low fire load. However, non-combustible materials have very low sound absorption characteristics; therefore, they usually reflect the sound energy into the spaces. In spaces consisting of sound reflective materials, the emergency broadcasting sounds reverberated, making it difficult to understand the meaning of the broadcasted sound. In this study, the room acoustics characteristics for fire safety zones in a high-rise building, represented as reverberation time and speech transmission index, were predicted using a certified room acoustics simulation method and evaluation of speech intelligibility. As a result of predicting the acoustic characteristics of the safety zone, it was found that the space had quite long reverberation and speech intelligibility was low, making it difficult to clearly transmit the emergency broadcast sound. When a safety zone was set up in a part of the machinery room, it was confirmed that it was difficult to clearly transmit the emergency broadcast sound, even when the background noise level was louder than 70 dB(A). To deliver a clear emergency broadcast sound in the safety zone, it is necessary to use inorganic sound-absorbing materials and to properly block noise in the machine room. In addition, it is necessary to establish guidelines for regulation of the speech transmission index for emergency broadcasting systems.

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Aveyard, Karina, and Albert Moran. "Introduction: Sound Media, Sound Cultures." Media International Australia 148, no. 1 (August 2013): 79–83. http://dx.doi.org/10.1177/1329878x1314800109.

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Sound is an ever-present, ever-changing component of communication and media. It has been a central part of the dramatic developments that have occurred in recording, screen exhibition, radio and television broadcasting and telecommunications technologies since the 1800s. Yet, in relation to audio-visual media forms in particular, sound is often seen as a secondary element – something that is subordinate to the visual immediacy and the assigned textual primacy of the image. The aim of this issue of MIA is to help redress this imbalance and reassert the place of sound within wider conceptualisations of media and culture. The articles engage with the significance of the aural from a wide range of perspectives, taking in its experiential and immersive characteristics in relation to screen media as well as the commercial contexts of sound and music and its role in identity-making and social organisation.

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Sudiartha, I. Ketut Gede, Putu Manik Prihatini, and I. Made Purbhawa. "Implementation of text to speech on web-based broadcasting radio service applications." Matrix : Jurnal Manajemen Teknologi dan Informatika 12, no. 1 (March 29, 2022): 51–57. http://dx.doi.org/10.31940/matrix.v12i1.51-57.

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Radio broadcasting is a source of information for the public. In delivering information, the broadcaster must read the text of the news before it is transmitted through a radio transmitter. Implementing a text-to-speech conversion can help solve this problem. The purpose of this study is to develop a Broadcasting Service Application by implementing text to speech on a Web-Based Radio Broadcasting service application that can convert data/information in text form into information in the form of voice. This paper does not discuss text-to-speech conversion techniques but emphasizes how to apply text-to-speech conversion techniques in web-based broadcasting service applications, especially news and music data management. This application utilizes web hosting services and Google voice services to convert text data into voice. The method used is Analyzing the application system of Broadcasting Radio services, Application of Text to speech (TTS), which functions to convert text into sound before being transmitted to broadcasting stations and to test the response of the conversion results and data management to the quality of the design. The process carried out in this system, namely retrieval of text data from the news database, converting text data into sound, adjusting the volume of music and sound information, and updating the status of the text data that has been broadcast. Based on application testing carried out with the Black Box Testing Method, all functional applications have been running well and are now successfully operationalized.

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Ditchburn, Sandy. "Preserving New Zealand's Voices of World War II." International Association of Sound and Audiovisual Archives (IASA) Journal, no. 52 (August 19, 2022): 33–37. http://dx.doi.org/10.35320/ij.v0i52.148.

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During World War II, the Mobile Broadcasting Unit of New Zealand's armed forces recorded interviews and reports about the fighting and the day-to-day business of war, as well as thousands of simple messages home from servicemen, and a few women. Today, the 1600 surviving Mobile Unit discs form part of the sound archives of Radio New Zealand, held by audiovisual archive Ngā Taonga Sound & Vision. In this "sidebar" article which is a companion piece to "Voices from the War," the author describes some of the challenges she has encountered in capturing sound from the 80-year-old lacquer discs in the Mobile Broadcasting Unit collection.

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Fukunishi, Tohru, Toshio Wakatsuki, and Teruji Yamamoto. "Acoustical design of a multichannel broadcasting sound studio." Journal of the Acoustical Society of America 84, S1 (November 1988): S95. http://dx.doi.org/10.1121/1.2026572.

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Harliantara, Harliantara. "Website pada Industri Penyiaran Radio di Indonesia: Live Streaming dan Podcasting." Jurnal Studi Komunikasi (Indonesian Journal of Communications Studies) 3, no. 1 (March 21, 2019): 82. http://dx.doi.org/10.25139/jsk.v3i1.983.

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Radio broadcasting institutions continue to develop with the process of developing transmission technology and audio applications. Any situation in changes in radio technology always adapts in an effort to maximise performance in management. This study uses a qualitative approach that is still not widely done to review the websites of private radio broadcasters with the technique of collecting data through field observations, interviews, and documentation studies. The process is carried out with data analysis techniques by performing 3 (three) aspects of the analysis systematically, namely data reduction, data display, and drawing conclusions. This study found that radio broadcasting in addition to air or broadcast transmission in the form of sound or sound also distributes broadcasts through live streaming or streaming podcasts on the internet (network) in the form of sound, text, images and videos.

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Moore, Brian C. J. "Why are Commercials So Loud?" Noise & Vibration Worldwide 36, no. 8 (September 2005): 11–15. http://dx.doi.org/10.1260/095745605774851421.

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People often complain that commercials in broadcasts sound louder than the main programme material. This article describes why such effects occur, and describes an experiment quantifying the effect of the fast-acting compression that is often used in broadcasting. It is shown that a loudness model developed in the laboratory can predict the results accurately. It is argued that broadcast sounds should be monitored using a “loudness meter” that correctly assesses the loudness of sounds as perceived by human listeners.

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Sugimoto, Takehiro, and Tomoyasu Komori. "Production method for simulcast in 22.2 multichannel sound broadcasting." Journal of the Acoustical Society of America 144, no. 3 (September 2018): 1702. http://dx.doi.org/10.1121/1.5067561.

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Kameda, K., and S. Namba. "A multi-channel PCM sound receiver for satellite broadcasting." IEEE Transactions on Consumer Electronics 37, no. 3 (1991): 723–30. http://dx.doi.org/10.1109/30.85592.

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Kwon, Young-Sung, and Sung-Eun Lee. "Cognitive Processing of Sound Effects in Television Sports Broadcasting." Journal of Radio & Audio Media 27, no. 1 (December 8, 2019): 93–118. http://dx.doi.org/10.1080/19376529.2018.1541899.

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Sauvet-Goichon, Daniel. "Planning aspects of satellite and terrestrial digital sound broadcasting." International Journal of Satellite Communications 13, no. 4 (July 1995): 215–21. http://dx.doi.org/10.1002/sat.4600130405.

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de Vos, Jesse, Maarten Brinkerink, and GertJan Kuiper. "Public Broadcasting Footage in the Commons." Public Service Broadcasting in the Digital Age 8, no. 16 (December 19, 2019): 18. http://dx.doi.org/10.18146/2213-0969.2019.jethc172.

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Around the release of the documentary series The Mind of the Universe (2017), public broadcaster VPRO and The Netherlands Institute for Sound and Vision collaborated to distribute the raw materials shot for the series to be released under open licenses. This article reflects on those experiences and gives recommendations for the various stages of production for open licensing. It aims to lower the threshold for other public broadcasters that wish to publish materials in the commons.

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Deng, Rong Gen, and Wei Ming Liao. "The Subjective Assessment of Soundscape in Campus — Taking YaoHu Campus of Jiangxi Normal University for Example." Advanced Materials Research 518-523 (May 2012): 3792–95. http://dx.doi.org/10.4028/www.scientific.net/amr.518-523.3792.

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In order to the search for more effective noise control measures and a more rational urban planning from the angle of economy, environment, so that we can create a healthier living environment, this paper does some preliminary investigation in the aspect of soundscape. This paper introduces soundscape science research status and research results domesticity and abroad, and on this basis, makes a subjective evaluation of voice of the landscape in Jiangxi Normal University, by combinating Psychoacoustic Evaluation Method. This paper record various of sounds existing in the campus, analyses properties of each sound, and does a large-scale survey about the popularity of these sounds. The paper chooses ten most popular voices using mark-giving method, and analyses the ten 10 kinds of sound by SD methods. The following are the results: (1) the ten most popular voices in the campus: voice of birds, sounds of musical instruments, voice of singing、reading、and teachers’ lectures, and the sound of radio(music)、 broadcasting (in English and other programs)、computer sound (music, film sound) and wind，50% of which are natural sounds, 30% human voice, and 20% noise of machines. From above, we can see that the sounds from nature are more acceptable. (2) By using semantic differential method (SD Act), the paper does a subjective evaluation on the ten popular kinds of voices. Marks are different form different analysing angle, that is, different people like different voices on different degrees. (3) When people work and learn, it is good to create some comfortable sounds in the surroundings and control or eliminate noisy sounds. Creating a comfortable sound surrounding environment is a good way to improve people’s working and learning effeciency.

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Mazur, Olexander. "Sound recordings from radio archives: the restoration of music in digits." Obraz 35, no. 1 (2021): 142–51. http://dx.doi.org/10.21272/obraz.2021.1(35)-142-151.

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A holistic historical and informational analysis was conducted in the scientific context of the synergy of two systems – sound recording and radio broadcasting. Methodological support of the study was based on the use of general scientific and special methods. Taking into account the experience of «BBC Radio 1» in creating a unique collection of sound recordings and areas of use of music collections as objects of archival storage, the features of recording music sessions in recording studios of radio stations are revealed. The main methods of restoration, restoration and digitization of stock music phonograms of radio broadcasting subjects are revealed. Find out which software products perform digitization tasks. The author concludes that the basis for the protection and storage of music collections of radio archives is the organization of a system of backup and duplication of data.

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McLennan, Andrew. "A brief topography of Australian sound art and experimental broadcasting." Continuum 8, no. 1 (January 1994): 302–17. http://dx.doi.org/10.1080/10304319409365649.

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Kawai, Naoki, Kouzou Kameda, Takehiko Yoshino, and Osamu Yamazaki. "A transmisson system for multichannel PCM sound broadcasting via satellite." Journal of the Institute of Television Engineers of Japan 43, no. 8 (1989): 824–31. http://dx.doi.org/10.3169/itej1978.43.824.

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Farrell, Shannon L., and Andrew J. Campomizzi. "A component system for broadcasting sound for research and management." Journal of Wildlife Management 75, no. 2 (February 2011): 463–66. http://dx.doi.org/10.1002/jwmg.45.

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Wang, Chunli. "Analysis on Linguistic Art of Broadcasting in the New Media Era." Theory and Practice in Language Studies 9, no. 11 (November 1, 2019): 1454. http://dx.doi.org/10.17507/tpls.0911.12.

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As the information and communication technology increasingly grows, it is very vital that the new media featuring the internet has blazed a new path for the reform of communication and even the evolution of the whole society. This new era brings opportunities and challenges to traditional media work while facilitating this industry. Efforts should be made to upgrade the broadcasting major in order to meet the requirements of society and the public. This paper aims to explore some problems and difficulties of linguistic art of broadcasting in the new era by analyzing its characters and development trend, so as to ensure the quality of broadcasting programs, and even make sound progress in this era.

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Dewah, Peterson. "ORGANISATIONAL LEARNING AS A KNOWLEDGE RETENTION STRATEGY IN SELECTED PUBLIC BROADCASTING CORPORATIONS IN THE SOUTHERN AFRICAN DEVELOPMENT COMMUNITY." Mousaion: South African Journal of Information Studies 33, no. 1 (January 25, 2016): 60–79. http://dx.doi.org/10.25159/0027-2639/840.

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This article reports on a study that assessed the organisational learning activities for the purposes of retaining critical knowledge in three Southern African Development Community (SADC) public broadcasting organisations. The article reports the partial findings of a doctoral study that focused on analysing the knowledge retention strategies in three public broadcasting corporations, namely, the South African Broadcasting Corporation (SABC), Department of Broadcasting Services (DBS) and Zimbabwe Broadcasting Corporation (ZBC), in the SADC. The aim of the study was to establish how organisational learning strategy captured and retained knowledge in these public broadcasting corporations. A structured self-administered survey questionnaire was used to purposively sample 162 professionals and managers in the three organisations. The study concluded that through organisational learning the three public broadcasting organisations captured and retained knowledge but were limited by the lack of knowledge management officials. The study recommends the establishment of knowledge officersâ€™ posts to manage the organisational knowledge and to implement sound mentorship programmes to assist learning in these organisations. While the Human Resources (HR) departments may be managing the training of individuals as a way of acquiring knowledge, the study further recommends that the management should provide HR with more funds to improve the learning culture that allows for innovation, continuous knowledge creation and transformation.

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Ribeiro, Fabio, and Teresa Costa Alves. "Do I Sound Like a Broken Record?" Medijska istraživanja 27, no. 1 (June 18, 2021): 75–98. http://dx.doi.org/10.22572/mi.27.1.4.

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Radio is all about intimacy and words (Balsebre, 1994). Since radio’s significant shift from verbal to musical content, songs have been able to create a special bond between broadcasters and audiences across the world. Nevertheless, selecting songs is far from being an innocent choice; it is part of a cultural framework (Ala-Fossi, 2005; Gjerdingen & Perrott 2008). Recently, scholars explained radio’s alliances with the music industry and the adaptation to audiences’ preferences (Kaplan, 2013; Uimonen, 2017), thus arguing that the music in radios’ playlists is far from diverse, especially on stations owned by the private sector. This article draws upon the premise that a more comprehensive approach towards this topic is needed. Inspired by previous studies on commercial radio musical policies (Uimonen, 2011; Hellman & Vikko 2019), this research makes use of a methodological tool to characterize music diversity in the two most popular Portuguese commercial radio broadcasters. After two weeks of observation, in March 2020, the authors of this article analysed 2366 song entries, concluding that the general policies for the playlists seem to be similar: a typical predominance of international singers/bands, male artists and English-spoken songs, including the overwhelming presence of worldwide labels associated to the majority of the songs. However, these national broadcasting stations seem to have their own set of artists, especially when it comes to Portuguese singers/bands. Future research should aim at analysing artists’ and broadcasters’ views on this cultural framework, as a way to expand the possibilities of understanding this complex and decisive topic within radio broadcasting and music industries.

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Truax, Barry. "Paradigm Shifts and Electroacoustic Music: Some personal reflections." Organised Sound 20, no. 1 (March 5, 2015): 105–10. http://dx.doi.org/10.1017/s1355771814000491.

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The author reflects on the past decades with reference to predictions of several paradigm shifts offered in the 1990s, including a broad range of issues covering acoustics, psychoacoustics, the role of the composer, compositional models, environmental sound perception, soundscape composition, and the integration of music and context. Contemporary developments that were not predicted, such as the proliferation of compressed audio, the rapid development of sound studies, the elimination of electroacoustic music from state-funded broadcasting, and the proliferation of mobile listening and online sound databases, are also discussed.

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Johnston, Sarah. "Voices from the War: Improving Access to the Recordings of New Zealand’s World War II Mobile Broadcasting Units." International Association of Sound and Audiovisual Archives (IASA) Journal, no. 52 (August 19, 2022): 22–32. http://dx.doi.org/10.35320/ij.v0i52.125.

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In August 1940, three New Zealand radio broadcasters set sail on an army troop ship from Wellington. They were bound for Egypt, where the New Zealand armed forces were part of the British Empire’s push to drive the German and Italian armies out of North Africa and the Middle East. With them was a mobile recording van, equipped to capture on lacquer discs the voices and sounds of New Zealanders at war, and send those re- cordings back home for radio broadcasts on the other side of the world. For the next five years, the Mobile Broadcasting Unit recorded interviews and reports about the fighting and the day-to-day business of war, as well as thousands of simple messages home from servicemen, and a few women. Today, the 1600 surviving Mobile Unit discs form part of the sound archives of Radio New Zealand, held by audiovisual archive Ngā Taonga Sound & Vision. In this article the author will outline the history of the Mobile Units and the context in which they worked. She will also describe on-going work to identify the speakers heard in their recordings and make this collection more discoverable and accessible to researchers. Ngā Taonga Sound & Vision is currently digitising the collection and preservation archivist Sandy Ditchburn will describe some of the challenges she has encoun- tered in capturing sound from the 80-year-old lacquer discs.

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Chen, Huiying, Bo Hong, Hongyun Qu, Yubo Geng, and Meifang Su. "Effects of Acoustic Perception on Outdoor Thermal Comfort in Campus Open Spaces in China’s Cold Region." Buildings 12, no. 10 (September 23, 2022): 1518. http://dx.doi.org/10.3390/buildings12101518.

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To explore the effects of acoustic perception on outdoor thermal comfort, acoustic perception in five typical open spaces in a campus in China’s cold region with common soundscapes was evaluated by using meteorological measures, sound level devices, and a questionnaire survey. Eight adjectives were used to evaluate an individual’s acoustic perception, and the physiological equivalent temperature (PET) was selected as a thermal index. The correlations between acoustic perception and thermal comfort in these typical open spaces were further analyzed. We demonstrated that: (1) Acoustic sensation and comfort varied significantly among sound types (STPs). Respondents reported pleasant perceptions of broadcasting music, running water and birdsong, and wind (a gentle breeze) and insects. (2) Although there was no significant difference in the thermal sensation vote (TSV), we found large differences in the thermal comfort vote (TCV) among STPs. (3) The respondents’ neutral PET (NPET) varied among STPs. In autumn, the ranked order of NPET was machines > running water and birdsong > crowds > broadcasting music > wind (a gentle breeze) and insects. In winter, the order of the NPET was machines > wind (a gentle breeze) and insects > crowds > broadcasting music > running water and birdsong. (4) When people perceived “acoustic comfort”, their TSV improved, and vice versa.

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Śwital, Paweł. "The Broadcasting of Local Authority Decision-making Bodies’ Meetings." Teka Komisji Prawniczej PAN Oddział w Lublinie 15, no. 2 (December 31, 2022): 381–90. http://dx.doi.org/10.32084/tkp.5133.

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This paper is an attempt at showing the broadcasting of local community council meetings contributes to enhancing citizens’ participation in the administration of local community affairs. The same goal guided the legislator, too, whose Act Amending Certain Laws to Enhance Citizens’ Participation in the Process of Election, Operation, and Supervision of Certain Public Bodies dated 11 January 2018 introduced the duty of broadcasting and recording with recording equipment of the image and sound of the meetings of local authority decision-making bodies. First of all, the realisation of constitutional transparency needs to be emphasised, as reflected in local government legislation, inter alia, and incorporated in the access to meetings of the bodies and their committees and to documents, as well as the broadcasting of meetings. The study will apply the methods proper to legal sciences.

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Endri, Jon, and Elizah Fitri. "Design and Build an Internet of Things (IoT) Automatic TV Broadcasting Antenna System." LOGIC : Jurnal Rancang Bangun dan Teknologi 22, no. 3 (November 30, 2022): 225–33. http://dx.doi.org/10.31940/logic.v22i3.225-233.

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Nowadays, television is used for educational purposes. It is easily accessible through air-to-air broadcasts and can be connected via satellite. What is witnessed on a television screen is all image and sound elements. Many people feel uncomfortable watching television shows because when the television is used, the broadcasts that appear are not all images and sounds that can be seen and heard properly. Most antennas used by every household are patented in a certain position. Based on the existing description, the problem that would be solved is how to design an IoT-based TV broadcasting antenna system to make it easier to watch television with clear broadcasts and good sound without changing the antenna's position manually. With the design method, the tool to be made consists of a flowchart and a circuit design, namely, building a system with inputs, processes, and outputs. The automatic TV broadcasting antenna system based on the internet of things (IoT) is a system that points the antenna in the best position for each selected broadcast that can be controlled via Android using the Blynk IoT Application. After that, the test was carried out by taking data at two locations for the IoT antenna. The assessment results showed that each location was different, and the position of the antenna direction would also be different, so the location of the antenna must be changed by changing the angle contained in the Arduino IDE software.

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Ikeda, T. "Transmission System for ISDB-T/sub SB/ (Digital Terrestrial Sound Broadcasting)." Proceedings of the IEEE 94, no. 1 (January 2006): 257–60. http://dx.doi.org/10.1109/jproc.2005.859693.

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Takeuchi, H., T. Okanobu, K. Fujimaki, and N. Hareyama. "A single-chip RF front-end for the digital sound broadcasting." IEEE Transactions on Consumer Electronics 47, no. 3 (2001): 450–58. http://dx.doi.org/10.1109/30.964133.

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Graham, Cooper. "The Motion Picture, Broadcasting and Recorded Sound Division, Library of Congress." Historical Journal of Film, Radio and Television 16, no. 1 (March 1996): 43–53. http://dx.doi.org/10.1080/01439689600260081.

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Hofmann, F., C. Hansen, and W. Schufer. "Digital radio mondiale (drm) digital sound broadcasting in the am bands." IEEE Transactions on Broadcasting 49, no. 3 (September 2003): 319–28. http://dx.doi.org/10.1109/tbc.2003.818718.

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Miller, J. E. "Application of coding and diversity to UHF satellite sound broadcasting systems." IEEE Transactions on Broadcasting 34, no. 4 (1988): 465–75. http://dx.doi.org/10.1109/11.16490.

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Leung, P. S. K., and K. Feher. "Pilot tone aided coherent GMSK systems for sound/data mobile broadcasting." IEEE Transactions on Broadcasting 39, no. 2 (June 1993): 295–300. http://dx.doi.org/10.1109/11.218002.

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Lord, P. "Sound insulation of partitions in broadcasting studio centres: Field measurement data." Applied Acoustics 21, no. 3 (1987): 253. http://dx.doi.org/10.1016/0003-682x(87)90031-4.

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Orlowski, R. J. "Sound insulation of partitions in broadcasting studio centres: Field measurement data." Journal of Sound and Vibration 115, no. 3 (June 1987): 572–73. http://dx.doi.org/10.1016/0022-460x(87)90301-4.

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Li, Qian, and Dong Sheng Liu. "Research on Improving Room Sound Field of Exhibition Building." Advanced Materials Research 1065-1069 (December 2014): 1634–37. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.1634.

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Generally, there is a high background noise and long reverberation time and poor speech intelligibility in exhibition space due to its big crowd and often commercial promotional activities so that communication is very hard, commercial activities broadcasting system is also difficult to ensure that customers can clearly hear the propaganda content. In this paper, through measured background noise of the new exhibition center in Chengdu, we found the acoustic problem in exhibition space, then we did simulation analysis in some exhibition building and took some acoustical process to get a good sound field.

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Agarwal, Arun, and S. K. Patra. "Performance Prediction of Eureka-147 DAB System Using Interleaving and Different Coding Rates." Advanced Materials Research 403-408 (November 2011): 4119–25. http://dx.doi.org/10.4028/www.scientific.net/amr.403-408.4119.

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Radio broadcasting technology has evolved rapidly over the last few years due to ever increasing demands for as high quality sound services with ancillary data transmission in mobile environment. The Eureka-147 Digital Audio Broadcasting (DAB) system with coded OFDM technology accomplish this demand by making receivers highly robust against effects of multipath fading environment. In this paper, we have analyzed the performance of DAB system conforming to the parameters established by the ETSI (EN 300 401) using frequency interleaving and different coding rates in different transmission channels. The results show that interleaving is essential for the forward error correction to work properly and an increased coding rate makes the system more flexible without increase in the receiver complexity.

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Oktora, Dina Dwika. "GIMMICK IN THE REALITY SHOW RUMAH UYA." Capture : Jurnal Seni Media Rekam 11, no. 2 (July 1, 2020): 15–24. http://dx.doi.org/10.33153/capture.v11i2.2817.

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This research focuses on the gimmick in reality television shows, namely the Rumah Uya program which is broadcasted by ANTV station. This research uses a qualitative descriptive approach, data collection uses purposive sampling techniques, and data analysis uses content analysis. The results showed that the gimmick added to this event was not only a sound effect, but also create the acting of talents with dialogues that tended to be vulgar and showed impolite behavior. This contradicts with the applicable broadcasting regulations, namely the policies set out in the Indonesian Broadcasting Commission (Komisi Penyiaran Indonesia) regulation. Adding gimmicks to the reality show program can be done as long as it does not conflict with decency, law, and applicable regulations.

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Brezina, Pavol. "The Development of Stereophonic Sound in Slovakia." Journal of Electrical Engineering 62, no. 6 (November 1, 2011): 370–74. http://dx.doi.org/10.2478/v10187-011-0060-9.

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The Development of Stereophonic Sound in Slovakia The development of stereophonic sound in Slovakia in the late sixties had a profound impact on the quality of recorded music in all areas of artificial and non-artificial music and it also played an important role in composing music for radio plays. However, the Czechoslovak Radio in Bratislava was at that time the only technically equipped institute in Slovakia where a stereophonic record could be created. Therefore our research studies have particularly been concerned with examining the archives of this institution as well as the valuable information on implementation of the recordings we have collected through interviews with the former staff of the broadcasting organization. Our research focuses for the first time on the period of the beginnings of stereophonic sound in Slovakia, hence the purpose of this article is to summarize the research results.

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Howse, Hugh. "Teaching English to the World." English Today 1, no. 2 (April 1985): 13–18. http://dx.doi.org/10.1017/s0266078400000080.

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Teaching English as a foreign or second language is big business these days. The British Broadcasting Corporation is in the forefront, teaching English to millions throughout the world. Its English by Radio and Television Department is almost literally ‘the world's largest English-teaching classroom’. How has this come about, and what do its courses look and sound like?

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Journal articles on the topic 'Sound in broadcasting'

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