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Relevant bibliographies by topics / Sound library

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Academic literature on the topic 'Sound library'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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Journal articles on the topic "Sound library"

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LAZZARINI, VICTOR E. P. "The SndObj Sound Object Library." Organised Sound 5, no. 1 (2000): 35–49. http://dx.doi.org/10.1017/s1355771800001060.

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The SndObj Sound Object Library is a C++ object-oriented audio processing framework and toolkit. This article initially examines some of the currently available sound processing packages, including sound compilers, programming libraries and toolkits. It reviews the processes involved in the use of these systems and their strengths and weaknesses. Some application examples are also provided. In this context, the SndObj library is presented and its components are discussed in detail. The article shows the library as composed of a set of classes that encapsulate all processes involved in synthesi

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Jaslowitz, Morris, Terry D'Silva, and Ed Zwaneveld. "Sound Genie™ — An Automated Digital Sound Effects Library System." SMPTE Journal 99, no. 5 (1990): 386–91. http://dx.doi.org/10.5594/j03880.

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Răsvan, Cătălin. "Sound Banks – a Priceless Aid in Contemporary Music Writing." Artes. Journal of Musicology 20, no. 1 (2019): 220–30. http://dx.doi.org/10.2478/ajm-2019-0012.

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Abstract Sound banks are collections of sound samples from musical instruments of the symphonic orchestra, traditional instruments from various areas of the world and sounds of virtual devices, such as synthesizers, which are increasingly present in contemporary musical creations. Sound banks are loaded in a device called sampler, which can edit and play them. The article describes analog and especially virtual samplers, complex devices that can store or play sounds from specific libraries of sound banks. It also defines and catalogs the main types of digital virtual instruments (that include

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Carriço, Rita, Mónica A. Silva, Gui M. Meneses, Paulo J. Fonseca, and Maria Clara P. Amorim. "Characterization of the acoustic community of vocal fishes in the Azores." PeerJ 7 (November 4, 2019): e7772. http://dx.doi.org/10.7717/peerj.7772.

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Sounds produced by teleost fishes are an important component of marine soundscapes, making passive acoustic monitoring (PAM) an effective way to map the presence of vocal fishes with a minimal impact on ecosystems. Based on a literature review, we list the known soniferous fish species occurring in Azorean waters and compile their sounds. We also describe new fish sounds recorded in Azores seamounts. From the literature, we identified 20 vocal fish species present in Azores. We analysed long-term acoustic recordings carried out since 2008 in Condor and Princesa Alice seamounts and describe 20

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Kubick, Chris, and Anne Walsh. "Sound Library: A Motion Picture Event." Leonardo Music Journal 16 (December 2006): 54–55. http://dx.doi.org/10.1162/lmj.2006.16.54.

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Aisyah Hafizha, Husnul Azizi Fauziah, and Yani Lubis. "Difficulties Faced By English Language Students In Phonology Courses." Sinar Dunia: Jurnal Riset Sosial Humaniora dan Ilmu Pendidikan 2, no. 3 (2023): 37–46. http://dx.doi.org/10.58192/sidu.v2i3.1110.

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Phonology is an important part of sound or sound in language pronunciation, including in English, because inaccurate pronunciation will result in a misunderstanding in communication. The difficulty faced by students lies in the pronunciation of sounds. As for the research method, the researcher used a type/research approach in the form of Library Research. Literature study is used to collect information and data with the help of various materials in the library such as documents, books, magazines, and historical stories.

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Sullivan, Patrick. "Hanna-Barbera’s Cacophony: Sound Effects and the Production of Movement." Animation 16, no. 1-2 (2021): 21–35. http://dx.doi.org/10.1177/17468477211025660.

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Zaps, crashes, boinks, and bangs flooded TV’s airwaves with the rise of Hanna-Barbera Productions at the end of the 1950s, and these sound effects have been heard ever since. Hanna-Barbera Productions created and proliferated one of the most recognizable collections of sounds in television and animation history. This article traces the formation of Hanna-Barbera’s library of sound effects and how these sound effects operate within the studio’s cartoons. Motored by television’s demanding production schedule and restrictive budgets, Hanna-Barbera persistently recycled its sound effects across ep

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Eerola, Tuomas, and Rafael Ferrer. "Instrument Library (MUMS) Revised." Music Perception 25, no. 3 (2008): 253–55. http://dx.doi.org/10.1525/mp.2008.25.3.253.

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AN OVERVIEW OF THE MAIN INSTRUMENT SAMPLE libraries used in psychoacoustics, sound analysis, and instrument classification research is presented. One of the central libraries, the McGill University Master Samples (MUMS, Opolko & Wapnick, 2006) is reviewed in detail. This library has over 6000 sound samples representing most classical and popular musical instruments and a wide variety of articulation styles.A closer scrutiny revealed a conspicuous amount of labeling errors, intonation inaccuracies, and the absence of an integrated database. These errors are identified and catalogued, and re

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Parsons, Miles, Lucia Di Iorio, Audrey Looby, T. A. Mooney, Steve Simpson, and Sierra Jarriel. "Developing a Global Library of Underwater Biological Sounds and a World Oceans passive acoustic monitoring day." Journal of the Acoustical Society of America 154, no. 4_supplement (2023): A314. http://dx.doi.org/10.1121/10.0023644.

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The volumes of “Ocean Sound” recordings now being collected in aquatic systems around the world have reached a level that has necessitated a new wave of data sharing, processing, and analysis techniques to help detect, identify, and assess an increasing number of known and unknown sound sources and sound types. These new tools are matched with a need for reference material to assist the rapidly growing bioacoustics research community, and a process to standardize how they are characterized and reported. A working group of the International Quiet Ocean Experiment proposed the development of a G

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Baxter, Clarence, Julie-Anne Carroll, Brendan Keogh, and Corneel Vandelanotte. "Seeking Inspiration: Examining the Validity and Reliability of a New Smartphone Respiratory Therapy Exergame App." Sensors 21, no. 19 (2021): 6472. http://dx.doi.org/10.3390/s21196472.

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Background: Clinically valid and reliable simulated inspiratory sounds were required for the development and evaluation of a new therapeutic respiratory exergame application (i.e., QUT Inspire). This smartphone application virtualises incentive spirometry, a longstanding respiratory therapy technique. Objectives: Inspiratory flows were simulated using a 3 litre calibration syringe and validated using clinical reference devices. Syringe flow nozzles of decreasing diameter were applied to model the influence of mouth shape on audible sound levels generated. Methods: A library of calibrated audio

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Dissertations / Theses on the topic "Sound library"

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Stewart, Richard Christopher. "Effective audio for music videos : the production of an instructional video outlining audio production techniques for amateur music videos." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1996. http://www.kutztown.edu/library/services/remote_access.asp.

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VanLandeghem, Edward. "An investigation into consumer perceptions of surround sound in a home theatre environment." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2006. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.S. )--Kutztown University of Pennsylvania, 2006.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2723. Typescript. Abstract precedes thesis as 1 leaf (iii). Includes bibliographical references (leaf 23).

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Meijer, Helmut. "Research into and design of a digital sound sample library for acoustic drums." Thesis, Stellenbosch : University of Stellenbosch, 2004. http://hdl.handle.net/10019.1/16388.

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Thesis (M.Phil.)--University of Stellenbosch, 2004.<br>ENGLISH ABSTRACT: Sound sample libraries represent the format in which huge collections of sampled sounds are made available for use within digital samplers and/or other digital audio workstations (DAW’s). Although in use for many years, little or no academic research has been done on the methodology of compiling a commercial sound sample library. In this endeavour, the factors influencing the design, recording and publishing of a sound sample library are investigated through the actual design of a drum sample library. The rationale b

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Giovarelli, Thomas Anthony. "An Investigation of how video can be used effectively in teaching sound recourding techniques for commercial radio." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1992. http://www.kutztown.edu/library/services/remote_access.asp.

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Magel, Christopher Robert. "Idiopathic Lesions and Visual Deficits in the American Lobster (Homarus americanus) from Longs Island Sound, NY." W&M ScholarWorks, 2008. http://www.vims.edu/library/Theses/Magel08.pdf.

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Lemmers, Frédéric. "Digitizing Sound Archives at Royal Library of Belgium: Challenges and difficulties encountered during a major digitization project." De Gruyter, 2018. https://slub.qucosa.de/id/qucosa%3A36385.

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Music in general and recorded music in particular are rarely a priority for libraries’ digitization policies, although wax cylinders and 78rpm discs might be digitized for preservation and accessibility reasons. The respect of the original recording technique during the digitization process will ensure the scientific and artistic credibility of the digitized sources. The Royal Library of Belgium started in 2016 the digitization of its whole collection of 78rpm. Realized by subcontracting, this project of about 4,000 hours will constitute a large corpus of sources for the digital musicology upc

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Häll, Jörgen. "From Sound to Score : A search for a post-genre compositional process." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-68859.

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In this thesis, the author explored an alternative way of composing contemporary western art music, being inspired by thoughts regarding post-genre. The composition method incorporated the use of the Digital Audio Workstation (DAW) software Cubase. Musical gestures were recorded with two musicians which where used as samples in the DAW to compose the piece Lines. The role of the score was shifted by moving it’s realisation to after the aural result was completed. The process was inspiring and was perceived to work well for a textural piece of music. Using a DAW when composing contemporary west

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Fjellström, Catrin. "Vad händer om man vänder på schh? : En undersökning om bakgrundsljud på bibliotek." Thesis, Uppsala universitet, Institutionen för ABM, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-253727.

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Since the role of the libraries as merely a place for loans has decreased, the importance of giving the visitors a total experience has increased. The aim of my thesis was to investigate whether a change in the sound environment at the library of Jokkmokk could generate more satisfied visitors, whether they are borrowers or use the library for other purposes. The change in the sound environment was to be effected by means of a background sound experiment in the magazine room at the library. Action research was used as a research strategy and observations and interviews as method to collect dat

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Domes, Stefan. "Mikrorille, Silberscheibe und Live-Stream." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-61166.

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Die Musikbibliothek der Städtischen Bibliotheken Dresden verfügt über ein historisch gewachsenes und umfassendes Angebot an Noten, Musikliteratur und Tonträgern. Bis zur Fusion mit der Hauptbibliothek 1997 enthielt die Musikbibliothek nur Platten klassischer Musik. Unterhaltungsmusik dagegen wurde nur in der Hauptbibliothek und den Zweigstellen angeboten. Nach dem Umzug bietet die Musikbibliothek nun alle Genres der Musik an.

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Denizart, Jean-Michel. "L'émergence des significations chez le monteur son, au cours de la recherche et de la sélection des sons : une approche communicationnelle et cognitive." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0303.

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Il y a plusieurs années, le département SATIS de l'Université d'Aix-Marseille ainsi que le laboratoire ASTRAM ont entamé le développement d’une sonothèque en ligne intitulée « Sons du Sud ». Cette base de données sonores est destinée aux professionnels du son dans les secteurs du cinéma et de l'audiovisuel et, plus particulièrement encore, aux monteurs son. L’objectif à présent est de développer pour Sons du Sud une nouvelle méthode d’indexation en rupture avec les logiques d’indexation causales les plus largement répandues. En effet, dans la perspective d’une exploitation filmique, il apparaî

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Books on the topic "Sound library"

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Almquist, Sharon G. Sound recordings and the library. The Board of Trustees of the University of Illinois, 1987.

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Belva, Plain. Tapestry (Chivers Sound Library) (Chivers Sound Library). Chivers Audio Books, 1998.

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Kasper, Frank. Sound Library 2000. Wayzata Technology, 1995.

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Kasper, Frank. Sound Library Pro. Wayzata Technology, 1995.

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Lockridge, Frances Louise Davis, and Richard Lockridge. The Dishonest Murderer (Chivers Sound Library) (Chivers Sound Library). Chivers Audio Books, 1997.

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Edwards, Ruth Dudley. Murder in a Cathedral (Chivers Sound Library) (Chivers Sound Library). Chivers Audio Books, 1998.

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Colleen, McCullough. On, Off (Sound Library). Sound Library, 2006.

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Cooper, Jason. Sound (Science Secrets (Library)). Tandem Library, 2003.

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Sound (Rourke Discovery Library). Rourke Publishing, 2002.

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Sound Explorers Classroom Library. Flying Start Books, 2023.

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Book chapters on the topic "Sound library"

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Hao, Shiyuan. "Building a Harmonious Society and Achieving Sound Development." In China Academic Library. Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-48462-3_6.

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Szarkowska, Agnieszka, and Pilar Orero. "Chapter 7. The importance of sound for audio description." In Benjamins Translation Library. John Benjamins Publishing Company, 2014. http://dx.doi.org/10.1075/btl.112.08sza.

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Czyżewski, Andrzej, Adam Kupryjanow, and Bożena Kostek. "Online Sound Restoration for Digital Library Applications." In Intelligent Tools for Building a Scientific Information Platform. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-24809-2_14.

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Colton, Simon. "Evolving a Library of Artistic Scene Descriptors." In Evolutionary and Biologically Inspired Music, Sound, Art and Design. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29142-5_4.

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Ayres, Marie-Louise, Toby Burrows, and Robyn Holmes. "Sound Footings: Building a National Digital Library of Australian Music." In Research and Advanced Technology for Digital Libraries. Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-30230-8_26.

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Gomes, Joaquim. "Autonomy and Advance Care Planning in Liquid Times of Brain Activity: The Sound of Silence." In The International Library of Bioethics. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-66804-3_7.

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Huelin, Toby. "Hans Zimmer, Bleeding Fingers, and the Evolution of Library Music." In The Palgrave Handbook of Music and Sound in Peak TV. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-62990-7_13.

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Molas, José Tomás, Iván Peralta, Cesar Martinez, and Hugo Leonardo Rufiner. "Development of a Library for Sound Classification Using Spiking Neural Network." In VI Latin American Congress on Biomedical Engineering CLAIB 2014, Paraná, Argentina 29, 30 & 31 October 2014. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-13117-7_166.

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Cichowski, Janusz, Adam Kupryjanow, and Andrzej Czyżewski. "Further Developments of the Online Sound Restoration System for Digital Library Applications." In Studies in Computational Intelligence. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-04714-0_14.

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Khyzha, Artem, and Ori Lahav. "Abstraction for Crash-Resilient Objects." In Programming Languages and Systems. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-99336-8_10.

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AbstractWe study abstraction for crash-resilient concurrent objects using non-volatile memory (NVM). We develop a library-correctness criterion that is sound for ensuring contextual refinement in this setting, thus allowing clients to reason about library behaviors in terms of their abstract specifications, and library developers to verify their implementations against the specifications abstracting away from particular client programs. As a semantic foundation we employ a recent NVM model, called Persistent Sequential Consistency, and extend its language and operational semantics with useful

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Conference papers on the topic "Sound library"

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Kang, Chunyu, Zhijun Xia, Xiaoming Dong, and Yi Zhang. "Expansion of ship-radiated noise sample library based on marine three-dimensional sound field." In 2024 6th International Conference on Intelligent Control, Measurement and Signal Processing (ICMSP). IEEE, 2024. https://doi.org/10.1109/icmsp64464.2024.10867071.

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Armitage, Jack, Miguel Crozzoli, and Daniel Jones. "Artificial Life in Integrated Interactive Sonification and Visualisation: Initial Experiments with a Python-Based Workflow." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.003.

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Multimodal displays that combine interaction, sonification, visu- alisation and perhaps other modalities, are seeing increased interest from researchers seeking to take advantage of cross-modal perception, by increasing display bandwidth and expanding affordances. To support researchers and designers, many new tools are being proposed that aim to consolidate these broad feature sets into Python libraries, due to Python’s extensive ecosystem that in particular encompasses the domain of artificial intelligence (AI). Artificial life (ALife) is a domain of AI that is seeing renewed interest, and i

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Reich, Thomas C. "Reason minus zero/no limit: Trying to bring it back home." In Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317174.

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Negotiations connected with database renewals are sharply critical and ultimately impact renewal decisions. Today, academic libraries face an ever-consolidating marketplace, often accompanied by disruptive cost increases that toss sound reasoning aside. Instances of super-exponential cost increases transfigure once reasonable practices based on sound criteria to unsustainable subscriptions and inappropriate access models. Most troubling is that libraries have seldom been asked to participate in stakeholder discussions before these models and decisions were made. The paper reviews University of

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Emhofer, Johann, Raimund Zitzenbacher, and Christoph Reichl. "Sound Source Extension Library for Modelica." In The 12th International Modelica Conference, Prague, Czech Republic, May 15-17, 2017. Linköping University Electronic Press, 2017. http://dx.doi.org/10.3384/ecp17132605.

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White, Meg, and Patricia Flatley Brennan. "Anticipating the Future of Biomedical Communications." In Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317191.

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The National Library of Medicine is poised to launch its third century of providing library services to serve science and society. The nature of scientific communications is changing, with rapid growth in archival literature, new artifacts of communication artifacts such as preprints, pipelines and data sets, and a scholarly and social public greater attuned to video and sound productions than to the printed word. The NLM Director will describe the exciting steps the NLM is taking to prepare for this future, and identify critical challenges that can only be solved through partnerships between

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Czyzewski, Andrzej, Andrzej Ciarkowski, Bozena Kostek, and Janusz Cichowski. "Online sound restoration system for digital library applications." In 166th Meeting of the Acoustical Society of America. Acoustical Society of America, 2014. http://dx.doi.org/10.1121/1.4863268.

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Oda, Tomohiro, Kumiyo Nakakoji, and Yasuhiro Yamamoto. "SOMETHINGit: A prototyping library for live and sound improvisation." In 2013 1st International Workshop on Live Programming (LIVE). IEEE, 2013. http://dx.doi.org/10.1109/live.2013.6617341.

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Tani, Kido, and Nobuyuki Umezu. "Temporal-Sound based User Interface for Smart Home." In 7th International Conference on VLSI and Applications (VLSIA 2021). Academy and Industry Research Collaboration Center (AIRCC), 2021. http://dx.doi.org/10.5121/csit.2021.112107.

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We propose a gesture-based interface to control a smart home. Our system replaces existing physical controls with our temporal sound commands using accelerometer. In our preliminary experiments, we recorded the sounds generated by six different gestures (knocking the desk, mouse clicking, and clapping) and converted them into spectrogram images. Classification learning was performed on these images using a CNN. Due to the difference between the microphones used, the classification results are not successful for most of the data. We then recorded acceleration values, instead of sounds, using a

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Gonçalves, Luan, and Flávio Luiz Schiavoni. "The development of libmosaic-sound: a library for sound design and an extension for the Mosaicode Programming Environment." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10429.

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Music has been influenced by digital technology over the last few decades. With the computer, the musical composition could trespass the use of acoustic instruments demanding to musicians and composers a sort of computer programming skills for the development of musical applications. In order to simplify the development of musical applications, several tools and musical programming languages arose bringing some facilities to lay-musicians on computer programming to use the computer to make music. This work presents the development of a Visual Programming Language (VPL) for audio applications i

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Trаtsiak, A. I. "THE 100-YEAR HISTORY OF THE NATIONAL LIBRARY OF BELARUS IN THE AUDIO-VISUAL DOCUMENTS OF THE BELARUSIAN STATE ARCHIVES OF FILMS, PHOTOGRAPHS AND SOUND." In LIBRARIES IN THE INFORMATION SOCIETY: PRESERVING TRADITIONS AND DEVELOPING NEW TECHNOLOGIES. УП «ИВЦ Минфина», 2022. http://dx.doi.org/10.47612/978-985-880-283-7-2022-310-324.

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The National Library of Belarus (originally the State Library of the BSSR named after V.I. Lenin) is a research center in the field of library science, bibliography, and book science. Besides, it is the national coordinating, scientific and methodological center in the library field. The National Library of Belarus is the leading organization in the field of information resources, which forms the intellectual potential of the Belarusian nation. In the funds of the Belarusian State Archives of Films, Photographs and Sound Recordings the history of the development of the National Library is wide

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Reports on the topic "Sound library"

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Daher, Mary Ann. A Study on the Feasibility of Creating a Web-Accessible Marine Mammal Sound Library Based upon the Collections at the Woods Hole Oceanographic Institution. Defense Technical Information Center, 2008. http://dx.doi.org/10.21236/ada488220.

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Bradbury, Jack W., Christopher Clark, David K. Mellinger, and Sue E. Moore. An Annotated and Federated Digital Library of Marine Animal Sounds. Defense Technical Information Center, 2006. http://dx.doi.org/10.21236/ada481335.

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