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Journal articles on the topic 'Sound library'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

LAZZARINI, VICTOR E. P. "The SndObj Sound Object Library." Organised Sound 5, no. 1 (2000): 35–49. http://dx.doi.org/10.1017/s1355771800001060.

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The SndObj Sound Object Library is a C++ object-oriented audio processing framework and toolkit. This article initially examines some of the currently available sound processing packages, including sound compilers, programming libraries and toolkits. It reviews the processes involved in the use of these systems and their strengths and weaknesses. Some application examples are also provided. In this context, the SndObj library is presented and its components are discussed in detail. The article shows the library as composed of a set of classes that encapsulate all processes involved in synthesi

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2

Jaslowitz, Morris, Terry D'Silva, and Ed Zwaneveld. "Sound Genie™ — An Automated Digital Sound Effects Library System." SMPTE Journal 99, no. 5 (1990): 386–91. http://dx.doi.org/10.5594/j03880.

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3

Răsvan, Cătălin. "Sound Banks – a Priceless Aid in Contemporary Music Writing." Artes. Journal of Musicology 20, no. 1 (2019): 220–30. http://dx.doi.org/10.2478/ajm-2019-0012.

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Abstract Sound banks are collections of sound samples from musical instruments of the symphonic orchestra, traditional instruments from various areas of the world and sounds of virtual devices, such as synthesizers, which are increasingly present in contemporary musical creations. Sound banks are loaded in a device called sampler, which can edit and play them. The article describes analog and especially virtual samplers, complex devices that can store or play sounds from specific libraries of sound banks. It also defines and catalogs the main types of digital virtual instruments (that include

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4

Carriço, Rita, Mónica A. Silva, Gui M. Meneses, Paulo J. Fonseca, and Maria Clara P. Amorim. "Characterization of the acoustic community of vocal fishes in the Azores." PeerJ 7 (November 4, 2019): e7772. http://dx.doi.org/10.7717/peerj.7772.

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Sounds produced by teleost fishes are an important component of marine soundscapes, making passive acoustic monitoring (PAM) an effective way to map the presence of vocal fishes with a minimal impact on ecosystems. Based on a literature review, we list the known soniferous fish species occurring in Azorean waters and compile their sounds. We also describe new fish sounds recorded in Azores seamounts. From the literature, we identified 20 vocal fish species present in Azores. We analysed long-term acoustic recordings carried out since 2008 in Condor and Princesa Alice seamounts and describe 20

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5

Kubick, Chris, and Anne Walsh. "Sound Library: A Motion Picture Event." Leonardo Music Journal 16 (December 2006): 54–55. http://dx.doi.org/10.1162/lmj.2006.16.54.

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6

Aisyah Hafizha, Husnul Azizi Fauziah, and Yani Lubis. "Difficulties Faced By English Language Students In Phonology Courses." Sinar Dunia: Jurnal Riset Sosial Humaniora dan Ilmu Pendidikan 2, no. 3 (2023): 37–46. http://dx.doi.org/10.58192/sidu.v2i3.1110.

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Phonology is an important part of sound or sound in language pronunciation, including in English, because inaccurate pronunciation will result in a misunderstanding in communication. The difficulty faced by students lies in the pronunciation of sounds. As for the research method, the researcher used a type/research approach in the form of Library Research. Literature study is used to collect information and data with the help of various materials in the library such as documents, books, magazines, and historical stories.

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7

Sullivan, Patrick. "Hanna-Barbera’s Cacophony: Sound Effects and the Production of Movement." Animation 16, no. 1-2 (2021): 21–35. http://dx.doi.org/10.1177/17468477211025660.

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Zaps, crashes, boinks, and bangs flooded TV’s airwaves with the rise of Hanna-Barbera Productions at the end of the 1950s, and these sound effects have been heard ever since. Hanna-Barbera Productions created and proliferated one of the most recognizable collections of sounds in television and animation history. This article traces the formation of Hanna-Barbera’s library of sound effects and how these sound effects operate within the studio’s cartoons. Motored by television’s demanding production schedule and restrictive budgets, Hanna-Barbera persistently recycled its sound effects across ep

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8

Eerola, Tuomas, and Rafael Ferrer. "Instrument Library (MUMS) Revised." Music Perception 25, no. 3 (2008): 253–55. http://dx.doi.org/10.1525/mp.2008.25.3.253.

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AN OVERVIEW OF THE MAIN INSTRUMENT SAMPLE libraries used in psychoacoustics, sound analysis, and instrument classification research is presented. One of the central libraries, the McGill University Master Samples (MUMS, Opolko & Wapnick, 2006) is reviewed in detail. This library has over 6000 sound samples representing most classical and popular musical instruments and a wide variety of articulation styles.A closer scrutiny revealed a conspicuous amount of labeling errors, intonation inaccuracies, and the absence of an integrated database. These errors are identified and catalogued, and re

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9

Parsons, Miles, Lucia Di Iorio, Audrey Looby, T. A. Mooney, Steve Simpson, and Sierra Jarriel. "Developing a Global Library of Underwater Biological Sounds and a World Oceans passive acoustic monitoring day." Journal of the Acoustical Society of America 154, no. 4_supplement (2023): A314. http://dx.doi.org/10.1121/10.0023644.

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The volumes of “Ocean Sound” recordings now being collected in aquatic systems around the world have reached a level that has necessitated a new wave of data sharing, processing, and analysis techniques to help detect, identify, and assess an increasing number of known and unknown sound sources and sound types. These new tools are matched with a need for reference material to assist the rapidly growing bioacoustics research community, and a process to standardize how they are characterized and reported. A working group of the International Quiet Ocean Experiment proposed the development of a G

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10

Baxter, Clarence, Julie-Anne Carroll, Brendan Keogh, and Corneel Vandelanotte. "Seeking Inspiration: Examining the Validity and Reliability of a New Smartphone Respiratory Therapy Exergame App." Sensors 21, no. 19 (2021): 6472. http://dx.doi.org/10.3390/s21196472.

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Background: Clinically valid and reliable simulated inspiratory sounds were required for the development and evaluation of a new therapeutic respiratory exergame application (i.e., QUT Inspire). This smartphone application virtualises incentive spirometry, a longstanding respiratory therapy technique. Objectives: Inspiratory flows were simulated using a 3 litre calibration syringe and validated using clinical reference devices. Syringe flow nozzles of decreasing diameter were applied to model the influence of mouth shape on audible sound levels generated. Methods: A library of calibrated audio

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Irawan, Yuda, Refni Wahyuni, Hasnor Khotimah, et al. "Design of library noise detection tools based on voice pressure parameters." ILKOM Jurnal Ilmiah 14, no. 3 (2022): 237–44. http://dx.doi.org/10.33096/ilkom.v14i3.1191.237-244.

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A library visitor would want a quiet atmosphere without noise when in the library so that he can concentrate when reading a book. However, not all visitors come to the library to read books; some want to chat and use free Wi-Fi or other, so it disturbs the concentration of other visitors who read books. Therefore, it is necessary to have a tool to detect sound pressure or sound based on the sound level and the sound produced in a library based on the noise level limit in the library, namely 45-55 dB (desible). This tool is designed based on a microcontroller where the definition of a microcont

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12

Steele, Kirstin. "Terms of inquiry." Bottom Line 27, no. 1 (2014): 11–13. http://dx.doi.org/10.1108/bl-01-2014-0003.

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Purpose – The purpose of this study is to ponder the past, present and future of library jargon and librarianship. Design/methodology/approach – This paper takes the form of an opinion piece. Findings – The library profession and its vocabulary will continue to evolve. Originality/value – Most serials were once published on paper according to a schedule. This idea might sound as strange to young library patrons as paying for journals with bitcoins sounds to me.

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13

Seekhunlio, Weerayut, Sayam Chuangprakhon, and Kittichai Phiwphuy. "The preservation of Isan folk music with digital sound technology." Multidisciplinary Science Journal 6, no. 4 (2023): 2024058. http://dx.doi.org/10.31893/multiscience.2024058.

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The preservation of Isan Folk Music is of the utmost significance for preserving the rich cultural heritage of the region and nurturing artistic innovation. Digital sound technology has emerged as a potent instrument for this endeavor, allowing for the construction of an exhaustive and diverse digital sound library. In this study, traditional Isan Folk Music instruments were meticulously recorded using the cutting-edge Logic Pro X software, capturing their nuances in volume and dynamics. The authenticity of each instrument's timbre and unique characteristics were preserved through the use of s

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14

Leonady, Wilky, Iwan Gunawan, Toni Setiawan Sutanto, and Sailendra Bedantara Gunawan. "Transformasi Alat Musik Celempung ke Dalam Format KONTAKT Library Sebagai Media Kreativitas Musik Digital." Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik 7, no. 1 (2025): 85–104. https://doi.org/10.24036/musikolastika.v7i1.218.

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Objective: This study aims to develop a virtual celempung instrument based on the KONTAKT Library as an innovative tool for digital music creation, while also supporting the preservation of Sundanese cultural heritage in the digital age. Method: The research adopts a practice-based research method, which recognizes artistic practice as a legitimate source of knowledge. The process includes pre-production, production, and post-production stages, involving sound sampling, audio editing, and programming through both artistic and technological approaches. It also explores the potential integration

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15

Lemmers, Frédéric. "Digitizing Sound Archives at Royal Library of Belgium." Bibliothek Forschung und Praxis 42, no. 2 (2018): 263–71. http://dx.doi.org/10.1515/bfp-2018-0035.

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Abstract Music in general and recorded music in particular are rarely a priority for libraries’ digitization policies, although wax cylinders and 78rpm discs might be digitized for preservation and accessibility reasons. The respect of the original recording technique during the digitization process will ensure the scientific and artistic credibility of the digitized sources. The Royal Library of Belgium started in 2016 the digitization of its whole collection of 78rpm. Realized by subcontracting, this project of about 4,000 hours will constitute a large corpus of sources for the digital music

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16

Czyzewski, Andrzej, Janusz Cichowski, Adam Kupryjanow, and Bozena Kostek. "Online sound restoration system for digital library applications." Journal of the Acoustical Society of America 134, no. 5 (2013): 3999. http://dx.doi.org/10.1121/1.4830591.

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17

Sodnik, Jaka, Rudolf Sušnik, Mitja Štular, and Sašo Tomažič. "Spatial sound resolution of an interpolated HRIR library." Applied Acoustics 66, no. 11 (2005): 1219–34. http://dx.doi.org/10.1016/j.apacoust.2005.04.003.

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18

Stover, Suzanne, and Peter Copeland. "Sound Recordings." Notes 49, no. 4 (1993): 1524. http://dx.doi.org/10.2307/899425.

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19

Bonjack, Stephanie, and Kirstin Dougan Johnson. "Sound Recordings." Notes 80, no. 1 (2023): 90–99. http://dx.doi.org/10.1353/not.2023.a905319.

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20

Zhou, Minmin, Zehang Cheng, and Kamal Sabran. "AMBIENT SOUND IN HEALTHCARE SETTINGS AND ITS EFFECTS ON PATIENTS AND STAFF: A SYSTEMATIC REVIEW." ALAM CIPTA International Journal Of Sustainable Tropical Design & Practice 2, no. 15 (2022): 44–54. http://dx.doi.org/10.47836/ac.15.2.paper05.

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Sound can affect patients, staff, and visitors in healthcare settings in many ways. The purpose of this review was to synthesize and investigate sound in healthcare settings and the effects of these sounds. Relevant studies published between January 2017 and June 2022 were searched through a systematic literature review process using the Google Scholar, PubMed, Scopus, Web of Science, and Wiley Online Library databases. A total of 25 papers met the inclusion criteria. The study results cover three main areas: perceived sound sources and sound levels; associations between healthcare settings an

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21

Muto, Vincenzo, Emilio Andreozzi, Carmela Cappelli, et al. "Real-Time Implementation of a Frequency Shifter for Enhancement of Heart Sounds Perception on VLIW DSP Platform." Electronics 12, no. 20 (2023): 4359. http://dx.doi.org/10.3390/electronics12204359.

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Auscultation of heart sounds is important to perform cardiovascular assessment. External noises may limit heart sound perception. In addition, heart sound bandwidth is concentrated at very low frequencies, where the human ear has poor sensitivity. Therefore, the acoustic perception of the operator can be significantly improved by shifting the heart sound spectrum toward higher frequencies. This study proposes a real-time frequency shifter based on the Hilbert transform. Key system components are the Hilbert transformer implemented as a Finite Impulse Response (FIR) filter, and a Direct Digital

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22

Humphrey, Vicki. "The British Library Centre for Conservation." Art Libraries Journal 33, no. 1 (2008): 15–21. http://dx.doi.org/10.1017/s0307472200015170.

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On May 16th 2007 the British Library Centre for Conservation (BLCC) was opened, providing Conservation staff and Sound Archive Technical Services staff with a new purpose-built base from which to operate. The new building allowed them to be brought together onto the same site as their colleagues and co-located them with the collections for the first time. A BLCC-based programme of professional development events, special interest group events and public tours is providing Collection Care, Conservation, and the Sound Archive Technical Section with a public profile and a voice for communicating

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23

Hoban, Michi S. "Sound Recording Cataloging." Cataloging & Classification Quarterly 12, no. 2 (1991): 3–26. http://dx.doi.org/10.1300/j104v12n02_02.

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24

Makanae, Koji, and Koji Takahashi. "THE HIGHWAY TRAFFIC NOISE SIMULATOR UTILIZING 3D SOUND LIBRARY." journal of Civil Engineering Information Processing System 12 (2003): 133–38. http://dx.doi.org/10.2208/journalac2003.12.0_133.

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25

Bradbury, Jack W., and Carol A. Bloomgarden. "Creating a web‐based library of underwater biological sound." Journal of the Acoustical Society of America 112, no. 5 (2002): 2260–61. http://dx.doi.org/10.1121/1.4779017.

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26

Jenkins, Martin. "A BASIC MUSIC LIBRARY: ESSENTIAL SCORES AND SOUND RECORDINGS." Collection Management 24, no. 3-4 (1999): 327–30. http://dx.doi.org/10.1300/j105v24n03_21.

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27

Yang, Jiale, Ying Zhang, and Yang Hai. "Retrieval and management system for layer sound effect library." Cognitive Computation and Systems 2, no. 4 (2020): 247–53. http://dx.doi.org/10.1049/ccs.2020.0027.

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28

Madah Rahmatan, Depaty Alvio JH, Nurhikmah Sani, Diki Ramadhan Alfarisi, and Vikky Alziqry JH. "Role And Function Of Phonemes In Phonology For Arabic Communication." International Journal of Education and Teaching Zone 2, no. 2 (2023): 179–87. http://dx.doi.org/10.57092/ijetz.v2i2.52.

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Language consists of several language components. Language components are language knowledge, language use, and language changes associated with those components. Language knowledge includes knowledge of phonetics and phonology. Phonetics and phonology are the main understandings in mastering communication using Arabic. In the process of using language, a language is a tool used to convey ideas, thoughts, and desires or desires to others that aim to develop all aspects of life. The research method that the author uses is the Descriptive Qualitative research method. The approach used by the aut

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29

Ellis, Seth. "Sound in the archive: Media materials as archives of narrative." Art Libraries Journal 46, no. 3 (2021): 78–83. http://dx.doi.org/10.1017/alj.2021.12.

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This paper describes and evaluates research undertaken by the author at the State Library of Queensland, in the collection, cataloguing, and presentation of audiovisual materials—specifically, sound materials beyond oral history and performance. It suggests that strategies drawn from transcription can make the sounds of the past more evident in digitised catalogues, and thus can make those sounds themselves more accessible to the public. In doing so it offers a different affordance of the archive to public experience: not just information about the past, but the affective impact of the past.

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30

Kalsoom, Nighat, Kathryn Fackrell, Dayana El Nsouli, and Hayley Carter. "Current Recommendations for the Use of Sound Therapy in Adults with Hyperacusis: A Scoping Review." Brain Sciences 14, no. 8 (2024): 797. http://dx.doi.org/10.3390/brainsci14080797.

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Hyperacusis is a condition that is characterized by hypersensitivity to normal everyday sounds or reduced sound tolerance and can affect patients in distressing ways. Sound therapy is a treatment intervention that is used to desensitize patients. However, as yet, there is a lack of understanding on how it is used in clinical practice, the different types of devices, or how to use them. The aim of this scoping review was to establish the current use of sound therapy in adults with hyperacusis and identify any factors that may influence treatment. Methodology: An established methodological frame

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31

Dhiya, Dhiya Alfiyyah Ansar, Yuyun, and Imran Taufik. "The Design of a Noise Detection Automatisation Tool in Library – Based on Internet of Things." Inspiration: Jurnal Teknologi Informasi dan Komunikasi 12, no. 2 (2022): 17–31. http://dx.doi.org/10.35585/inspir.v12i2.12.

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The development of the times and technology produces innovations that facilitate human activities, one of which is for librarians to control and maintain library rooms. This study aimed to implement a noise detection automation tool and a sound monitoring system based on the Arduino nano 33 BLE sense microcontroller in a library room. The Arduino processed the data from the sound sensor through the Edge Impulse platform. Suppose a sound with a value exceeds 0.6 and takes more than 10 seconds. In that case, the warning "QUIET, PLEASE!" will be displayed, and a sound warning will also be issued

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32

Galo, Gary A., John Hunt, and Rene Tremine. "The Furtwangler Sound." Notes 55, no. 1 (1998): 81. http://dx.doi.org/10.2307/900351.

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33

Pohlmann, Ken C., and John Borwick. "Sound Recording Practice." Notes 52, no. 3 (1996): 835. http://dx.doi.org/10.2307/898660.

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34

Johnson, Julian. "Sound Figures (review)." Notes 58, no. 1 (2001): 89–90. http://dx.doi.org/10.1353/not.2001.0148.

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35

Anderson, Rick. "Sound Recording Reviews." Notes 59, no. 2 (2002): 412–19. http://dx.doi.org/10.1353/not.2002.0154.

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36

Anderson, Rick. "Sound Recording Reviews." Notes 59, no. 4 (2003): 963–68. http://dx.doi.org/10.1353/not.2003.0048.

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37

Anderson, Rick. "Sound Recording Reviews." Notes 60, no. 2 (2003): 515–20. http://dx.doi.org/10.1353/not.2003.0139.

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38

Anderson, Rick. "Sound Recording Reviews." Notes 60, no. 4 (2004): 1013–17. http://dx.doi.org/10.1353/not.2004.0074.

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39

Anderson, Rick. "Sound Recording Reviews." Notes 61, no. 2 (2004): 520–25. http://dx.doi.org/10.1353/not.2004.0125.

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40

Anderson, Rick. "Sound Recording Reviews." Notes 64, no. 2 (2007): 352–57. http://dx.doi.org/10.1353/not.2007.0142.

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41

Caw, Tom. "Sound Recording Reviews." Notes 67, no. 4 (2011): 815–24. http://dx.doi.org/10.1353/not.2011.0045.

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42

G., M., and R. Murray Schafer. "A Sound Education: 100 Exercises in Listening and Sound-Making." Notes 51, no. 1 (1994): 221. http://dx.doi.org/10.2307/899250.

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43

Sugiara, Lalu Rahmat, Dina Chabib Uluum, and Firmansyah Jihad. "Comparative Analysis of the Thoughts of Ibn Jinni and Kamal Al-Basyar (Fonetik Bahasa Arab)." Al-TARQIYAH: Jurnal Pendidikan Bahasa Arab 7, no. 2 (2025): 19–32. https://doi.org/10.30631/altarqiyah.v7i2.74.

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Sound variation in the Arabic language is a complex and intriguing phenomenon that has captured the interest of linguists. Language, as a system of arbitrary sound symbols, is used by humans to communicate with one another. This research aims to explore the differences in sounds in the Arabic language based on the perspectives of two prominent figures in Arabic linguistics, Ibn Jinni and Kamal al-Basyar. The research method used is qualitative, employing library research as the primary source for data collection. The data analysis technique includes an in-depth analysis of the phonetic differe

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44

Collins, Nick. "Experiments with a new customisable interactive evolution framework." Organised Sound 7, no. 3 (2002): 267–73. http://dx.doi.org/10.1017/s1355771802003060.

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This article collates results from a number of applications of interactive evolution as a sound designer's tool for exploring the parameter spaces of synthesis algorithms. Experiments consider reverberation algorithms, wavetable synthesis, synthesis of percussive sounds and an analytical solution of the stiff string. These projects share the property of being difficult to probe by trial and error sampling of the parameter space. Interactive evolution formed the guidance principle for what quickly proved a more effective search through the multitude of parameter settings.The research was suppor

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45

Papetti, Stefano, Federico Avanzini, and Federico Fontana. "Design and Application of the BiVib Audio-Tactile Piano Sample Library." Applied Sciences 9, no. 5 (2019): 914. http://dx.doi.org/10.3390/app9050914.

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A library of piano samples composed of binaural recordings and keyboard vibrations has been built, with the aim of sharing accurate data that in recent years have successfully advanced the knowledge on several aspects about the musical keyboard and its multimodal feedback to the performer. All samples were recorded using calibrated measurement equipment on two Yamaha Disklavier pianos, one grand and one upright model. This paper documents the sample acquisition procedure, with related calibration data. Then, for sound and vibration analysis, it is shown how physical quantities such as sound in

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Papetti, Stefano, Federico Avanzini, and Federico Fontana. "Design and Application of the BiVib Audio-Tactile Piano Sample Library." Applied Sciences 9, no. 914 (2019): 1–15. https://doi.org/10.5281/zenodo.3564616.

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A library of piano samples composed of binaural recordings and keyboard vibrations has been built, with the aim of sharing accurate data that in recent years have successfully advanced the knowledge on several aspects about the musical keyboard and its multimodal feedback to the performer. All samples were recorded using calibrated measurement equipment on two Yamaha Disklavier pianos, one grand and one upright model. This paper documents the sample acquisition procedure, with related calibration data. Then, for sound and vibration analysis, it is shown how physical quantities such as sound in

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47

Corbella. "Notes for a Dramaturgy of Sound in Fellini's Cinema: The Electroacoustic Sound Library of the 1960s." Music and the Moving Image 4, no. 3 (2011): 14. http://dx.doi.org/10.5406/musimoviimag.4.3.0014.

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48

Jia, Zhongshuai. "Knowledge helps farmers wisdom village Northeast rural library sound transformation." International Journal of Computing and Information Technology 1, no. 1 (2022): 27. http://dx.doi.org/10.56028/ijcit.1.1.27.

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49

Russell, Maureen. "The Sound and Moving Image Collections at the British Library." Music Reference Services Quarterly 16, no. 1 (2013): 36–46. http://dx.doi.org/10.1080/10588167.2013.755455.

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50

Naqsyah, Ibnu Dwi, and Fadhilatul Husna. "AN OVERVIEW OF PHONETICS, PHONEMICS, AND GRAPHEMES." Jurnal Recoms 1, no. 2 (2024): 58–67. https://doi.org/10.59548/rc.v1i2.289.

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Phonetics explores how humans produce speech sounds, focusing on their physical creation and articulation. Phonemics, a subset of phonology, examines how sounds function within a language, particularly their role in distinguishing meaning. Graphemes, on the other hand, are the smallest meaningful units of written language that can differentiate words. This research aims to delve into the interaction between spoken sounds and written symbols and their contribution to linguistic communication. The study employs a descriptive qualitative approach, analyzing data from books, journals, and other re

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