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Relevant bibliographies by topics / Sound moving-pictures / Books

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Books on the topic 'Sound moving-pictures'

Author: Grafiati

Published: 26 July 2024

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Consult the top 19 books for your research on the topic 'Sound moving-pictures.'

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1

Hillman, Neil. Sound for Moving Pictures. New York : Routledge, 2021. |: Focal Press, 2021. http://dx.doi.org/10.4324/9781003055181.

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2

Quinlan, David. British sound films: The studio years 1928-1959. Totowa, N.J: Barnes & Noble Books, 1985.

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3

Alexander, Walker. The shattered silents: How the talkies came to stay. London: Harrap, 1986.

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4

International Federation of Film Archives., ed. Preservation and restoration of moving images and sound. Brussels, Belgium: FIAF, 1986.

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5

Wolfgang, Klaue, ed. World directory of moving image and sound archives. München: K.G. Saur, 1993.

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6

British Universities Film & Video Council, ed. Moving image and sound, knowledge and access: The BUFVC handbook. 5th ed. London: British Universities Film & Video Council, 2008.

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7

Hillman, Neil. Sound for Moving Pictures. Taylor & Francis Group, 2021.

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8

Hillman, Neil. Sound for Moving Pictures. Taylor & Francis Group, 2021.

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9

Hillman, Neil. Sound for Moving Pictures: The Four Sound Areas. Taylor & Francis Group, 2021.

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10

Hillman, Neil. Sound for Moving Pictures: The Four Sound Areas. Taylor & Francis Group, 2021.

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11

Sound for Moving Pictures: The Four Sound Areas. Taylor & Francis Group, 2021.

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12

Scott-James, Kahra. Sound Design for Moving Image: From Concept to Realization. Bloomsbury Publishing Plc, 2018.

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13

Scott-James, Kahra. Sound Design for Moving Image: From Concept to Realization. Bloomsbury Academic, 2018.

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14

Production Sound Mixing: The Art and Craft of Sound Recording for the Moving Image. Bloomsbury Academic & Professional, 2015.

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15

Landau, David, and Murphy John J. Production Sound Mixing: The Art and Craft of Sound Recording for the Moving Image. Bloomsbury Publishing Plc, 2016.

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16

Landau, David, and Murphy John J. Production Sound Mixing: The Art and Craft of Sound Recording for the Moving Image. Bloomsbury Publishing Plc, 2016.

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17

(Editor), Pam Cook, and Philip Dodd (Editor), eds. Women and Film: A Sight and Sound Reader (Culture and the Moving Image). Temple University Press, 1993.

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18

Cinema and the Audiovisual Imagination International Library of the Moving Image. I.B.Tauris & Co Ltd, 2014.

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19

Buhler, James. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199371075.003.0001.

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Abstract:

From its beginnings in the later nineteenth century, film—“moving pictures”—posed problems for critics, philosophers, and others concerned with the nature of art. At one level it was an abstract question: could film, a product of mechanical reproduction, be an aesthetic object at all? At another level, it was a matter of mechanics and effects: what did film do, and how did it do it? At still another level, it was a matter of cultural hierarchy: how did film as a popular art form relate to the very well-established categories of the theater, painting, opera, and so forth? This chapter lays out central issues such as the distinction between representation and reproduction, the nature of the sound film, the proper sound accompaniment for a film, and the question of the audiovisual hybridity of the medium.

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