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Books on the topic 'Sound – Recording and reproducing – Psychological aspects'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Maempel, Hans-Joachim. Klanggestaltung und Popmusik: Eine experimentelle Untersuchung. Synchron, 2001.

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2

Chion, Michel. Le son. Armand Colin, 2004.

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3

Chion, Michel. Le Son. Nathan, 1998.

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4

Morrison, Robert Keith. Disk recording 1930 to 1960: A review of some equipment and techniques used in making phonograph records and electrical transcriptions. Patricia Morrison, 2005.

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5

Ian, Graham. Music & sound. Barron's Educational Series, Inc., 2000.

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6

Hans, Hirsch. Schallplatten zwischen Kunst und Kommerz: Fakten, Tendenzen und Überlegungen zur Produktion und Verbreitung von Tonträgern. F. Noetzel, 1987.

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7

Kulle, Jürgen. Ökonomie der Musikindustrie: Eine Analyse der körperlichen und unkörperlichen Musikverwertung mit Hilfe von Tonträgern und Netzen. P. Lang, 1998.

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8

Krantz, Douglas. How can I use the sound system to communicate more effectively with my congregation? Krantz Communications, 1995.

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9

Eisenberg, Evan. The recording angel: The experience of music from Aristotle to Zappa. Penguin books, 1988.

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10

Eisenberg, Evan. The recording angel: Music, records and culture from Aristotle to Zappa. Pan Books, 1988.

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11

Pistacchi, Massimo, and Peppino Ortoleva. Un secolo di suoni, i suoni di un secolo: L'Istituto centrale per i beni sonori ed audiovisivi. Minerva, 2012.

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12

Perry, Megan. How to be a record producer in the digital era. Billboard Books, 2008.

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13

Barrio, Manuel Gértrudix. Música y narración en los medios audiovisuales. Laberinto Ediciones, 2003.

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14

Lephay, Pierre-Emmanuel. Quand l'enregistrement change la musique. Hermann, 2017.

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15

Emes, Jutta. Unternehmergewinn in der Musikindustrie: Wertschöpfungspotentiale und Veränderungen der Branchenstruktur durch die Digitalisierung. Deutscher Universitäts-Verlag, 2004.

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16

Saviano, Tamara. The most beautiful girl: A true story of a dad, a daughter, and the healing power of music. American Roots Press, 2013.

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17

Jana, Dittmann, Hansen Jan, and Vielhauer Claus, eds. New advances in multimedia security, biometrics, watermarking and cultural aspects. Logos, 2006.

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18

Bijsterveld, K. Sound Souvenirs. Amsterdam University Press, 2010.

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19

Krukowski, Damon. New Analog - Listening and Reconnecting in a Digital World. MIT Press, 2017.

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20

THE NEW ANALOG: COMO ESCUCHAR Y RECONECTARNOS CON EL MUNDO DIGITAL. Ediciones Alpha Decay, S.A., 2017.

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21

The new analog: Listening and reconnecting in a digital world. New Press, 2017.

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22

Krukowski, Damon. New Analog: Listening and Reconnecting in a Digital World. New Press, The, 2017.

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23

Bijsterveld, K., and J. Van Dijck. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam University Press, 2009.

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24

Bijsterveld, K., and J. van Dijck. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam University Press, 2009.

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25

Morat, Daniel, and Hansjakob Ziemer. Handbuch Sound: Geschichte – Begriffe – Ansätze. J.B. Metzler, 2018.

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26

Perfecting sound forever : an aural history of recorded music - 1. edición. n, 2017.

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27

Milner, Greg. Perfecting Sound Forever: The Story Of Recorded Music. Granta Books, 2018.

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28

Milner, Greg. Perfecting Sound Forever: An Aural History of Recorded Music. Farrar, Straus & Giroux, 2009.

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29

Haunted weather: Music, silence, and memory. Serpent's Tail, 2004.

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30

Toop, David. Haunted Weather: Music, Silence, And Memory (Five Star Fiction S.). Five Star (ME), 2006.

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31

(Editor), Jean-Francois Augoyard, Henry Torgue (Editor), Andra McCartney (Translator), and David Paquette (Translator), eds. Sonic Experience: A Guide To Everyday Sounds. McGill-Queen's University Press, 2006.

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32

(Editor), Jean-Francois Augoyard, and Henry Torgue (Editor), eds. Sonic Experience: A Guide To Everyday Sounds. McGill-Queen's University Press, 2006.

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33

Klang im Zeitalter technischer Medien: Eine Einführung. Passagen Verlag, 2017.

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34

Sonic experience: A guide to the effects of sound. McGill-Queen's University Press, 2005.

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35

Singing the Body Electric: The Human Voice and Recording Technology. Taylor & Francis Group, 2016.

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36

Auditive Medienkulturen: Techniken des Horens und Praktiken der Klanggestaltung. transcript Verlag, 2014.

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37

Schröter, Jens, and Axel Volmar. Auditive Medienkulturen: Techniken des Hörens und Praktiken der Klanggestaltung. Transcript Verlag, 2014.

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38

Auditive Medienkulturen: Techniken des Hörens und Praktiken der Klanggestaltung. Transcript, 2013.

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39

Young, Miriama. Singing the Body Electric: The Human Voice and Sound Technology. Taylor & Francis Group, 2016.

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40

Young, Miriama. Singing the Body Electric: The Human Voice and Sound Technology. Taylor & Francis Group, 2016.

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41

Young, Miriama. Singing the Body Electric: The Human Voice and Sound Technology. Taylor & Francis Group, 2020.

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42

Singing the Body Electric: The Human Voice and Sound Technology. Taylor & Francis Group, 2016.

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43

Schulze, Holger. Sound Works: A Cultural Theory of Sound Design. Bloomsbury Publishing Plc, 2020.

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44

Schulze, Holger. Sound Works: A Cultural Theory of Sound Design. Bloomsbury Academic & Professional, 2019.

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45

Sound Works: A Cultural Theory of Sound Design. Bloomsbury Publishing Plc, 2018.

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46

Tarquin, Brian. Insider's Guide to Home Recording: Record Music and Get Paid. Skyhorse Publishing Company, Incorporated, 2015.

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47

Sterne, Jonatha. The Sound Studies Reader. Routledge, 2008.

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48

Tarquin, Brian. The insider's guide to home recording: Record music and get paid. 2015.

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49

Sterne, Jonathan. Audible Past: Cultural Origins of Sound Reproduction. Duke University Press, 2003.

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50

Working with Audio. Course Technology, 2011.

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