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Books on the topic 'Sound recording industry – History'

Author: Grafiati

Published: 10 March 2023

Last updated: 31 July 2025

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1

Gronow, Pekka. An international history of the recording industry. Cassell, 1998.

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2

Mori, Yoshihisa. Onkyō gijutsushi: Oto no kiroku no rekishi. Tōkyō Geijutsu Daigaku Shuppankai, 2011.

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3

Simon, Géza Gábor. Magyar hanglemeztörténet: (100 éves a magyar hanglemez, 1908-2008). Jazz Oktatási és Kutatási Alapítvány, 2008.

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4

Thérien, Robert. L' histoire de l'enregistrement sonore au Québec et dans le monde, 1878-1950. Presses du l'Université Laval, 2003.

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5

Heylin, Clinton. Bootleg: The secret history of the other recording industry. St. Martin's Griffin, 1996.

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6

Laird, Ross. Sound beginnings: The early record industry in Australia. Currency Press, 1999.

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7

Gronow, Pekka. The recording industry: An ethnomusicological approach. University of Tampere, 1996.

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8

Anniss, Matt. The music industry. Smart Apple Media, 2015.

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9

Smith, Jacob. Spoken word: Postwar American phonograph cultures. University of California Press, 2011.

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10

Michèle, Hung, Garcia Morencos Esteban, and International Federation of the Phonographic Industry., eds. World record sales, 1969-1990: A statistical history of the world recording industry. International Federation of the Phonographic Industry, 1990.

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11

Sharon, Davis. Motown: The history. Guiness Pub., 1988.

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12

British Library. National Sound Archive., ed. Developments in recorded sound: A catalogue of oral history interviews. British Library National Sound Archive, 1989.

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13

Cunningham, Mark. Good vibrations: A history of record production. Castle Communications, 1996.

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14

Pettorino, Massimo. Le teste parlanti, ovvero Se le statue materiali con alcuno artificio possono parlare. Sellerio, 1999.

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15

Pettorino, Massimo. Le teste parlanti, ovvero, "Se le statue materiali con alcuno artificio possono parlare". Sellerio, 1999.

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16

Staff, Bryan. For the record: A history of the recording industry in New Zealand. D. Bateman, 2002.

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17

L, Schurk William, ed. Tarnished gold: The record industry revisited. Transaction Books, 1986.

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18

Stenzel, Burt Leah Brodbeck, and Read Oliver, eds. From tinfoil to stereo: The acoustic years of the recording industry, 1877-1929. University Press of Florida, 1994.

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19

Arvidsson, Kjell. Skivblag i Sverige: Musikföretagandets 100-åriga instututionalisering. Göteborg University, 2007.

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20

Asō, Kōtarō. Dare ga J-POP o sukueru ka: Masukomi ga katarenai gyōkai seisuiki = Who can save the J-POP? Asahi Shinbun Shuppan, 2013.

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21

Rondeau, René. Tinfoil phonographs: The dawn of recorded sound. R. Rondeau, 2001.

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22

Lavrentʹevich, I︠a︡nin Valentin, ред. Istorii︠a︡ nachala gramzapisi v Rossii: Katalog vokalʹnykh zapiseĭ rossiĭskogo otdelenii︠a︡ kompaniĭ "Grammofon". I︠a︡zyki slavi︠a︡nskoĭ kulʹtury, 2002.

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23

Utasaki, Takahiko. Shōgen, Nihon kurashikku rekōdos̄hi: Senzen hen. Ongaku no Tomosha, 1998.

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24

Barr, Steven C. The almost complete 78 rpm record dating guide (II). Nauck's Vintage Records, 1992.

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25

Sutton, Allan. American record companies and producers 1888-1950: An encyclopedic history. Mainspring Press, 2018.

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26

Vita, Vito. Musica solida: Storia dell'industria del vinile in Italia. Miraggi edizioni, 2019.

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27

Nyéki-Kőrösy, Maria. Les documents sonores: Précis de discothéconomie. K.G. Saur, 1987.

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28

Thom, Holmes, ed. The Routledge guide to music technology. Routledge, 2006.

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29

Aronson, Virginia. The history of Motown. Chelsea House Publishers, 2001.

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30

1934-, Becker Peter, and Historisches Museum am Hohen Ufer., eds. 100 Jahre Schallplatte: Von Hannover in die Welt : Beiträge und Katalog zur Ausstellung vom 29. September 1987 bis 10. Januar 1988 im Historischen Museum Am Hohen Ufer, Hannover. Polygram Deutschland, 1987.

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31

Lebrecht, Norman. The Life and Death of Classical Music. Knopf Doubleday Publishing Group, 2008.

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32

Kukkonen, Einari. Elämää juoksuhaudoissa: Suomalaisen levyiskelmän vaiheita 1940-44. Kustannuskolmio, 1985.

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33

Amlan, Das Gupta, ed. Music and modernity: North Indian classical music in an age of mechanical reproduction. Thema, 2007.

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34

author, Šír Filip, ed. Recorded sound in Czech lands 1900-1946. Moravian Library in Brno, 2016.

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35

Skorokhodov, G. Taĭny grammofona: Vse neizvestnoe o plastinkakh i zvezdakh gramzapisi. ĖKSMO, 2004.

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36

Azami, Toshio. 20-seiki Nihon rekōdo sangyōshi: Gurōbaru kigyō no shinkō to shijō no hatten. Keisō Shobō, 2016.

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37

Throp, Claire. Digital music: A revolution in music. Raintree, 2011.

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38

Montore, Marcello. Elenco: A cara da bossa = Elenco : the face of bossa. Grifo Projetos Históricos e Editoriais, 2009.

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39

Vinyl: A History of the Analogue Record. Taylor & Francis Group, 2014.

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40

Osborne, Richard. Vinyl: A History of the Analogue Record. Taylor & Francis Group, 2016.

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41

Osborne, Richard. Vinyl: A History of the Analogue Record. Taylor & Francis Group, 2016.

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42

Osborne, Richard. Vinyl: A History of the Analogue Record. Taylor & Francis Group, 2016.

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43

(Translator), Christopher Moseley, ed. An International History of the Recording Industry (288pp). Cassell, 1999.

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44

Denisoff, R. Serge. Tarnished Gold: Record Industry Revisited. Taylor & Francis Group, 2021.

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45

Denisoff, R. Serge. Tarnished Gold: Record Industry Revisited. Taylor & Francis Group, 2021.

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46

Denisoff, R. Serge. Tarnished Gold: Record Industry Revisited. Taylor & Francis Group, 2021.

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47

Burgess, Richard James. History of Music Production. Oxford University Press, Incorporated, 2014.

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48

Saunio, Ilpo, and Pekka Gronow. An International History of the Recording Industry (Literature & the Arts). Cassell, 1999.

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49

Morton, David. Sound Recording. Greenwood, 2004. http://dx.doi.org/10.5040/9798216016700.

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Abstract:

How did one of the great inventions of the 19th century— Thomas Edison's phonograph— eventually lead to one of the most culturally and economically significant technologies of the 20th and 21st centuries?Sound Recordingtells that story, tracing the history of the business boom and the cultural revolution begun by Edison's invention. Ever since, recorded sound has been all around us—not just in reproducing and playing popular music, but also in more mundane areas, such as office dictation machines, radio and television programs, and even telephone answering machines. Just as the styles of music

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50

L'invention du disque 1877-1949: Genèse de l'usage des médias musicaux contemporains. Archives contemporaines, 2009.

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