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Books on the topic 'Sound recording industry – Zambia'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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1

Rauf, Don. Recording industry. New York: Ferguson, 2010.

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2

Rauf, Don. Recording industry. New York: Ferguson, 2010.

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3

Hull, Geoffrey P. The recording industry. 2nd ed. New York, NY: Routledge, 2004.

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4

Hull, Geoffrey P. The recording industry. Boston: Allyn and Bacon, 1998.

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5

Miles, Liz. Making a recording. Chicago, Ill: Raintree, 2009.

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6

Gronow, Pekka. The recording industry: An ethnomusicological approach. Tampere: University of Tampere, 1996.

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7

Canada, Industry Science and Technology Canada. Sound recordings. Ottawa, Ont: Industry, Science and Technology Canada, 1991.

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8

Recording the 'thirties: The evolution of the American recording industry, 1930-39. Denver, CO: Mainspring Press, 2011.

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9

The international recording industries. New York: Routledge, 2013.

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10

Gronow, Pekka. An international history of the recording industry. London: Cassell, 1998.

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11

(Firm), Thomson Gale, ed. What is the future of the music industry? Farmington Hills, MI: Greenhaven Press, 2013.

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12

Recording the 'twenties: The evolution of the American recording industry, 1920-29. Denver, CO: Mainspring Press, 2008.

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13

The music industry. Detroit, MI: Greenhaven Press, 2012.

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14

Recording history: The British record industry, 1888-1931. Lanham, Md: Scarecrow Press, 2013.

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15

Malm, Krister. The workings of the phonogram industry: Three analytical approaches. Stockholm, Sweden: Swedish National Collections of Music, 1986.

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16

Laird, Ross. Sound beginnings: The early record industry in Australia. Sydney: Currency Press, 1999.

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17

Introduction to the music industry and recording studio: A coursebook. New York: Elementary Media, 2004.

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18

Lefeuvre, Gildas. Le guide du producteur de disques. Paris: Dixit, 1998.

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19

Muikku, Jari. Vinyylin viemää: Äänilevyn tuottamisen karu todellisuus. Helsinki: Työväenmusiikki-instituutti, 1988.

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20

Callas: La diva et le vinyle. Montréal, Québec, Canada: Triptyque, 1987.

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21

Wright, Christine. Music master: British record industry prefix list. Hastings: John Humphries, 1985.

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22

Anniss, Matt. The music industry. Mankato, Minnesota: Smart Apple Media, 2015.

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23

Brunet, Alain. Le disque ne tourne pas rond. Montréal: Coronet liv, 2003.

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24

Hale, Cecil. The music industry: A guidebook. Dubuque, Iowa: Kendall/Hunt Pub. Co., 1990.

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25

Wadhams, Wayne. Sound advice: The musician's guide to the record industry. New York: Schirmer Books, 1990.

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26

Wadhams, Wayne. Sound advice: The musician's guide to the record industry. New York: Schirmer Books, 1990.

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27

Pettorino, Massimo. Le teste parlanti, ovvero, "Se le statue materiali con alcuno artificio possono parlare". Palermo: Sellerio, 1999.

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28

Pettorino, Massimo. Le teste parlanti, ovvero Se le statue materiali con alcuno artificio possono parlare. Palermo: Sellerio, 1999.

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29

Nyéki-Kőrösy, Maria. Les documents sonores: Précis de discothéconomie. München: K.G. Saur, 1987.

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30

Bumping into geniuses: Inside the rock and roll business. New York: Gotham Books, 2008.

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31

Rondeau, René. Tinfoil phonographs: The dawn of recorded sound. Corte Madera, CA: R. Rondeau, 2001.

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32

Puffert, Douglas J. Audio and video recording and reproducing equipment. Washington, DC: Office of Industries, U.S. International Trade Commission, 1994.

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33

Cowboys and indies: The epic history of the record industry. New York: Thomas Dunne Books, 2014.

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34

Thérien, Robert. L' histoire de l'enregistrement sonore au Québec et dans le monde, 1878-1950. [Sainte-Foy, Québec]: Presses du l'Université Laval, 2003.

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35

The music industry. Detroit: Greenhaven Press, 2009.

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36

Great record labels. London: Apple Press, 1992.

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37

The music in my head. London: Jonathan Cape, 1998.

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38

Arvidsson, Kjell. Skivblag i Sverige: Musikföretagandets 100-åriga instututionalisering. Göteborg: Göteborg University, 2007.

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39

Copyright Paperback Collection (Library of Congress), ed. Record time. New York: St. Martin's Paperbacks, 2002.

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40

Schreiber, Norman. The Scouting Party index of independent record labels. Brooklyn, NY (343 7th Ave., Brooklyn 11215): Scouting Party Press, 1985.

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41

Sweetie, baby, cookie, honey: A novel. New York: Arbor House, 1986.

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42

Gart, Galen. ARLD: The American record label directory and dating guide, 1940-1959. Milford, N.H: Big Nickel Publications, 1989.

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43

Fong-Torres, Ben. TheM otown album: The sound of young America. New York: St. Martin's Press, 1990.

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44

Mark, Walker. The music recording and delivery business. Norwalk, CT: Business Communications Co., 2000.

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45

Inside the recording industry. [New York, N.Y.] (888 7th Ave., 9th floor, New York 10106): Recording Industry Association of America, 1985.

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46

John, Borwick, and Association of Professional Recording Studios., eds. Sound recording practice. 3rd ed. Oxford: Oxford University Press, 1987.

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47

John, Borwick, and Association of Professional Recording Services., eds. Sound recording practice. 4th ed. Oxford: Oxford University Press, 1994.

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48

John, Borwick, and Association of Professional Recording Services., eds. Sound recording practice. 4th ed. New York: Oxford University Press, 1996.

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49

Recording industry sourcebook, 2005. Vallejo, CA: Artistpro Pub., 2004.

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50

Stapley, Laurence. Developments in Recorded Sound. British Library Publishing Division, 1989.

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