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Relevant bibliographies by topics / Sound repetitions / Dissertations / Theses

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Dissertations / Theses on the topic 'Sound repetitions'

Author: Grafiati

Published: 22 February 2025

Last updated: 31 July 2025

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Consult the top 17 dissertations / theses for your research on the topic 'Sound repetitions.'

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1

Henderlong, Elizabeth Emrick Leshner Glenn. "Sound off (or sound on) melodic repetition, sonic branding and interactive advertisements /." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/5354.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on December 28, 2009) Thesis advisor: Dr. Glenn Leshner. Includes bibliographical references.

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2

Gedge, Maxie. "Action, repetition and distance : exploring sound and the body/sounding the body." Thesis, University of East Anglia, 2014. https://ueaeprints.uea.ac.uk/53450/.

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3

Gifford, Taylor. "Nonword Repetition Errors in Childhood Apraxia of Speech, Speech Sound Disorder, and Developmental Language Disorder." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1588167731541878.

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4

Pera, Natalie. "Processing predictors of severity of speech sound disorders." Thesis, University of Canterbury. Dept of Communication Disorders, 2013. http://hdl.handle.net/10092/7949.

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This study investigated whether or not variability in the severity of speech sound disorders is related to variability in phonological short-term memory and/or variability in the accuracy of phonological representations. The aim was to determine speech processing predictors of severity of speech sound disorders. A total of 33 children, aged three to six years of age, were assessed on measures of nonword repetition, accuracy of phonological representations, accuracy of speech production, and language. The tests administered included the Clinical Evaluation of Language Fundamentals Preschool – 2

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5

Hansen, Louise Elskær. ""Take care of the sense and tha sounds will mind themselves" : Hvordan jeg håndtere et indstuderingsforløb." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1926.

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6

Merva, Monica Ann. "The effects of speech rate, message repetition, and information placement on synthesized speech intelligibility." Thesis, Virginia Tech, 1987. http://hdl.handle.net/10919/41554.

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<p>Recent improvements in speech technology have made synthetic speech a viable I/O alternative. However, little research has focused on optimizing the various speech parameters which influence system performance. This study examined the effects of speech rate, message repetition, and the placement of information in a message. Briefly, subjects heard messages generated by a speech synthesizer and were asked to transcribe what they had heard. After entering each transcription, subjects rated the perceived difliculty of the preceding message, and how confident they were of their response. Th

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7

Hyvönen, Joni. "En dekonstruktion i ljud : J.O. Mallanders Extended Play." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-15144.

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J.O. Mallander’s Extended Play (1968) is a sound recording, a readymade, of the counting of votes in two presidential elections in Finland, during 1962 and 1968. A voice repeats monotonously: “Kekkonen, Kekkonen, Kekkonen, Kekkonen, Kekkonen…” Although the Finnish president Urho Kekkonen represents, almost personifies, the politics of the post World War II period in Finland, Extended Play does not explicitly address the political. Rather, as this essay argues, it engages in the discourses of power and politics by providing a temporalization of its fixedness, or what Jacques Derrida terms the p

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8

Salciute-Civiliene, Gabriele. "Relative and dynamic aspects of variation in response to lexical repetition : a corpus-based case study of the translations of Faulkner's 'The Sound and the Fury' into Lithuanian, Polish and Russian." Thesis, King's College London (University of London), 2016. https://kclpure.kcl.ac.uk/portal/en/theses/relative-and-dynamic-aspects-of-variation-in-response-to-lexical-repetition(b8994197-e0c2-4dab-92b8-dc13240ebc05).html.

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This thesis reports on an exploratory corpus-based study of the dynamic and hybrid aspects of response to lexical repetition in the three translations of Faulkner’s The Sound and the Fury into Lithuanian, Polish and Russian. The main aim was to explore and devise the dimensions of comparing the translators’ choices in terms of shapes that I argue to be variably sensitive to the factors of frequency, content and distance among word repetitions found in an original text in contrast to the mainstream assumption of Translation Theory that the tendency is to lose repetitions for aesthetic reasons.

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9

Cousin-Martin, Daphné. "Τraduire l'οuïe et le tοucher dans le Τartan Νοir : théοries, pratiques et nοuvelles technοlοgies". Electronic Thesis or Diss., Normandie, 2024. http://www.theses.fr/2024NORMR098.

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Cette thèse s’intéresse aux défis de traduction soulevés par le genre du Tartan Noir. Les traductions publiées du genre vers le français semblent s’être centrées autour de l’intrigue, au détriment d’éléments indispensables à la représentation de l’expérience écossaise et de la complexité stylistique des romans. L’équivalence sémantique apparait comme l’approche privilégiée à cette fin, dans les traductions publiées. Ce travail de recherche pluridisciplinaire se propose d’explorer les particularités du Tartan Noir dans sa diversité par le biais des sens et du corps, en se concentrant sur les au

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10

Viñas, Alcoz Albert. "Celuloide inaudito: prácticas sonoras en el cine estructural (1960-1981)." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/352713.

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Esta tesis estudia el sonido del cine estructural analizando sus fundamentaciones teóricas, sus tratamientos prácticos y sus apreciaciones estéticas. Se parte de una serie de películas estructurales internacionales englobadas bajo cuatro conceptos acústicos para discutir las dinámicas de sus sonidos. La investigación se centra en la noción de ruido, la utilización de la voz, las técnicas de repetición y el concepto de paisaje sonoro, para examinar doce filmes que desnaturalizan el sonido enfatizando su materialidad. El estudio confirma la experimentación acústica del cine estructural como uno

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11

Beeferman, Leah. "JOURNEYS INTO THE UNKNOWN: A SERIES OF SCIENCE ARCHITECTURE TASKS AND EVENTS, SPACE-BOUND EXPLORATIONS AND FAR-TRAVELS, DISCOVERIES AND MISSES (NEAR AND FAR), IMAGINATIVE SPACE-GAZING AND RELATED INVESTIGATIONS, OBSERVATIONS, ORBITS, AND OTHER REPETITIOUS MONITORING TASKS." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2164.

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This thesis expansively and inclusively puts forth the imaginings, research, processes and experiences behind my two thesis exhibitions, "Journeys into the unknown: a series of science architecture tasks and events, space-bound explorations and far-travels, discoveries and misses (near and far), imaginative space-gazing and related investigations, observations, orbits, and other repetitious monitoring tasks" and "Timed travel: asystematic accounts of regular and geometrical timekeeping, orbital flight, repetitive rotations and other journeys into actual time and slow space." It begins with an

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12

Mai, Nadin. "The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz." Thesis, University of Stirling, 2015. http://hdl.handle.net/1893/22990.

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Aiming to make an intervention in both emerging Slow Cinema and classical Trauma Cinema scholarship, this thesis demonstrates the ways in which the post-trauma cinema of Filipino filmmaker Lav Diaz merges aesthetics of cinematic slowness with narratives of post-trauma in his films Melancholia (2008), Death in the Land of Encantos (2007) and Florentina Hubaldo, CTE (2012). Diaz has been repeatedly considered as representative of what Jonathan Romney termed in 2004 “Slow Cinema”. The director uses cinematic slowness for an alternative approach to an on-screen representation of post-trauma. Contr

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13

HSU, CHUNG-TING, and 徐崇婷. "The Performance of Nonword Repetition for Preschool Children with Speech Sound Disorders." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/6549ty.

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碩士<br>國立高雄師範大學<br>特殊教育學系<br>105<br>The purpose of this study was to investigate the relationship between the performance of nonword repetiton, speech perception, articulatory accuracy and working memory for preschool children with speech sound disorders(SSD). There were 16 SSD children and 16 age-matched normal children recruited. Two methods (CP and EP method) were used to scoring the nonword repetiton task. The substitutions, omissions, distortions and additions of sounds were scored as incorrect with CP(comprise phonological processing) scoring method, while for EP(exclude phonological proc

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14

Williams, Matthew Llewellyn. "The relationship between sound and content in Latin poetry." Thesis, 2004. http://hdl.handle.net/2440/37945.

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This dissertation examines the relationship between phonetic sound and content in Latin poetry, with a focus on Books 1-3 of Horace's Odes. The central argument is that a relationship exists between sound and content in poetry, that this can be analysed and described more thoroughly and systematically than is usually the case, and that the appreciation of poetry can be enhanced by doing so. Part 1 presents a scheme for describing the sound-content relationship, and argues that this accurately reflects the perceptions of poetic audiences and is psychologically valid. The scheme begins with the

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15

Williams, Matthew Llewellyn. "The relationship between sound and content in Latin poetry." 2004. http://hdl.handle.net/2440/37945.

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This dissertation examines the relationship between phonetic sound and content in Latin poetry, with a focus on Books 1-3 of Horace's Odes. The central argument is that a relationship exists between sound and content in poetry, that this can be analysed and described more thoroughly and systematically than is usually the case, and that the appreciation of poetry can be enhanced by doing so. Part 1 presents a scheme for describing the sound-content relationship, and argues that this accurately reflects the perceptions of poetic audiences and is psychologically valid. The scheme begins with the

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16

Aragon, Racheal. "Re-sounding Harlem Renaissance narratives : the repetition and representation of identity through sound in Nella Larsen's Passing and Toni Morrison's Jazz." Thesis, 2013. http://hdl.handle.net/1957/38187.

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The cultural and historical construction of African American identity in the United States has been closely tied to the dialectical relationship formed between sound and silence. This thesis examines the modernist and postmodernist representation of sound and silence in the African American novels Passing (1929), by Nella Larsen, and Jazz (1992), by Toni Morrison, as indicators of African American identity and racial oppression during the Harlem Renaissance. I analyze the soundscapes of both texts to expose the mobility of language, power, and space, especially as these soundscapes relate to t

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17

Brickey, Alyson. ""The little twist of sound could have the whole of her:" silence, repetition, and musicality in Virginia Woolf's "Between the Acts" and Gertrude Stein's "The Mother of Us All"." 2010. http://hdl.handle.net/1993/4100.

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This thesis tracks an alternative trajectory for thinking about the way in which modernist texts incorporate silence as an aesthetic and a theme, one that departs from those currently favoured by contemporary modernist criticism. Particularly, I wish to move away from the prevailing approach to Virginia Woolf's texts that borders on biographical criticism, an approach that theorizes silence as indicative of the author's trauma, pointing to that which is 'unsayable' as evidence of some psychically unassimilable event. Instead, I argue that by experimenting with an aesthetics of silence, repetit

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