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Relevant bibliographies by topics / Sound studios – Amateurs' manuals

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Academic literature on the topic 'Sound studios – Amateurs' manuals'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Sound studios – Amateurs' manuals"

1

Sengupta, Rakesh. "Writing from the Margins of Media: Screenwriting Practice and Discourse During the First Indian Talkies." BioScope: South Asian Screen Studies 9, no. 2 (2018): 117–36. http://dx.doi.org/10.1177/0974927618813480.

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This article is an attempt to rethink the intermedial practice and discourse of screenwriting during the first Indian talkies through a study of the margins of print, theatre and film history. I engage with the unfortunate archival absence of film scripts from the early years as a heuristic rather than a handicap, employing intermediality both as an archaeological and a conceptual tool in reconstituting screenwriting as a converged media practice. I argue that the widespread circulation of screenwriting manuals for amateurs constituted a pedagogical infrastructure separate from, but parallel t

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Kustritz, Anne. "Transmedia Serial Narration: Crossroads of Media, Story, and Time." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1388.

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The concept of transmedia storyworlds unfolding across complex serial narrative structures has become increasingly important to the study of modern media industries and audience communities. Yet, the precise connections between transmedia networks, serial structures, and narrative processes often remain underdeveloped. The dispersion of potential story elements across a diverse collection of media platforms and technologies prompts questions concerning the function of seriality in the absence of fixed instalments, the meaning of narrative when plot is largely a personal construction of each au

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Krause, Till. "From Niche Narrative to Audio Blockbusters." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3031.

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Introduction For the past ten years, a transformative trend has emerged in the consumption of journalistic content, diverging significantly from its traditional engagement pathways. This evolution is characterised by the allure of serial journalistic podcasts such as Serial, which have seamlessly integrated narrative techniques typically reserved for fiction into journalistic storytelling (Kulkarni et al.). These podcasts have leveraged episodic structures, suspenseful build-ups, and dramatic climaxes to foster a level of engagement akin to fiction's grip on audiences. This shift towards addic

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Tomkinson, Sian. "“This kind of life has no meaning”." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3037.

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Voice synthesising software Vocaloid (Yamaha Corporation) is a popular tool for professional and amateur music production. At the time of writing, there are over 770,000 videos tagged ‘vocaloid’ on Niconico; karaoke chain Karatez displays the top five thousand tracks on its Website (Karatetsu); Hatsune Miku Wiki has over 59,000 pages, while the Vocaloid Lyrics Wiki has over 90,000. Vocaloid is part of Japan’s unique media mix, comprising of the software and music but also official collaborations and a significant amount of fan culture. However, while there is academic research on the way that

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Books on the topic "Sound studios – Amateurs' manuals"

1

Strong, Jeff. PC Recording Studios For Dummies. John Wiley & Sons, Ltd., 2005.

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McIan, Peter. Using your portable studio: A complete course to the art of using a portable studio. Amsco Publications, 1996.

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3

Edstrom, Brent. Recording on a budget: How to make great audio recordings without breaking the bank. Oxford University Press, 2010.

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Edstrom, Brent. Recording on a budget. Oxford University Press, 2010.

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service), ScienceDirect (Online, ed. Mixing secrets for the small studio. Focal Press, 2011.

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6

Graf, Calvin R. Exploring light, radio & sound energy, with projects. Tab Books, 1985.

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Baragary, Ray. The Billboard guide to home recording. Billboard Books, 1990.

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Baragary, Ray. The billboard guide to home recording. Billboard Books, 1996.

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9

Poljak, František. Zvuková zložka amatérskeho filmu. Osvetový ústav, 1987.

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10

Horn, Delton T. Sound, light, and music: Projects for the LM3909. Tab Books, 1993.

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