Relevant bibliographies by topics / Soundies (Motion pictures)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Soundies (Motion pictures)'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Soundies (Motion pictures)"

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Efendi, Mukhamad Ardiansyah. "The Use of Pictures as Media to Improve Students’ Reading Comprehension." Journal of English Teaching, Literature, and Applied Linguistics 2, no. 2 (2021): 84. http://dx.doi.org/10.30587/jetlal.v2i2.2467.

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 Reading is an important skill for developing second language competence. The success of a learning a second language is by taking the power of reading. In the classroom, we will face many techniques applied to the students under the expectation that they are able to or easy to understand the lesson. For a teacher, it is necessary to find new teaching media to overcome the problems and not to forget to motivate the students. In this paper, the writer wants to know the effect of picture as a media to improve students’ reading comprehension. The purpose of this research is to find out whet
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Anestis, Andreas G., and Christos A. Gousios. "How Cinema Sounds Affect the Perception of a Motion Picture." Universal Journal of Psychology 3, no. 5 (2015): 147–52. http://dx.doi.org/10.13189/ujp.2015.030503.

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Yamauchi, Naoto, Kazuko Shinohara, and Hideyuki Tanaka. "Crossmodal Association Between Linguistic Sounds and Motion Imagery: Voicing in Obstruents Connects With Different Strengths of Motor Execution." Perception 48, no. 6 (2019): 530–40. http://dx.doi.org/10.1177/0301006619847577.

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The present study investigates whether obstruent voicing may or may not affect the imagery of different strengths of motor execution. In a modified version of the implicit association test, participants responded to discrimination tasks that include viewing static pictures of athletes in motion and hearing mono-syllabic linguistic sounds. The results suggest that voiced obstruents are compatible with the motion imagery that implies stronger motor executions, whereas voiceless obstruents are compatible with the imagery that implies weaker motor executions. These results provide experimental sup
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SMEETS, D. J. H., and A. G. BUS. "The interactive animated e-book as a word learning device for kindergartners." Applied Psycholinguistics 36, no. 4 (2014): 899–920. http://dx.doi.org/10.1017/s0142716413000556.

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ABSTRACTElectronic picture storybooks often include motion pictures, sounds, and background music instead of static pictures, and hotspots that label/define words when clicked on. The current study was designed to examine whether these additional elements aid word learning and story comprehension and whether effects accumulate making the animated e-book that also includes hotspots the most promising device. A sample group of 136 4- and 5-year-old kindergarten children were randomly assigned to one of four conditions: static e-books, animated e-books, interactive animated e-books, and a control
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Agustina, Lia. "Enhancing the Students’ Positive Attitude in Learning Business English by Using Technology." Advances in Language and Literary Studies 8, no. 6 (2017): 51. http://dx.doi.org/10.7575/aiac.alls.v.8n.6p.51.

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Many research findings have stated that the use of technology in EFL classroom results invaluable achievements and develops positive attitudes. Technology may integrate sounds, pictures, motions, and colors that figure out a natural picture of real life. The aim of the study was to enhance the students’ attitude toward learning English by using technology of internet that used as the data-finding resources while computer software used as an instrument to do the assigned project. The instruction was performed in a project simulating business meeting, done in a group of seven members. The study
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Bracken, Cheryl Campanella, Gary Pettey, Trupti Guha, and Bridget E. Rubenking. "Sounding Out Small Screens and Telepresence." Journal of Media Psychology 22, no. 3 (2010): 125–37. http://dx.doi.org/10.1027/1864-1105/a000017.

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The number of small and mobile screens being used for entertainment is growing daily. This paper presents the findings of the impact of smaller video format (specifically the Apple iPod), media content, and sound delivery on audience responses. The 2 × 2 × 2 experimental design varied screen size, content, and sound delivery. Participants were exposed to one of two presentations either on an iPod or on a 32 inch (81.2 centimeters) television with sound being supplied by either speakers or a headset. Participants saw either a 10-minute fast-paced (multiple cut) action sequence or a 10-minute sl
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Nguyen The, Cuong, and Dmitry Shashev. "Methods and Algorithms for Detecting Objects in Video Files." MATEC Web of Conferences 155 (2018): 01016. http://dx.doi.org/10.1051/matecconf/201815501016.

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Video files are files that store motion pictures and sounds like in real life. In today's world, the need for automated processing of information in video files is increasing. Automated processing of information has a wide range of application including office/home surveillance cameras, traffic control, sports applications, remote object detection, and others. In particular, detection and tracking of object movement in video file plays an important role. This article describes the methods of detecting objects in video files. Today, this problem in the field of computer vision is being studied
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Oleksandr, Lishafai. "TECHNOLOGICAL PROCESSES OF SOUND MAKING IN AUDIOVISUAL WORK." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 60, no. 60 (2021): 75–95. http://dx.doi.org/10.34064/khnum1-60.04.

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The relevance of the article. The article explores technological processes of creating sound accompaniment in audiovisual works and points out main categories that expose a panoramic picture of these processes. The soundtrack in relation to a motion picture is a flexible, modern structure with a large number of components. There is a number of technical means for reproducing sound accompaniment in audiovisual work. More than a hundred years ago, when it was necessary to make works of fine art more affecting and impressive with the help of sound, they used to fall back on acoustic musical instr
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Fauser, Annegret. "Sounding the Tricolore: France and the United States during World War ii." Les musiques franco-européennes en Amérique du Nord (1900-1950) : études des transferts culturels 16, no. 1-2 (2017): 9–21. http://dx.doi.org/10.7202/1039609ar.

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During World War ii, French music found itself in a unique position in the United States. As the sonic embodiment of an Allied nation, it was nonetheless subjected to musical identity politics that drew on stereotypes of France as an elegant, cosmopolitan, and even effeminate culture whose products needed the transformation of US reception to toughen themselves up for the global war, fought both on the battlefield and through propaganda. I focus on three aspects of this complex story of cultural mediation: the reception and adaptation of Claude Debussy’s music, especially Pelléas et Mélisande;
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Akurathi, Aravinda, Yoshitha Challagulla, Meghana Kakarla, Sreeja Kandula, and B.Tejaswi. "Image Restoration using Deep Learning Techniques." International Journal of Engineering and Advanced Technology (IJEAT) 12, no. 5 (2022): 13–16. https://doi.org/10.35940/ijeat.E3509.0611522.

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<strong>Abstract:</strong> In the modern era, due to the emergence of various technologies, most of the human work is now being performed by the computer system. The computer&rsquo;s capacity to make everything possible is increasing as by the time. Photos are used to capture or freeze the moments in one&rsquo;s life. We can embrace those moments at any time by looking at the pictures. It is natural that, as time passes by, these photos gets damaged due to environmental conditions that leads to loss of our important moments. Hence, preserving the photos is as important as taking them. The proc
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Dissertations / Theses on the topic "Soundies (Motion pictures)"

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Chua, Collin. "Re-sounding images: sound and image in an audiovisual age." Thesis, Chua, Collin (2007) Re-sounding images: sound and image in an audiovisual age. PhD thesis, Murdoch University, 2007. https://researchrepository.murdoch.edu.au/id/eprint/657/.

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This dissertation examines the evolving articulation of sound and image in contemporary culture, with particular reference to film. It argues that sound and image have undergone a historical machined separation, followed by a machined fusion or recombination. The machined fusion of sound and image has enabled the creation of soundful images, which are more than simply the sum of their parts. Through the infusion of sound, images are now routinely reinforced with a performed sense of presence, where they are made to sound more real, more powerful, more authentic. Through association with the im
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Chua, Collin. "Re-sounding images : sound and image in an audiovisual age /." Chua, Collin (2007) Re-sounding images: sound and image in an audiovisual age. PhD thesis, Murdoch University, 2007. http://researchrepository.murdoch.edu.au/657/.

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This dissertation examines the evolving articulation of sound and image in contemporary culture, with particular reference to film. It argues that sound and image have undergone a historical machined separation, followed by a machined fusion or recombination. The machined fusion of sound and image has enabled the creation of soundful images, which are more than simply the sum of their parts. Through the infusion of sound, images are now routinely reinforced with a performed sense of presence, where they are made to sound more real, more powerful, more authentic. Through association with the im
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Gille, Quentin. "Propositions pour un paradigme culturel de la phono-cinématographie: des phono-scènes aux vidéoclips et au-delà." Doctoral thesis, Universite Libre de Bruxelles, 2014. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209309.

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La proposition centrale de cette thèse est double. D’une part, il s’agit de jeter les bases d’un modèle historique qui réunirait tous les dispositifs audiovisuels qui associent des images animées à une chanson populaire qui leur est préexistante sous un même paradigme culturel que nous baptiserons « phono-cinématographie ». Celui-ci aurait débuté vers la fin du XIXe siècle, avec l’invention du kinétoscope d’Edison, pour aboutir à nos jours avec l’émergence des vidéos musicales interactives sur Internet. D’autre part, il s’agit de nous interroger sur le rôle a priori central que les Beatles occ
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Gabriel, Gilbert. "Altered states, altered sounds : an investigation of how 'subjective states' are signifed by the soundtrack in narrative fiction cinema." Thesis, Cardiff University, 2011. http://orca.cf.ac.uk/15238/.

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This thesis develops an approach to analyse how film soundtracks are used to signify characters’ subjective experiences of altered states that may distort or exceed their ordinary experience of reality through dreams, memories, intoxication, etc. Its aim is to contribute to critical audio-visual literacy by using Van Leeuwen’s sound semiotic theory (1999) in conjunction with film sound theory in order to investigate how characters’ subjective experiences of particular states of mind (dreams, memories and flashbacks, intoxication, terror and insanity) are signified in narrative fiction cinema b
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McGinney, William Lawrence. "The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9839.

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Behrens, Ragni. "Zur Bedeutung des Vergleichs in Eichendorffs Erzählwerk : "...ihm war, als spiegelte sich wunderbar sein Leben wie ein Traum noch einmal wieder"." Doctoral thesis, Stockholms universitet, Institutionen för baltiska språk, finska och tyska, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-541.

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The present dissertation investigates similes and their importance in Eichendorff’s narrative work. The sources of the investigation consist of seven of Eichendorff’s narratives. Their 734 similes make up the corpus, which is presented in its entirety in the appendix. The context of the similes is partly included as well. Initially, I define the concept of “simile” more precisely, partly distancing myself from the definitions found in classical dictionaries of literary terms. After this, I describe my procedure for analysis in detail. This turned out to be necessary, since there was no similar
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Books on the topic "Soundies (Motion pictures)"

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1941-, Abel Richard, Altman Rick 1945-, and Domitor Conference (5th : 1998 : Library of Congress), eds. The Sounds of early cinema. Indiana University Press, 2001.

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Geisel, Ted. Gerald McBoing Boing: Based on the Academy Award-winning motion picture. HarperCollins Children's Books, 2001.

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Keller, Matthias. Stars and sounds: Filmmusik, die dritte Kinodimension. 2nd ed. Bärenreiter, 2000.

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Bartkowiak, Mathew J. Sounds of the future: Essays on music in science fiction film. McFarland & Co., 2010.

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Bartkowiak, Mathew J. Sounds of the future: Essays on music in science fiction film. McFarland & Co., 2010.

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Angelo, Gioè, Sossai Maria Rosa, and Muzeʼon Tel Aviv le-omanut, eds. Sounds & visions: Artists' films and videos from Europe : the last decade. Silvana, 2009.

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Angelo, Gioè, Sossai Maria Rosa, and Muzeʼon Tel Aviv le-omanut, eds. Sounds & visions: Artists' films and videos from Europe : the last decade. Silvana, 2009.

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McParland, Stephen J. Cycle cinema and sickle sounds: A musical appreciation of the biker film genre. Cmusic Books, 2003.

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Tanczuk, Renata. Sounds of War and Peace: Soundscapes of European Cities in 1945. Peter Lang International Academic Publishers, 2018.

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Kelley, Andrea J. Soundies Jukebox Films and the Shift to Small-Screen Culture. Rutgers University Press, 2018.

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Book chapters on the topic "Soundies (Motion pictures)"

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Davison, Annette. "Sounds Industrial." In Films That Work Harder. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789462986534_ch29.

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This chapter seeks to demonstrate the contribution of music, sound, and voice-over commentary to the rhetorical discourse of industrial films. Frank Lewin’s article series “The Soundtrack in Industrial Motion Pictures” (1959–60) presents best-practice guidance and thus provides access to the conventions of recording and mixing of music, sound, and voice-over commentary in industrial films of the period. Audiovisual analysis of films made by the Shell Film Unit in the 1950s confirms Lewin’s prescriptions: sonic and visual elements are examined separately, in combination, and in the context of p
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"1. Songs of the Sonic Body: Noise and the Sounds of Early Motion Picture Audiences." In Static in the System. University of California Press, 2019. http://dx.doi.org/10.1525/9780520971196-004.

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Erokhina, Ekaterina A. "Soviet Dacha Through the Eyes of a Child: the Experience of Close Reading of T.N. Tolstaya’s “Invisible Maiden”." In Estate and Dacha in the Literature of the Soviet Era: Losses and Gains. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/978-5-9208-0758-8-605-620.

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The article considers the poetics of T.N. Tolstaya’s story “Invisible Maiden”, namely, the features of the image of the inner world of the hero-child and the world around him — the Soviet dacha of the “thaw” period, with inseparable elements inherent in this topos — the owner’s house, plot, garden, kitchen garden, a lake, etc. The memoir nature of the text allows the author to accurately and succinctly convey the picture of the child’s world, fill it with colors, smells, sounds, populate it with real and fictional creatures, and at the same time describe factually correctly some features of th
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"Schubert’s Ihr Bild." In Der Tonwille, edited by Heinrich Schenker and William Drabkin. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195122374.003.0005.

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Abstract Since it is certainly not possible to detect a motive in these bars, it is a question of what other purpose they fulfill. Do they just simply introduce the key, or do they perhaps prefigure the initial tone of the voice part, or both? Now be that as it may, in any event one would still have to ask why the master strikes the same tone twice when it was also quite possible simply to let it remain sounding during the two bars. In fact, the answer to this second question brings us the solution of the puzzle: repeating that tone in a slow tempo, after a rest no less, amounts to staring at
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Conference papers on the topic "Soundies (Motion pictures)"

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Notte, Shun, Sota Hashimoto, Tomoyoshi Inoue, et al. "Selective sound field imaging by parallel phase-shifting digital holography with time-frequency filtering." In Frontiers in Optics. Optica Publishing Group, 2022. http://dx.doi.org/10.1364/fio.2022.jtu5b.55.

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We proposed an optical method for imaging of a motion picture of sounds for selected frequency. We recorded three sounds of frequencies 39.5, 40.0, and 40.5 kHz with the frame rate of 100,000 fps by parallel phase-shifting digital holography and succeeded in imaging the sound for selected frequency.
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Takao, Kisa, Hironori Uchida, Yujie Li, and Yoshihisa Nakatoh. "The Effect of Auditory Stimulus on Gazing Behavior in Driving Assistance Systems." In 10th International Conference on Human Interaction and Emerging Technologies (IHIET 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004058.

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In order to prevent traffic accidents caused by drivers ' inattention, various driving assistance systems have been developed. These systems alert the drivers through sound and warning displays. However, since the type of sound and the location of the sound differs depending on the car model, if the driver does not pay attention, may miss the warning signs. This study examines a method to support drivers' perception of danger by presenting auditory stimuli to promote visual awareness of an arbitrary location. A previous study showed that when a simple visual task was used, the presentation of
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