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Journal articles on the topic 'Soundies (Motion pictures)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Efendi, Mukhamad Ardiansyah. "The Use of Pictures as Media to Improve Students’ Reading Comprehension." Journal of English Teaching, Literature, and Applied Linguistics 2, no. 2 (2021): 84. http://dx.doi.org/10.30587/jetlal.v2i2.2467.

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 Reading is an important skill for developing second language competence. The success of a learning a second language is by taking the power of reading. In the classroom, we will face many techniques applied to the students under the expectation that they are able to or easy to understand the lesson. For a teacher, it is necessary to find new teaching media to overcome the problems and not to forget to motivate the students. In this paper, the writer wants to know the effect of picture as a media to improve students’ reading comprehension. The purpose of this research is to find out whet

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Anestis, Andreas G., and Christos A. Gousios. "How Cinema Sounds Affect the Perception of a Motion Picture." Universal Journal of Psychology 3, no. 5 (2015): 147–52. http://dx.doi.org/10.13189/ujp.2015.030503.

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Yamauchi, Naoto, Kazuko Shinohara, and Hideyuki Tanaka. "Crossmodal Association Between Linguistic Sounds and Motion Imagery: Voicing in Obstruents Connects With Different Strengths of Motor Execution." Perception 48, no. 6 (2019): 530–40. http://dx.doi.org/10.1177/0301006619847577.

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The present study investigates whether obstruent voicing may or may not affect the imagery of different strengths of motor execution. In a modified version of the implicit association test, participants responded to discrimination tasks that include viewing static pictures of athletes in motion and hearing mono-syllabic linguistic sounds. The results suggest that voiced obstruents are compatible with the motion imagery that implies stronger motor executions, whereas voiceless obstruents are compatible with the imagery that implies weaker motor executions. These results provide experimental sup

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SMEETS, D. J. H., and A. G. BUS. "The interactive animated e-book as a word learning device for kindergartners." Applied Psycholinguistics 36, no. 4 (2014): 899–920. http://dx.doi.org/10.1017/s0142716413000556.

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ABSTRACTElectronic picture storybooks often include motion pictures, sounds, and background music instead of static pictures, and hotspots that label/define words when clicked on. The current study was designed to examine whether these additional elements aid word learning and story comprehension and whether effects accumulate making the animated e-book that also includes hotspots the most promising device. A sample group of 136 4- and 5-year-old kindergarten children were randomly assigned to one of four conditions: static e-books, animated e-books, interactive animated e-books, and a control

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Agustina, Lia. "Enhancing the Students’ Positive Attitude in Learning Business English by Using Technology." Advances in Language and Literary Studies 8, no. 6 (2017): 51. http://dx.doi.org/10.7575/aiac.alls.v.8n.6p.51.

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Many research findings have stated that the use of technology in EFL classroom results invaluable achievements and develops positive attitudes. Technology may integrate sounds, pictures, motions, and colors that figure out a natural picture of real life. The aim of the study was to enhance the students’ attitude toward learning English by using technology of internet that used as the data-finding resources while computer software used as an instrument to do the assigned project. The instruction was performed in a project simulating business meeting, done in a group of seven members. The study

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Bracken, Cheryl Campanella, Gary Pettey, Trupti Guha, and Bridget E. Rubenking. "Sounding Out Small Screens and Telepresence." Journal of Media Psychology 22, no. 3 (2010): 125–37. http://dx.doi.org/10.1027/1864-1105/a000017.

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The number of small and mobile screens being used for entertainment is growing daily. This paper presents the findings of the impact of smaller video format (specifically the Apple iPod), media content, and sound delivery on audience responses. The 2 × 2 × 2 experimental design varied screen size, content, and sound delivery. Participants were exposed to one of two presentations either on an iPod or on a 32 inch (81.2 centimeters) television with sound being supplied by either speakers or a headset. Participants saw either a 10-minute fast-paced (multiple cut) action sequence or a 10-minute sl

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Nguyen The, Cuong, and Dmitry Shashev. "Methods and Algorithms for Detecting Objects in Video Files." MATEC Web of Conferences 155 (2018): 01016. http://dx.doi.org/10.1051/matecconf/201815501016.

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Video files are files that store motion pictures and sounds like in real life. In today's world, the need for automated processing of information in video files is increasing. Automated processing of information has a wide range of application including office/home surveillance cameras, traffic control, sports applications, remote object detection, and others. In particular, detection and tracking of object movement in video file plays an important role. This article describes the methods of detecting objects in video files. Today, this problem in the field of computer vision is being studied

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Oleksandr, Lishafai. "TECHNOLOGICAL PROCESSES OF SOUND MAKING IN AUDIOVISUAL WORK." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 60, no. 60 (2021): 75–95. http://dx.doi.org/10.34064/khnum1-60.04.

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The relevance of the article. The article explores technological processes of creating sound accompaniment in audiovisual works and points out main categories that expose a panoramic picture of these processes. The soundtrack in relation to a motion picture is a flexible, modern structure with a large number of components. There is a number of technical means for reproducing sound accompaniment in audiovisual work. More than a hundred years ago, when it was necessary to make works of fine art more affecting and impressive with the help of sound, they used to fall back on acoustic musical instr

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Fauser, Annegret. "Sounding the Tricolore: France and the United States during World War ii." Les musiques franco-européennes en Amérique du Nord (1900-1950) : études des transferts culturels 16, no. 1-2 (2017): 9–21. http://dx.doi.org/10.7202/1039609ar.

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During World War ii, French music found itself in a unique position in the United States. As the sonic embodiment of an Allied nation, it was nonetheless subjected to musical identity politics that drew on stereotypes of France as an elegant, cosmopolitan, and even effeminate culture whose products needed the transformation of US reception to toughen themselves up for the global war, fought both on the battlefield and through propaganda. I focus on three aspects of this complex story of cultural mediation: the reception and adaptation of Claude Debussy’s music, especially Pelléas et Mélisande;

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Akurathi, Aravinda, Yoshitha Challagulla, Meghana Kakarla, Sreeja Kandula, and B.Tejaswi. "Image Restoration using Deep Learning Techniques." International Journal of Engineering and Advanced Technology (IJEAT) 12, no. 5 (2022): 13–16. https://doi.org/10.35940/ijeat.E3509.0611522.

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<strong>Abstract:</strong> In the modern era, due to the emergence of various technologies, most of the human work is now being performed by the computer system. The computer’s capacity to make everything possible is increasing as by the time. Photos are used to capture or freeze the moments in one’s life. We can embrace those moments at any time by looking at the pictures. It is natural that, as time passes by, these photos gets damaged due to environmental conditions that leads to loss of our important moments. Hence, preserving the photos is as important as taking them. The proc

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Christiane, Wagner. "Environmental Aesthetics: Socio-Territorial Conflicts throughout Media, edited by Christiane Wagner." Art Style, Art & Culture International Magazine 9, no. 9 (2022): 158. https://doi.org/10.5281/zenodo.6808611.

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For more information about the board, please click on Editorial Team and <em>Art Style Magazine</em>’s Scientific Committee <em>Art Style, Art & Culture International Magazine</em> is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of socio-cultural, historical, and market influence. Thus, the

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Christiane, Wagner, C. Scorzin Pamela, Andjelkovic Katarina, Lina Schmidt Carol, and Caldas Waldenyr. "Art Style, Art & Culture International Magazine, no. 5." Art Style, Art & Culture International Magazine 5, no. 5 (2020): 120. https://doi.org/10.5281/zenodo.6377120.

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Editor-in-Chief and Creative Director: Christiane Wagner For more information about the board, please click on Editorial Team and Art Style Magazine’s Scientific Committee Art Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of socio-cultural, his

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Christiane, Wagner. "Art Style, Art & Culture International Magazine, no. 12." Art Style, Art & Culture International Magazine 12, no. 12 (2023): 198. https://doi.org/10.5281/zenodo.8310059.

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Editor-in-Chief and Creative Director: Christiane Wagner For more information about the board, please click on Editorial Team and Art Style Magazine’s Scientific Committee Art Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of socio-cultural, his

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Hall, Sara F. "Youth protection and the prevention of juvenile delinquency." Journal of European Studies 39, no. 3 (2009): 353–70. http://dx.doi.org/10.1177/0047244109106687.

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The year 1926 marked the passage of Germany’s Law to Protect Youth from Worthless and Obscene Publications. In combination with the Reich Motion Picture Law of 1920, this legislation sought to shelter minors from the corrupting forces of cultural narrative and imagery. As the discourse surrounding these laws attests, the terms of Germany’s so-called ‘cinema debate’ were ambivalent, and discussions about films thematizing crime were especially complex. Whereas many detective and crime films were condemned for glorifying delinquency, brutalizing the senses and exposing youth to excessive details

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Martina, Sauer, Günther Elisabeth, Günther Sven, et al. "Material Image. Affordances as a New Approach to Visual Culture Studies." Art Style, Art & Culture International Magazine 7, no. 7 (2021): 236. https://doi.org/10.5281/zenodo.6377137.

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Special Issue  |  Volume 7  |  Issue 7 Art Style | Art & Culture International Magazine Editor-in-Chief and Creative Director: Christiane Wagner Co-Editor for this Special Issue: Elisabeth Günther Senior Editor: Martina Sauer For more information about the board, please click on Editorial Team and Art Style Magazine’s Scientific Committee   Art Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All va

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Aravinda, Akurathi, Challagulla Yoshitha, Kakarla Meghana, Kandula Sreeja, and B. Tejaswi. "Image Restoration using Deep Learning Techniques." International Journal of Engineering and Advanced Technology 11, no. 5 (2022): 13–16. http://dx.doi.org/10.35940/ijeat.e3509.0611522.

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In the modern era, due to the emergence of various technologies, most of the human work is now being performed by the computer system. The computer’s capacity to make everything possible is increasing as by the time. Photos are used to capture or freeze the moments in one’s life. We can embrace those moments at any time by looking at the pictures. It is natural that, as time passes by, these photos gets damaged due to environmental conditions that leads to loss of our important moments. Hence, preserving the photos is as important as taking them. The process of taking corrupt or noisy image an

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Safitri, Mutia, Nazliati, and Muhammad Nuh Rasyid. "Penerapan Media Web Wordwall untuk Meningkatkan Hasil Belajar PAI Siswa di SMP Negeri 2 Langsa." Al-Ikhtibar: Jurnal Ilmu Pendidikan 9, no. 1 (2022): 47–56. http://dx.doi.org/10.32505/ikhtibar.v9i1.636.

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Wordwall web media is one of the varied learning media that displays text information, still or motion pictures, animations, sounds, and videos that are fun for students in the form of games/quiz. This research is based on the fact that in PAI learning the teacher still has not maximized the use of media, so that the student learning process is sometimes less conducive. The purpose of this study was to find out whether the application of this wordwall web media could improve PAI learning outcomes for students at SMP Negeri 2 Langsa. This research is a Classroom Action Research (CAR) which cons

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Hamasaeed, Nazakat Hussain, AbdulSamad Qadir Hussain, and Mohammed Rasw Ahmed. "Using Post-Production Stage Actions to Enhance the Quality of Television Programs: A Descriptive-Analytics Study of the “Ba Wrdi” Program of the NRT Channel." Journal of University of Raparin 10, no. 1 (2023): 102–25. http://dx.doi.org/10.26750/vol(10).no(1).paper5.

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Post-Production Stage is considered as one of the most important elements of production. Through this stage, the process of editing, organization and the consistency among video shots, sounds and colors is done by color-artists, designers, video editors, sound editors and animators. Post-Production Stage appeared with the development of television production technology. As such, how the Kurdish TV Channels use Post-Production Stage is becoming an increasingly critical subject of analysis and research. The need for researching, understanding and uncovering the use of post-production stage is ve

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Safitri, Mutia, Nazliati, and Muhammad Nuh Rasyid. "Penerapan Media Web Wordwall untuk Meningkatkan Hasil Belajar PAI Siswa di SMP Negeri 2 Langsa." Al-Ikhtibar: Jurnal Ilmu Pendidikan 9, no. 1 (2022): 47–56. http://dx.doi.org/10.32505/ikhtibar.v9i1.4249.

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Wordwall web media is one of the varied learning media that displays text information, still or motion pictures, animations, sounds, and videos that are fun for students in the form of games/quiz. This research is based on the fact that in PAI learning the teacher still has not maximized the use of media, so that the student learning process is sometimes less conducive. The purpose of this study was to find out whether the application of this wordwall web media could improve PAI learning outcomes for students at SMP Negeri 2 Langsa. This research is a Classroom Action Research (CAR) which cons

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Fair, John D. "Beautiful Beach Bodies and Muscle Heads." California History 97, no. 2 (2020): 112–23. http://dx.doi.org/10.1525/ch.2020.97.2.112.

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Uneasily situated between counterculture images projected by James Dean in Rebel Without a Cause (1955) and the dawning of the “Age of Aquarius” a decade later, there emerged a motion picture interlude of innocence on the beaches of Southern California. It was fostered by Gidget (1959) and then thirty “surf and sex” movies that focused on young, attractive bodies and beach escapades rather than serious social causes.The films, argues Kirse May, “created an ideal teenage existence, marked by consumption, leisure, and little else.” Stephen Tropiano explains how their popularity helped shape “the

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Shevchuk, B. M. "«Pictures at an Exhibition» by Modest Mussorgsky: the correlation of melos and colourfulness." Aspects of Historical Musicology 18, no. 18 (2019): 243–64. http://dx.doi.org/10.34064/khnum2-18.14.

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Background. The “melos” and “colourfulness” terms are used in various meanings both, in music and fine arts. The ambiguity of these concepts in our time of unlimited possibilities for creative experiment and bold search for new semantic levels, interest in establishing versatile inter-scientific relations allows us to apply innovative analytic methods to the works of art. Among these methods, intermedial inter-disciplinary researches seem to be extremely promising, especially when applied to such traditional, well-established forms of art as academic painting and music. The article uses the in

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Gibson, Dylan Lawrence. "Mechanical and artificial ‘nü-horror metal’: The film music of Resident Evil." Metal Music Studies 8, no. 1 (2022): 87–108. http://dx.doi.org/10.1386/mms_00062_1.

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Remaining true to its origins, the survival-horror video game film adaption, Resident Evil: The Original Motion Picture released in 2002, retains its core foundational game-like qualities. The film is heavily influenced by the video game franchise and it appears as if the audience is treated the same as the player. This is because the viewers are forced to ‘participate’ from fixed camera angles. As expected, the music contained within the moving image also borrows well-established compositional techniques from horror films and survival-horror video games. The music, therefore, serves to provid

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Punkka, Ari-Juhani, Jenni Teittinen, and Robert H. Johns. "Synoptic and Mesoscale Analysis of a High-Latitude Derecho–Severe Thunderstorm Outbreak in Finland on 5 July 2002." Weather and Forecasting 21, no. 5 (2006): 752–63. http://dx.doi.org/10.1175/waf953.1.

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Abstract On 5 July 2002, a rapidly propagating bow echo formed over eastern Finland causing severe wind damage in an exceptionally large area. The Ministry of the Interior’s Emergency Response Centers received nearly 400 thunderstorm-related wind damage reports. The 5 July 2002 case is the highest-latitude derecho that has ever been documented. The bow echo developed ahead of a northeastward-moving 500-hPa trough inside of the warm sector of a secondary low and moved north-northwestward on the eastern (warm) side of the quasi-stationary front. The leading edge of the bow echo was oriented perp

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Kalenichenko, O. M. "Interpretation of Gogol’s works on the puppet theater stage (based on the spectacle by Oksana Dmitrieva «May night, or Moonlight Witchcraft»)." Aspects of Historical Musicology 17, no. 17 (2019): 148–62. http://dx.doi.org/10.34064/khnum2-17.10.

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Background. M. Gogol’s «Evenings on a Farm Near Dikanka» often attract the attention of theater directors. Thus, in June 2009, the premiere of the play «May night, or Moonlight Witchcraft» directed by Oksana Dmitrieva, took place at the Kharkov Puppet Theater. Trying to reveal the genre nature of the production, theater critics give it such definitions as a fairy tale, musical, fantasy, ethno-folk show, liturgy, mystery play, as well as analyze individual finds of a young director, but the complete picture of the artistic features of this performance is absent yet. In this regard, the purpose

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Wang, Duangui. "Re-semantization of A. Pushkin’s poetry in the creative work of V. Kosenko (on the example of “The Five Romances”, op. 20)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, no. 50 (2018): 89–102. http://dx.doi.org/10.34064/khnum1-50.07.

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Formulation of the problem. In the chamber-vocal genre, the composer exists in two images: he is both the interpreter of the poetic composition and the author of a new synthetic music and poetic composition. The experience of the style analysis of one of the best examples of Ukrainian vocal lyrics of the first third of the 20th century shows that the cycle op. 20 characterizes the mature style of the composer, which was formed, on the one hand, under the influence of European Romanticism. On the other hand, the essence of the Ukrainian “branch” of the Western European song-romance (“solo-singi

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Ringle, Carter. "Mind, Music, and Motion Pictures: The Making and Remaking of the Sensuous Consumer - Joshua Yumibe. Moving Color: Early Film, Mass Culture, Modernism. New Brunswick, NJ: Rutgers University Press, 2012. 230 pp. ISBN 9780813552965, $72.00 (cloth). - Lauren Rabinovitz. Electric Dreamland: Amusement Parks, Movies, and American Modernity. New York: Columbia University Press, 2012. 256 pp. ISBN 9780231156608, $82.50 (cloth). - Neil Verma. Theater of the Mind: Imagination, Aesthetics, and American Radio Drama. Chicago: University of Chicago Press, 2012. 296 pp. ISBN 9780226853505, $90.00 (cloth). - Timothy D. Taylor. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press, 2012. 368 pp. ISBN 9780226791159, $40.00 (cloth)." Enterprise & Society 16, no. 2 (2015): 446–63. http://dx.doi.org/10.1017/eso.2015.1.

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Ritu, Gambhir, and Pathak Dr.Rekha. "A STUDYOF EFFECTIVENESS OF AN EXPERIENTIAL METHOD FOR TEACHING STUDENTS." Educational Resurgence Journal 8, no. 1 (2025): 16–41. https://doi.org/10.5281/zenodo.14723028.

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<strong>Abstract</strong>: This study investigates the effectiveness of an experiential learning approach for teaching the English language to Grade 12 students. Experiential learning, grounded in Kolb's Experiential Learning Cycle, emphasizes direct experiences, reflection, and active engagement to enhance understanding and application of language skills. A quasi-experimental design was employed, comparing traditional instruction with experiential methods to assess their impact on students' English proficiency and 21st-century skills, including communication, collaboration, and critical think

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Dombrugova, Natalia. "Semiotics of motion picture sound design." Collection of scientific works “Notes on Art Criticism”, no. 34 (January 9, 2020). http://dx.doi.org/10.32461/2226-2180.34.2018.191142.

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The purpose of the article is to determine the specificity of sound design as a sign system inthe structure of the film. The methodology of the study includes a semiotic approach and theinvolvement of some poststructuralist concepts (in particular, an "empty sign"), there is also a postphenomenological optics of view and a media theory of Boris Groys. Scientific novelty lies in thefact that for the first time an attempt has been made to reveal the conceptual core of sound designfrom the position of the simulated index field and the ontology of the submedial surface.Conclusions. If the movie as

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Silva, Fábio, Ana C. Magalhães, Daniela Fidalgo, Nuno Gomes, Marta I. Garrido, and Sandra C. Soares. "Inbound friend or foe: how motion bistability is resolved under threat." Motivation and Emotion, August 21, 2024. http://dx.doi.org/10.1007/s11031-024-10085-y.

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AbstractAnxiety prepares us to deal with unpredictable threats, such as the approaching of an unknown person. Studies have shown our innate tendency to see approaching motion in ambiguous walkers in what was termed facing-the-viewer (FTV) bias. Here we investigated if anxiety states further contributed to this bias, hypothesizing that such states would increase overall FTV biases. Throughout three Experiments, we asked participants to judge the motion direction of ambiguous point-light walkers and measured their respective FTV biases under safe and anxiety-related conditions induced via imager

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Bretschneider, Jochen, and Zachary Rothman. "If a picture already tells a thousand words, how many more do we need to add?" FASEB Journal 31, S1 (2017). http://dx.doi.org/10.1096/fasebj.31.1_supplement.14.1.

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We review the unique opportunities that video production provides for teaching and learning, with a focus on storytelling using sounds, images, and yes, even (occasionally) words.Subject Matter Expertise is rooted in the written word and the public presentation, but contemporary tools and new methods of distribution require educators and experts to learn a new kind of media literacy.Innovate or perish. Communicate or disappear.We take the audience on a journey from written word to motion picture, using examples of our past video productions ‐ from the high production value 4K UBC Neuroanatomy

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Lavanya, Pandiyan. "Exclusive Rights of Cinematography Owners in Film Industry." January 4, 2022. https://doi.org/10.5281/zenodo.5818341.

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<em>Cinematography finds uses in many fields of science and business as well as for entertainment purposes and mass communication. Cinematographic films' visual images and accompanying sounds are protected under copyright. Cinematographic films also include feature films, TV programs, documentaries, short films, home videos, animated films, and cartoons, television commercials, video podcasts and computer games. Films are protected regardless of their format (16mm, film, video, DVD, or digital formats). Such cinema has a special feature of copyright in the entire film which may cover porti

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Sulistiyanto, Debby Wahyu, Agus Basukesti, and Nurcahyani Dewi Retnowati. "SISTEM APLIKASI MONITORING RUANGAN BERBASIS WEBCAM." Compiler 2, no. 1 (2013). http://dx.doi.org/10.28989/compiler.v2i1.32.

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Software design and hardware application system monitoring room webcam based aims to add value to the webcam to be used as part of the security system, implementing the work process of hardware and software monitoring system formed using delphi 7, analyzing the performance o f a stepper motor as the driving platform webcam and documenting object images and sounds in the room activities into a file format AVI (Audio Video Interleave). Webcams are used in this design is equipped with a standard webcam lighting lamps LED (Light Emitting Diode) with a USB data line, while the driver controls the w

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Lu, Shiuan-Huei, Yi-Chun Kuan, Kuan-Wen Wu, et al. "Kinematic strategies for obstacle-crossing in older adults with mild cognitive impairment." Frontiers in Aging Neuroscience 14 (December 13, 2022). http://dx.doi.org/10.3389/fnagi.2022.950411.

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IntroductionMild cognitive impairment (MCI) is considered a transitional stage between soundness of mind and dementia, often involving problems with memory, which may lead to abnormal postural control and altered end-point control when dealing with neuromechanical challenges during obstacle-crossing. The study aimed to identify the end-point control and angular kinematics of the pelvis-leg apparatus while crossing obstacles for both leading and trailing limbs.Methods12 patients with MCI (age: 66.7 ± 4.2 y/o; height: 161.3 ± 7.3 cm; mass: 62.0 ± 13.6 kg) and 12 healthy adults (age: 67.7 ± 2.9 y

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Morris, Ieuan. "Interruption/Interaction/Collaboration: A Critical Appraisal of the Textual @traction Interactive Event." M/C Journal 9, no. 2 (2006). http://dx.doi.org/10.5204/mcj.2622.

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This article reflects upon the process of the making and screening of an interactive short film called Textual @traction, which I wrote and directed. The film is 12 minutes long, 35mm film, and shows how a series of messages sent to a lost mobile phone inadvertently allows two gay men to declare their love for each other. In the form of a puzzle, the film denies sight of the crucial messages sent between the characters, messages which motivate their actions. However, through the simple use of SMS (Short Message System) text technology, the audience can receive each of these messages on their o

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Champion, Katherine M. "A Risky Business? The Role of Incentives and Runaway Production in Securing a Screen Industries Production Base in Scotland." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1101.

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IntroductionDespite claims that the importance of distance has been reduced due to technological and communications improvements (Cairncross; Friedman; O’Brien), the ‘power of place’ still resonates, often intensifying the role of geography (Christopherson et al.; Morgan; Pratt; Scott and Storper). Within the film industry, there has been a decentralisation of production from Hollywood, but there remains a spatial logic which has preferenced particular centres, such as Toronto, Vancouver, Sydney and Prague often led by a combination of incentives (Christopherson and Storper; Goldsmith and O’Re

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Eubanks, Kevin P. "Becoming-Samurai." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2643.

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   Samurai and Chinese martial arts themes inspire and permeate the uniquely philosophical lyrics and beats of Wu-Tang Clan, a New York-based hip-hop collective made popular in the mid-nineties with their debut album Enter the Wu-Tang: Return of the 36 Chambers. Original founder RZA (“Rizza”) scored his first full-length motion-picture soundtrack and made his feature film debut with Ghost Dog: The Way of the Samurai (Jim Jarmusch, 2000). Through a critical exploration of the film’s musical filter, it will be argued that RZA’s aesthetic vision effectively deterritorialises the

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Droumeva, Milena. "Curating Everyday Life: Approaches to Documenting Everyday Soundscapes." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1009.

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In the last decade, the cell phone’s transformation from a tool for mobile telephony into a multi-modal, computational “smart” media device has engendered a new kind of emplacement, and the ubiquity of technological mediation into the everyday settings of urban life. With it, a new kind of media literacy has become necessary for participation in the networked social publics (Ito; Jenkins et al.). Increasingly, the way we experience our physical environments, make sense of immediate events, and form impressions is through the lens of the camera and through the ear of the microphone, framed by t

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Vavasour, Kris. "Pop Songs and Solastalgia in a Broken City." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1292.

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IntroductionMusically-inclined people often speak about the soundtrack of their life, with certain songs indelibly linked to a specific moment. When hearing a particular song, it can “easily evoke a whole time and place, distant feelings and emotions, and memories of where we were, and with whom” (Lewis 135). Music has the ability to provide maps to real and imagined spaces, positioning people within a larger social environment where songs “are never just a song, but a connection, a ticket, a pass, an invitation, a node in a complex network” (Kun 3). When someone is lost in the music, they can

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Collins, Steve. "Recovering Fair Use." M/C Journal 11, no. 6 (2008). http://dx.doi.org/10.5204/mcj.105.

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IntroductionThe Internet (especially in the so-called Web 2.0 phase), digital media and file-sharing networks have thrust copyright law under public scrutiny, provoking discourses questioning what is fair in the digital age. Accessible hardware and software has led to prosumerism – creativity blending media consumption with media production to create new works that are freely disseminated online via popular video-sharing Web sites such as YouTube or genre specific music sites like GYBO (“Get Your Bootleg On”) amongst many others. The term “prosumer” is older than the Web, and the conceptual co

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West, Patrick Leslie. "Between North-South Civil War and East-West Manifest Destiny: Herman Melville’s “I and My Chimney” as Geo-Historical Allegory." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1317.

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Literary critics have mainly read Herman Melville’s short story “I and My Chimney” (1856) as allegory. This article elaborates on the tradition of interpreting Melville’s text allegorically by relating it to Fredric Jameson’s post-structural reinterpretation of allegory. In doing so, it argues that the story is not a simple example of allegory but rather an auto-reflexive engagement with allegory that reflects the cultural and historical ambivalences of the time in which Melville was writing. The suggestion is that Melville deliberately used signifiers (or the lack thereof) of directionality a

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