Relevant bibliographies by topics / South african drama (tswana) history and criticism

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Academic literature on the topic 'South african drama (tswana) history and criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Dissertations / Theses on the topic "South african drama (tswana) history and criticism"

1

Brelage, Elna. "Die radiodrama in isiZulu met verwysing na die werk van D.B.Z. Ntuli." Diss., Pretoria : [s.n.], 2002. http://upetd.up.ac.za/thesis/available/etd-10132005-085945/.

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Hutchison, Yvette. ""Memory is a weapon" : the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays." Thesis, Stellenbosch : Stellenbosch University, 1999. http://hdl.handle.net/10019.1/51338.

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Thesis (PhD)--Stellenbosch University, 1999.<br>ENGLISH ABSTRACT: In hierdie proefskrif word gekyk na die verwantskap tussen geskiedenis, mite, geheue en teater. Daar word ook gekyk na die mate waartoe historiese of mitiese toneelstukke gebruik kan word om die amptelike geheue en identiteite, soos deur bewindhebbers in post-koloniale Nigerie en Kenya geskep, terug kon wen of uit kon daag. Hierdie werke word dan vergelyk met die soort teater wat tydens die Apartheidbewind in Suid-Afrika geskep is, om verskille en ooreenkomste in die gebruik van historiese en mitiese gegewens te bekyk. Di
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3

Hjul, Lauren Martha. "The family in Shakespeare's plays: a study of South African revisions." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001832.

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This thesis provides a detailed consideration of the family in Shakespeare’s canon and the engagement therewith in three South African novels: Hill of Fools (1976) by R. L. Peteni, My Son’s Story (1990) by Nadine Gordimer, and Disgrace (1999) by J. M. Coetzee. The study is divided into an introduction, three chapters each addressing one of the South African novels and its relationship with a Shakespeare text or texts, and a conclusion. The introductory chapter provides an analysis of the two strands of criticism in which the thesis is situated – studies of the family in Shakespeare and studies
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4

Haxton, Robert Peter. "Refusal and rupture as a postdramatic revolt : an analysis of selected South African contemporary devised performances with particular focus on works by First Physical Theatre Company and the Rhodes University Drama Department." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015671.

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This mini-thesis investigates the concepts of refusal and rupture as a postdramatic revolt and how these terms can be applied and read within the context of analysing contemporary devised performance in South Africa. The argument focuses on the efficacy of Hans-Thies Lehmann’s postdramatic terminology and the potential of its use in an appreciation of contemporary performance analysis. I investigate the potential in South African contemporary devised performance practice to challenge prevailing modes of traditional dramatic expectation in order to restore the experience of discovery and questi
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De, Wagter Caroline. "Mouths on fire with songs: negotiating multi-ethnic identities on the contemporary North american stage." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210237.

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A travers une étude interculturelle détaillée et comparée de la production théâtrale minoritaire canadienne et américaine, ma thèse cherche à mettre en lumière les les apports thématiques et esthétiques du théâtre multi-ethnicque nord-américain contemporain à la tradition anglo-américaine du 20ème siècle. Les communautés asiatiques, africaines et aborigènes sont retenues comme poste d'observation privilégié de l'expression esthétique de la condition multiculturelle postcoloniale dans le théâtre nord-américain de la période allant de 1972 à nos jours. Sur base d'un corpus de pièces de théâtre,
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6

Mataboge, Motlatsi Helen. "Se se jeleng rre : molebo wa kanedi." Diss., 2001. http://hdl.handle.net/2263/22888.

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7

Madja, Banhloile Oletta. "Conflict in S.K. Matseke's drama, Mmalonya." Thesis, 2014. http://hdl.handle.net/10210/9789.

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M.A. (African Languages)<br>CHAPTER 1: INTRODUCTION The main aim of this study is to focus on conflict as a literary technique in general, and in particular on Matseke's drama, "Mmalonya". In this chapter the following observations with regard to Setswana drama have been made, viz. that succession has been a fertile ground for Setswana dramatists; that conflict has been treated in a somewhat general manner by literary critics and also that there are very few critical works written or published on this aspect in Setswana drama. CHAPTER 2: DEFINITIONS OF CONFLICT This chapter commences with some
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8

Thela, Bongani Clearance. "Examining morality and corruption in South African post apartheid contemporary drama : a case of three dramas." Thesis, 2018. http://hdl.handle.net/10386/2408.

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Thesis (M.A. (English Studies)) --University of Limpopo, 2018<br>The purpose of this study was to examine South Africa’s Post-Apartheid contemporary drama. Three dramas were used in order to examine three primary themes namely morality, corruption and class - the selected plays were John Kani’s Nothing but the Truth, Zakes Mda’s Our Lady of Benoni and Mike van Graan’s Some Mother’s Sons. The ideology carried out in this study was that there is a possible reinvention of Apartheid issues in Post-Apartheid South African drama, exchanging themes of protest and race for mo
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9

Herrington, Neville John. "The English language television single play in South Africa : a threatened genre, 1976-1991." Thesis, 1993. http://hdl.handle.net/10413/8747.

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The thesis takes the form of an investigation into the various causes leading to the demise of the English language television single play in South Africa. It does not position the genre within any particular theoretical framework, but argues within the context of a liberal/critical discourse that the single play owes its development and significance to the contribution of its many writers, as well as to the creative input of the various producers, directors, from within and outside the SABC. Furthermore, it evaluates the genre within the bureaucracy of the SABC and the input of the various dr
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10

McMurtry, Mervyn Eric. "The playwright-performer as scourge and benefactor : an examination of political satire and lampoon in South African theatre, with particular reference to Pieter-Dirk Uys." Thesis, 1993. http://hdl.handle.net/10413/8666.

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During the 1970s the plays of Pieter-Dirk Uys became causes celebres. In the 1980s he was, commercially and artistically, arguably the most successful South African satirist. By 1990 he had gained recognition in the United Kingdom, the United States of America, Canada, Australia, the Netherlands and Germany. Yet relatively little research has been undertaken or published which evaluates his contribution to South African theatre as a playwright and performer of political satire. This dissertation aims to document and assess the satiric work of Uys and that of his precursors and contemporaries.
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Books on the topic "South african drama (tswana) history and criticism"

1

Orkin, Martin. Drama and the South African state. Manchester University Press, 1991.

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2

The drama of South Africa: Plays, pageants, and publics since 1910. Routledge, 1999.

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Exploring the labyrinth: Athol Fugard's approach to South African drama. Blaue Eule, 1986.

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4

Experiments in freedom: Explorations of identity in new South African drama. Cambridge Scholars Pub., 2010.

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5

The black theatre movement in the United States and in South Africa. Universitat de València, 2008.

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6

Bosman, F. C. L. Drama en toneel in Suid-Afrika. Holl.-Afr. Uitgevers Mij.(H.A.U.M.), 1992.

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7

The dramatic art of Athol Fugard: From South Africa to the world. Indiana University Press, 2000.

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8

Hauptfleisch, Temple. Theatre and society in South Africa: Some reflections in a fractured mirror. J.L. van Schaik Academic, 1997.

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9

Distiller, Natasha. South Africa, Shakespeare, and post-colonial culture. Edwin Mellen Press, 2005.

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10

Black Dionysus: Greek tragedy and African American theatre. McFarland & Co., 2003.

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