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Dissertations / Theses on the topic 'South African Pastoral fiction'

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1

Mulder, F. Adele. "Bodies and borders : space and subjectivity in three South African texts." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2444.

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Thesis (MA (English))--University of Stellenbosch, 2009.<br>ENGLISH ABSTRACT: This thesis interrogates the relationship between body, subjectivity and space in three antipastoral novels. The texts which I will be discussing, Karel Schoeman’s This Life, Anne Landsman’s The Devil’s Chimney and J.M. Coetzee’s In the Heart of the Country, all foreground the female protagonist’s relationship to a specifically South African landscape in a colonial time-frame. The inter-relatedness between the body, subjectivity and space is explored in order to show that there is a shifting interaction between these
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2

Naidu, Sam. "South African crime fiction: sleuthing the State post-1994, African Identities." African Identities, 2015. http://hdl.handle.net/10962/53912.

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In this essay we demonstrate how the burgeoning field of South African crime fiction has responded to the birth and development of a democratic, post-apartheid South African state. First, an overview of South African crime fiction in the last 20 years is presented. Then the essay presents an argument for South African crime fiction to be regarded as the ‘new political novel’, based on its capacity for socio-political analysis. We use Deon Meyer, arguably South Africa’s most popular and successful crime fiction author, as an exemplar for our argument. In the following section, the genresnob deb
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3

Naidu, Sam. "Fears and desires in South African crime fiction." Routledge, 2013. http://hdl.handle.net/10962/53765.

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This article is a review of a burgeoning literary genre, South African crime fiction, as much as it is a review of specific texts. First, for the purposes of contextualisation and historicisation, an overview of the primary literature is provided. Then criticism and theories of extant crime fiction in mainly the UK and USA, of which South African crime fiction is a descendent, are outlined. This outline is followed by descriptions of two sub-genres (the crime thriller novel and the literary detective novel). Two exemplar texts, Devil’s Peak (2007) and Lost Ground (2011) are then reviewed. The
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4

Ntshangase, Sithembiso Lizwilenkosi Samson. "Transformation within the South African Anglican Tradition : A Pastoral Perspective." Diss., University of Pretoria, 2001. http://hdl.handle.net/2263/78489.

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The research was conducted in two vast Dioceses, which are the Diocese of Natal, and the Diocese of Zululand (“Dioceses”) as the area of focus. Since the Anglican Church of Southern Africa was initiated by the early White Missionaries and governed from England for centuries, the research is investigating the advancement of transformation in both the Diocese of Natal and Diocese of Zululand respectively. The researcher acknowledges that transformation has taken place in most of the Dioceses at the Episcopal level in the Anglican Church of Southern Africa; however, cross-cultural appointments at
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5

Samuels, Mogamat Igshaan. "Pastoral mobility in a variable and spatially constrained South African environment." Doctoral thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/6180.

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Includes abstract.<br>Includes bibliographical references.<br>This thesis sets out to establish how extensive pastoral systems have changed and investigated the role of the key legislative and policy influences on these changes. It examined the current key drivers of pastoral mobility and analysed the different movement patterns and their spatial extent within a spatially constrained environment. This thesis also investigated the role of vegetation type and condition in the distribution of grazing pressure and further discussed the implications of using variable stocking rates in a spatially c
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6

Green, Michael. "Fiction as a historicizing form : uses of history in modern South African fiction." Thesis, University of York, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316162.

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7

Roux, Rowan. "Post-apartheid Speculative Fiction and the South African City." Doctoral thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/33005.

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This thesis examines the role that speculative fiction plays in imagining the city spaces of the future. Considering the rapid pace of change that has marked post-apartheid South Africa as an impetus for emerging literary traditions within contemporary South African speculative fiction, the argument begins by sketching the connections between South Africa's transition to democracy and the emerging speculative texts which mark this period. Positioning speculative fiction as an umbrella term that incorporates a wide selection of generic traditions, the thesis engages with dystopian impulses, sci
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8

Steenkamp, Elzette Lorna. "Identity, belonging and ecological crisis in South African speculative fiction." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002262.

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This study examines a range of South African speculative novels which situate their narratives in futuristic or ‘alternative’ milieus, exploring how these narratives not only address identity formation in a deeply divided and rapidly changing society, but also the ways in which human beings place themselves in relation to Nature and form notions of ‘ecological’ belonging. It offers close readings of these speculative narratives in order to investigate the ways in which they evince concerns which are rooted in the natural, social and political landscapes which inform them. Specific attention is
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9

Trump, Martin. "South African short fiction in English and Afrikaans since 1948." Thesis, SOAS, University of London, 1985. http://eprints.soas.ac.uk/28643/.

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Prevailing critical practice tends to view South African literature as comprising a number of writing communities in the country whose works and concerns have little to do with each other. Hence literary works in English and in Afrikaans, by black and by white South African writers are rarely considered in relation to one another. Literary criticism in South Africa has, in other words, proceeded along much the same lines as the political determinations of the country, dividing the literature into distinct racial and linguistic camps. While I have chosen to consider South African short fiction
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10

Naidu, Sam. "Crimes against nature : ecocritical discourse in South African crime fiction." UNISA Press Journals - NISC, 2014. http://hdl.handle.net/10962/53754.

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Heeding Patrick Murphy's call to critics, in his book, Ecocritical explorations in literary and cultural studies: fences, boundaries and field, to study “nature-oriented mystery novels … in order to understand the degree to which environmental consciousness and nature awareness has permeated popular and commercial fiction” (2009: 143), this article examines how highly successful author, Deon Meyer, has employed crime fiction to popularize ecological issues and debates in South Africa. In this article, Meyer's first “nature-oriented” novel, the crime thriller, Blood safari (2009), is analysed.
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11

Pretorius, Sian Eve. "Non-fiction in fiction : poor whites in selected South African literary texts from 1900-1950." Diss., University of Pretoria, 2015. http://hdl.handle.net/2263/53455.

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The term poor white is not uncommon and neither is the whole phenomenon. The topic dominated much of the academic, media and entertainment spheres for the better part of the twentieth century. This dissertation examines poor whites in fiction and non-fiction and attempts to demonstrate that there is a certain overlap. Thus by combining the two types of literature it shows that the selected novels, written during the first half of the twentieth century by authors from the Realist genre, may be considered cultural historical sources in their own right in terms of portraying the daily lives a
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12

Fletcher, Elizabeth. "South African crime fiction and the narration of the post-apartheid." Thesis, University of the Western Cape, 2013. http://hdl.handle.net/11394/4287.

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Magister Artium - MA<br>In this dissertation, I consider how South African crime fiction, which draws on a long international literary history, engages with the conventions and boundaries of the genre, and how it has adapted to the specific geographical, social, political and historical settings of South Africa. A key aspect of this research is the work’s temporal setting. I will focus on local crime fiction which is set in contemporary South Africa as this enables me to engage with current perceptions of South Africa, depicted by contemporary local writers. My concern is to explore how contem
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13

Pretorius, Michelle Louisa. "WHERE THE DEVIL TURNS." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1540315346461346.

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14

Easton, Kai. "Textuality & the land : reading 'White Writing' and the fiction of J.M. Coetzee." Thesis, SOAS, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342209.

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This thesis examines the formative fiction of J. M. Coetzee and his first book of essays, White Writing: On the Culture of Letters in South Africa (1988). His latest novel Disgrace (1999), has already made literary history, winning Coetzee his second Booker Prize. It certainly invites new readings and links with his earlier work, which I discuss in my Introduction. I have tried to range across Coetzee’s work while heeding the structure that has emerged out of my research: long (sequential) chapters, divided into three or more sections, which discuss issues around the writing and reading of fou
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15

Geertsema, Johan Hendrik. "Irony and otherness : a study of some recent South African narrative fiction." Doctoral thesis, University of Cape Town, 1999. http://hdl.handle.net/11427/17592.

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Bibliography: pages 277-290.<br>This study considers the relation between irony and otherness. Chapter 2 shows that there is little agreement on the politics of irony in critical discussions. Nevertheless, irony and otherness do appear to be linked in many of these discussions. Chapter 3 offers a consideration of Emmanuel Levinas's conception of ethics in terms of his understanding of the other as face and trace. The tendency of language to foreclose on otherness by reducing it must be interrupted, while otherness must, nonetheless, be Said. The chapter concludes with an attempt to relate Levi
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16

Naidu, Sam. "A survey of South African crime fiction : critical analysis and publishing history." University of KwaZulu-Natal Press, 2017. http://hdl.handle.net/10962/53878.

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Is crime fiction the new 'political novel' in South Africa? Why did the apartheid censors disapprove of crime fiction more than any other genre? Crime fiction continues to be a burgeoning literary category in post-apartheid South Africa, with more new authors, titles and themes emerging every year. This book is the first comprehensive survey of South African crime fiction. It provides an overview of this phenomenally successful literary category, and places it within its wider social and historical context. The authors specialise in both literary studies and print culture, and this combination
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17

Mahlangu, Songeziwe. "Penumbra." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1015207.

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After failing his Post Graduate Diploma in Accounting Mangaliso Zolo takes an office job at a large insurance company in Cape Town. Anonymous and overlooked in a vast bureaucracy but with a pay check promising happiness and security, he slides into a series of personal crises that test his grip on what he believes in. When at his lowest ebb he leaves his job, grabs his bible and hits the streets his world closes in on him and he is eventually confined to a psychiatric hospital. Penumbra is a novel that explores the liminal area between faith and avarice, sanity and madness, modernity and tradi
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18

Marais, Marcia Helena. ""Passing women": gender and hybridity in the fiction of three female South African authors." Thesis, University of the Western Cape, 2012. http://hdl.handle.net/11394/3696.

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A key aim of this study is to shed light on the representation of coloured women with reference to racial passing, using fictive characters depicted in Sarah Gertrude Millin’s (1924) God’s Stepchildren,Zoë Wicomb’s (2006) Playing in the Light, and Pat Stamatélos’s (2005) Kroes, as presented by these three racially distinct female South African authors.Since I propose that literature provides a link between a subjective history and the under-represented narratives from the margins, I use literature to reimagine these. I analyse the ways in which the authors present ‘hybrid’ identities within th
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19

Naidu, Sam. "Crime travel: a survey of representations of transnational crime in South African crime fiction." Journal of Commonwealth and Postcolonial Studies, 2016. http://jcpcsonline.com/.

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The literatures, the histories, the politics, and the arts whose focus, locales, or subjects involve Britain and other European countries and their former colonies, the now decolonized, independent nations in the Americas, Africa, Asia, and the Caribbean, and also Australia, Canada, Ireland, and New Zealand.
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20

Reilly, Elizabeth Lauren. "The "scab" of slavery interracial female solidarity in literature about the antebellum South /." Click for download, 2008. http://proquest.umi.com/pqdweb?did=1588773401&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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21

Williams, Jenna Elizabeth. "A changing didacticism : the development of South African young adult fiction from 1985 to 2006." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1004293.

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This thesis endeavours to establish how political transformation in South Africa has impacted on the didactic function of locally produced young adult fiction between the years of 1985 and 2006. To this end, a selection of young adult novels and short stories are examined in relation to the time period during which they were written or are set, namely the final years of apartheid (from 1985 to the early 1990s), the period of transition from apartheid to democracy (approximately 1991 to 1997), and the early years of the twenty-first century (2000 to 2006). Chapter One provides a brief overview
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22

Nabutanyi, Edgar Fred. "Representations of troubled childhoods in selected post-1990 African fiction in English." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/79874.

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Thesis (PhD)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: The study explores representations of troubled childhoods in post-1990 African narratives. Defining troubled childhoods as the experiences of children exposed to different forms of violations including physical, psychological, sexual and emotional abuse, the study reflects on depictions of such experiences in a selection of contemporary African fictional texts in English. The study‘s central thesis is that, while particular authors‘ deployment of affective writing techniques offers implicit analysis of troubled childhoods, the k
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23

Van, Schoor Catherine. "South African teenagers reading about themselves in fiction : their response within the cultural practice of reading in South Africa." Master's thesis, University of Cape Town, 2001. http://hdl.handle.net/11427/11593.

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Bibliography: leaves 126-134.<br>The Young Africa Awards Series (YAA) was commissioned as a competition challenging South African writers to produce novels for teenagers that were relevant to their lived reality in South African society today. All the novels examined in this dissertation can be defined as realism. In this study the text is examined as a written locus of meanings around which are constellated oral and written discourses that frame the text. I discuss the ideology operating through the competition's publishers and judges. I also examine the meaning produced through the YAA compe
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24

Marais, Susan Jacqueline. "(Re-)inventing our selves/ourselves : identity and community in contemporary South African short fiction cycles." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1016357.

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In this study I focus on a number of collections of short fiction by the South African writers Joël Matlou, Sindiwe Magona, Zoë Wicomb and Ivan Vladislavić, all of which evince certain of the characteristics of short story cycles or sequences. In other words, they display what Forrest L. Ingram describes as “a double tendency of asserting the individuality of [their] components on the one hand and of highlighting, on the other, the bonds of unity which make the many into a single whole”. The cycle form, thus defined, is characterised by a paradoxical yet productive and frequently unresolved te
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25

Madingwane, June. "Kaffirmeid and other stories." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015659.

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Kuit, Henali. "Dear space dad and other stories." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017774.

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My stories are set around the themes of family, animals and outer space -- which leads to other themes like religion, loneliness, romance, eating animals, growing up and longing for the past. Most of the stories have non-linear structures. Some use gradual shiftings of narrator voice; in others the narrative is flat, lacking plot. I favour repetition over plot-based climaxes to create coherency and narrative flow. I also favour free indirect discourse over dialogue or description as a means to characterize.
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27

Valjee, Kiren. "The rediscovery of South African cultural identity in Zakes Mda's Ways of dying." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/267/.

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28

Thomas, Adèle. "Copycat." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1012984.

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An exchange programme involving students and academics from Egoli University in Johannesburg and the University of Athens provides the conduit for the smuggling of Venetian Grossi coins discovered on the Cycladic island of Naxos. Thirty-five year old Delancey James, a Professor of Ethics at Egoli University, stumbles upon events associated with the murder of a post-graduate student. Through her investigation, she uncovers a web of intrigue that links the coin smuggling to corruption at the highest levels of the University, and, in the process, her life is placed in mortal danger.
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Sutherns, Michael Courtney. "Sarkaiym." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1012998.

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The kingdom of Sansland situated on the Azanian Peninsula has been ruled by Sorricians, the sky people, ever since they landed on terra firma centuries ago. The indigenous population are forced to engage directly in the social and economic perpetuation of their own domination beneath the Sorrician heel. Until revolution flares in the antipodes, and soon, even the gods themselves seem to take an interest in the inevitable course of events. But all is not what it seems. The revolution appears to proceed too rapidly. The kingdom’s trade infrastructure collapses too easily. The Sorrician rulers ar
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Thurgood, Mikaila Rae. "Secrets I keep." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015638.

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My mother had many failings. Her inability to cook. Her inability to work. Her inability to love. But her two biggest failings...those were the ones that had the potential to ruin my entire life, to ruin my brother’s life, to tear a family apart. More than anything, it was her inability to act. Claire is a young woman working in Johannesburg as a PA. She has few friends barring her au pair flatmate Beth and work colleague Marge. Her nights are spent trying to overcome the trauma of her past to find sexual fulfilment in a shallow world of one night stands. Whether she can set herself on a path
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Mokae, Sabata Paul. "Kedibone." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1020883.

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A young woman from a rural village near Kimberley is killed by her husband in a fit of jealousy. Her illiterate mother is summoned to the hospital to authorize the removal of vital organs – eyes, liver, kidney and heart – for organ donation. But some members of the family feel that their child should not be buried with parts of her body missing. Thus begins a story that changes the lives of many people, both black and white, over the following twenty years.
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Singh, Anirood. "Road to redemption." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1013035.

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Lurching from day-today in the months before South Africa becomes a republic, booze-befuddled Indian private investigator Rohit Biswas does not ponder how he can secure his daughter's future after he became a widower and lost his job as police detective when he killed a man who fatally stabbed his wife. Salvation appears when a rich client hires the PI to find evidence proving his son did not rape and murder a white socialite. Fighting against seeming impossible odds in colonial-apartheid Durban and a sanctions-busting conspiracy, Biswas secures his client's acquittal. In the process he defies
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33

Ewing, Maureen Colleen. "South African women's literature and the ecofeminist perspective." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1007808.

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A social-constructionist ecofeminist perspective argues that patriarchal society separates the human (or culture) from nature, which causes a false assumption that humanity possesses the right, as a superior species, to dominate nature. This perspective integrates the domination of nature with social conflicts, including but not limited to racial discrimination, gender oppression, and class hierarchies. Understanding how these various forms of oppression interrelate forms the main goal of an ecofeminist perspective. Since the nature-culture, female-male, and whitenonwhite conflicts resonate an
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Modinger, Joan. "The implementation of pastoral group counselling : a way to care for HIV positive yourng women living in a South African township." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20194.

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Thesis (MTh)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: In South Africa young women in the age group 10 – 24 are the largest group infected with HIV. Those most at risk are young women living in South African townships where a multitude of factors reinforce the possibility of them becoming infected. Once infected, they are often abandoned or left alone, with no support system. This thesis uses the following four tasks of Practical Theology, - the descriptive-empirical task: Priestly listening, - the interpretive task: Sagely wisdom, - the normative task: Prophetic discernment
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35

Dingle, Brian Clinton. "The barefoot road." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017773.

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My novella is set in South Africa in a post-apocalyptic world. The drone technology theorised for the near future is widespread and scattered survivors live under the constant threat of drone strikes. The protagonist tries to negotiate these dangers and the looming threat of a slave empire to reconnect with his friends and family. He encounters bizarre hallucinations and flashbacks as a result of exposure to an unidentified gas.
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Tsibolane, Pitso. "In a town called Harmony." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017779.

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A novella of crime and suspense set in the townships surrounding the mining town of Welkom Two friends, both ex-miners, start a welding business only to see it fail because of interference by corrupt officials To make ends meet, they are drawn into the world of illegal gold-mining, working with criminals who employ ‘zama-zamas’: desperate foreign nationals who are prepared to live and work in the abandoned mine tunnels underground The friends make money, but the dark practices of illegal mining put a strain on their relationship, their values, and their family ties.
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Carnow, Jacobus Johannes. "Older persons' care as life care : a pastoral assessment of the ecclesia praxis within the African Methodist Episcopal Church in South Africa." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/96584.

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Thesis (PhD)--Stellenbosch University, 2015.<br>ENGLISH ABSTRACT: This study is a pastoral care strategy for the affirmation of the dignity of the poor Black older persons. In this study there is a discussion of how the poor Black older persons suffered the defacement of their dignity under Apartheid and how to a large extent their dignity is still being defaced under the new democratic dispensation in South Africa. These poor Black older persons are victims of various forms of older person abuse. They experience the prejudice of ageism intensely as it is exacerbated by racism; and with n
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Majola, Fundile Lawrence. "Good-Gooder-Goodest." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015657.

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My stories are set in the townships, and move with the vigorous rhythms and jagged structures of township life. Some of them are written in English and others in isiXhosa. Some of the dialogue is township slang, a mixture of languages; and pure isiXhosa. The stories follow no particular pattern and are arranged according to any form of chronology, and different voices, at times as a man/boy and in others as a girl. The characters are not related each story perfectly stands for itself. Some of the stories hark back to the days of apartheid and are seen through the eyes of a child confused by th
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Watermeyer, Laura. "The gentle pressure of the sky." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017780.

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A collection of lyrical, imaginative prose, ranging from prose poems to more formal short stories to flash fiction. I challenge the ordinary or commonplace by exploring the realms between fiction and poetry, realism and fantasy, reality and illusion. I would like reading the collection to be a sensory experience, one that draws the reader deeper into the imaginary. Stylistically, I work elements of poetic language into the narrative in order to express the mystery and remoteness that the stories require.
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Mac, Donald Brian. "Language games, Alex La Guma's fiction, and the new post-apartheid reality for the South African writer." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ49575.pdf.

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Laue, Kharys Ateh. "Being for the Other: Surveillance and Depictions of Race, Gender, and Animals in Contemporary South African Fiction." Thesis, Rhodes University, 2016. http://hdl.handle.net/10962/3848.

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This thesis examines the depiction, in contemporary South African fiction, of irresponsibility and responsibility in relation to the raced, gendered, and animal Other. Through a close analysis of Jeremy Bentham’s Panopticon prison and Michel Foucault’s study of this design, I establish the notion of disciplinary surveillance or panopticism. This I take to be a mode of power that seeks, by means of an invisible gaze, to render its subjects docile. In my readings of J. M. Coetzee’s Waiting for the Barbarians, Zoë Wicomb’s Playing in the Light, Justin Cartwright’s White Lightning, and selected sh
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Cole, Lorna. "An examination of the suitability of some contemporary South African fiction for readers in the post-developmental reading stage." Thesis, Rhodes University, 1992. http://hdl.handle.net/10962/d1003412.

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Adverse criticism regarding the quantity and quality of children's books in South Africa appear in such respected sources as The Oxford Companion to Children's Literature and The Companion to South African English Literature, the authors of which are of the opinion that South African children are dependent solely upon Eurocentric literature for their reading material. In recent years however, local publishers have attempted to redress this imbalance by offering prizes for unpublished works. These prizes have acted as incentives for aspiring writers, many of whom have had novels published speci
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Levey, David Norman Ralph. "Identity in the early fiction of Alan Paton, 1922-1935 / D.N.R. Levey." Thesis, North-West University, 2007. http://hdl.handle.net/10394/1561.

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Field, Roger Michael. "Alex la Guma: a literary and political biography of the South African years." Thesis, University of the Western Cape, 2001. http://etd.uwc.ac.za/index.php?module=etd&amp.

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The South African years (1925-1966) of Alex la Guma is examined in this thesis. While La Guma's father was an important role model, most critics have overlooked his mother's contribution to his literary and political development. Throughout the thesis the same point is made about Blanche, La Guma's wife, who supported him in many ways. The researcher describes La Guma's infancy, childhood and adolescence, his father's political profile, how notions of race and writing, coloured identity and family and political experiences created the conditions that enabled him to become a story teller and po
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Baker, Patricia. "Reading children : how children and selectors perceive and construct the reading of fiction in two South African schools." Master's thesis, University of Cape Town, 1994. http://hdl.handle.net/11427/20932.

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Includes bibliographical references.<br>The purpose of this investigation was to uncover what went into the provision of books of fiction to schools; to examine the construction of readers by book selectors; to find out how children saw themselves as readers and what their own feelings were about reading; and to speculate on the extent to which policies are changing or can be changed. In order to do this I have looked at the situation in two schools with very different histories in the Western Cape. I have tried to establish what the conditions were that created their situation. Through speaki
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Crain, Patricia Ann. "Crumpled hearts." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015676.

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A middle-aged woman, living in Johannesburg, has an experience which catapults her into changing her life. In the process of confronting her alcoholism, she realizes how patterns of addiction extend to other areas of her life and tries to make sense of the tragic events that have occurred. Her world becomes a different place as she questions everything that she has been taught about relationships, religion, race and her place in society. In the search for answers she uncovers stories about the lives of her parents, grandparents, relatives, friends and acquaintances. Embarking on a journey of d
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47

Dyantyi, Mbongisi Orlean. "A bone fragment." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015677.

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This novella presents three characters, each occupying a different sphere of reality. One is a ‘living dead’ who is forced to return to the land of the living for his continued existence. The other is a young woman who, having lost the will to live, must find a purpose if she is to continue living. The third is a young man who dwells more in the inner than the external world. Their lives intersect through the scripture known as ‘a fragment of a bone.’
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48

West, Mary Eileen. "White women writing white : a study of identity and representation in (post-)apartheid literatures of South Africa." Thesis, Nelson Mandela Metropolitan University, 2006. http://hdl.handle.net/10948/442.

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This thesis examines aspects of identity and representation using contemporary theories and definitions emerging out of a growing body of work known as whiteness studies. The condition of whiteness as it continues to inform identity politics in post-apartheid South Africa is explored in an analysis of selected texts written by white women, to demonstrate the ways in which whiteness continues to suggest normativity. In reading a representative selection of literatures produced in contemporary South Africa by white women writers, this study aims to illustrate the ambivalence apparent in the inte
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49

Morgan, Jane Mary Kathleen. "Like Katherine." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001814.

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Vicky, a thirty something English radio journalist, has moved to Cape Town to try and work out what it is that's missing from her life and to fill the gap. At first she thinks she's found what she's looking for, but a series of unsettling events makes her realise she has simply brought her problems with her. She goes back to England, ostensibly for work, where she is contacted by her stepbrother, Mark. They hardly know each other but he has a reason for wanting to find her. They meet and, for both of them, their encounters change the way they see themselves and their relationships. Vicky comes
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50

Molino, Nicolene Chloe. "Dog wars : a Victorian steampunk adventure." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001815.

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We're in an alternate universe, circa Dickensian London. Leofric Lieven, a local crime lord, is about to find the past catching up on him. The Romany Carnival has come to town, and a gypsy woman, his former lover and partner in crime, demands from him a favour which will redress his betrayal of years before: he must secure a stolen object and return it to her. But things go horribly wrong when local delivery boy Cards Bennish is kidnapped by Leofric’s competitor before he can deliver the goods that will cover Leofric's debt to the gypsy. In this world, humans can shape shift into animals, enti
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