Relevant bibliographies by topics / South kensington

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'South kensington'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "South kensington"

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Dutta, A. "The South Kensington Juggernaut." Oxford Art Journal 27, no. 2 (January 1, 2004): 241–45. http://dx.doi.org/10.1093/oaj/27.2.241.

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Pizzigoni, Francesca Davida. "Italy also had its South Kensington Museum." Revista Brasileira de História da Educação 23, no. 1 (June 30, 2023): e267. http://dx.doi.org/10.4025/rbhe.v23.2023.e267.

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The article aims to bring to light a recent discovery with respect to the history of Italian pedagogical museums: 12 years before the official opening of what is recognized as the first. Since 1862, in Turin, a section of the Royal Industrial Museum has been dedicated to the collection of books and teaching materials to the primary and secondary schools. This collection was a direct expression of the London Universal Exhibition of 1861, from which the Royal Commissioners returned with the idea of copying the South Kensington Museum. The article reconstructs the history of the collection and its exposure, following its evolution until its disappearance. The aim of this article is to offer a significant piece of the history of the historical-educational heritage in Italy and its musealization.
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Xia, Beini. "Creativity in Urban Tourism District: A Case Study of South Kensington and Knightsbridge." Social Science, Humanities and Sustainability Research 4, no. 5 (September 13, 2023): p59. http://dx.doi.org/10.22158/sshsr.v4n5p59.

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This study is to explore creative tourism activities in urban districts. Through the analysis of several chosen places in South Kensington and Knightsbridge, in London, the creative tourism experience provided in these places was identified and their roles or specific features in attracting tourists were also discussed. The result of this study shows that South Kensington is a cultural and historic district, it offers tourists creative cultural and historical experiences. The Knightsbridge area is an entertainment and tourist shopping village district, the creative experience in this area has the main function of satisfying tourists’ state of mind. This study also highlighted the significance of integrating creative activities into tourist attractions and according to tourists’ demands to design the creative experience.
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Jeffrey L. Spear. "A South Kensington Gateway from Gwalior to Nowhere." SEL Studies in English Literature 1500-1900 48, no. 4 (2008): 911–21. http://dx.doi.org/10.1353/sel.0.0037.

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Burton, A. "The uses of the South Kensington art collections." Journal of the History of Collections 14, no. 1 (May 1, 2002): 79–95. http://dx.doi.org/10.1093/jhc/14.1.79.

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Hussain, Parisah, and Sarah Marriott. "How Satisfied Are Local General Practitioners, Who Are Part of the Brompton and South Kensington Primary Care Networks, With Communications About Patients Referred to the Mental Health Triage and Assessment Team?" BJPsych Open 9, S1 (July 2023): S161—S162. http://dx.doi.org/10.1192/bjo.2023.430.

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AimsThe Triage and Assessment Team (T&AT) at South Kensington and Chelsea Mental Health Centre have conducted a research project to assess our written communication with General Practitioners (GPs) in primary care. We are responsible for screening and assessing new patients referred by GPs to the South Kensington and Chelsea Mental Health Centre community mental health team (CMHT) department.The aim is to ensure all patients referred from primary care, receive care from the most appropriate health professional(s) in the timeliest way and that we communicate with their referrer in a timely and helpful manner. We aim to deliver a service that is safe, effective and helpful to patients, carers and their referrers. The purpose of this study is to understand the referrers’ experience of our communications with them when they refer to the T&AT.MethodsA pre-intervention survey was sent out in November 2022 to GPs who work and are part of the Brompton and South Kensington primary care networks (PCNs).We received an equal number of responses from Brompton and South Kensington GPs respectively. Quantitative and qualitative data were both collected. We had a cross section of respondents including trainees, salaried GPs and partners.ResultsFrom the quantitative data, the majority of respondents reported they were reasonably satisfied with our communication with respect to timeliness, clarity and clinical relevance of our communication.Respondents were less satisfied with the balance struck between clinical detail on the one hand and recommendations for the mental health shared care plan.A qualitative analysis of respondents all free text comments and identified three main themes: the local referral pathway, the use of SystmOne computer software programme, and recommendations for improving communications between GPs and the T&AT at CMHT.ConclusionWe have acknowledged concerns about the complex mental health referral pathway together with suggestions about improving the functionality of SystmOne across the GP and CMHT interface into the regular discussions we have with our respective PCNs.The Triage and Assessment Team are designing improvements to the consistency, timeliness and relevance of our GP communications.Once these improvements have been implemented, we will send out a post-intervention survey to GPs and reassess their satisfaction levels with our new mode of communication.
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Banks, Rex E. R. "The Natural History Museum." African Research & Documentation 55 (1991): 33–38. http://dx.doi.org/10.1017/s0305862x00015831.

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The Natural History Museum has been at South Kensington, London in the romanesque style building of Alfred Waterhouse since 1881. Before that it existed as the Natural History Department of the British Museum, when that institution was established in 1759, with the collections of Sir Hans Sloane, offered to the nation on his death in 1753. The separation of the natural history collections to a new building at South Kensington was forced on the Trustees as a result of the rapid growth of those collections since the Museum's foundation, but especially during the late 18th and early 19th centuries. This growth of collections and libraries has, of course, continued right down to the present time, and has compelled the Trustees to transfer some parts of the Natural History Museum to out-stations, such as, for example, the Zoological Museum, Tring, where the ornithological collections are now housed.
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Banks, Rex E. R. "The Natural History Museum." African Research & Documentation 55 (1991): 33–38. http://dx.doi.org/10.1017/s0305862x00015831.

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The Natural History Museum has been at South Kensington, London in the romanesque style building of Alfred Waterhouse since 1881. Before that it existed as the Natural History Department of the British Museum, when that institution was established in 1759, with the collections of Sir Hans Sloane, offered to the nation on his death in 1753. The separation of the natural history collections to a new building at South Kensington was forced on the Trustees as a result of the rapid growth of those collections since the Museum's foundation, but especially during the late 18th and early 19th centuries. This growth of collections and libraries has, of course, continued right down to the present time, and has compelled the Trustees to transfer some parts of the Natural History Museum to out-stations, such as, for example, the Zoological Museum, Tring, where the ornithological collections are now housed.
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Whitehead, Christopher. "Henry Cole’s European Travels and the Building of the South Kensington Museum in the 1850s." Architectural History 48 (2005): 207–34. http://dx.doi.org/10.1017/s0066622x00003786.

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In January 1859, Henry Cole, the first Director of the South Kensington Museum (from 1899 known as the Victoria and Albert Museum) was in Rome, commissioning the photographer Pietro Dovizielli to produce photographs of buildings in the capital which Cole considered ‘suggestive’ and ‘picturesque’.
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Tucker, P. "'Responsible outsider': Charles Fairfax Murray and the South Kensington Museum." Journal of the History of Collections 14, no. 1 (May 1, 2002): 115–37. http://dx.doi.org/10.1093/jhc/14.1.115.

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Dissertations / Theses on the topic "South kensington"

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Drew, Charlotte K. "Displaying Italian sculpture : exploring hierarchies at the South Kensington Museum 1852-62." Thesis, University of York, 2014. http://etheses.whiterose.ac.uk/7769/.

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The South Kensington Museum’s early collections were conceived in the wake of the Great Exhibition and sought a similar juxtaposition of the fine and applied arts. Whilst there is an abundance of literature relating to the Great Exhibition and the V&A in terms of their connection to design history and arts education, the place of sculpture at these institutions has been almost entirely overlooked – a surprising fact when one considers how fundamental the medium is to these debates as a connection between the fine and applied arts and historical and contemporary production. To date, scholars have yet to acknowledge the importance of sculpture in this context or explore the significance of the Museum in challenging sculpture’s uncertain position in the post-Renaissance division between craft and fine art. By exploring the nature of the origins of the Italian sculpture collection at the South Kensington Museum, which began as a rapidly increasing collection of Medieval and Renaissance examples in the 1850s, we can gain a greater understanding of the Victorian attitude towards sculpture and its conceptual limitations. This thesis explores the acquisition, display and reception of the Italian sculpture collection at the early Museum and the interstitial position that the sculptural objects of the Italian collection occupied between the fine and decorative arts. In addition, it considers the conceptual understanding of sculpture as a contested and fluid generic category in the mid-Victorian period and beyond, as well as the importance of the Museum’s Italian sculpture collection to late nineteenth-century revisions of the Italian Renaissance. In particular, I explore the nineteenth-century scholarly and artistic responses to the Quattrocento work of the della Robbia family, whose brightly-coloured ceramic relief sculptures dominated the Italian collection at the Museum.
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Syperek, P. K. C. "Jewels of the Natural History Museum : gendered aesthetics in South Kensington, c. 1850-1900." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1471589/.

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Several collections of brilliant objects were put on display following the opening of the British Museum (Natural History) in South Kensington in 1881. These objects resemble jewels both in their exquisite lustre and in their hybrid status between nature and culture, science and art. This thesis asks how these jewel-like hybrids - including shiny preserved beetles, iridescent taxidermised hummingbirds, translucent glass jellyfish as well as crystals and minerals themselves - functioned outside of normative gender expectations of Victorian museums and scientific culture. Such displays' dazzling spectacles refract the linear expectations of earlier natural history taxonomies and confound the narrative of evolutionary habitat dioramas. As such, they challenge the hierarchies underlying both orders and their implications for gender, race and class. Objects on display are compared with relevant cultural phenomena including museum architecture, natural history illustration, literature, commercial display, decorative art and dress, and evaluated in light of issues such as transgressive animal sexualities, the performativity of objects, technologies of visualisation and contemporary aesthetic and evolutionary theory. Feminist theory in the history of science and new materialist philosophy by Donna Haraway, Elizabeth Grosz, Karen Barad and Rosi Braidotti inform analysis into how objects on display complicate nature/culture binaries in the museum of natural history. The aim of this study is to go beyond dichotomised interpretations of the role of gender in science and museology in order to present a more nuanced and at times chaotic picture of sexual relations as reflected in late nineteenth-century scientific and material culture. By considering the spaces in between art and science, natural theology and evolution, taxonomy and naturalism, masculine and feminine, different, sometimes queer, configurations of gender emerge in the displays of the Natural History Museum.
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Spence, Cathryn Helen Gordon. "A passionate vision and its legacy : the national gallery of British art at South Kensington." Thesis, Royal Holloway, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521759.

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Stirling, J. Craig. "The development of art institutions in Quebec and Ontario (1876-1914) and the South Kensington influence." Thesis, University of Edinburgh, 1989. http://hdl.handle.net/1842/26975.

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The purpose of this thesis is to investigate the evolution of art educational institutions in Quebec and Ontario between 1876 and the First World War. This study reveals that for the 'Canadian' art student during this period (1876-1914) drawing and art education was limited to a few art schools that had been modelled upon the British South Kensington system and its method of drawing instruction. Documented sources of private and public art schools indicate that an awareness of and written communication with the South Kensington art educational authorities existed prior to 1876; however, it was not until 1876 that a standardized system of drawing instruction was adopted by Quebec and Ontario provincial government post-secondary art schools, as well as, primary and secondary public day schools, and evening classes. The catalyst for the adoption of a system of drawing, which would meet the needs of an emerging industrial Canada, was primarily due to British-born Walter Smith (1836-1886). Both Quebec and Ontario sent educational delegations to the 1876 Philadelphia Centennial Exhibition and were impressed, as were others, with the exhibits of art students from Massachusetts, who, since 1871, had followed the Walter Smith system of drawing instruction, that was inspired by its British prototype, the South Kensington system. Smith was a graduate of and former teacher in the South Kensington system, whose ideas on art and its close relationship to industry conformed to the utilitarian philosophy promoted by the South Kensington art educators. To evaluate the extent of the South Kensington influence in Ontario and Quebec at the provincial government art schools and at the Art Association of Montreal, Quebec, I have used six determinants: curriculum, drawing instruction, models and teaching apparati, staff, the operation and administration of the system, and the writings of four art educators who had longstanding affiliations and influence with art schools. In Ontario, George A. Reid (1860-1947) and William Cruikshank (1848-1922); in Quebec, Edmond Dyonnet (1859-1934) at the Council art school, Montreal and William Brymner (1855-1925) at the A.A.M. The writings of two other Quebec art educators, abbe Joseph Chabert (1832-1894) and Napoleon Bourassa (1827-1916) have been examined for their contribution.
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Cooper, Ann. "For the public good : Henry Cole, his circle and the development of the South Kensington estate." Thesis, Open University, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317573.

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Vesk, Peter A. (Peter Anton). "Trace Metal Accumulation by Water Hyacinth, Eichhornia crassipes (Mart.) Solms, from Kensington Pond, Centennial Park, Sydney." Thesis, The University of Sydney, 1997. https://hdl.handle.net/2123/27621.

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Trace metal accumulation from urban stormwater run-off by a freefloating aquatic macrophyte, water hyacinth, Eichhornia crassipes (Mart) Solms, was studied in Kensington Pond, Centennial Park, Sydney. Two aspects of accumulation were investigated: - spatial variation of copper and lead concentrations among plants (and plant parts and sediment) throughout the wetland, using atomic absorption spectrometry of acid-digests; - metal distribution within the roots, using electron microscopy and Xray microanalysis. Copper and lead concentrations of roots ranged over an order of magnitude through the wetland, and considerable variation at the scale of individual plants was found. Samples of single or few plants are therefore unlikely to allow assessment of the pollution status of a wetland. Copper and lead had similar spatial distribution, although lead concentrations were higher than copper concentrations for plant roots and sediment. Metal concentrations in the sediments, roots and leaves declined exponentially with increased distance from the inflow to the wetland, explaining up to 87% (lead in roots) of the variation. The decline in metal concentration over distance was steeper for roots than sediments. Concentrations of metals were greater for fine secondary roots than for coarse primary roots. Regressions of loge transformed metal concentrations of roots and leaves on loge transformed metal concentrations in adjacent sediment were significant for copper in leaves and roots, and highly significant for lead in roots. X-ray microanalytical study of copper, lead, zinc and iron localization within secondary roots of water hyacinth demonstrated substantial metal concentrations within roots (confirming the value of X— ray microanalysis for environmental metal levels). Levels of trace metals, copper, lead and zinc, were higher inside the root than outside, with an increasing gradient towards the root centre. Copper and lead levels were generally higher within cells than in cell walls. Iron levels contrasted with trace metals, being higher in cell walls than within cells, and decreasing towards the centre of the root. Variation was high, suggesting that small— scale, lab—based studies may have limited applicability to the field. Multivariate statistical analyses were useful in elucidating patterns in localization of metals and relationships among different elements, and are recommended for further studies in X—ray microanalysis.
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Collette, Christopher B. "Why parents send their children to Pembroke School." Title page, contents and abstract only, 1996. http://web4.library.adelaide.edu.au/theses/09EDM/09edmc698.pdf.

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Aland, Jenny, and n/a. "Art and design education in South Australian Schools, from the early 1880s to the 1920s: the influence of South Kensington and Harry Pelling Gill." University of Canberra. Education, 1992. http://erl.canberra.edu.au./public/adt-AUC20050601.145749.

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This thesis focuses specifically on what was taught in schools in South Australia in the context of art and design education. The period covered by the study extends from the 1880s, when a Central Educational Authority was established in South Australia, to the late 1920s, when significant changes to art and design philosophies and course designs became identifiable. The nature and content of the art and design courses designed and used in South Australia is examined against an historical background of influences such as the South Kensington System of drawing and that devised by Walter Smith for the Massachusetts educational system in the United States of America. The significant contribution of Harry Pelling Gill to the teaching of art and design in schools is closely examined. It is posited that his single influence affected the teaching of art and design in South Australian schools until well into the twentieth century. The process of the study looks in detail at the overall philosophies behind the teaching of art and design, the methodologies employed and the classroom practice which pupils and teachers undertook in the pursuit of courses outlined. Issues such as methods of teacher training, correspondence courses, examinations and exhibitions are considered as these relate to the central theme of the study. The study concludes in the late 1920s, with the advent of a revised course of instruction for public elementary schools, which heralded significant changes in both the content and methodology of art and design teaching in South Australian schools.
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Dishon, Dalit. "South Kensington's forgotten palace : the 1862 International Exhibition Building." Thesis, Royal Holloway, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428483.

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"South Kensington to South Africa: art education in government elementary schools and schools of art in South Africa 1800-1910." Thesis, 2015. http://hdl.handle.net/10539/17842.

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Books on the topic "South kensington"

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Collard, Frances. Historical revivals, commercial enterprise and public confusion: Negotiating taste, 1860-1890. Journal of Design History: Vol.16 No.1, 2003.

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Clive, Wainwright, Gere Charlotte 1937-, Sargentson Carolyn, and Victoria and Albert Museum, eds. The making of the South Kensington Museum. Oxford: Oxford University Press, 2002.

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Kensington, Ltd Christie's South. Photographs. London: Christie's, 2001.

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Barontini, Chiara. The National Art Library and its buildings: From Somerset House to South Kensington. London: Victoria and Albert Museum, 1995.

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Ltd, Christie's South Kensington, ed. Maritime: Christie's South Kensington, Thursday 2 November 1995 at 10.30 a.m. and 2.00 p.m.. London: Christie's, 1995.

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1809-1874, Jones Owen, ed. The grammar of Chinese ornament: Selected from objects in the South Kensington Museum and other collections. London: Studio Editions, 1987.

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Travels in South Kensington. Creative Media Partners, LLC, 2023.

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Girling, Brian. South Kensington Through Time. Amberley Publishing, 2014.

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Conway, Moncure Daniel. Travels in South Kensington. Creative Media Partners, LLC, 2018.

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Travels in South Kensington. Creative Media Partners, LLC, 2023.

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Book chapters on the topic "South kensington"

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Meadows, A. J. "South Kensington and Meteorology." In Science and Controversy, 112–33. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-0-230-59393-0_5.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "‘Ghosts at South Kensington’." In Victorian Material Culture, 188–91. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-63.

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Trusted, Marjorie. "Medieval Scandinavia and Victorian South Kensington." In Sculpture and the Nordic Region, 102–17. New York : Routledge, 2016.: Routledge, 2017. http://dx.doi.org/10.4324/9781315088242-8.

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Greenwood, Thomas. "South Kensington Museum and its Work." In The History of Museums Vol 6, 245–65. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003100959-15.

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Bud, Robert. "Infected by the Bacillus of Science: The Explosion of South Kensington." In Science for the Nation, 11–40. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230283145_2.

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"Afterword. Travels in South Kensington." In Grand Designs, 191–202. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822390534-009.

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Macdonald, Sharon. "Cultural Revolution in South Kensington." In Behind the Scenes at the Science Museum, 23–58. Routledge, 2020. http://dx.doi.org/10.4324/9781003084785-3.

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"The South Kensington Museum is established." In The Collector's Voice, 38–42. Routledge, 2016. http://dx.doi.org/10.4324/9781315264448-11.

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Jones, Alexandra Watson. "Maqdala and the South Kensington Museum." In Intersectional Encounters in the Nineteenth-Century Archive. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350200371.ch-4.

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Edwards, Clive. "Moncure Conway, Travels in South Kensington." In Nineteenth-Century Design, 71–76. Routledge, 2021. http://dx.doi.org/10.4324/9780429279461-8.

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Conference papers on the topic "South kensington"

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Hulse, David. "Francis Thompson, engineer: designer of the Pentrich engine." In 2nd International Early Engines Conference. International Early Engines Conference & ISSES, 2023. http://dx.doi.org/10.54267/ieec2-2-13.

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The atmospheric engine built by Francis Thompson at Pentrich Colliery in 1791 was dismantled and re-erected in the Science Museum at South Kensington in 1921. This paper provides a detailed insight into the methods, process and materials of David Hulse’s painstaking model of the Pentrich engine. It makes detailed use of photographs, drawings and descriptions of the engine provided by W.T. Anderson in the 1917 paper ‘Notes on an early pumping engine (1791)’. The model’s construction provides useful insights into how the engine worked as part of an integrated mine drainage system, and the particular challenges of making scaled models that can be made to work in an accurate way.
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Almeida, Graciana. "Na coleção Sophia Jobim: a presença de Rembrandt e a questão da veracidade dos trajes." In Encontro de História da Arte. Universidade Estadual de Campinas, 2012. http://dx.doi.org/10.20396/eha.8.2012.4212.

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O presente artigo surgiu ao longo de leituras dos escritos de Sophia Jobim (1904-1968), atualmente conservado no Museu Histórico Nacional (MHN), no Rio de Janeiro. Professora de indumentária histórica da Escola Nacional de Belas Artes (ENBA) a partir de 1949, Sophia deixou um importante material didático, literário e visual capaz de fornecer importantes subsídios para uma investigação crítica referentes ao vestuário e à história da arte. Sua extrema curiosidade levou-a pesquisar em vários museus e escolas especializadas da Europa, da América e da Ásia, como: South Kensington Museun em Londres, Carnavelet em Paris, Metroplolitan Museu em Nova York, Museu Benaki em Atenas; por falta de Museus e de Bibliotecas especializadas no âmbito brasileiro - foram quase trinta anos de pesquisas.
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Reports on the topic "South kensington"

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War Service Homes Scheme, South Australia - house in course of construction, Wilga Avenue. Kensington Gardens. Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_pn-002080.

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War Service Homes Scheme, South Australia - house completed, Mr C. Casselbohme, Wilga Avenue, Kensington Gardens. Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_pn-002081.

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War Service Homes Scheme, South Australia - house completed, Mr C. Casselbohm, Wilga Avenue, Kensington Gardens. Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_pn-002082.

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Government Savings Bank of New South Wales - Sydney (Head Office) - Chief Inspector's Department - Staff Records - Gambling - South Kensington Branch - inquiry into conduct of certain officers - 1929. Reserve Bank of Australia, September 2023. http://dx.doi.org/10.47688/rba_archives_2006/22167.

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