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Books on the topic 'Southern African Nursery rhymes'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Consult the top 17 books for your research on the topic 'Southern African Nursery rhymes.'

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1

Muhammad, Vincent. Black nursery rhymes. Toledo, Ohio: Poetry Of Truth, 1996.

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2

Muhammad, Audrey. Black nursery rhymes. Toledo, Ohio: Poetry Of Truth, 1996.

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3

Davis, David. Southern Mother Goose. Gretna, La: Pelican Pub. Company, 2013.

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4

Robert, Holden. Twinkle, twinkle, Southern Cross: The forgotten folklore of Australian nursery rhymes. Canberra: National Library of Australia, 1992.

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5

Allison, Diane Worfolk. This is the key to the kingdom. Boston: Little, Brown, 1992.

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6

This is the key to the kingdom. Boston: Little, Brown, 1992.

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7

Zhang, Jiaxing. Zhang Tai Min nan fang yan tong yao. Xiamen Shi: Xiamen da xue chu ban she, 2011.

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8

Kroll, Virginia L. Jaha and Jamil went down the hill: An African Mother Goose. Watertown, MA: Charlesbridge, 1994.

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9

Kroll, Virginia L. Jaha and Jamil went down the hill: An African Mother Goose. Watertown, MA: Charlesbridge, 1995.

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10

Khushu khushu. Lansdowne: Juta Gariep, 2002.

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11

African Nursery Rhymes. Penguin Random House South Africa, 2015.

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12

Songs From The Baobab African Lullabies Nursery Rhymes. Secret Mountain, 2011.

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13

Washington, Michelle L. Treasury of African American ABC's and Nursery Rhymes for Children. Tandem Library, 2001.

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14

Washington, Michelle L. A Treasury of African American ABC's and Nursery Rhymes for Children. Authorhouse, 2001.

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15

Fengzhu, Wu, Chang Qitian, and Cao Xiaoping, eds. Diu diu tong: Tai yu ge yao : you 40 shou er shu neng xiang de chuan tong ge yao rang hai zi xue hui shuo Tai yu! Taibei Shi: Feng che tu shu chu ban you xian gong si, 2005.

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16

The Zulu Warrior. Waterford Institute, Inc., 2001.

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17

Wilson Kimber, Marian. In Another Voice. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040719.003.0006.

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Women confirmed their own more highly cultured positions through recitation of African American dialect, particularly the poetry of Paul Laurence Dunbar, or “child dialect,” sometimes with musical accompaniment. Many women incorporated Dunbar’s dialect poems into their repertoires, texts that also inspired settings for speaker and piano by women composers. However white women’s imitations of African American dialect perpetuated racial stereotypes such as that of the Mammy, even while their musical settings negated the text’s origins. Child dialect allowed child imitators to express comedic and rebellious sentiments without transgressing feminine social boundaries. The child-like persona cultivated by diseuse Kitty Cheatham facilitated her eclectic programming of children’s songs, nursery rhymes, and European art music alongside spirituals and African-American dialect texts.

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