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Journal articles on the topic 'Southern literary traditions'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Ferris, William. "Southern Literature: A Blending of Oral, Visual & Musical Voices." Daedalus 141, no. 1 (2012): 139–53. http://dx.doi.org/10.1162/daed_a_00136.

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The blending of oral traditions, visual arts, and music has influenced how Southern writers shape their region's narrative voice. In the South, writing and storytelling intersect. Mark Twain introduced readers to these storytellers in “Adventures of Huckleberry Finn.” Twain blends both black and white voices within Huck's consciousness and awareness – in Huck's speech and thoughts – and in his dialogues with Jim. A narrative link exists between the South's visual artists and writers; Southern writers, after all, live in the most closely seen region in America. The spiritual, gospel, and rock a

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2

Taylor, John Martin. "Deconstructing My Namesake." Gastronomica 11, no. 4 (2011): 15–22. http://dx.doi.org/10.1525/gfc.2012.11.4.15.

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“Hoppin' John” Taylor describes the historical and literary antecedents of his namesake dish. He doubts the culinary historian Karen Hess's theoretical conclusions, but agrees that the pilau of cowpeas (Vigna unguiculata) and rice came to the lowcountry, the coastal plain of South Carolina, with the slave trade from West Africa. Hoppin’ john is eaten on New Year's for good luck. The dish and tradition spread from lowcountry rice plantations throughout the South. He demonstrates how culinary traditions lingered in the lowcountry long after rice was no longer grown there. Deconstructing the dish

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Sokolova, Anna. "Master Shanghong (738?-815 CE) and the Formation of Regional Vinaya Traditions in Tang Buddhism." T’oung Pao 105, no. 3-4 (2019): 315–56. http://dx.doi.org/10.1163/15685322-10534p03.

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AbstractAfter the An Lushan Rebellion in 755, southern China witnessed the rise of the Vinaya movement. Essential sources on the local southern Vinaya communities include writings by scholar–officials who held posts in the southern prefectures. This paper focuses on two stele inscriptions for the Vinaya Master Shanghong 上宏 (738?-815) composed by the literatus Bai Juyi 白居易 (772-846) and Liu Ke 劉軻 (?-?) during their journeys to Jiangxi. These inscriptions enable us to identify Shanghong as one of the foremost Vinaya authorities in Jiangxi, to trace the dynamics and course of the development of o

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Fuad Shukurova, Esmira. "Poetry Customs and Traditions of Shahriyar: Shahriyar and “Sahandim”." Khazar Journal of Humanities and Social Sciences 20, no. 3 (2017): 126–45. http://dx.doi.org/10.5782/2223-2621.2017.20.3.126.

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The poem which made Shahriyar popular among all Turkic people in the art world was “Hello to Heydar Baba”. It was translated to 76 languages. This masterpiece of poetry written by the “Heydar Baba Poet” as he was called by various masters of word, has given him an unprecedented glory not only in Southern Azerbaijan and Iran, but also in the Middle East and in a number of countries around the world. The majority of literary critics consider the poem "Hello to Heydar Baba" as a poet's masterpiece. However, the poem "My Sahand", written in his mother tongue, is a special era in the poet's creativ

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Levin, Yigal. "NIMROD THE MIGHTY, KING OF KISH, KING OF SUMER AND AKKAD." Vetus Testamentum 52, no. 3 (2002): 350–66. http://dx.doi.org/10.1163/156853302760197494.

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AbstractThe intent of this paper is to examine the story of Nimrod in Genesis x 8-12, offering fresh insight on both the historical background and the literary development of the passage. The article deals first with the passage's literal meaning, syntax and the extant text. The geographic context of the passage is shown to be distinctly Mesopotamian-Nimrod being the "builder" of Babylon, Erech, Accad and other southern Mesopotamian cities and then moving north to Assyria. After surveying previous attempts to identify an "historical" Nimrod, the author then suggests that the biblical figure is

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Deam, Lisa. "Flemish versus Netherlandish: A Discourse of Nationalism." Renaissance Quarterly 51, no. 1 (1998): 1–33. http://dx.doi.org/10.2307/2901661.

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AbstractThis essay shows how scholarship on fifteenth-century Flemish panel painting became intertwined with efforts at national identity-building in nineteenth and early twentieth-century Europe. Paintings such as Jan van Eyck's Ghent Altarpiece were not only dispersed across regional and national boundaries, but were intellectually appropriated for competing national programs. The paintings consequently became a site of conflict between the Latin and Germanic traditions. These conflicts are clearly visible through the shifting terminology of this art, variously claimed as “Flemish” and “Neth

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Jiafu, Danbuer, та Tsagan B. Seleeva. "О рукописных списках ойратско-калмыцкого «Гесера», хранящихся в архивных собраниях России и Европы, а также их собирании, описании и публикации". Бюллетень Калмыцкого научного центра Российской академии наук 16, № 4 (2020): 176–99. http://dx.doi.org/10.22162/2587-6503-2020-4-16-176-199.

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The epos “Geser” in the form of oral and written vaults is known over a vast territory — from Tibet and Mongolia to southern Siberia and the Lower Volga. According to the researchers, the Mongolian Geseriad was established among the ancient Mongol-speaking tribes of Kukunor on the basis of the oral Tibetan version of the monument. Geser is not only the hero of the epos, his image is also associated with the mythological, religious, folklore and literary traditions. This article is devoted to the history of publication and storage of the handwritten texts of “Geser” in “clear script” in Russia

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8

Scuderi, Antonio. "The Anthropology of Dario Fo: an Interdisciplinary Approach." New Theatre Quarterly 31, no. 3 (2015): 203–12. http://dx.doi.org/10.1017/s0266464x15000433.

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Anthropological issues concerning socio-cultural evolution were important in the development of Marxism and led to the theories of cultural materialism. Besides Marx and Engels, anthropology was an important subject for other seminal Marxist theorists, such as Plekhanov. For the Marxist playwright-performer Dario Fo, Gramsci’s theories of hegemony are fundamental to his ideas of the development of art from utilitarian activities, and explain his insistence on drawing from folk and popular forms of performance. In this article Antonio Scuderi investigates some of the major anthropological and f

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Lygdenova, Victoria V., and Elena G. Batonimaeva. "Matrilocal, Areal and Religious Symbolic in Traditional Wedding Rituals of the Tuvans and Buryats in Late 19th – Beginning of 21st Century." Archaeology and Ethnography 20, no. 7 (2021): 169–78. http://dx.doi.org/10.25205/1818-7919-2021-20-7-169-178.

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Purpose. The purpose of the paper is to reveal archaic matrilocal and the cult of fire, areal, shaman and late Buddhist symbols in wedding traditions of the Buryats and Tuvans. A comparative ethnographic method is applied in the research according to which the symbols are considered and compared in terms of synchronic and diachronic aspects. The paper is current due to representation of unity of nomadic family-tribal orientation based on the example of similarities in wedding traditions of Turk and Mongol peoples. High interest in wedding rituals in traditional society is connected with religi

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Рождественская, Милена В. ""Плач Адама" и «адамический текст» в древнеславянской рукописной традиции". Studia Ceranea 4 (30 грудня 2014): 161–70. http://dx.doi.org/10.18778/2084-140x.04.10.

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Apocryphal stories of Adam related to the subjects of the Paradise lost, Adam’s repentance and expulsion from Eden, life of Adam and Eve after the expulsion, the manuscript that Adam gave to Satan, the Holy Cross story – all these subjects can be called the single Adamic text. This intertestamental texts includes Story of how many parts Adam was created from, Adam’s Handwriting, Story of the Cross Tree, Story of Adam and Eve, Adam’s Lament. In Old Russian manuscripts these texts were not necessarily clearly divided from one another, they were often copied as a single set related to the first m

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Davies, G. I., and L. E. Axelsson. "The Lord Rose up from Seir. Studies in the History and Traditions of the Negev and Southern Judah." Vetus Testamentum 38, no. 3 (1988): 379. http://dx.doi.org/10.2307/1518088.

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mangino, marcela baruch. "Martíín Fierro: A Uruguayan Classic." Gastronomica 8, no. 4 (2008): 83–86. http://dx.doi.org/10.1525/gfc.2008.8.4.83.

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The popular Uruguayan dessert, Martíín Fierro, takes its name from the famous hero of Argentine writer Joséé Hernandez's epic poem. The poem is regarded as a masterpiece of the gauchesque genre and a symbol of Argentine (and Uruguayan) identity. Hernáández's past as politician, poet and writer is explored in relation to his work, in particular, the epic poem, Martíín Fierro and The Return of Martíín Fierro. The Martíín Fierro dessert evolved from Hernandez's preference for a popular Argentinean dessert of cheese and sweet potato called "Vigilante" to the Uruguayan version of cheese with quince

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Delibašić, Spomenka. "THE COMPARATIVE APPROACH - THE ANNALS OF THE PRIEST OF DIOCLEA AND THE SONG OF ROLAND (L’approche comparative - Les Annales du prêtre de Dioclée et La Chanson de Roland)." Folia linguistica et litteraria X, no. 28 (2019): 65–72. http://dx.doi.org/10.31902/fll.28.2019.4.

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In this article, we propose to study the two texts - The Annals of the Priest of Dioclea, the oldest South Slavic text of great historical value, and The Song of Roland, a song of gesture, usually dated from the last third of the eleventh century, trying to treat them from a comparative and intercultural point of view. The use of the comparative research method will take into account the differences between cultural traditions and other issues relating to different linguistic and social domains. This work invites the construction of lines of inquiry that allow us to establish “links of analogy

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FERREIRA, MANUEL PEDRO. "Rondeau and virelai: the music of Andalus and the Cantigas de Santa Maria." Plainsong and Medieval Music 13, no. 2 (2004): 127–40. http://dx.doi.org/10.1017/s0961137104000087.

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Between the eighth and the thirteenth centuries the southern part of the Iberian Peninsula was dominated by its Arab and Berber conquerors and their direct political heirs. In this large and rich territory, called Andalus, an original mixture of Eastern and Western cultural elements gradually emerged. The southward expansion of the northern Christian kingdoms, beginning in the eleventh century, eventually displaced, circumscribed and debilitated Andalusian culture, which finally found in northwestern Africa its only stable refuge. Although the literary and artistic achievements of Andalus have

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15

Cohen, Simona. "Hybridity in the Colonial Arts of South India, 16th–18th Centuries." Religions 12, no. 9 (2021): 684. http://dx.doi.org/10.3390/rel12090684.

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This study examines the multiplicity of styles and heterogeneity of the arts created on the southern coasts of India during the period of colonial rule. Diverging from the trajectory of numerous studies that underline biased and distorted conceptions of India promoted in European and Indian literary sources, I examine ways in which Indian cultural traditions and religious beliefs found substantial expression in visual arts that were ostensibly geared to reinforce Christian worship and colonial ideology. This investigation is divided into two parts. Following a brief overview, my initial focus

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Achrati, Ahmed. "HAND AND FOOT SYMBOLISMS: FROM ROCK ART TO THE QUR' ĀN." Arabica 50, no. 4 (2003): 464–500. http://dx.doi.org/10.1163/157005803322616911.

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AbstractWedded to creativity and spirituality since the dawn of humanity, the symbolisms of the hand and the foot have assumed many religious and artistic forms. This essay explores the artistic and religious significance of the hand and foot in the prehistoric rock art of North Africa and Arabia and examines their various ethnographic and mythological expressions in historical times. It then shows how these symbolisms were restructured in the Qur' n to fit a strictly iconoclastic monotheism. It is a multidisciplinary approach to a collective consciousness that finds its roots in an Afroasiati

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17

Wylie, Dan. "Textual Incest: Nathaniel Isaacs and the Development of the Shaka Myth." History in Africa 19 (1992): 411–33. http://dx.doi.org/10.2307/3172010.

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Literary practitioners have long been, often uncomfortably, aware of the ambivalently fruitful and constraining rhetorical influences of the past. Writers successively utilize or rebel against traditional tropes, poetic conventions, and narrative norms, balancing cultural depth against individualist innovation, acceptability against rejection, public intelligibility against the opacity of private connotation. By such gestures towards the traditions, literature challenges, upholds, or leaves unquestioned the moral, political, and cultural pre-suppositions of its day.South African historiography

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Sovtys, Nataliia. "THE PECULIARITIES OF THE UKRAINIAN-POLISH LINGUISTIC AND CULTURAL FRONTIER." Ezikov Svyat volume 18 issue 2, ezs.swu.v18i2 (June 30, 2020): 29–35. http://dx.doi.org/10.37708/ezs.swu.bg.v18i2.4.

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Prolonged coexistence within a single state, i.e. the Commonwealth of Poland, laid the foundations for the emergence of common cultural and linguistic features along the Ukrainian-Polish borderlands. The article substantiates the peculiarities of the choice of terminology in defining the concepts of “border studies”. Due to the Ukrainian-Polish language contacts, a southern Polish peripheral dialect arose, which was spread over a large territory of the Polish-Lithuanian Commonwealth, and formed the literary Polish language with the ethnic Polish dialects, since the effects of borrowing are rec

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Scuderi, Antonio. "The Gospel According to Dario Fo." New Theatre Quarterly 28, no. 4 (2012): 334–42. http://dx.doi.org/10.1017/s0266464x12000632.

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For over half a century the Italian Nobel playwright and performer Dario Fo (b. 1926) developed a theatre that challenged the authority of hegemonic culture, while promoting the validity and dignity of folk and popular cultures. In his satire of the Catholic Church, Fo presents the paternalistic God the Father as an instrument of suppression, while showing Jesus as being closer to the hearts of the folk. His references to apocryphal gospels – the gospels of early Christianity that were rejected by the Roman Church – play into this schema. In two of his plays, First Miracle of the Christ Child

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20

Goldthwaite, Richard A. "The Economic and Social World of Italian Renaissance Maiolica*." Renaissance Quarterly 42, no. 1 (1989): 1–32. http://dx.doi.org/10.2307/2861915.

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Italian maiolica has a long history extending back into the Middle Ages. That history recounts a slow evolutionary process, with its main themes being: first, the importation of tin-glazed pottery from the Islamic world in the eleventh and twelfth centuries, which has survived primarily as architectural decoration (the bacini inserted into church façades); secondly, the development of the local production of ceramics with lead glazes and then improved tin glazes and with modest painted and incised decoration; thirdly, the diffusion of that production, presumably from Sicily and southern Italy,

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21

Li, San Yun. "The realities of Korean culture and The literary translation (using Park Kyongni’s novel "Daughters of pharmacist Kim" as an example)." NSU Vestnik. Series: Linguistics and Intercultural Communication 16, no. 3 (2018): 127–37. http://dx.doi.org/10.25205/1818-7935-2018-16-3-127-137.

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Famous South Korean writer Park Kyongni’s novel «Daughters of Pharmacist Kim» covers the period from the end of the 19th century to the beginning of the 20th century which was tragic for Korean people and their social norms because of the Japanese occupation. It depicts particularly the religious beliefs of Korean people, the relationships in the society and the family, the role of the woman, and the daily life of people of different social groups (aristocrats, the wealthy, servants). The objective of this article is to critically analyze the translation of the novel that touches upon many phe

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Startcev, Anatolyi F. "The Cult of Fire in Hunting Activity and Everyday Culture of the TungusManchu Ethnic Groups of the Lower Amur and Primorye." Study of Religion, no. 4 (2019): 73–79. http://dx.doi.org/10.22250/2072-8662.2019.4.73-79.

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The article discusses the problem of ethnic mysteries connected with the worship of the fire cult of the Tungus-Manchurian ethnic groups of the Far East based on field published materials and literary sources. The relevance of the research goal is determined by the scientific and public interests of the small indigenous peoples of the Amur region, Primorye and other regions of Russia. This goal is achieved by a detailed study of numerous rituals, prohibitions and signs that are directly related to hunting and the everyday culture of the fishing population of the Tungus-Manchu ethnic groups. Ac

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Mixon, Wayne, and Bertram Wyatt-Brown. "Hearts of Darkness: Wellsprings of a Southern Literary Tradition." Journal of Southern History 70, no. 2 (2004): 483. http://dx.doi.org/10.2307/27648467.

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Berry, Stephen W., and Bertram Wyatt-Brown. "Hearts of Darkness: Wellsprings of a Southern Literary Tradition." Journal of the Early Republic 23, no. 2 (2003): 310. http://dx.doi.org/10.2307/3125056.

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Chandler, Karen Michele. "Hearts of Darkness: Wellsprings of a Southern Literary Tradition (review)." South Central Review 22, no. 1 (2005): 141–42. http://dx.doi.org/10.1353/scr.2005.0008.

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Naoko Fuwa Thornton. "Faulkner and Welty and the Southern Literary Tradition (review)." MFS Modern Fiction Studies 55, no. 4 (2009): 849–52. http://dx.doi.org/10.1353/mfs.0.1650.

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27

Whalen, Brett. "Rethinking the Schism of 1054: Authority, Heresy, and the Latin Rite." Traditio 62 (2007): 1–24. http://dx.doi.org/10.1017/s0362152900000519.

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In the year 1053, at the request of the Byzantine patriarch, Michael Kerullarios (1043–58), Archbishop Leo of Ochrid denounced the “priesthood of the Franks and the reverend pope” for observing Jewish rites through their celebration of the Eucharist with azymes, the same kind of unleavened bread used for Passover. Leo made these accusations in a letter addressed to John, archbishop of Trani in southern Italy, a region of coexisting Latin and Greek religious traditions that had been destabilized by the recent invasion of the Normans. The epistle was subsequently passed along to papal confidante

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28

Gray, S. "Some problems of writing historiography in Southern Africa." Literator 10, no. 2 (1989): 16–24. http://dx.doi.org/10.4102/lit.v10i2.826.

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In this article, the author has come to the conclusion that the established literary definitions no longer serve to define the nature of the South African literary system, and that current literary criteria are no longer functional in determining the merit of a South African literary text. Not only do the traditional categories of Afrikaans, White English, and Black English texts have to be reconsidered, but the concept of the “true” South African writer has to be revaluated. Historiography, therefore, is not a science that demands rigid adherence to fixed categories or rules, but an art that

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Mustafa, Gharbi M., and Kawyar Y. Ahmed. "The Representations of Kurdish Women in Selected Turkish Novels." Academic Journal of Nawroz University 9, no. 3 (2020): 260. http://dx.doi.org/10.25007/ajnu.v9n3a794.

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The representations of minorities by the mainstream writers have frequently been viewed negatively. The depiction has been of a major concern to the literary writings. However, the representations of Kurdish women in Turkish literary works has rarely been tackled in scholarly papers and researches. Generally, the life of a Kurdish woman is molded by patriarchal practices, traditions, and customs that govern all social zones, rather than the legal rights. The patriarchal ideologies embedded in women’s mind make them believe that they could do nothing but what is expected from them; to be submis

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Walker, Nancy A., Tonette Bond Inge, Rosemary M. Magee, and C. Ralph Stephens. "Southern Women Writers: Tradition and Change." Contemporary Literature 34, no. 1 (1993): 150. http://dx.doi.org/10.2307/1208507.

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31

Lowe, J. "William Faulkner, William James, and the American Pragmatic Tradition; Faulkner and Welty and the Southern Literary Tradition." American Literature 81, no. 4 (2009): 861–63. http://dx.doi.org/10.1215/00029831-2009-059.

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Savić, Viktor. "The Serbian Redaction of the Church Slavonic Language: From St. Clement, the Bishop of the Slavs, to St. Sava, the Serbian Archbishop." Slovene 5, no. 2 (2016): 231–339. http://dx.doi.org/10.31168/2305-6754.2016.5.2.7.

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The paper seeks to outline the overall framework for the reception of St. Clement’s tradition in Slavic literacy in northern, Serb-populated areas; the paper also analyzes major Serbian literary monuments, both Glagolitic and Cyrillic, which may be brought into a close relationship with the literacy tradition of St. Clement. They are presented individually, also taking into account an earlier linguistic background from which they stemmed. These older linguistic traits which are Old Slavonic as well as some later characteristics are generally possible to arrange in an ideal chronological sequen

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Ladd, Barbara. "Literary Studies: The Southern United States, 2005." PMLA/Publications of the Modern Language Association of America 120, no. 5 (2005): 1628–39. http://dx.doi.org/10.1632/003081205x73461.

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“The Greatest Mistake Made in Judging Southern Literature, Even by its Friends, is That We are Apt to Speak of it By Itself as if it were a thing apart and a country apart.” John Bell Henneman made this assessment a century ago, in 1903 (347). Fifty-one years later, Jay B. Hubbell observed, “The literature of the South … cannot be understood and appraised if one neglects its many and complicated relations with the literature of the rest of the nation” ('x“). Not long after Louis D. Rubin, Jr., and Robert D. Jacobs published The Southern Renascence: The Literature of the Modern South (1953), a

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Hobson, Fred. "Reviews of Books:Hearts of Darkness: Wellsprings of a Southern Literary Tradition Bertram Wyatt-Brown." American Historical Review 108, no. 5 (2003): 1465–66. http://dx.doi.org/10.1086/530029.

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Le, Ngo Van. "The process of community construction and organization, and social management in southern Vietnam: advantages and challenges in integration context." Science and Technology Development Journal 16, no. 2 (2013): 5–30. http://dx.doi.org/10.32508/stdj.v16i2.1460.

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Southern region of Vietnam is located in the crossroad of different cultures. Historical and ethnic process as well as cultural acculturation is diverse, multifaceted and complicated due to the presence of many ethnic groups in the area. Diversity in ethnic structure leads to cultural diversity which reflects all aspects of life such as economy and socio-culture of the peoples. Community construction and organization and social management in southern Vietnam go hand in hand with the process of land reclaimation, settlement establishment, and sovereignty claiming, expanding and practicing. Alth

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Chitrapu, Sunitha. "Tamil Takes Centre Stage: Tradition and Modernity in Indian Television." Culture Unbound 10, no. 3 (2019): 353–66. http://dx.doi.org/10.3384/cu.2000.1525.2018103353.

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This paper draws attention to the role of language in mediated modernities in India through an analysis of Sirappu Pattimandram (Special Debate), a Tamil-language debate show on the politically-affiliated corporate Sun TV network in the state of Tamil Nadu in southern India. The show provides an opportunity for the articulation of anxieties over how social and economic changes affect the private lives of Tamil speakers. These anxieties are contained through the use of Tamil-language oratory which recasts quotidian everyday problems in an ancient literary idiom that provides reassurance through

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Kudinova, Maria A. "Images of Dogs in Chinese Rock Art." Oriental Studies 19, no. 10 (2020): 23–34. http://dx.doi.org/10.25205/1818-7919-2020-19-10-23-34.

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The paper analyzes images of dogs in rock art of China. According to the semantics of compositions the following groups can be distinguished: hunting dogs, herding dogs, guard dogs, using of dogs in rituals, mythological and folklore motifs and other images. According to the distribution of different thematic groups of images, two big areas – northern and south-western – can be seen. In northern regions of China (Xinjiang Uyghur Autonomous Region, Inner Mongolia Autonomous Region, Ningxia Hui Autonomous Region, Gansu Province) the scenes of practical use of dogs (hunting, grazing, guarding her

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Polyvyannyy, Dmitry. "“Bulgarian Anonymous Chronicle”: Essay on Analytical Decomposition." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 6 (January 2020): 173–83. http://dx.doi.org/10.15688/jvolsu4.2019.6.14.

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Introduction. The article analyzes а chronicle in the Slavo-Vallachian miscellany manuscript (mid 16th c.) (currently in the Vernadsky National Library of Ukraine in Kiev, Pochaev Lavra Collection, 116, l. 440a–447b). This text is known in scholarly literature as “Bulgarian anonymous chronicle”. Usually it is considered as a wholesome work created in the early 15th c. by an unknown scribe, who followed the traditions of the Tyrnovo literary school and possessed Bulgarian ethnopolitical identity. There were hypotheses that the work was based upon Slavonic translation of a lost work by Byzantine

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Bjerre, Thomas Ærvold. "Southern Pop Culture and the Literary Tradition in O Brother, Where Art Thou?" American Studies in Scandinavia 38, no. 2 (2006): 55–65. http://dx.doi.org/10.22439/asca.v38i2.4527.

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Brown, Jerry Elijah, and Richard Nelson. "Aesthetic Frontiers: The Machiavellian Tradition and the Southern Imagination." American Literature 64, no. 1 (1992): 197. http://dx.doi.org/10.2307/2927529.

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Dreyzis, Yulia A. "The Revival of Poetry Declamation in Contemporary China: The Case of Fenchunguan Poetry Group (Guangzhou)." Oriental Studies 20, no. 4 (2021): 145–57. http://dx.doi.org/10.25205/1818-7919-2021-20-4-145-157.

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The paper presents a description of the contemporary practice of poetry declamation in one of the literary communities of Guangzhou, among the poets who associate themselves with the tradition of the informal Fenchunguan group. The members of the group are authors and performers of classical poetry. They take an active part in the movement for the revival of traditional declamatory practices which were widely popular until the first decades of the 20th century. Their example allows us to trace some features of the declamation (oral presentation) used to promote poetry in classical formats (wri

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Sáber, Rogério Lobo. "O mito em William Faulkner: entre a defesa e a denúncia da tradição / The Myth in William Faulkner’s Works: Between the Defense and the Denouncement of the Tradition." Cadernos Benjaminianos 15, no. 2 (2020): 233. http://dx.doi.org/10.17851/2179-8478.15.2.233-248.

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Resumo: Este ensaio prioriza uma leitura da poética do escritor norte-americano William Faulkner (1897-1962) articulada a teorias culturais e filosóficas sobre o mito e busca compreender as relações que se estabelecem entre a estética faulkneriana e a (re)criação da tradição sulista, que pode ser interpretada como um discurso mítico. O artigo reflete sobre a relação do escritor com o mito sulista e sobre o tratamento literário que é conferido à temática em seus romances. A investigação proposta torna evidente que Faulkner se situa em uma encruzilhada existencial, bifurcada entre a defesa e a d

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Shentsova, I. V. "Shor vocabulary against the lexical background of other Turkic languages: terms of “literary genres”." Languages and Folklore of Indigenous Peoples of Siberia, no. 41 (2021): 107–23. http://dx.doi.org/10.25205/2312-6337-2021-1-107-123.

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Shor terms denoting literary genres are used in modern processes of developing the literary form of Shor, the utmost necessary condition for the regeneration of the language. The terms concerned are compared with analogous units in the Turkic languages of different status. The comparison involves the genetically close Teleut and Kumandy languages, with their literary and schooling process interrupted for nearly fifty years. The other languages under comparison are Khakass and Altai. These are genetically close to Shor and have been developing their literary forms from the start, from the end o

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Naumenko, Maryna. "Periodical publications as the source of research on the realities of literary life in southern Ukraine (1950s)." Scientific Visnyk V. O. Sukhomlynskyi Mykolaiv National University. Historical Sciences 48, no. 2 (2019): 66–71. http://dx.doi.org/10.33310/2519-2809-2019-48-2-66-71.

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In the article, based on research materials of periodical publications illuminated the literature value in cultural evolution of southern region of Ukraine in 1950-1960 yrs. It is specified that the literature in the USSR against the background of active political events of the 50's-60's yrs. considered by government institutions as an extraordinary phenomenon of culture, which has important socio-political value. The main value of the literary life of southern Ukraine research play the materials of local periodicals, which contain information missing from other types of sources. Like a histor

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Tune, Tanfer Emin. "“We’re what we are because of the Past”: History, Memory, Nostalgia, and Identity in Walter Sullivan’s The Long, Long Love." American Studies in Scandinavia 46, no. 2 (2014): 17–36. http://dx.doi.org/10.22439/asca.v46i2.5134.

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Walter Sullivan (1924–2006), a Nashville, Tennessee native who spent most of his academic and professional life at Vanderbilt University, is generally considered by critics as a literary descendent of the first two generations of Fugitive-Agrarians and the Southern Renaissance to which they belong. This essay seeks to position Sullivan’s second, largely forgotten novel, The Long, Long Love as part of the postagrarian, post-Renaissance, postmodern, and post-southern American intellectual reevaluation of the South that questions tradition through an assertion of “pro–New South, pro–urban, and pr

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Bence, Erika. "‘Transfers’ in Hungarian Literature from Vojvodina." Acta Universitatis Sapientiae, Philologica 6, no. 1 (2014): 53–61. http://dx.doi.org/10.1515/ausp-2015-0006.

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Abstract The study examines the variants of the postmodern phenomena of literary ‘transfer’ (‘trans-correspondence,’ ‘transpass’) and their relationships with Hungarian literature (in Vojvodina) from the beginnings (the creative tradition of Kornél Szenteleky’s oeuvre) up to the events of present-time literary history (e.g., to the publication of Esti by Péter Esterházy). Referential aspects (the literary themes of the railway, the train, the change of trains), specific contexts (e.g., Kornél Esti as a contextual ‘transferring’ literary character) and metaphorical contents (e.g., the meanings

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de Ceglia, Francesco Paolo. "Farmers for the kingdom of Heaven. Agrarian catechisms in southern Italy in the late enlightenment and the limitations of technical publications." Journal of Science Communication 10, no. 01 (2011): C05. http://dx.doi.org/10.22323/2.10010305.

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Catechism, a literary genre of a religious origin, was once employed in the teaching of ‘lay’ subjects, especially of a technical nature. This is a review of this past editorial tradition which illustrates the potentialities and the limitations of agrarian catechisms, with a special focus on their spreading across Southern Italy in the late Enlightenment. This paper reflects on whether a book was the best instrument to hand down procedures and notions to people who supposedly were illiterate or unschooled.

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Sànchez-Alonso, Blanca. "Those Who Left and Those Who Stayed Behind: Explaining Emigration from the Regions of Spain, 1880–1914." Journal of Economic History 60, no. 3 (2000): 730–55. http://dx.doi.org/10.1017/s0022050700025742.

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Spain's contribution to the “New Emigration” differed from that of other Southern European countries in that it was oriented to Latin America far more than to the United States, in that it reached massive proportions only after 1900, and in that the various Spanish provinces varied greatly in their emigration rates. Differences in wealth, income, literacy, urbanization, and migratoly tradition best explain these international and interprovincial differences.

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Langbauer, Laurie. "Prolepsis and the Tradition of Juvenile Writing: Henry Kirke White and Robert Southey." PMLA/Publications of the Modern Language Association of America 128, no. 4 (2013): 888–906. http://dx.doi.org/10.1632/pmla.2013.128.4.888.

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This essay considers the poetry of the juvenile author Henry Kirke White (1785-1806), largely unstudied today but well known throughout the nineteenth century. Kirke White's work provides an example of the importance to juvenile writing of prolepsis—a trope that yokes immediacy to the future, employing a range of strategies including both anticipation and retrospection. Robert Southey's edition of Kirke White's Remains, coming on the heels of Southey and Joseph Cottle's edition of Thomas Chatterton (1752-70), consolidated juvenile writing into a recognizable tradition. Taking young Romanticera

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Bellagamba, Alice. "Legacies of Slavery and Popular Traditions of Freedom in Southern Senegal (1860–1960)." Journal of Global Slavery 2, no. 1-2 (2017): 72–99. http://dx.doi.org/10.1163/2405836x-00201011.

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This study examines the historical linkages that developed between experiences of enslavement, the legacies of slavery, and ideas of freedom before and after abolition in the early twentieth century in an area of southern Senegal known today as the Kolda region. In the Fulfulde language, spoken by the majority of the population, there are several terms and expressions to talk about freedom. The first is ndimaaku, which people tend to equate with nobility and dignity. This is the freedom of the olden days of slavery, when the capacities and qualities of the male or female freeborn stood in star

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