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Books on the topic 'Soviet art'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Gallery, Saatchi, ed. Art riot: Post-Soviet actionism. Place of publication not identified]: ABCdesign Studio, 2017.

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2

Regina, Khidekel, and Frederick R. Weisman Art Museum., eds. It's the real thing: Soviet and post-Soviet sots art & American pop art. Minneapolis, Minn: Frederick R. Weisman Art Museum, 1998.

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3

Ristolainen, Mari. Preferred realities: Soviet and post-Soviet amateur art in Novorzhev. [Helsinki]: Aleksanteri Institute, 2008.

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4

Ristolainen, Mari. Preferred realities: Soviet and post-Soviet amateur art in Novorzhev. [Helsinki]: Aleksanteri Institute, 2008.

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5

A, Leni͡a︡shin V., ed. The Soviet character: Paintings by Soviet artists, 1960s-1980s. Leningrad: Aurora Art Publishers, 1986.

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6

Khidekel, Regina. It's the real thing: Soviet and post-Soviet sots art and American pop art. Minneapolis, Minn: Frederick R. Weisman Art Museum, 1998.

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7

P, Yuperova I., ed. Sovietik Kazakhstany Baynieliu Oneri =: Fine arts of Soviet Kazakhstan. [sl]: Oner, 1990.

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8

Overland Gallery of Fine Art (Wayzata, Minn.), ed. Soviet impressionism, 1930-1980. Wayzata, Minn: Overland Gallery of Fine Art, 1994.

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9

Smeli︠a︡nskiĭ, A. M. Oleg Yefremov: Masters of Soviet art. Moscow: Novosti Press Agency Publ. House, 1988.

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10

V, Cherkasova N., and Kant͡s︡edikas A. S, eds. Folk art in the Soviet Union. New York: Harry N. Abrams, 1990.

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11

I͡U︡rʹevich, German Mikhail, Leni͡a︡shin V. A, Vostret͡s︡ova L. N, and Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia), eds. Soviet art, 1920s-1930s: Russian Museum, Leningrad. New York: Abrams, 1988.

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12

Stolfi, Russel H. S. Soviet naval operational art: The Soviet approach to naval war fighting. Monterey, Calif: Naval Postgraduate School, 1988.

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13

Maria, Bulanova, Rosenfeld Alla, and Museum of Russian Art (Minneapolis, Minn.), eds. Soviet dis-union: Socialist realist & nonconformist art. Minneapolis, Minn: Museum of Russian Art, 2006.

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14

Piero, Boragina, and Marcenaro Giuseppe, eds. Russia & URSS: Arte, letteratura, teatro 1905-1940. Milano: Skira, 2006.

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15

Cadwell, Louise Boyd. Teaching Soviet studies: History, language, culture, art. Denver, Colo: Center for Teaching International Relations, University of Denver, 1991.

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16

Milner-Gulland, R. R. Cultural atlas of Russia and the Soviet Union. New York: Facts on File Publications, 1989.

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17

Milner-Gulland, R. R. Cultural atlas of Russia and the Soviet Union. New York: Facts on File, 1991.

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18

1956-, Green William C., and Reeves W. Robert, eds. The Soviet military encyclopedia. Boulder: Westview, 1993.

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19

Matisse, Henri. Paintings and sculptures in Soviet museums. [Moscow?]: Aurora Art Publishers, 1986.

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20

Severi͡ukhin, D. I͡A. Zolotoĭ vek khudozhestvennykh obʺedineniĭ v Rossii i SSSR, 1820-1932: Spravochnik. Peterburg: Izd-vo Cherysheva, 1992.

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21

Finizio, Luigi Paolo. L' astrattismo costruttivo: Suprematismo e costruttivismo. Roma: Laterza, 1990.

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22

Milner, John. R ussian revolutionary art. London: Bloomsbury Books, 1987.

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23

Anisimov, Grigoriĭ. Nezakonchennye biografii. Moskva: Sov. khudozhnik, 1988.

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24

Anisimov, Grigoriĭ. Mira vostorg bespredelʹnyĭ: Rasskazy o khudozhnikakh. Moskva: Izd-vo Lira, 1999.

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25

Vanslov, Viktor Vladimirovich. Chto takoe sot͡s︡ialisticheskiĭ realizm. Moskva: Izobrazitelʹnoe iskusstvo, 1988.

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26

Faina, Balakhovskai͡a, and Palazzo delle esposizioni (Rome, Italy), eds. Socialist realisms: Soviet painting, 1920-1970. Milan: Skira, 2012.

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27

Heinrich, Klotz, Deutsche Lufthansa (1953 ), Soi͡u︡z arkhitektorov SSSR, and Deutsches Architekturmuseum, eds. Paper architecture: New projects from the Soviet Union. New York: Rizzoli, 1990.

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28

Lavrentʹev, A. N. Russian design: Tradition and experiment, 1920-1990. London: Academy Editions, 1995.

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29

N, Petrova E., and Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia), eds. Times of change: Art in the Soviet Union 1960-1985. St. Petersburg: Palace Editions, 2006.

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30

E, Bowlt John, and Doria Charles, eds. Russian samizdat art: Essays. New York: Willis Locker & Owens Pub., 1986.

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31

Bulatov, Ėrik. Adaptation & negation of socialist realism: Contemporary Soviet art. Ridgefield, CT (258 Main St., Ridgefield 06877): Aldrich Museum of Contemporary Art, 1990.

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32

Andreeva, E. I͡U. Sots art: Soviet artists of the 1970s-1980s. East Roseville, NSW, Australia: Craftsman House, 1995.

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33

Kalinin, Viktor Grigorʹevich. Victor Kalinin: Painting, graphic art. Edited by Petrova E. N and Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia). St. Petersburg: Palace Editions, 2009.

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34

Marina, Balina, Condee Nancy, and Dobrenko E. A, eds. Endquote: Sots-art literature and Soviet grand style. Evanston, Ill: Northwestern University Press, 2000.

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35

(Gallery), Haunch of Venison, ed. Glasnost: Soviet non-conformist art from the 1980s. London: Haunch of Venison, 2010.

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36

Kelly, Catriona. Soviet Art House. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197548363.001.0001.

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Abstract:

This book examines cinema in the Brezhnev era from the perspective of one of the USSR’s largest studios, Lenfilm. Producing around thirty feature films per year, the studio had over three thousand employees working in every area of film production. The discussion covers the period from 1961 to the collapse of centralized state facilities in 1986. The book focuses particularly on the younger directors at Lenfilm, those who joined the studio in the recruiting drive that followed Khrushchev’s decision to expand film production. Drawing on documents from archives, the analysis portrays film production “in the round” and shows that the term “censorship” is less appropriate than the description preferred in the Soviet film industry itself, “control,” which referred to a no less exigent but far more complex and sophisticated process. The book opens with four framing chapters that examine the overall context in which films were produced: the various crises that beset film production between 1961 and 1969 (chapter 1) and 1970 and 1985 (chapter 2), the working life of the studio, and particularly the technical aspects of production (chapter 3), and the studio aesthetic (chapter 4). The second part of the book comprises close analyses of fifteen films that are typical of the studio’s production. The book concludes with a brief survey of Lenfilm’s history after the Fifth Congress of the Filmmakers’ Union in 1986, which swept away the old management structures and, in due course, the entire system of filmmaking in the USSR.

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37

Feldman, New York Habsburg. Soviet contemporary art. 1990.

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38

Kern, David Jeffery. Soviet naval operational art. 1988.

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39

Glantz, Colonel David M. Soviet Military Operational Art. Routledge, 2012. http://dx.doi.org/10.4324/9780203043585.

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40

Soviet Art of War. Taylor & Francis Group, 2020.

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41

Soviet Impressionism. Antique Collectors' Club, 2001.

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42

Soviet Textiles. MFA Publications, 2006.

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43

Art of Soviet Union Landscapes. Unicorn Publishing Group, 2018.

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44

Scott, Harriet Fast, and William F. Scott, eds. The Soviet Art of War. Routledge, 2019. http://dx.doi.org/10.4324/9780429314681.

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45

Eşanu, Octavian. Transition in Post-Soviet Art. Central European University Press, 2013. http://dx.doi.org/10.1515/9786155225536.

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46

(Editor), Sophie Overnden, ed. Post-Soviet: Art and Architecture. Academy Editions, 1994.

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47

Art of Soviet Union Portraits. Unicorn Publishing Group, 2018.

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48

Merkurov, Sergei. The Erotic Soviet Alphabet. Echo Point Books & Media, 2015.

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49

Merkurov, Sergei. The Erotic Soviet Alphabet. Echo Point Books & Media, 2015.

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50

Art of Soviet Union Still Lifes. Unicorn Publishing Group, 2018.

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