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Relevant bibliographies by topics / Soviet Coins

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Journal articles

Academic literature on the topic 'Soviet Coins'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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Journal articles on the topic "Soviet Coins"

1

Shustek, Zbyshek. "Interesting documents on the convertibility of the Soviet currency during 1924 –1937." Ukrainian Numismatic Annual, no. 1 (December 21, 2017): 165–72. http://dx.doi.org/10.31470/2616-6275-2017-1-165-172.

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In the framework of the New Economic Policy (NEP) and the currency reform of 1922-1924 the USSR currency was introduced, which was fully convertible into gold. Actually, the reform was supposed to re-introduce the old gold currency, which was in circulation in the Russian Empire before the beginning of the WWI. New Soviet copper and silver coins had the same metrological parameters as the corresponding coins before the war. Banknotes were really convenient abroad duringr 1924-1927 years and freely exchanged for other currencies, but promised to free convertibility of banknotes for gold coins h

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2

Scarborough, Daniel. "Turkestan Diocese and Folk Orthodoxy: The Case of Life-Giving Spring." BULLETIN of the L.N. Gumilyov Eurasian National University. Historical sciences. Philosophy. Religion Series 131, no. 2 (2020): 68–76. http://dx.doi.org/10.32523/2616-7255-2020-131-2-68-76.

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Construction of the Church of the Icon of the Mother of God, “The Life-Giving Spring,” was completed in 2008. The church was built next to a small spring that has been venerated by the local population since the 19th century. A large number of coins from the 19th and 20th centuries were discovered in the bed of this spring. These coins serve as evidence that local people have venerated this spring throughout the imperial and Soviet periods. In the 19th century, the official Church imposed strict control over popular Orthodox traditions. Yet, at the beginning of the 20th century, the Turkestan

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3

Rashitov, Danil Damirovich. "Coins as decoration and element of the Tatar traditional costume in the XIX – XX centuries." Человек и культура, no. 5 (May 2021): 66–88. http://dx.doi.org/10.25136/2409-8744.2021.5.33350.

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This article discusses the historical-culturological component of coins in jewelry and women's costume of the Volga Tatars in the XIX &ndash; XX centuries. The subject of this research is the coins of the tsarist, Soviet and modern Russian periods, which in one way or another were used as a decorative element in the Tatar national costume and jewelry. Research methodology is comprised of the general scientific and private scientific, such as culturological analysis, empirical experience of the author in jewelry restoration, and interview. The article relies on iconographic materials, jewel

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4

Etkind, Alexander. "Stories of the Undead in the Land of the Unburied: Magical Historicism in Contemporary Russian Fiction." Slavic Review 68, no. 3 (2009): 631–58. http://dx.doi.org/10.1017/s003767790001977x.

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Combining ideas from cultural studies, psychoanalysis, and literary criticism, this essay proposes an interdisciplinary approach to the emerging field of post-Soviet memory studies. Sociological polls demonstrate that approximately one-fourth of Russians remember that their relatives were victims of terror, yet the existing monuments, museums, and rituals are inadequate to commemorate these losses. In this economy of memory, ghosts and monsters become a prominent subject of post-Soviet culture. The incomplete work of mourning turns the unburied dead into the undead. Analyzing Russian novels an

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5

Zraziuk, Z. "HISTORY OF COINS-CABINET COLLECTION OF UNIVERSITY OF ST. VOLODYMYR (1920's – 1930's)." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 145 (2020): 28–33. http://dx.doi.org/10.17721/1728-2640.2020.145.5.

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The article is dedicated to the history of one of the largest and most well-known academic numismatic collection of Russian Empire - the Coins cabinet of the University of St. Volodymyr. It was created in 1834 by combining collections from educational institutions closed after the Polish uprising of 1830-31. Over the years this institution gathered a collection of more than 60,000 coins and medals. During its existence, it was overseen by: P. Yarkovsky, M. Yakubovich, A. Krasovsky, Ya. Voloshinsky, K. Strashkevich, V. Ikonnikov, V. Antonovich, Y. Kulakovsky, P. Smirnov. The collection was stud

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6

Kotsur, Viktor, and Andrii Boiko-Haharin. "The state policy against counterfeiting in the Russian Empire in the 19th and the beginning of the 20th centuries." Universum Historiae et Archeologiae 2, no. 2 (2020): 108. http://dx.doi.org/10.15421/26190208.

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The purpose of the article is the analysis of the main parts of the state protecting politics over the process of the coins and banknotes counterfeiting in Russian Empire. Research methods: analytical, synthetic, logical, retrospective, mathematical and illustrative. Main results. The article reveals the processes of coins and banknote counterfeiting in the Russian Empire referred to the material from state historical archives, official government laws and pre-Soviet periodicals (newspapers). The authors paid main attention to the question of state policy against money counterfeiting that incl

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7

Skupniewicz, Patryk, and Katarzyna Maksymiuk. "The Warrior on Claps from Tillya Tepe." Vestnik of Saint Petersburg University. History 66, no. 2 (2021): 567–84. http://dx.doi.org/10.21638/11701/spbu02.2021.215.

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Among the objects excavated in 1978 at the site of Tillya Tepe (Northern Afghanistan) by the Soviet-Afghan archaeological expedition led by Victor I. Sarianidi, the twin golden clasps from Burial III attract special and instant attention of any military historian or a researcher of ancient arms and armour. The identity of the personage(-s) on the Tillya Tepe clasps has quite rarely been studied. Scholars are usually satisfied with a generic term a “warrior”. Kazim Abdullaev has identified the personage as Ares-Alexander. Jeannine Davis-Kimball has identified the personage as Enaree, the castra

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8

Grodziska, Karolina. "„Rękopisy kozackie”. Z dziejów zasobu rękopiśmiennego Biblioteki Naukowej PAU i PAN w Krakowie." Rocznik Biblioteki Naukowej PAU i PAN 67 (December 30, 2022): 111–21. http://dx.doi.org/10.4467/25440500rbn.22.010.17365.

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“Manusripts of the Cossacks”. The history of the manuscripts collection of the Scientific Library of the PAAS and the PAS in Cracow The article discusses an unknown episode from the history of our library, related to the donation of several dozen 17th and 18th c. documents on Cossacks done in 1954 by the Polish Academy of Sciences on the request of the Ministry of Culture and Arts of the Ukrainian Soviet Socialist Republic. These were the proclamations by Bogdan Chmielnicki and his son Jerzy (Jurek) as well as priviliges bestowed to Cossacks by empress Anna and empress Elisabeth. The original

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9

Bovsunivska, N. "PEDAGOGICAL AND ARTISTIC IDEAS OF MODEST LEVYTSKYI." Zhytomyr Ivan Franko state university journal. Рedagogical sciences, no. 1(108) (June 7, 2022): 5–11. http://dx.doi.org/10.35433/pedagogy.1(108).2022.5-11.

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The article is dedicated to the outstanding public figure, doctor, patriot, writer and composer Modest Levytskyi. Without exaggeration, his activity became a service to the people of Ukraine. Paradoxically, but dialectically, society (and pedagogy in particular) mostly turns its attention to titans, those who have left dozens of volumes of works behind. They were praised for years, and the inheritance became the subject of careful and scrupulous analysis. Nevertheless, the history of the state is rich in the names of those whose selfless work has become the key to educating generations of youn

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10

stakhov, dmitrii. "The Prose (and Cons) of Vodka." Gastronomica 5, no. 1 (2005): 25–28. http://dx.doi.org/10.1525/gfc.2005.5.1.25.

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The Prose (and Cons) of Vodka Drawing extensively on his own first-hand experience as someone who came of age during the prolonged “stagnation” of the Brezhnev years, and then witnessed the upheavals of perestroika and the breakup of the Soviet Union under Gorbachev and the wild-West capitalism of the 1990s under Yeltsin, the writer and journalist Dmitrii Stakhov explores the changing fortunes of vodka, Russia’s “alcoholic drink No. 1,” and its enduring significance as a symbol, “cultural yardstick,” and economic unit of exchange over the last quarter of a century in this hard-drinking and har

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