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1

Russian & Soviet theatre: Traditions & avant-garde. London: Thames and Hudson, 1988.

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2

Rudnitskii, K. Russian & Soviet theatre: Tradition & the avant-garde. London: Thames and Hudson, 1988.

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3

Ruble, Blair A. Urals pathfinder: Theatre in post-Soviet Yakterinburg. Washington, DC: Woodrow Wilson International Center for Scholars, 2011.

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4

Theatre as action: Soviet Russian avant-garde aesthetics. Houndsmills, Basingstoke, Hampshire: Macmillan Press, 1993.

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5

The Russian theatre after Stalin. Cambridge: Cambridge University Press, 1999.

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6

The Americanization of the Soviet living newspaper. Pittsburgh, PA: Center for Russian and East European Studies, University Center for International Studies, University of Pittsburgh, 2008.

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7

Revolutionary theatre. London: Routledge, 1994.

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8

Meyerhold: A revolution in theatre. Iowa City: University of Iowa Press, 1995.

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9

Edward, Braun, ed. Meyerhold: A revolution in theatre. 2nd ed. London: Methuen, 1995.

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10

Meyerhold: A revolution in theatre. 2nd ed. London: Methuen, 1998.

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11

Off Nevsky Prospekt: St Petersburg's theatre studios in the 1980s and 1990s. Amsterdam: Harwood Academic Publishers, 1998.

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12

Kathleen, McCreery, ed. Theatre as a weapon: Workers' theatre in the Soviet Union, Germany, and Britain, 1917-1934. London: Routledge & Kegan Paul, 1986.

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13

Stourac, Richard. Theatre as a weapon: Workers' theatre in the Soviet Union, Germany and Britain, 1917-1934. London: Routledge & Kegan Paul, 1986.

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14

The Moscow Art Theatre. London: Routledge, 1996.

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15

Petrushka: The Russian carnival puppet theatre. Cambridge: Cambridge University Press, 1990.

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16

School for citizens: Theatre and civil society in Imperial Russia. New Haven: Yale University Press, 2006.

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17

Manninen, Ohto. The Soviet plans for the North Western theatre of operations in 1939-1944. Helsinki: National Defence College, 2004.

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18

Women in Russian theatre: The actress in the silver age. London: Routledge, 1996.

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19

The joy of rehearsal: Reflections on the theatre. New York: Peter Lang, 2006.

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20

Carnicke, Sharon Marie. The theatrical instinct: Nikolai Evreinov and the Russian theatre of the early twentieth century. New York: P. Lang, 1989.

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21

Yury Lyubimov at the Taganka Theatre, 1964-1994. Amsterdam: Harwood Academic, 1997.

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22

Maria, Shevtsova. Dodin and the Maly Drama Theatre. London: Taylor & Francis Group Plc, 2004.

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23

Baburina, N. I. The Soviet arts poster: Theatre, cinema, ballet, circus, 1917-1987, from the USSR Lenin Library collection. London: Penguin, 1990.

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24

Lear's daughters: The studios of the Moscow Art Theatre 1905-1927. New York: P. Lang, 1999.

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25

Maria, Shevtsova. Dodin and the Maly Drama Theatre: Process to performance. New York: Routledge, 2004.

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26

Clayton, J. Douglas. Pierrot in Petrograd: The Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama. Montréal: McGill-Queen's University Press, 1993.

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27

Rudnit͡skiĭ, K. Russian and Soviet theater, 1905-1932. New York: Abrams, 1988.

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28

Atkeson, Edward B. Soviet theater forces at the crossroads. Arlington, Va. (2425 Wilson Blvd., Arlington 22201): Institute of Land Warfare, Association of the United States Army, 1989.

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29

Kulish, A. P. Problema st͡s︡enicheskogo kharaktera v sovremennom sovetskom teatre kukol: Lekt͡s︡ii͡a︡. Leningrad: LGITMiK, 1988.

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30

Veidlinger, Jeffrey. The Moscow State Yiddish Theater: Jewish culture on the Soviet stage. Bloomington: Indiana University Press, 2000.

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31

Tennessee Williams on the Soviet stage. Lanham, MD: University Press of America, 1987.

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32

Smeli︠a︡nskiĭ, A. M. Oleg Yefremov: Masters of Soviet art. Moscow: Novosti Press Agency Publ. House, 1988.

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33

Revolutionary acts: Amateur theater and the Soviet state, 1917-1938. Ithaca: Cornell University Press, 2000.

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34

American/Soviet playwrights directory. Waterford, Conn: O'Neill Theater Center, 1988.

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35

Popular theater and society in Tsarist Russia. Berkeley, Calif: University of California Press, 2002.

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36

Li͡ubomudrov, M. N. Protivostoi͡anie: Teatr, vek XX, tradit͡sii-avangard. Moskva: "Molodai͡a gvardii͡a", 1991.

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37

Li︠u︡bomudrov, M. N. Protivostoi︠a︡nie. Moskva: Molodai︠a︡ gvardii︠a︡, 1991.

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38

The St. Petersburg imperial theaters: Stage and state in revolutionary Russia, 1900-1920. Jefferson, NC: McFarland, 2000.

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39

Sadykiewicz, Michael. Soviet-Warsaw Pact western theater of military operations: Organization and missions. Santa Monica, CA (1700 Main St., Santa Monica 90406-2138): Rand, 1987.

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40

Sadykiewicz, Michael. Soviet-Warsaw pact western theater of military operations: Organization and missions. Santa Monica, CA: Rand Corporation, 1987.

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41

Sergei Radlov: The Shakespearian fate of a Soviet director. Luxembourg: Harwood Academic Publishers, 1995.

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42

From Stanislavsky to Gorbachev: The theater-studios of Leningrad. New York: P. Lang, 1995.

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43

Vondrášek, Karel. Sowjetisches Kulturmodell und das tschechische Theater 1945-1968: Zum Spannungsverhältnis zwischen tschechoslowakischer Kulturpolitik und tschechischem Theater. Bochum: Projekt Verlag, 1999.

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44

Modernism to realism on the Soviet stage: Tairov-Vakhtangov-Okhlopkov. Cambridge [Cambridgeshire]: Cambridge University Press, 1989.

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45

Makaryk, Irene Rima. Shakespeare in the undiscovered bourn: Les Kurbas, Ukrainian modernism, and early Soviet cultural politics. Toronto: University of Toronto Press, 2004.

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46

Bolshevik festivals, 1917-1920. Berkeley: University of California Press, 1993.

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47

Senelick, Laurence. The A to Z of Russian theater. Lanham, Md: Scarecrow Press, 2010.

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48

Grand theater: Regional governance in Stalin's Russia, 1931-1941. Lanham, MD: Lexington Books, 2009.

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49

Esipenko, R. N. V internat͡s︡ionalʹnom edinenii: Dramaturgii͡a︡ narodov SSSR v teatrakh Sovetskoĭ Ukrainy. Kiev: Mistet͡s︡tvo, 1987.

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50

Gladkov, Aleksandr Konstantinovich. Meyerhold speaks, Meyerhold rehearses. Amsterdam, The Netherlands: Harwood Academic, 1997.

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