Relevant bibliographies by topics / Soviet Writer's Union

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  2. Dissertations / Theses
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Academic literature on the topic 'Soviet Writer's Union'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Soviet Writer's Union"

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Schull, Joseph. "The Ideological Origins of “Stalinism” in Soviet Literature." Slavic Review 51, no. 3 (1992): 468–84. http://dx.doi.org/10.2307/2500055.

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More than anything else, ideology dominates in literatureLunacharskii, 1923Yes, we will stamp intellectuals, we will produce them, as in a factory.Bukharin, 1925The 1920s remain one of the most debated periods of Soviet history. Central to these debates is the issue of continuity between leninism and Stalinism, and the role of ideology under their respective leaderships. Supporters of “continuity” have usually emphasized the role of ideology as an intellectual bridge from the 1920s to the 1930s; conversely, those who question the continuity thesis usually point to major differences between leninism and Stalinism. I shall address this issue in relation to the history of attempts to organize writers in the early post-revolutionary period. My central claim is that Soviet discourse on writers and literature, articulated shortly after the revolution and elaborated during NEP, set a pattern which led to the absorption of writers into a unitary organizational apparatus and which culminated in the formation of the Writer's Union in April 1932. From 1917 to 1928, a clearly-articulated and largely consensual strategy of absorption of Soviet writers into a state-directed stream was spelt out well before Stalin was installed as the privileged speaker of “marxism-leninism.”
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Podoksenov, Aleksandr Modestovich, and Valentina Alekseevna Telkova. "Prishvin and Kalinin: the image of the “All-Union Headman” in the writer's diary." Философия и культура, no. 1 (January 2021): 42–53. http://dx.doi.org/10.7256/2454-0757.2021.1.35161.

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The subject of this research is the history of relations between Prishvin and Kalinin – a prominent revolutionary and party leader of the Soviet era, who was the head of the state for many years after the October Revolution. The author observes that the biographical material about communication of Prishvin and Kalinin contained in the works of the writer and the memoirs of their contemporaries is sufficiently studied, while his diary notes that significantly change the representations on the true nature of their relationship are yet to be researched. The article employs the method of historical reconstruction of the ideological-political context of the Soviet society, which gives a better outlook on the peculiarities of the writer’s attitude towards the political activity of Kalinin. The novelty of this research consists in introduction into the scientific discourse of the new facts from the 18-volume Prishvin’s Diary (1991-2017), which was published only in the post-Soviet period. This revealed new facts and aspects of his relations with the state leaders during the Communist Era. Using the specific examples of communication of Prishvin and Kalinin, the author demonstrates that the role of the latter in addressing the important state problems was quite limited, which was predetermined by the country’s governing principles , i.e. the decision-making monopoly belonged to the highest political leadership of the ruling party represented by Stalin.
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LUTSKYI, Oleksandr. "A 25-VOLUME EDITION OF IVAN FRANKO'S WORKS: LVIV CONTRIBUTION." Contemporary era 8 (2020): 88–121. http://dx.doi.org/10.33402/nd.2020-8-88-121.

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The article analyzes the main directions, course, and consequences of the research and publishing project of 1940-1941 in preparing for printing a 25-volume collection of works of Ivan Franko's literary-artistic heritage in the context of new political and socio-economic realities in Western Ukraine after the accession to the USSR as a part of the Ukrainian SSR at the beginning of World War II. Emphasizing the participation in these events of employees of the Lviv department of the T. Shevchenko Institute of Ukrainian Literature of the Academy of Sciences of the Soviet Union, the author noted that the main work was carried out by the Lviv philologists, led by Academician Mykhailo Vozniak. They did the search, selection, and scientific verification of the texts, ensuring their linguistic and stylistic design, compiling the edition's reference apparatus, and others. The place and role of some compilers and editors in preparing the collection for publication, particularly M. Vozniak and Professor V. Simovych, are highlighted. The reasons which caused difficulties and insurmountable obstacles in meeting the deadline in a responsible task are revealed. It turned out that the task became much more difficult for the management of the Institute and the employees, and, first of all, for the main compilers and editors from Lviv than it seemed at first. They did not completely achieve what was planned. Before the beginning of the German-Soviet War, the State Publishing House of Ukraine managed to publish only two volumes of I. Franko's writings, although a team of Lviv scientists led by M. Vozniak had prepared for publishing a scientifically done 20-volume set of the writer's works. The German-Soviet War interrupted further printing. The post-war period's new socio-political conditions left very little space for creative activities, so M. Vozniak's attempts to complete the publication of all 25 volumes were unsuccessful in the end. Keywords: Ivan Franko, works, twenty-five-volume edition, compilers, editors, M. Vozniak.
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Eversone, Madara. "„Arvīd, uz kurieni Tu aizgāji?”: Arvīda Griguļa personības loma Rakstnieku savienības vēsturē." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 25 (March 4, 2020): 74–84. http://dx.doi.org/10.37384/aplkp.2020.25.074.

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The article aims to highlight the role of Arvīds Grigulis’ (1906–1989) personality in the Latvian Soviet literary process in the context of the Latvian Soviet Writers’ Union, attempting to discover the contradictions and significance of Arvīds Grigulis’ personality. Arvīds Grigulis was a long-time member of the Writers’ Union, a member of the Soviet nomenklatura, and an authority of the soviet literary process. His evaluations of pre-soviet literary heritage and writings of his contemporaries were often harsh and ruthless, and also influenced the development of the further literary process. The article is based on the documents of the Central Committee of the Latvian Communist Party, the Latvian Soviet Writers’ Union and the Communist Party local organization of the Latvian Soviet Writers’ Union that are available at the Latvian State Archive of the National Archives of Latvia, as well as memories of Grigulis’ contemporaries. It is concluded that the personality of the writer Arvīds Grigulis, although unfolding less in the context of the Writers’ Union, is essential for the exploration of the soviet literary process and events behind the scenes. The article mainly describes events and episodes taking place until 1965, when Arvīds Grigulis’ influence in the Writers’ Union was more remarkable. Individual and further studies should analyse changes and the impact of his decisions in the cultural process of the 70s and 80s of the 20th century.
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Eversone, Madara. "Komunistiskās partijas kontroles mehānisms Latvijas Padomju rakstnieku savienībā: Žaņa Grīvas piemērs." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/1 (March 1, 2021): 110–18. http://dx.doi.org/10.37384/aplkp.2021.26-1.110.

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It was in the interests of the Communist Party to create a representative image of Latvian Soviet writers, which would represent the interests of the party and at the same time oversee the course of literary life in the Latvian Soviet Writers’ Union. Such was the writer Žanis Grīva in the Latvian Soviet literary process. The influential positions in the Soviet nomenclature gave him power in the creative environment and created opportunities to monitor the implementation of the Communist Party’s course. The article aims to put forward the personality of Žanis Grīva in the context of the research of the Latvian soviet literary process and the Latvian Soviet Writers’ Union, proposing several issues to be further researched and developed in the future. The article is based on the documents of the Latvian Soviet Writers’ Union and the Communist Party local organization of the Latvian Soviet Writers’ Union, and the personal file of Žanis Grīva in the Central Committee of the Communist Party of Latvia, and documents of the Žanis Grīva collection that are available at the Latvian State Archive of the National Archives of Latvia, as well as Žanis Grīva’s personal documents regarding his life and professional activities that are available at the Aleksejs Apinis Rare Books and Manuscripts Reading Room at the National Library of Latvia. Memories of contemporaries were also investigated. It is concluded that the role of Žanis Grīva in the Latvian soviet literary process and the Latvian Soviet Writers’ Union is political and purposefully constructed by the Communist Party, and has little to do with literature and literary talents. It can be assumed that Žanis Grīva has negatively affected the creative activity of some members of the Writers’ Union, such as Gunārs Priede.
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Rusina, Yulia A. "“THE PARTY’S COMMANDS OR THE HEART’S DESIRE…”: SEVERAL PAGES FROM THE HISTORY OF THE SVERDLOVSK BRANCH OF THE UNION OF SOVIET WRITERS (1946)." Ural Historical Journal 71, no. 2 (2021): 169–76. http://dx.doi.org/10.30759/1728-9718-2021-2(71)-169-176.

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The article considers the traces of external influences on the works of Soviet (including Ural) writers in the first post-war year, which marked the end of the so-called first thaw period (1943–1946), a brief spiritual upsurge in the society recovering from the global catastrophe. In this article, the term external influence refers to the ideological pressure coming from the literary critics, colleagues, and other similar phenomena of Soviet culture expressed in ideological discourse. Addressing historical materials that preserved such evidence makes it possible to see the goals of the authorities aiming to control creative processes and, to a certain extent, intellectual and moral level of the authorities themselves as well. The protocols of general and party meetings of the Sverdlovsk branch of the Union of Soviet Writers for 1946 used in this study can be attributed to this kind of documentary sources. Theoretically, the analysis builds on E. A. Dobrenko’s ideas about “formation of the Soviet writer” and on the concept of “ideal type of social realism writer” proposed by T. A. Kruglova, as well as on the understanding of socialist realism as a method of structuring a literary work within the framework of socialist ideology. It was impossible to ignore the impact that the resolution of the Central Committee of the Communist Party on the journals “Zvezda” and “Leningrad” (August 14, 1946) had made on the Soviet writers. It provoked numerous discussions on “insufficiently high ideological level” of fiction in the regional branches of the Union of Soviet Writers, and restricted the course of national literature that impeded its development for years. Much attention is paid to the discussion of the unpublished short story “Meeting” (1946) by the Ural writer Nina Popova that took place in the Sverdlovsk regional organization of the Union of Soviet Writers and at the Moscow regional seminar of prose writers, as well as to the analysis of the text of the story.
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Any, Carol, John Garrard, and Carol Garrard. "Inside the Soviet Writers' Union." Slavic and East European Journal 35, no. 2 (1991): 296. http://dx.doi.org/10.2307/308334.

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Loseff, Lev, John Garrard, and Carol Garrard. "Inside the Soviet Writers' Union." Russian Review 50, no. 3 (July 1991): 385. http://dx.doi.org/10.2307/131107.

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Campbell, John C., John Garrard, and Carol Garrard. "Inside the Soviet Writers' Union." Foreign Affairs 69, no. 3 (1990): 184. http://dx.doi.org/10.2307/20044456.

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Mozur, Joseph, John Garrard, and Carol Garrard. "Inside the Soviet Writers' Union." World Literature Today 65, no. 1 (1991): 137. http://dx.doi.org/10.2307/40146267.

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Dissertations / Theses on the topic "Soviet Writer's Union"

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Quénu, Benjamin. "Culture et politique dans l’Ouzbékistan soviétique de la Grande Terreur au Dégel (1937-1956) : l’Union des Écrivains de la RSS d’Ouzbékistan, une expérience de cogestion du pouvoir et de construction des imaginaires politiques." Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100034.

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La présente thèse explore les relations entre culture et politique à travers l’histoire de l’Union des Écrivains de la RSS d’Ouzbékistan et des destinées des écrivains qui l’ont composée, durant le second stalinisme. Placée sous l’angle d’une cogestion du pouvoir, elle s’efforce de restituer les conditions de production de la littérature, les rapports de pouvoir entre institutions et le rôle public de l’écrivain au lendemain de la Grande Terreur de 1937-38, qui voit la décimation des élites intellectuelles, et plus spécifiquement des réformistes musulmans. Ainsi, elle montre comment les écrivains survivants tentent de restaurer une continuité en littérature, y compris dans leurs productions de propagande. Elle met ensuite en lumière le rôle du second conflit mondial dans le renforcement du pouvoir de l’Union des Écrivains de la RSS alors que Tachkent devient un centre culturel et industriel majeur à la faveur de l’évacuation. Les écrivains peuvent dès lors nationaliser et resémantiser les imaginaires politiques, au point de donner naissance à une culture hybride qui dépasse le projet stalinien de « culture nationale par sa forme, soviétique par son contenu ». Enfin, elle s’attache à caractériser le stalinisme finissant au travers des réinterprétations locales des grandes politiques de répression et d’ingérence du champ politique dans le culturel de 1945 à 1953. Par l’analyse des conflits entre les différents acteurs et des jeux de faction, elle restitue le caractère très singulier de cette période, entre nationalisation accrue des imaginaires et reprise en main par le centre d’un territoire et d’institutions trop autonomes, alors que s’affirme à l’échelle soviétique le primat de la culture russe. L’étude se clôt par la résolution de ces tensions dans l’usage de la terreur et la suspension temporaire de la nationalisation du champ culturel, rapidement restaurée avec le Dégel
The present dissertation explores the interactions between culture and politics by focusing on the history of the Soviet Writer’s Union of the Uzbek SSR and the fate of the writers who ruled this institution during the second Stalinism. Analysing these relationships as a form of co-ruling, the study sheds light on the conditions of production of the literature, on the changing ratio of power between the institutions, and on the public role of the writer after the Great Terror of 38-39, which leads to the decimation of the cultural elites, ans especially of the Muslim reformists. Surviving writers have to use new strategies to re-stablish a continuity in literature, like using propaganda productions to rehabilitate literary genres. During the world war two, the evacuation of industries and intellectuals reinforce the power of the Soviet Writer’s Union, as Tashkent is becoming a prime cultural centre. The writers nationalise and give a new meaning to the political imaginary of the Soviet Union, giving birth to an hybrid culture, which go far beyond the Stalinist project of “national in form, proletarian in content”. Finally, the study analyses the late Stalinism at the light of the local reinterpretations of the repressive Soviet literary politics from 1945 to 1953. Shedding light on the conflicts between institutions and factions, the study shows the singular character of this period, as the nationalisation of imaginaries and language is reinforced whilst the centre aims to regain power on this territory and wants to establish the primacy of Russian culture. The study ends with the resolution of this tension in a new episode of terror. The nationalisation of the culture is then suspended until the Thaw
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Bertelsen, Olga. "Spatial dimensions of Soviet repressions in the 1930s : the House of Writers (Kharkiv, Ukraine)." Thesis, University of Nottingham, 2013. http://eprints.nottingham.ac.uk/13390/.

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This study examines spatial dimensions of state violence against the Ukrainian intelligentsia in the 1930s, and the creation of a place of surveillance, the famous House of Writers (Budynok Slovo), an apartment building that was conceived by an association of writers “Slovo” in Kharkiv. This building fashioned an important identity for Ukrainian intellectuals, which was altered under state pressure and the fear of being exterminated. Their creative art was gradually transformed into the art of living and surviving under the terror, a feature of a regimented society. The study explores the writers’ behavior during arrests and interrogation, and examines the Soviet secret police’s tactics employed in interrogation rooms. The narrative considers the space of politics that brought the perpetrators of terror and their victims closer to each other, eventually forcing them to share the same place. Within this space and place they became interchangeable and interchanged, and ultimately were physically eliminated. Importantly, the research illuminates the multiethnic composition of the building’s residents: among them were cultural figures of Ukrainian, Russian and Jewish origins. Their individual histories and contributions to Ukrainian culture demonstrate the vector of Stalin’s terror which targeted not Ukrainian ethnicity as such but instead was directed against the development of Ukrainian national identity and Ukrainian statehood that were perceived as a challenge to the center’s control and as harbingers of separatism. The study also reveals that the state launched the course of counter-Ukrainization in 1926 and disintegrated the Ukrainian intellectual community through mass repressive operations which the secret police began to apply from 1929. The study also demonstrates that, together with people, the state purposefully exterminated national cultural artifacts—journals, books, art and sculpture, burying human ideas which have never been and will never be consummated. The purpose was to explain how the elimination of most prominent Ukrainian intellectuals was organized, rationalized and politicized. During the period of one decade, the terror tore a hole in the fabric of Ukrainian culture that may never be mended.
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Ebert, Cynthia C. "The Writer in the Early Soviet Union| A Study in Leadership." Thesis, Franklin Pierce University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3730809.

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This study will focus on the role of the writer during the early years of the Soviet Union (1920–1935) through the example of the life and works of Mikhail Bulgakov. Bulgakov’s literary career paralleled Josef Stalin’s rise to supreme power over not only the Communist Party but the Soviet Union and its citizens. As Bulgakov struggled to publish and stage his works, the Soviet government under Stalin strengthened its resolve to utilize writers to educate the masses in the correct behaviors and values of good Soviet citizens. Each demonstrated his own leadership style: as Stalin evolved into a strong Authoritarian Leader, Bulgakov ‘s survival depended upon his Adaptive Leadership skills. Stalin’s greatest successes were during his lifetime; Bulgakov’s followed his death as the Soviet Union declined and his works were published. Research questions include the role of the writer in his contemporary society and the writer’s ability to influence his contemporary society through his own survival in an authoritarian society but the survival of his works for audiences in other times and places. Bulgakov could not compromise his artistic vision, Stalin, although he recognized and appreciated talent, could not compromise his ideological convictions. The result was a complex relationship between two prominent figures whose leadership styles as much as their differing viewpoints dictated the course of their actions.

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Götz, Diether. "Analyse und Bewertung des I. Allunions-Kongresses der Sowjetschriftsteller in Literaturwissenschaft und Publizistik sozialistischer und westlicher Länder : von 1934 bis zum Ende 60er Jahre /." München : O. Sagner, 1989. http://catalogue.bnf.fr/ark:/12148/cb355299438.

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Books on the topic "Soviet Writer's Union"

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D, Smith Patrick. In search of the Russian bear: An American writer's odyssey in the former Soviet Union. Melbourne, Fla: Sea Bird Pub., 2001.

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Garrard, John Gordon. Inside the Soviet Writers' Union. New York: Free Press, 1990.

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Jewish women writers in the Soviet Union. Abingdon, Oxon: Routledge, 2012.

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Garrard, John Gordon. The organizational weapon: Russian literature and the Union of Soviet writers. Urbana-Champaign: University of Illinois, 1986.

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Glad, John. Russia abroad: Writers, history, politics. Tenafly, N.J: Hermitage & Birchbark, 1999.

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Literary exorcisms of Stalinism: Russian writers and the Soviet past. Columbia, S.C: Camden House, 1998.

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Beyder, Khayim. Leḳsiḳon fun Yidishe shrayber in Raṭn-Farband: Biographical dictionary of Yiddish writers in the Soviet Union. Nyu-Yorḳ: Alṿelṭlekhn Yidishn ḳulṭur-ḳongres, 2011.

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How life writes the book: Real socialism and socialist realism in Stalin's Russia. Ithaca [N.Y.]: Cornell University Press, 1997.

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Grossman, Vasiliĭ Semenovich. A writer at war: Vasily Grossman with the Red Army, 1941-1945. Toronto: A.A. Knopf Canada, 2005.

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Grossman, Vasiliĭ Semenovich. A writer at war: Vasily Grossman with the Red Army, 1941-1945. London: Harvill Press, 2005.

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Book chapters on the topic "Soviet Writer's Union"

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Geva, Dan. "1934: The All-Union Congress of Soviet Writers of 1934." In A Philosophical History of Documentary, 1895–1959, 233–46. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79466-8_21.

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Gor’kii, Maksim. "Soviet Literature Address Delivered to the First All-Union Congress of Soviet Writers August 17, 1934." In From Symbolism to Socialist Realism, edited by Irene Masing-Delic, 407–18. Boston, USA: Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618111449-041.

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Schmidt, Henrike. "From Samizdat to New Sincerity. Digital Literature on the Russian-Language Internet." In The Palgrave Handbook of Digital Russia Studies, 255–75. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42855-6_15.

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AbstractDigital literature on the Russian-language Internet includes a broad variety of phenomena, from online libraries to writers’ blogs, from hypertext to Internet memes. The chapter begins by clarifying the terms “digital literature” and “Runet,” drawing on a functional understanding of literature in the tradition of Russian Formalism. It embeds Runet literary studies into global contexts and gives an overview of essential phenomena (hypertext, fan fiction, blogging) and narratives. It analyzes local discourses, which, in turn, attempt to make sense of global communication technologies, for example, by conceptualizing digital self-publishing as samizdat, that is, the historical phenomenon of clandestine underground publication in the post-Stalin Soviet Union. The chapter concludes with an overview of research approaches and methods, both qualitative and quantitative, and of the challenges that future analysis will face.
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Tomoff, Kiril. "Introduction." In Creative Union, 1–10. Cornell University Press, 2006. http://dx.doi.org/10.7591/cornell/9780801444111.003.0101.

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This introductory chapter provides an overview of the Union of Soviet Composers, the institution that came to dominate musical production in the Soviet Union. The Union of Soviet Composers was one of four institutions which were known in Soviet parlance as “creative unions.” Each creative union dominated artistic production in its respective area of expertise: the Composers' Union in music, the Writers' Union in literature, the Architects' Union in architecture, and the Artists' Union in the visual arts. This book analyzes the Composers' Union in institutional, cultural, social, and economic terms in order to show that in the Soviet cultural world, artistic expertise mattered. It afforded professional musicians the agency to construct a musical culture that appealed to audiences at home and abroad.
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Wickhamsmith, Simon. "A Closer Union." In Politics and Literature in Mongolia (1921-1948). Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462984752_ch09.

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The Great Repression left Mongolian letters without many of its leading voices, but this also enabled the Party to revive literature in a way more favorable to its ideological trajectory. The first Congress of Mongolian Writers, held in the spring of 1948, was the culmination of a decade’s political development in which writers were encouraged to write about the benefit of labor (D. Sengee’s ‘The Shock Workers’ [Udarnik, 1941] and Ts. Damdinsüren’s ‘How Soli Changed’ [Soli solison ni, 1945]) and so develop a Mongolian Socialist Realism. Through a closer connection with Soviet policy, helped by Mongolia’s moral and practical support of the Soviet Union during the Great Patriotic War, the Writers’ Congress helped to define the ideological basis for Mongolian literature for the next three decades.
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"The bond of friendship: Foreign Commission of the Soviet Writers’ Union and French writers." In Western Intellectuals and the Soviet Union, 1920-40, 177–201. Routledge, 2006. http://dx.doi.org/10.4324/9780203008140-15.

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"Front Matter." In The Soviet Writers' Union and Its Leaders, i—vi. Northwestern University Press, 2020. http://dx.doi.org/10.2307/j.ctv16t6ncb.1.

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"Vladimir Stavsky and the Language Codes of Terror." In The Soviet Writers' Union and Its Leaders, 123–60. Northwestern University Press, 2020. http://dx.doi.org/10.2307/j.ctv16t6ncb.10.

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"General Secretary Fadeyev." In The Soviet Writers' Union and Its Leaders, 161–90. Northwestern University Press, 2020. http://dx.doi.org/10.2307/j.ctv16t6ncb.11.

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"Fadeyev’s Choice." In The Soviet Writers' Union and Its Leaders, 191–224. Northwestern University Press, 2020. http://dx.doi.org/10.2307/j.ctv16t6ncb.12.

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Conference papers on the topic "Soviet Writer's Union"

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Burima, Maija. "STRATEGIES OF THE WRITERS� UNIONS IN THE SOVIET BLOC COUNTRIES IN CONVERTING THE MUTUAL LITERARY CANON: RAINIS - 1965." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s27.069.

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