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Books on the topic 'Soviet Writer's Union'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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1

D, Smith Patrick. In search of the Russian bear: An American writer's odyssey in the former Soviet Union. Melbourne, Fla: Sea Bird Pub., 2001.

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2

Garrard, John Gordon. Inside the Soviet Writers' Union. New York: Free Press, 1990.

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3

Jewish women writers in the Soviet Union. Abingdon, Oxon: Routledge, 2012.

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4

Garrard, John Gordon. The organizational weapon: Russian literature and the Union of Soviet writers. Urbana-Champaign: University of Illinois, 1986.

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5

Glad, John. Russia abroad: Writers, history, politics. Tenafly, N.J: Hermitage & Birchbark, 1999.

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6

Literary exorcisms of Stalinism: Russian writers and the Soviet past. Columbia, S.C: Camden House, 1998.

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7

Beyder, Khayim. Leḳsiḳon fun Yidishe shrayber in Raṭn-Farband: Biographical dictionary of Yiddish writers in the Soviet Union. Nyu-Yorḳ: Alṿelṭlekhn Yidishn ḳulṭur-ḳongres, 2011.

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8

How life writes the book: Real socialism and socialist realism in Stalin's Russia. Ithaca [N.Y.]: Cornell University Press, 1997.

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9

Grossman, Vasiliĭ Semenovich. A writer at war: Vasily Grossman with the Red Army, 1941-1945. Toronto: A.A. Knopf Canada, 2005.

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10

Grossman, Vasiliĭ Semenovich. A writer at war: Vasily Grossman with the Red Army, 1941-1945. London: Harvill Press, 2005.

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11

Grossman, Vasiliĭ Semenovich. A writer at war: Vasily Grossman with the Red Army, 1941-1945. New York, NY: Pantheon Books, 2004.

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12

Arpioni, Maria Pia, and Alberto Zava. Guido Piovene. Articoli dall’Unione Sovietica (1960). Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-430-1.

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In the twenty-nine articles that constitute the result of the 1960s travel experience in the Soviet Union, which have so far appeared only on the third page of La Stampa, the cultural-literary operation of Guido Piovene is outlined, perfectly reflecting the programmatic intention to conduct a wide-ranging investigation into Soviet society in the early 1960s, providing a useful comparison with the condition of the western world and overcoming the appearance and conventionality of preconceived ideas (by the visitor) and prepackaged information (from part of the Soviet administrative system). In his reportage Piovene is able to activate the dynamic functions that constitute the main lines of his literary writing: the inclusion of the landscape in the narrative context and the deep internal investigation conducted on the characters, in a balance between inside and outside, between observation and analysis, between reality and dream. The result is a corpus of articles that constitute an important cultural document of that historical period but at the same time another great literary reportage by one of the most refined journalist-writers of the Italian twentieth century.
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13

Robert, Russell. Zamiatin's We. London: Bristol Classical Press, 2000.

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14

Romantic encounters: Writers, readers, and the Library for Reading. Stanford: Stanford University Press, 2007.

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15

Caryl, Emerson, Pushkin Aleksandr Sergeevich 1799-1837, and Pushkin Aleksandr Sergeevich 1799-1837, eds. The uncensored Boris Godunov: The case for Pushkin's original comedy, with annotated text and translation. Madison: University of Wisconsin Press, 2005.

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16

Sicher, Efraim. Jews in Russian literature after the October Revolution: Writers and artists between hope and apostasy. Cambridge: Cambridge University Press, 1995.

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17

Urban romances & other stories. Ann Arbor, Mich: Ardis, 1994.

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18

Caryl, Emerson, ed. Mikhail Bakhtin: Creation of a prosaics. Stanford, Calif: Stanford Univ. Press, 1990.

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19

Smith, Patrick D. In Search of the Russian Bear: An American Writer's Odyssey in the Former Soviet Union. Sea Bird Publishing, 2002.

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20

Garrard, John, and Carol Garrard. Inside the Soviet Writers' Union. Bloomsbury Publishing Plc, 2020.

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21

Lapidus, Rina. Jewish Women Writers in the Soviet Union. Taylor & Francis Group, 2016.

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22

Lapidus, Rina. Jewish Women Writers in the Soviet Union. Routledge, 2013. http://dx.doi.org/10.4324/9780203805060.

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23

Watten, Barrett, Ron Silliman, Lyn Hejinian, and Michael Davidson. Leningrad/American Writers in the Soviet Union. Mercury House, 1991.

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24

Pike, David. German Writers in Soviet Exile, 1933-1945. University of North Carolina Press, 2012.

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25

Any, Carol. Soviet Writers' Union and Its Leaders: Identity and Authority under Stalin. Northwestern University Press, 2020.

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26

Any, Carol. Soviet Writers' Union and Its Leaders: Identity and Authority under Stalin. Northwestern University Press, 2020.

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27

Lunde, Ingunn. Language on Display: Writers, Fiction and Linguistic Culture in Post-Soviet Russia. Edinburgh University Press, 2019.

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28

Lunde, Ingunn. Language on Display: Writers, Fiction and Linguistic Culture in Post-Soviet Russia. Edinburgh University Press, 2018.

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29

Lee, Steven S. Ethnic Avant-Garde: Writers, Artists, and the Magic Pilgrimage to the Soviet Union. Columbia University Press, 2015.

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30

David, Deirdre. A Professional Novelist. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198729617.003.0007.

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In the 1960s, Snow’s cultural celebrity led to many trips to the United States and the Soviet Union. Much in demand as a lecturer on science and the humanities, Snow was a visiting professor at the University of California, Berkeley, and at Wesleyan University. Resentful of her subordinated status as ‘Lady Snow’, Pamela nevertheless accompanied him on his travels. In the Soviet Union they were treated as honoured guests and enjoyed many visits to the dachas of leading Russian writers and intellectuals. Their support of Russian writers, however, led to attacks upon them as fellow-travellers. Pamela based her comic novel about American academic life on her time at Wesleyan University (Night and Silence, Who is Here?), and during the 1960s she became a regular and vibrant contributor to various BBC cultural programmes, primarily with the remit of reporting on current fiction.
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31

Radchenko, Sergey. 1956. Edited by Stephen A. Smith. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199602056.013.008.

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This article explores the impact of de-Stalinization on the Soviet Union, Eastern Europe, and China. Writers, artists, and intellectuals welcomed the curtailment of repression—the so- called ‘thaw’—but their calls for openness and tolerance unnerved the Soviet party authorities. In 1956 Nikita Khrushchev denounced Stalin but he did not question the fundamentals of socialism. Still, his criticism of Stalin led to turmoil in the socialist camp, most notably unrest in Poland and the anti-Soviet insurrection in Hungary. While Khrushchev agreed to a reduction of Soviet influence in Poland, he ordered military intervention in Hungary. This intervention undermined the legitimacy of communism, as it made clear that communism in Eastern Europe was a Soviet imposition. Meanwhile, de-Stalinization untied Mao Zedong’s hands. He felt free to pursue China’s socialist transformation the way he thought best. Mao took advantage of Khrushchev’s predicament to assert China’s claim to leadership in the communist world.
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32

Feldman, Leah. On the Threshold of Eurasia. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501726507.001.0001.

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On the Threshold of Eurasia: Revolutionary Poetics in the Caucasus explores the idea of the Russian and Soviet “East” as a political, aesthetic and scientific system of ideas that contributed to the construction of Soviet discourses of ethnicity, empire, and literary modernity during the tumultuous first two decades of the twentieth century, from 1905 to 1929. It exposes connections between literary works, political essays, and orientalist history, geography, and ethnology written by Russian and Azeri Turkic Muslim writers and thinkers, many of whom have been unknown to Anglophone readers until now. Tracing translations and intertextual engagements across Russia, the Caucasus and western Europe, this book offers an alternative vision of empire, modernity and anti-imperialism from the vantage point of cosmopolitan centers in the Russian empire and Soviet Union. In this way, On the Threshold of Eurasia illustrates the pivotal impact of the literature of the Caucasus and the former Soviet periphery more broadly on the monumental aesthetic and political shifts of the early twentieth century.
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33

Kotin, Joshua. Utopias of One. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691196541.001.0001.

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This book is a new account of utopian writing. It examines how eight writers—Henry David Thoreau, W. E. B. Du Bois, Osip and Nadezhda Mandel'shtam, Anna Akhmatova, Wallace Stevens, Ezra Pound, and J. H. Prynne—construct utopias of one within and against modernity's two large-scale attempts to harmonize individual and collective interests: liberalism and communism. The book begins in the United States between the buildup to the Civil War and the end of Jim Crow; continues in the Soviet Union between Stalinism and the late Soviet period; and concludes in England and the United States between World War I and the end of the Cold War. In this way it captures how writers from disparate geopolitical contexts resist state and normative power to construct perfect worlds—for themselves alone. The book contributes to debates about literature and politics, presenting innovative arguments about aesthetic difficulty, personal autonomy, and complicity and dissent. It models a new approach to transnational and comparative scholarship, combining original research in English and Russian to illuminate more than a century and a half of literary and political history.
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34

Lahusen, Thomas. How Life Writes the Book: Real Socialism and Socialist Realism in Stalin's Russia. Cornell University Press, 2002.

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35

Taunton, Matthew. Red Britain. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198817710.001.0001.

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Red Britain provocatively situates the Bolshevik Revolution of 1917 as the most definitive pretext for the cultural and political debates of the British mid-century. Drawing on new archival research and historical scholarship to investigate British responses to Soviet politics and culture, Taunton describes their conceptual, discursive, and formal reverberations in British literature and culture. The book provides new insight into writers including Arthur Koestler, Doris Lessing, George Orwell, Dorothy Richardson, H. G Wells, and Raymond Williams, as well as a diverse cast of lesser-known writers, intellectuals, journalists, and visitors to the Soviet Union. As Taunton shows, the cultural resonances of the Russian Revolution are more far-reaching and various than has been acknowledged. Each of the five chapters of Red Britain takes as its subject one particular problem or debate, and explores the ways in which it was politicized as a result of the Russian Revolution and the subsequent development of the Soviet state. The chapters focus on the idea of the future; numbers and arithmetic; law and justice; debates around agriculture and landowning; and finally orality, literacy, and religion. In all of these spheres, Red Britain explores how political ideas formed in the Bolshevik revolution—futurist, utilitarian, literate, urban, statist, and economistic—clashed with and sometimes redirected, and were sometimes overwritten by, the medievalist, romantic, oral, pastoral, anarchic, and ethical emphases of English socialism.
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36

Generation Stalin: French Writers, the Fatherland, and the Cult of Personality. Indiana University Press, 2018.

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37

Sobanet, Andrew. Generation Stalin: French Writers, the Fatherland, and the Cult of Personality. Indiana University Press, 2018.

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38

Gamsa, Mark. Communism and the Artistic Intelligentsia. Edited by Stephen A. Smith. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199602056.013.005.

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This article is an effort at comparative history: it treats the intelligentsia in the Soviet Union along with the zhishi fenzi (literally, ‘knowledgeable elements’) in the People’s Republic of China. Starting from a discussion of these terms and ways in which they differ from the Western notion of intellectuals, the article then focuses on the creative work of artists under the two communist regimes. Looking also at the daily conditions, in which writers, musicians, painters, and other members of the artistic intelligentsia in both countries lived and worked, and at their collective image within their societies, the article concludes with a consideration of the legacies and possible prospects of the intelligentsia following the demise of communism in Russia and the introduction of a capitalist market in China.
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39

Zamiatin's We (Critical Studies in Russian Literature) (Critical Studies in Russian Literature). Duckworth Publishers, 2001.

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40

Feodosʹevich, Kuznet͡s︡ov Feliks, ed. Links: Cultural, historical, and literary links between India and the Soviet Union in the words of their great writers, poets, and artists. Delhi: Rajpal and Sons, 1987.

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41

Literary St. Petersburg: A Guide to the City and Its Writers. Little Bookroom, 2007.

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42

Beevor, Antony, and Vasiliĭ Semenovich Grossman. Writer at War: Vasily Grossman with the Red Army, 1941-1945. Penguin Random House, 2006.

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43

Frazier, Melissa. Romantic Encounters: Writers, Readers, and the Library for Reading. Stanford University Press, 2007.

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44

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. A History of Russian Literature. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.001.0001.

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The History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. Five chronological parts by design unfold in diachronic histories; they can be read individually but are presented as inseparable across the span of a national literature. Throughout its course, this History follows literary processes as they worked in respective periods and places, whether in monasteries, at court, in publishing houses, in the literary marketplace, or the Writers’ Union. Evolving institutional practices used to organize literature are themselves a part of the story of literature told in poetry, drama, and prose including diaries and essays. Equally prominent is the idea of writers’ agency in responding to tradition and reacting to larger forces such as church and state that shape the literary field. Coverage strikes a balance between extensive overview and in-depth thematic discussion, addressing trans-historical questions through case studies detailing the importance of texts, figures, and notions. The book does not follow the decline model often used in accounts of the nineteenth century as a change-over between ages of prose and poetry. We trace in the evolution of literature two interrelated processes: changes in subjectivities and the construction of national narratives. It is through categories of nationhood, literary politics, and literary life, forms of selfhood, and forms of expression that the intense influence of literature on a culture as a whole occurs.
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45

Dunning, Chester S. L., Caryl Emerson, Sergei Fomichev, and Lidiia Lotman. The Uncensored Boris Godunov: The Case for Pushkin's Original Comedy (Wisconsin Center for Pushkin Studies). University of Wisconsin Press, 2006.

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46

Luker, Nicholas J. L., Gary Kern, Iurii Miloslavskii, and Yury Miloslavsky. Urban Romances. Ardis Publishers, 1991.

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47

Jews in Russian Literature after the October Revolution: Writers and Artists between Hope and Apostasy (Cambridge Studies in Russian Literature). Cambridge University Press, 2006.

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48

Sicher, Efraim. Jews in Russian Literature after the October Revolution: Writers and Artists between Hope and Apostasy (Cambridge Studies in Russian Literature). Cambridge University Press, 1996.

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49

Journeys to a Graveyard: Perceptions of Europe in Classical Russian Travel Writing (International Archives of the History of Ideas / Archives internationales d'histoire des idées). Springer, 2006.

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50

Offord, Derek. Journeys to a Graveyard. Springer, 2008.

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