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Relevant bibliographies by topics / Space in paintings

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Academic literature on the topic 'Space in paintings'

Author: Grafiati

Published: 24 April 2022

Last updated: 20 February 2023

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Journal articles on the topic "Space in paintings"

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Gawlak, Agata, Paulina Kowalczyk, and Joanna Stefańska. "Unconventional exhibition spaces as an example of the synergy of architecture and art." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 16, no. 1 (2020): 20–27. http://dx.doi.org/10.35784/teka.2414.

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The article pertains to the relationship between an artwork (painting) and architectural space, as well as the issue of adapting unconventional architectural spaces for an exhibition function in relation to the author's exhibitions presenting the paintings from the same painting series. Different exhibition concepts of each of the exhibitions emphasize the role of a painting in shaping the architectural space and the quality of this space. An artwork becomes a tool that organizes space and influences its quality. At the Faculty of Architecture of Poznań University of Technology, as part of the

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Song, Hyosup. "Three Korean literati paintings of an orchid in the deconstructive process." Semiotica 2016, no. 208 (2016): 223–36. http://dx.doi.org/10.1515/sem-2015-0116.

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AbstractLiterati paintings were drawn by Korean Confucian scholars from the end of the Koryeo period to the end of the Joseon period. As painting these works was considered a method for a scholar’s self-cultivation, literati paintings express plenty of in-depth metaphysical points of significance. Meanwhile, these paintings revealed changes that correspond with changes in cultural circumstances. The present study considers such transformation as a deconstructive process. This research analyzes three Korean orchid paintings to address the following three questions: (1) How are the literati’s th

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Schmitter, Monika. "TheQuadro da Portegoin Sixteenth-Century Venetian Art*." Renaissance Quarterly 64, no. 3 (2011): 693–751. http://dx.doi.org/10.1086/662848.

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AbstractDuring the sixteenth century a symbiotic relationship developed between the form, use, and symbolic associations of the Venetian portego, the central reception and entertainment hall of Venetian palaces, and the paintings that were increasingly commissioned to ornament these spaces. The intended placement of the paintings affected their size, format, composition, subject matter, and contemporary interpretation. At the same time, the works of art themselves reflected upon and helped to define the social meanings of the space and the activities taking place there. Analyzing documentary s

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Suartini, Luh. ""MY FIRST PAINTING”: ANALYSIS OF EXPRESSIVE IMAGES OF KINDERGARTEN STUDENTS IN BULELENG SUBDISTRICT, BALI"." Jurnal Pendidikan Seni Rupa Undiksha 12, no. 3 (2022): 258–65. http://dx.doi.org/10.23887/jjpsp.v12i3.52695.

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This article aims to analyze the first images of kindergarten students in Buleleng district. This article uses interpretive qualitative methods with the theory of art education, especially the development of children's art as formulated by Viktor L. Article comes to the discussion of visual elements and interpretive meanings. The visual element consists of the repetition of shapes, the painting of flat spaces, and the painting of stacked spaces. Interpretively the theme of these children's paintings is my home, and my surroundings. It can be concluded that this article1, the use of lines

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Virgoe, April. "Nexus, veil: Robert Ryman and the equivocal spaces of abstraction." Journal of Contemporary Painting 7, no. 1 (2021): 39–59. http://dx.doi.org/10.1386/jcp_00031_1.

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It is now understood that the two great defining points in the history of western painting ‐ the emergence of illusory space in the Quattrocento and its disavowal in the mid-twentieth century ‐ represent significant shifts in a perpetual tide in which pictorial space is re-invented. Outside of modernist teleology, the ‘abstract’ in painting is a malleable term, denoting a tendency, or a move away from, rather than a polemic against depiction. How productively, then, can notions of pictorial space be mapped between ‘abstraction’ and ‘figuration’? In this article, I focus on the work of the Amer

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Kombui, Babaaradio, Dickson Adom, and Samuel Prophask Asamoah. "Nana Yaw Frimpong: A royal footprint of modern Ghanaian painting." Journal of African History, Culture and Arts 1, no. 1 (2021): 1–10. http://dx.doi.org/10.57040/jahca.v1i1.90.

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Ghanaian modernist painting started with the establishment of Achimota school in 1927 where the artists learned to combine the traditional Ghanaian artforms with the European representation artistic techniques. Though the influences of this new movement went beyond the academically trained artists to affect the self-trained artists, very little is known about it. The main objective of this paper was to conduct a biographical study of Nana Yaw Frimpong who without any art college training, booked a notable slot for himself through his painting within the modern Ghanaian art space. An Iconograph

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Stefańska, Joanna. "Painting in the exhibition space, interactions." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 17, no. 4 (2021): 19–24. http://dx.doi.org/10.35784/teka.2661.

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The article is based on the author's search for the relationship between painting and architecture and experiencing the space in the context of using its potential for painting exhibition. This is a summary of research carried out in 2017- 2019 at the Faculty of Architecture of Poznań University of Technology, entitled "Artwork in architecture". This project aimed to explore the relationship between art and architectural space. Participation in the collective exhibitions, as a part of the first research stage, and the implementation of individual exhibitions in the second stage of the pr

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Ulyanova, Natalia. "A picturesque interior space." проект байкал, no. 73 (October 21, 2022): 104–6. http://dx.doi.org/10.51461/pb.73.18.

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The dwelling interior is an essential component of everyday happiness. One of the most ancient and effective means to achieve psychological comfort in the house is easel interior painting. The process of creating interior paintings for two very different customers is considered through specific examples. It is shown that the final result should take into account both the personal characteristics of the person for whom the picture is intended and the ergonomic characteristics of the living space, its size, lighting, and so on.

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Sharma, Yam Prasad. "Nepali Paintings: A Departure From Religious Contents to Secular Subject Matters." Tribhuvan University Journal 36, no. 01 (2021): 85–95. http://dx.doi.org/10.3126/tuj.v36i01.43582.

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Traditional Nepali paintings are religious since they are based on Hindu and Buddhist myths. Manuscript illuminations and paubhas, the examples of religious paintings, have magical and mystical contents. Characters of myths have been portrayed and mythical stories have been narrated in visual form. There are a series of changes from traditional Nepali paintings to contemporary works. In painting, secular elements are introduced through didactic visual narratives from Hitopadesha manuscript. The moral lessons are taught through animal fables. Early paubhas are fully religious but later paubhas

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PEDRAM, POURIA, and G. R. JAFARI. "MONA LISA: THE STOCHASTIC VIEW AND FRACTALITY IN COLOR SPACE." International Journal of Modern Physics C 19, no. 06 (2008): 855–66. http://dx.doi.org/10.1142/s0129183108012558.

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A painting consists of objects which are arranged in specific ways. The art of painting is drawing the objects, which can be considered as known trends, in an expressive manner. Detrended methods are suitable for characterizing the artistic works of the painter by eliminating trends. It means that the study of paintings, regardless of its apparent purpose, as a stochastic process. Multifractal detrended fluctuation analysis is applied to characterize the statistical properties of Mona Lisa, as an instance, to exhibit the fractality of the painting. The results show that Mona Lisa is a long-ran

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Dissertations / Theses on the topic "Space in paintings"

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Malinowski, Janusz Wojciech. "Between paintings, a study of pictorial space." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape8/PQDD_0018/MQ47983.pdf.

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Waller, James. "Un/Grounded: Representing the Experience of Contemporary Space." Thesis, Griffith University, 2011. http://hdl.handle.net/10072/367571.

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This project is about the experience of contemporary space and its representation in painting. Both the exegesis and studio work investigate the transformations that have occurred in the way we conceptualise and experience space in response to new communication technologies and the related formation of a global economy. The exegesis contends that Modernist space, with its defined regimes of control and order, has been replaced by a complex situation that disrupts traditional spatio-temporal understandings and blurs the boundary between actual and virtual reality. It argues our experience of sp

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Hodgkinson, Virginia, and virginia hodgkinson@deakin edu au. "Conventions of pictorialism (iconic imagery, perceived space and the picture plane) deconstructed and reconstructed as alternative models of perception, embodied in paintings and drawings." Deakin University, 1993. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20071127.083604.

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This thesis is concerned with conventions of pictorialism, viz. the surface of an artwork or the plane of denotation (in my case paper, canvas or wood); and iconic imagery and the depiction of perceptual space that is connotated by marks, colours and forms upon that surface. Most importantly this thesis is concerned with the relationship between these elements and the deconstruction of them. That the reconstruction of the deconstructed language can create expressive iconic structures that perhaps

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Fozard, Roxanne. "Ghostcards of WA: An exhibition of oil paintings on linen – and – Repositioning the Denkbild: A painting investigation into deaths in custody in 21st century Western Australia: An exegesis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2017. https://ro.ecu.edu.au/theses/2155.

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Having a personal connection through several family members to the life and work of Ngaanyatjarra Elder Mr Ward, I found his death in custody in outback Western Australia unsettling and incomprehensible. As the circumstances of his death were revealed, I became aware of glaring omissions in the telling of his story and the circumstances that led to his death. Through my engagement with the subsequent media reporting, official documents and personal conversations, I recognised a profound lack of understanding of difference and otherness within a shared history and space in Western Australia. Th

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Poulson, Christopher. "Arriving at the surface : an analysis of the organisation of the surface of paintings and the space around them as sites to generate specific practices of thought." Thesis, Middlesex University, 2009. http://eprints.mdx.ac.uk/9118/.

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This research project presents a number of approaches towards the surfaces produced within my own practice. In this sense it is a reversed critique, a meditation upon the practice of considering artworks shaped by the structures of the works themselves, rather than an attempt to align the works with other existing external structures of explanation. The surface of the picture plane presents the researcher with grave difficulties. It is silent and fixed, and necessarily complete unto itself. It has a defined border that divides it from the flux of the world around it. Meditation upon such a sit

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Whearty, Lauren Ann. "Making Space: Language, Painting, Poem." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1307394266.

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Cho, Min-Ji. "Analyse sémiologique du Vide dans le minhwa (peinture populaire coréenne) : le thème ‘montagne-eau’." Thesis, Paris 5, 2013. http://www.theses.fr/2013PA05H018/document.

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Cette thèse a pour objet l’analyse sémiologique du Vide dans l’espace pictural du minhwa, genre artistique populaire coréen, et plus particulièrement dans les peintures ayant pour thème le paysage ‘montagne-eau’ du 18e au 20e siècle de l’ère du Chosŏn. Nous étudions cette notion, qui s’est développée à partir des philosophies traditionnelles telles que le taoisme, le bouddisme et le confucianisme par exemple, en la considérant comme l’un des fondements de la pratique de la peinture et de la culture coréenne. De nos jours, le minhwa est devenu un genre reconnu pour sa valeur artistique propre :

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Coats, Mary Frances. "Cataloguing space." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2462.

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Over the course of my time here at Iowa, my work has taken a turn I never anticipated. I will reflect on the reasons for my transition from looking out the window to looking in. Although the work has shifted drastically, my motivations to create have remained the same. I owe the limited understanding I have of these motivations to the reading I engage in alongside my creating. If I had to identify the most seminal books of my time in graduate school, I would single out A Place of My Own, by Michael Pollan and Invisible Cit

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Brown, Anne L. "The unfolding of geologic space /." Online version of thesis, 1989. http://hdl.handle.net/1850/11329.

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Smith, Catherine Dicesare. "Synergistic qualities of form and space /." Online version of thesis, 1996. http://hdl.handle.net/1850/11927.

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Books on the topic "Space in paintings"

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Journeys through inner space: Paintings & poems. Pomegranate Artbooks, 1995.

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Life. time. space: Paintings by Yan Sun. New World Poetry, 2003.

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Davie, Alan. Alan Davie: Jingling space. Tate, 2003.

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Comets, stars, the Moon, and Mars: Space poems and paintings. Harcourt, 2007.

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Nancy, Tousley, and Art Gallery of Peel (Ont.), eds. Chris Cran paintings, 1993-1996: A space filled with beauty. Art Gallery of Peel, 1996.

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Museu d'Art Contemporani (Barcelona, Spain), ed. Öyvind Fahlström: Another space for painting. Museu d'Art Contemporani de Barcelona, 2001.

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Redefining gender in American impressionist studio paintings: Work place/domestic space. Ashgate, 2009.

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Sengupta, Amitava. Inscriptions: Recent paintings, Time and Space Gallery, Bangalore, November 7-17, 2007. Time & Space Gallery, 2007.

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Nye, Naomi Shihab. The space between our footsteps: Poems and paintings from the Middle East. Simon & Schuster Books for Young Readers, 1998.

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Shihab, Nye Naomi, ed. The space between our footsteps: Poems and paintings from the Middle East. Simon & Schuster Books for Young Readers, 1998.

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Book chapters on the topic "Space in paintings"

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Carroll, Michael. "Rocks & Balls: Classical/Naturalistic Paintings." In The Beauty of Space Art. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49359-2_9.

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Li, Cheng-Te, and Man-Kwan Shan. "Affective Space Exploration for Impressionism Paintings." In Advances in Multimedia Information Processing - PCM 2008. Springer Berlin Heidelberg, 2008. http://dx.doi.org/10.1007/978-3-540-89796-5_40.

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Roychowdhury, Shounak. "Color Space Exploration of Paintings Using a Novel Probabilistic Divergence." In Pattern Recognition. ICPR International Workshops and Challenges. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-68796-0_41.

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Mandakini, Ila Gupta, and P. Jha. "Gender and Space in the Paintings of Raja Ravi Varma and Amrita Sher-Gill." In Understanding Built Environment. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-2138-1_20.

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Knoeff, Rina. "Breathscapes: Natural Environments in Eighteenth-Century Physiology and Psychosomatics of Breathing." In The Life of Breath in Literature, Culture and Medicine. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74443-4_11.

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AbstractThe eighteenth century was obsessed with the physiology and pathology of respiration and the necessity of clean air and strong winds for health and well-being. Air referred not only to the air we breathe, but also to the natural environments that produce (i.e., breathe) and determine the quality of air. Knoeff’s essay is concerned with the question of how the (psycho) pathology of respiration is bound up (conspires) with natural environments, not only in the literal sense (in urban spaces as well as the countryside) but also as represented in the material and visual culture of households, most notably in landscape paintings in living rooms. It was thought that the viewing of spacious landscapes would stimulate the imagination and literally give breathing space.

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Berg, Linda, and Anna Sofia Lundgren. "We Were Here, and We Still Are: Negotiations of Political Space Through Unsanctioned Art." In Pluralistic Struggles in Gender, Sexuality and Coloniality. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47432-4_3.

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Abstract In this chapter, we examine the work of the Sámi artist Anders Sunna and the Egyptian artist Bahia Shebab in order to address strategies of artistic criticism of the relations between states and their citizens. Both artists are protesting against contemporary processes relating to space, state and nation, and they express themselves in ways that are embedded in the aesthetics of unsanctioned street art. This expression constitutes an interesting form of politics, situated somewhere in-between, or alongside, party politics and the practices of civil society. Our aim is to describe and discuss what we see as specifically effective and dynamic themes in the chosen artwork—the use of space as object and methodology, and the production of iconic imageries within fantasies of protest. The stencils and spray paintings of Shehab and Sunna offer us keys to exploring efforts to artistically reveal and dismantle national and neocolonial power.

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Datta, Kusumita. "Painting – Whitewashing." In Time, History and Cultural Spaces. Routledge India, 2022. http://dx.doi.org/10.4324/9781003311539-9.

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Adams, Steven. "Making space for the Revolution." In Landscape Painting in Revolutionary France. Routledge, 2019. http://dx.doi.org/10.4324/9781315229430-3.

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Anderson, Michael A. "The spatial-visual analysis of wall painting." In Space, Movement, and Visibility in Pompeian Houses. Routledge, 2022. http://dx.doi.org/10.4324/9781315610153-7.

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Roy, Shatarupa Thakurta, and Amarendra Kumar Das. "Stylistic Analysis of Space in Indian Folk Painting." In Lecture Notes in Mechanical Engineering. Springer India, 2013. http://dx.doi.org/10.1007/978-81-322-1050-4_102.

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Conference papers on the topic "Space in paintings"

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Losq, Juliette. "Layered Visions In The Teleorama: Constructing Spaces Of Ruination Through An Expanded Drawing Practice." In SPACE International Conferences April 2021. SPACE Studies Publications, 2022. http://dx.doi.org/10.51596/cbp2021.qpkd6594.

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Abstract This paper examines whether the form of the Teleorama or paper peep show can be used to generate new ways of making and exhibiting drawings of contemporary sites of ruination. The Teleorama will be used as a physical and conceptual vehicle for testing out a diverse range of investigations relating to form and content in drawing practice. Within my practice, paper ruins, inspired by Teleoramas, are constructed and used as maquettes from which to make two-dimensional drawings that are retranslated into large-scale, three-dimensional installations. Through the process of (re) constructio

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ZhenBao Fan, XianJun Sam Zheng, and Kang Zhang. "Computational analysis and eye movement experiments of white space in Chinese paintings." In 2015 IEEE International Conference on Progress in Informatics and Computing (PIC). IEEE, 2015. http://dx.doi.org/10.1109/pic.2015.7489858.

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Su´rez, Juan-Luis, Fernando Sancho Caparrini, and Javier de la Rosa Perez. "The Art-Space of a Global Community: The Network of Baroque Paintings in Hispanic-America." In 2011 Second International Conference on Culture and Computing (Culture Computing). IEEE, 2011. http://dx.doi.org/10.1109/culture-computing.2011.17.

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Liu, Jinmin, and Ye Li. "Unique Expression of the Concept of Time and Space in Wu Qiang New Year Paintings." In 2015 International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.60.

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Kartashova, Tatiana, Huib de Ridder, Susan F. te Pas, Marga Schoemaker, and Sylvia C. Pont. "The visual light field in paintings of Museum Prinsenhof: comparing settings in empty space and on objects." In IS&T/SPIE Electronic Imaging, edited by Bernice E. Rogowitz, Thrasyvoulos N. Pappas, and Huib de Ridder. SPIE, 2015. http://dx.doi.org/10.1117/12.2085030.

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Lus Arana, Luis M. "La Ligne Claire de Le Corbusier. Time, Space, and Sequential Narratives." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.814.

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Abstract: In 1921, issue 11-12 of L’Esprit Nouveau featured an article entitled “Toepffer, précurseur du cinema” where Le Corbusier, signing as ‘De Fayet’, vindicated the figure of Rodolphe Töpffer (1799-1846), a Swiss a pioneer of comics, as a key element in the development of cinema. Marginal as it may seem, this reference unveils a deeper relationship between Jeanneret and Töpffer’s work which started in his childhood, and would have a key role in the development of some of Le Corbusier’s trademark obsessions: travel, drawing, and cinematic narratives. In this context, “La Ligne Claire de L

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"Study on Creation Forms of Mural Paintings in Public Space in Light of Critical Regionalism -- Taking Chongqing as an Example." In 2018 International Conference on Social Sciences, Education and Management. Francis Academic Press, 2018. http://dx.doi.org/10.25236/socsem.2018.10.

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Regidor Ros, José Luis, Clara Portilla Romero, Juan Valcárcel Andrés, and Pilar Roig Picazo. "Pictorial reconstruction of Palomino’s ceiling by digital techniques." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13528.

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The case of the frescos by Palomino in the church of Santos Juanes in Valencia is a challenge that requires new alternatives to traditional mural restoration. Part of the paintings burnt in 1936 were detached and partly relocated in the vault afterwards. One third of the paintings, which were not detached, have been restored. A new phase of intervention has now begun, using a system of aesthetic reconstruction generated by digital images. This technique, already used successfully in a previous intervention, aims to recover the pictorial and functional atmosphere of this religious space.In orde

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Liang, Hao, Shuai Yang, Wenjing Wang, and Jiaying Liu. "Instance-Aware Coherent Video Style Transfer for Chinese Ink Wash Painting." In Thirtieth International Joint Conference on Artificial Intelligence {IJCAI-21}. International Joint Conferences on Artificial Intelligence Organization, 2021. http://dx.doi.org/10.24963/ijcai.2021/114.

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Recent researches have made remarkable achievements in fast video style transfer based on western paintings. However, due to the inherent different drawing techniques and aesthetic expressions of Chinese ink wash painting, existing methods either achieve poor temporal consistency or fail to transfer the key freehand brushstroke characteristics of Chinese ink wash painting. In this paper, we present a novel video style transfer framework for Chinese ink wash paintings. The two key ideas are a multi-frame fusion for temporal coherence and an instance-aware style transfer. The frame reordering an

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Delgado Berrocal, Sonia. "Le Corbusier y la construcción vertical del espacio estratificado." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.690.

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Resumen: La construcción del espacio mediante la superposición de planos verticales paralelos y franjas espaciales fue empleada por Le Corbusier tanto en sus obras pictóricas como arquitectónicas, tal y como manifestaron Colin Rowe y Robert Slutzky, en 1955-1956, al descomponer y analizar la “transparencia fenoménica” de la Villa Stein en Garches, 1926, y del cuadro Nature morte à la pile d’assiettes, 1920, de Le Corbusier. Un sistema de estratificación espacial vertical mediante superficies opacas, derivado del cubismo, que genera una profundidad bidimensional donde la plástica expresa la ple

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Reports on the topic "Space in paintings"

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Olson, Eugene. A series of landscape studies in oil painting and other media exploring and interpreting natural landscape elelments with emphasis on the relationship between plastic space and visual space. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.318.

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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. Th

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