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Parnell, William A. "Space, Consciousness, and Gender in Colette." PDXScholar, 1993. https://pdxscholar.library.pdx.edu/open_access_etds/742.
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Colette's desire, to reveal the different levels of difficulties in relationships, results in the creation of three masterpieces, L e Ble en Herbe, La Chatte, and La Vagabonde. Through her characters in these novels, the author exposes the spatial boundaries set by each couple. Also, she concentrates on the maturation of the protagonists. The woman's function in society transforms as she gains personal power, and she becomes self-reliant. Finally, Colette evades sexual stereotyping by introducing the reader to the issues of gender and androgyny. She helps to dispel the sexual myths around the. idea of normal stereotyping. Themes such as male and female physical characteristics and related "socially acceptable" behaviors are addressed. In general, these works clarify ideas about the way in which individuals associate with one other. Chapter I will analyze the spatial limitations created by the protagonists. It will examine two binary oppositions, "in/out" and "dream-world/reality". The "in/out" opposition will focus on both physical and mental spaces, whereas the "dream-world/reality" opposition will magnify tangible and unreal spaces. This chapter's objective is to demonstrate the uses of territorial boundaries and deduce their affects in relationships. Chapter II will investigate the association between Colette's characters and the liberation of womankind. The aim is to examine the female characters' growth in regard to the society around her. As well, obtaining personal power and the concept of empowerment is treated ~y studying the use of the female voice. This chapter will show a recurring theme of women overcoming the forces of patriarchy and moving beyond the confines of societal rules. Chapter III will study the issue of gender and androgyny in Colette's characters. It will bring to light Colette's use of gender roles, and the way in which her protagonists search out an identity and learn about themselves. Finally, this chapter will cover gender stereotypes and Colette's contemporary view of such an issue. In summary, the novels to be treated, Le Ble en Herbe, La Chatte, and La Vagabonde, will move through three different levels of development in the growth of the characters, from adolescence through young adulthood and into maturity. This notion will be utilized in each chapter and will demonstrate Colette's theme of relationships which spirals out of three connected ideas, space, consciousness and gender.
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McDonald, Timothy E. G. "The space of Kafka /." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69777.
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The following study investigates the fictional works of an early twentieth century Czechoslovakian writer named Franz Kafka. "The space of Kafka" is explored primarily through the "identity" of his characteristic monster figures and the temporally disjunctive narratives through which they travel. Monstrosity is qualified here as a principal mode of translation through which Kafka engaged the very terms of "identity" which an "individual" faces in the appearance of any "work". The intimations of a monstrous self are probed through Kafka's work in relation to human experience, intentionality, alterity and a "present" which is en-acted specifically as one form of the past. Through Kafka's paradigmatic "monster", "double" and "bachelor" figures, we find not "alternative" orientations of the "self" which contemporary literature and architecture may choose to undertake, but intrinsic re-presentations of the very relation which any self, any author, already is in the appearance of a "work".
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Laptev, Ivan. "Local spatio-temporal image features for motion interpretation." Doctoral thesis, KTH, Numerical Analysis and Computer Science, NADA, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-3797.
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Visual motion carries information about the dynamics of ascene. Automatic interpretation of this information isimportant when designing computer systems forvisualnavigation, surveillance, human-computer interaction, browsingof video databases and other growing applications.
In this thesis, we address the issue of motionrepresentation for the purpose of detecting and recognizingmotion patterns in video sequences. We localize the motion inspace and time and propose to use local spatio-temporal imagefeatures as primitives when representing and recognizingmotions. To detect such features, we propose to maximize ameasure of local variation of the image function over space andtime and show that such a method detects meaningful events inimage sequences. Due to its local nature, the proposed methodavoids the in.uence of global variations in the scene andovercomes the need for spatial segmentation and tracking priorto motion recognition. These properties are shown to be highlyuseful when recognizing human actions in complexscen es.
Variations in scale and in relative motions of the cameramay strongly in.uence the structure of image sequences andtherefore the performance of recognition schemes. To addressthis problem, we develop a theory of local spatio-temporaladaptation and show that this approach provides invariance whenanalyzing image sequences under scaling and velocitytransformations. To obtain discriminative representations ofmotion patterns, we also develop several types of motiondescriptors and use them for classifying and matching localfeatures in image sequences. An extensive evaluation of thisapproach is performed and results in the context of the problemof human action recognition are presented. I
n summary, this thesis provides the following contributions:(i) it introduces the notion of local features in space-timeand demonstrates the successful application of such featuresfor motion interpretation; (ii) it presents a theory and anevaluation of methods for local adaptation with respect toscale and velocity transformations in image sequences and (iii)it presents and evaluates a set of local motion descriptors,which in combination with methods for feature detection andfeature adaptation allow for robust recognition of humanactions in complexs cenes with cluttered and non-stationarybackgrounds as well as camera motion.
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Nilsson, Anna-Lena. "Studies in Swedish sign language reference, real space blending, and interpretation /." Doctoral thesis, Stockholm : Department of Linguistics, Stockholm University, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-37026.
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Ziaei, Farid. "Architecture - Space and Content at the Disjunction of Intention and Interpretation." Thesis, University of Liverpool, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.526909.
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Ji, Zheng. "Disjunction of narrative space." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1305455.
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"Book of architecture, as opposed to books about architecture, develop their own existence and logic, they are not directed at illustrating buildings or cities, but at searching for the ideas that underlie them."Bernard Tschumi (The Manhattan Transcripts)For me, after studying several years, architecture has become religion. The architecture design is no longer a creation but has become a discovery journey. The way to see and think is as important as design. This thesis is not going to show how I design, but how I see, how I think and how I understand the architecture.The aim of this thesis is to find a way to rethink architecture by examining the communication between observers, architecture and architect. By introducing the hypothesis of a communicative model, a structure that consists of the object and subject which involve in the interactive relationship needs to be addressed. For this purpose, structuralism linguistics is introduced to implement the analysis of the architecture. The structuralism linguistics directly deals with the interaction between object and subject. By the study, an ideological conclusion is presented, which I call projection.The second part is Guandong Museum Competition, which is completed when I worked in Eisenman Architects. As an example, this project not only shows the design, but also shows the relationships between several intertwined systems.The third part of this thesis is The Highline competition project which is my first attempt to implement the projection idea in the design. By applying the meaning layer structure derived from linguistics, the design offers a new architectural perception which is based on the understanding of the interactions between objects and subjects.Department of Architecture
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Martin, Paul. "Space and place as expressive categories in videogames." Thesis, Brunel University, 2011. http://bura.brunel.ac.uk/handle/2438/6406.
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This thesis sets out to explore some of the ways in which videogames use space as a means of expression. This expression takes place in two registers: representation and embodiment. Representation is understood as a form of expression in which messages and ideas are communicated. Embodiment is understood as a form of expression in which the player is encouraged to take up a particular position in relation to the game. This distinction between representation and embodiment is useful analytically but the thesis attempts to synthesise these modes in order to account for the experience of playing videogames, where representation and embodiment are constantly happening and constantly influencing and shaping each other. Several methods are developed to analyse games in a way that brings these two modes to the fore. The thesis attempts to arrive at a number of spatial aesthetics of videogames by adapting methods from game studies, literary criticism, phenomenology, onomastics (the study of names), cartographic theory, choreography and architectural and urban formation analysis.
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Suescun, Pozas María del Carmen. "Lygia Clark and the European tradition : tracing the appearance of a different space." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26761.
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For almost 35 years the work carried out by the Brazilian artist Lygia Clark between the 1950s and until her death, in 1988, has attracted the attention of both Brazilian and European scholars and critics. Since special attention has only been given to her post-1969 work, the work carried out until 1969 has been overlooked. In particular, I would argue that through the incorporation of the human body Clark's 1959-1964 Bicho series is the first spatial performative strategy developed by Clark during the 1960s and against which all her subsequent production needs to be read.The present essay is thus an attempt to read as spatial performative strategies Clark's Bicho series with and against the Brazilian reception of Mondrian, reception which, as I would argue has been overlooked in the context of her work. Furthermore, I would argue that in order for us to better understand how the Bicho series unfold as spatial performative strategies the Brazilian reception of Mondrian must be approached through the Brazilian reception of Merleau-Ponty's phenomenology and political and cultural movements of the time. While the role played by Merleau-Ponty's incorporation of the human body in Clark's work has not been closely examined, Clark's engagement with the political and cultural movements of her time has been underestimated. I would argue that any attempt to give an account of Clark's practice needs to take into consideration the role these three aspects played in her engagement with the problem of representation.
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Ursini, Francesco-Alessio. "The Language Of Space : The Acquisition And Interpretation of Spatial Adpositions In English." Doctoral thesis, Macquarie University, Faculty of Human Sciences, Macquarie Centre for Cognitive Science, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-85019.
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This thesis by publication presents a study on English adpositions (e.g. to, in, at, from, in frontof, through). It attempts to offer a solution to the following three outstanding problems, whichare presented in each of the three parts making up the thesis, preceded by a general introduction(chapter 1) and followed by the general conclusions (chapter 7). The first part includes chapter2, and discusses the problem of What is the relation between adpositions and the non-linguistic,visual content they represent. The second part includes chapters 3 and 4, and discusses theproblem ofwhat is a proper compositional theory of the Syntax and Semantics of adpositions.The third part includes chapters 5 and 6, and discusses the problem of what is the psychologicalreality of this theory, regarding adults and children’s data.The following three solutions are suggested. First, the relation between adpositions and theircorresponding visual information is an isomorphism: adpositions capture how we “see” possiblespatio-temporal relations between objects, at a flexible level of fine-grainedness. Second, aproper compositional treatment of adpositions treats each syntactic unit (in front, of ) as offeringa distinct semantic contribution, hence spelling out a restricted instance of a spatio-temporalpart-of relation. Third, this compositional treatment of adpositions can also stand as a theory ofon-line interpretation in adults and a theory of their acquisition in children.These three answers are couched within a single theoretical approach, that of Discourse Representation Theory, and offer a unified solution to three apparently distinct problems regardingspatial adpositions and their linguistic properties.
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Thompson, Sara Kathleen. "From sacred space to commercial place : a landscape interpretation of Mount Pleasant Cemetery." Thesis, Kingston, Ont. : [s.n.], 2007. http://hdl.handle.net/1974/928.
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Kinslow, Karen S. "THE LAW V. THE STRANGER LANGUAGE INTERPRETATION AND LEGAL SPACE IN LEXINGTON, KY." Lexington, Ky. : [University of Kentucky Libraries], 2009. http://hdl.handle.net/10225/1067.
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Thesis (M.A.)--University of Kentucky, 2009.Title from document title page (viewed on October 27, 2009). Document formatted into pages; contains: viii, 99 p. : ill. Includes abstract and vita. Includes bibliographical references (p. 90-97).
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Wong, Yin-chun Jeffrey, and 黃彥俊. "From space to place: understanding the interpretation of history of Pak Tsz Lane Park." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50716414.
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The history of the 1911 Revolution has been widely celebrated across the straits in Mainland China, Taiwan, Macau and Hong Kong. Numerous memorials and other points of interests have been established in the name of Dr. Sun Yat-sen (Hsü 2000, 454-455), or the Revolutionary societies (Vickers 2007). In Hong Kong, a Dr. Sun Yat-sen Heritage Trail was established in the 1990s under the collaboration of Government Departments (Heather 2003). However, quite a number of the built structures relating to the history of the revolution along the trail were demolished a long time ago, which, as a result, may limit the impact of the interpretation of the Heritage Trail.
Recently, the “Conserving Central” Conservation initiative (Development-Bureau 2010) and Redevelopment Projects of the Urban Renewal Authority (Urban-Renewal-Authority 2012) created a window of opportunity to strengthen the interpretation of the Heritage Trail. In implementing the H18 Graham Street/Peel Street Redevelopment Project, the Urban Renewal Authority also built the Pak Tsz Lane Park to celebrate the history of the Fu-ren Literary Society (The Chinese Patriotic Mutual Improvement Association), one of the pioneers in advancing the Western learning and calling for the Modernization of China (Urban-Renewal-Authority 2012). These interpretation efforts also invite study of the effectiveness of interpretation. The Police Married Quarters conservation project will unveil the history of the Central College attended by Dr. Sun Yat-sen, with the assistance of the discovered foundation of the Central College (PMQ 2013).
The Headquarters of the Fu-ren Literary Society was situated in Pak Tsz Lane. The built structure which housed the headquarters is non-existent. Prior to the construction of the Pak Tsz Lane Park, the site was under the management of three Government departments (Central-and-Western-District-Council 2009, 2). The site consisted of playground facilities, a plant nursery and a public passageway. Opened in 2011, the Pak Tsz Lane Park consists of a Historic Pavilion, a Historic corridor and educational playground facilities, which serve to inform the visitors of the history of the activities of the Fu-ren Literary Society (Urban-Renewal-Authority 2012).published_or_final_version
Conservation
Master
Master of Science in Conservation
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Milek, Karen Beatrice. "Houses and households in early Icelandic society : geoarchaeology and the interpretation of social space." Thesis, University of Cambridge, 2007. https://www.repository.cam.ac.uk/handle/1810/245017.
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This thesis contributes new archaeological evidence to the debate about how early Icelandic society was constituted and organised, and how it developed over the course of its first 200 year,s. It examines Viking Age residential architecture in Iceland at new levels of detail and with new methods, including geoarchaeological techniques to enhance the interpretation of activity areas in individual buildings, and space syntax analysis to facilitate the comparison of houses and the detection of patterns in architectural form. The integration of these different techniques and scales of analysis permits a detailed understanding of how households organised social and economic activities on farmsteads, and sheds new light on the cultural identity of the earliest settlers, the size and complexity of their households, the degree of stratification in early Icelandic society, and how social structures in Iceland changed over time. This thesis examines the excavation data of all Viking Age houses and pit houses that were excavated in Iceland up to 2005, highlighting the complex interplay between cultural norms and the agency of individuals in the design and construction of residential buildings. It presents detailed geoarchaeological studies of the floor deposits in a tenth-century house at Aðalstræti 14-18, in Reykjavik, and a tenth-century pit house at Hofstaðir, in Mývatnssveit, and interprets the results in light of floor formation processes observed in early twentieth-century turf buildings at the farm of Þveni, in Laxárdalur, northeast Iceland, These geoarchaeological case studies reveal new types of activity areas that were previously not identified in Viking Age houses or pit houses, and enhance the understanding of the range and organisation of social and economic activities on early Icelandic farmsteads. This study of residential architecture reveals that there was either a high degree of cultural unity or a high degree of cultural integration in Viking Age Iceland, with settlers adopting the building style of the dominant group - particularly in the public parts of houses - as a way of integrating into Icelandic society. Based on the form and internal organisation of the main residential buildings, the dominant cultural group appears to have originated in southwest Norway and/or the Norwegian settlement in the Faroe Islands, and it is likely that this group attributed symbolic importance to the curved shape of its dwellings. Based on the relative size, complexity, and number of residential buildings on Viking Age farmsteads, the households that initially settled in Iceland appear to have been roughly similar in size and status. Each farm had a main residential building, which incorporated a large living room and smaller, more specialised storage and cooklng rooms. Most farms also had a pit house, a small, multi functional building that was used for textile production and as a dwelling/living room for a small number of people - probably of the servile class. The eventual addition of annexes to the main residential buildings hints at some growth in the size and complexity of households, but it is only in the later tenth and eleventh centuries that there is clear evidence for growing social differentiation. Therefore, contrary to suggestions that there may have been an entrenched social hierarchy in Iceland from the time of the initial land-taking, the residential architecture suggests that social stratification only began to develop later - probably in the later tenth and eleventh centuries - when the best farmland was already occupied and there was increasing tension over the unequal distribution of land and natural resources.
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Grimes, Catherine. "A Matter of Interpretation: Examining the coded meanings of "safe space" in higher education communities." Thesis, Virginia Tech, 2020. http://hdl.handle.net/10919/99039.
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The term "safe space" has a long history of signifying a place of sanctuary or refuge, and of a potential site of activism, advocacy, and political action (Davis, 1999; Kenney, 2001; Harris, 2015; Crockett, 2016). In recent decades, it has been adopted by student groups and advocates for inclusion, diversity and social justice on college and university campuses, who also saw such places as providing safety, freedom, activism, and intellectual discussion (Crockett, 2016; White, 2016). But critics argued that such spaces have the potential to stifle academic freedom, intellectual growth and free speech, and act as cocoons for students (Crovitz, 2016; Will, 2016). Both advocates and critics use the term "safe space," but with different meanings. Using speech code theory, I analyze opinion-editorial essays and commentaries from five national news periodicals to examine how proponents and critics of safe spaces use the term and to explore the clash of meanings and contexts.Master of Arts
The term safe space suggests a place of refuge and safety, where those who use it are free from harm. During the past 60 years, the term has taken on additional meaning as a potential site of activism and advocacy action as well as safety and freedom (Davis, 1999; Kenney, 2001; Harris, 2015; Crockett, 2016). Originally used by second wave feminists, Civil Rights activists and the LGBTQ movement, it more recently has been adopted by student groups and advocates for inclusion, diversity and social justice on college and university campuses. For them, safe spaces serve as places not only for safety, but for intellectual discussion (Crockett, 2016; White, 2016). Not everyone favors providing such spaces on campus. Critics argued that safe spaces have the potential to stifle free speech and interfere with students' opportunities to learn, and that such spaces can insulate students, allowing them to avoid dealing with uncomfortable ideas (Crovitz, 2016; Will, 2016). Using speech code theory, I analyzed 79 opinion-editorial essays and commentaries from five national news periodicals to examine how proponents and critics of safe spaces use the term and to explore the clash of meanings and contexts in their words.
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Kuronen, Suzanne. "Figuring space : considering the figure in the construction of space as materialist film." University of Western Australia. School of Architecture, Landscape and Visual Arts, 2004. http://theses.library.uwa.edu.au/adt-WU2005.0015.
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Figuring Space; considering the figure in the construction of space in materialist film is an analysis of film space that uses either the image of a figure or the actual figure of the viewer in its construction. The thesis focuses on particular screen works of William Raban, Guy Sherwin, Malcolm Le Grice, Chris Welsby, Nicky Hamlyn, Peter Gidal (all members of the London Filmmakers’ Cooperative) and the Canadian artist Michael Snow. It discusses the works in relation to the basic materials of time, light and sound found in film and video. The thesis looks at the way the film frame was implemented in the work of these artists to challenge preconceived notions of film space. It also highlights the uncertainty of spatial relativity within the screen image once the techniques imposed by the artist undermine previous determinations of positions in space. The frame provides necessary elements with which a reading of a pictorial space can be made. In addition, with some of the works discussed, the frame defines an exterior screen space that at times questions the boundaries between on-screen and off-screen, and fictive space and real space. While in other works that are addressed, binaries exist within which the boundaries of a picture plane are utilized to determine an object’s spatial relativity, which in turn questions the relativity of those boundaries that determine it. The frame that previously confirmed the illusions of space within the pictorial plane could no longer be prescribed as definitive. Calculations of the film space would become dependent upon a point of origin that is situated within actual time and space at the position of the viewer. The figure of paramount importance, when considering the constructs of space within materialist film, is that of the viewer
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Jemtrud, Michael. "Work as process : Peter Greenaway's twisting of technology." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq64116.pdf.
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Donner, Ralf. "Die visuelle Interpretation von Fernerkundungsdaten." Doctoral thesis, Technische Universitaet Bergakademie Freiberg Universitaetsbibliothek "Georgius Agricola", 2009. http://nbn-resolving.de/urn:nbn:de:bsz:105-095192.
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Die Fähigkeit, in Luft- und Satellitenbildern Objekte wiederzuerkennen, kann folgendermaßen erklärt werden: Aus der Kenntnis einer Landschaft und ihrer Abbildung im Bild werden Interpretationsregeln entwickelt, die bestimmten Kombinationen von Bildmerkmalen wie Farbe, Form, Größe, Textur oder Kontext festgelegte Bedeutungen zuordnen. Kommt es nicht auf das Wiedererkennen mit festen Wahrnehmungsmustern an, stellt sich die bislang offene Frage nach einer wissenschaftlichen Kriterien genügenden Methode, wie der gedankliche Zusammenhang zwischen den Sinneswahrnehmungen erfasst werden kann. Die Erfahrung von Umkehrbildern und optischen Täuschungen führt zur Frage nach dem festen Element bei der visuellen Interpretation von Fernerkundungsdaten. Galileis Antwort, Messwerte als Ausgangspunkt naturwissenschaftlicher Erkenntnis zu nehmen, löst die Mehrdeutigkeiten und Unsicherheiten gedanklicher Interpretationen nicht auf, denn zu jeder Zahl gehört bereits eine gedankliche Bestimmung darüber, was sie bedeutet: Äpfel, Birnen, Höhendifferenzen … Daher muss für die begriffliche Interpretation der Wahrnehmungen ein anderer Ausgangspunkt bestimmt werden: Weder kann der Mensch beobachten oder wahrnehmen, ohne seine Erlebnisse gedanklich zu fassen und zu ordnen, noch ist die Sinnesempfindung ein subjektives, vom Gegenstand abgespaltenes, nur persönliches Erlebnis. Wahrnehmung realisiert sich als Einheit von Wahrnehmendem und Wahrgenommenen. Demzufolge gibt es keine binäre Unterscheidung von objektiver Tatsache und subjektiver Interpretation. Wahrnehmung findet zwischen den Polen reiner Empfindung eines gegebenen und sinnlichkeitsfreien Denkens statt. Die reinen Erlebnisqualitäten der Sinnesempfindungen (warm, kalt, hell, rau) stellen sich als die am wenigsten von der subjektiven gedanklichen Interpretation abhängigen Elemente des Erkenntnisprozesses dar. Diesem Verhältnis von Beobachtung und gedanklicher Deutung entspricht ein phänomenologischer Untersuchungsansatz. Mit ihm bekommen Erfahrungen als absolute Elemente der Wahrnehmung primäre Bedeutung, gedankliche Interpretationen werden zu Abhängigen. Daher werden in der Untersuchung Ergebnisse phänomenologischer Arbeiten bevorzugt. Auch die eigene Bearbeitung des Themas geht von einer konsequent empirischen Position aus. Um einen Sachverhalt zu verstehen, genügt es nicht, bei den Sinnesempfindungen stehen zu bleiben, denn zu ihrem Verständnis fehlt der gedankliche Zusammenhang, die Erlebnisse müssen begrifflich interpretiert werden. Dabei ist die Doppelrolle der Begriffe von entscheidender Bedeutung: In der Analyse grenzen sie innerhalb des Erfahrungsfeldes Teilaspekte gegeneinander ab, welche in der Synthese durch dieselben Begriffe gedanklich verbunden werden. Diese Funktion der Begriffe wird ausgenutzt, um Wiedererkennen und Bildung von Verständnis zu differenzieren: Die Interpretation der Erfahrung nach a priori vorgegebenen Mustern zielt auf das Wiedererkennen. Im Gegensatz dazu emergiert Verständnis im Prozess der Begriffsbildung aus den Beobachtungen: Man sucht erst nach einer Gliederung, welche eine gedankliche Synthese plausibel erscheinen lässt. Das Konzept der Selbstorganisation hat in der Ökologie mechanistische Vorstellungen weitgehend abgelöst und im letzten Jahrzehnt auch in die Technik Eingang gefunden. Mit den Worten dieses Konzeptes kann die Begriffsbildung als Erkenntnisprozess beschrieben werden, in welchem sich gedankliche und nichtgedankliche Wahrnehmungen selbst organisieren. Sinnesempfindungen haben auch in anderen Zugangsweisen zur Natur eine dominierende Stellung. Daher können Goetheanismus, wissenschaftliche Ästhetik und Kunst zu einer voraussetzungslosen Naturerkundung beitragen. Die nahe Verwandtschaft von Phänomenologie, Ästhetik und Kunst lässt künstlerisches Schaffen als Vervollkommnung des in der Natur Veranlagten erscheinen. Weitere Querbeziehungen ergeben sich aus der Interpretation topografischer oder thematischer Karten oder sonstiger visualisierter raumbezogener Daten. Parallelen und Unterschiede werden herausgearbeitet. Moderne Naturwissenschaft ist quantitativ. Daher ist zu klären, was mathematische Modellierung zur Verständnisbildung beiträgt. In diesem Teil der Arbeit ist es der folgende Gedanke, welcher über die hinlänglich bekannte Nützlichkeit mathematischer Modellierungen, Vorausberechnungen und Simulationen hinausgeht: Die Mathematik überzeugt durch ihre logische Strenge in der Ableitung und Beweisführung: Aus Obersatz und Untersatz folgt die Konklusion. Eine Beobachtungsmethode, bei welcher eine Beobachtung an die nächste gereiht wird, so dass sich das Eine aus dem Anderen ergibt, wobei kein Sprung die Folge unterbricht, käme der Notwendigkeit eines mathematischen Beweises gleich. Diese strenge Folge des Einen aus dem Anderen tritt in der wissenschaftlichen Argumentation an die Stelle der spontanen Intuition mit Verifikation, Falsifikation und bestätigendem Beispiel. Auf diese Weise kann durch die Anwendung der mathematischen Methode eine realitätsnahe Begriffsbildung erreicht werden. Die bis hierher dargelegten Aspekte der Wahrnehmung, der Ästhetik, der Kunst und der Mathematik werden in der Methode einer voraussetzungslosen Begriffsentwicklung zusammengefasst. Damit ist das Hauptziel der Untersuchung, die Entwicklung einer auf das Verständnis gerichteten erfahrungsbasierten Beobachtungsmethode, erreicht. Die Abhandlung wird mit der Anwendung der entwickelten Methode auf einen Grundbegriff der Geoinformatik in folgender Weise fortgesetzt: Für die Geoinformatik ist der Raumbegriff von grundlegender Bedeutung. Daher bietet es sich an, diesen Begriff unter Anwendung der entwickelten Methode zu untersuchen. Unter phänomenologischen Gesichtspunkten stehen Raum und Zeit in einem engen Zusammenhang. Beide werden in der Bewegung erfahren. Interpretiert man Bewegung mit den Begriffen des Nebeneinander und des Nacheinander, entsteht Wissen von Raum und Zeit. Mit anderen Worten: Die am Leib erfahrene Bewegung wird durch Interpretation mit dem Raumbegriff zur Vorstellung durchlaufener Orte. Je nachdem, welche Sinneserfahrungen, allgemeiner: Beobachtungen, zugrunde gelegt werden, hat der Raum unterschiedliche geometrische Eigenschaften. Die Erfahrungen des Tastsinnes begründen euklidische Beobachtungen. Die Begriffe Raum und Zeit haben für die Verständnisbildung eine fundamentale Bedeutung. Mit ihrer Hilfe können die Erlebnisse als zugleich und nebeneinander oder als nacheinander geordnet werden. Sie ermöglichen Erkenntnis durch Analyse und Synthese. Wesentliches Motiv der Untersuchung ist die Frage nach der Bildung von Verständnis im Rahmen der visuellen Interpretation. Das Erkennen von Objekten stellt sich als synästhetische Synthese der Sinnesempfindungen und gedanklicher Inhalte dar. Unterschiedliche Gewichtungen der Gedankeninhalte lassen zwei Vorgehensweisen unterscheiden: 1, Für das Erkennen von Neuem ist es von grundlegender Bedeutung, dass die gedanklichen Inhalte den nichtgedanklichen Sinnesempfindungen untergeordnet sind, das heißt von diesen modifiziert werden können. Vorgewussten Begriffen kommt die Rolle von Hypothesen zu. 2, Beim Wiedererkennen haben gedankliche Inhalte eine dominierende Rolle – anhand von Interpretationsmerkmalen sollen Bildinhalten Bedeutungen zugewiesen werden. Das Bild wird hierzu nach Bildflächen mit solchen Kombinationen von Farben, Formen, Mustern, Texturen und räumlichen Anordnungen durchsucht, die dem zu suchenden Begriff entsprechen können. Oder das Bild wird, bei Verwendung einer Art Beispielschlüssel, nach Übereinstimmungen mit kompletten Bildmustern durchsucht. Auch das ist eine Form des Wiedererkennens. Um ein Phänomen zu verstehen, kommt es darauf an, in der Regelmäßigkeit der äußeren Form den Zusammenhang zu entdecken, der den verschiedenartigen Ausgestaltungen als regelndes Element zugrunde liegt. Dazu muss über eine Klassifizierung von Interpretationsmerkmalen hinausgegangen werden. Die gedankliche Auseinandersetzung mit den visualisierten Repräsentanzen der Phänomene unterstützt die Bildung eines solchen ideellen Zusammenhangs, welcher das in aller Mannigfaltigkeit der natürlichen Erscheinungen Gleichbleibende, Ruhende darstellt, aus welchem die Einzelphänomene hervorgegangen sein könnten. Die Funktionen beschreiben die Wechselwirkungen zwischen den räumlichen Elementen, welche sich in Austauschprozessen von Energie, Material und Stoffen ausdrücken. Überall dort, wo räumliche Anordnung ein Ausdruck funktionaler Beziehungen ist, unterstützt die visuelle Wahrnehmung der räumlichen Beziehungen die Einsicht in die sachlichen. In den Schlussfolgerungen wird die Visualisierung von Geodaten als Mittel zur Sichtbarmachung des Zusammenhanges zwischen den Erscheinungen charakterisiert. Die Bezugnahme zur Fernerkundung führt zu der Feststellung, dass die Anwendung der vorgeschlagenen Forschungsstrategie im Bereich der Geofernerkundung nur eingeschränkt möglich ist.
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Vasconcelos, Pedro B. "Space cost analysis using sized types." Thesis, University of St Andrews, 2008. http://hdl.handle.net/10023/564.
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Programming resource-sensitive systems, such as real-time embedded systems, requires guaranteeing both the functional correctness of computations and also that time and space usage fits within constraints imposed by hardware limits or the environment. Functional programming languages have proved very good at meeting the former logical kind of guarantees but not the latter resource guarantees. This thesis contributes to demonstrate the applicability of functional programming in resource-sensitive systems with an automatic program analysis for obtaining guaranteed upper bounds on dynamic space usage of functional programs. Our analysis is developed for a core subset of Hume, a domain-specific functional language targeting resource-sensitive systems (Hammond et al. 2007), and presented as a type and effect system that builds on previous sized type systems (Hughes et al. 1996, Chin and Khoo 2001) and effect systems for costs (Dornic et al. 1992, Reistad and Giord 1994, Hughes and Pareto 1999). It extends previous approaches by using abstract interpretation techniques to automatically infer linear approximations of the sizes of recursive data types and the stack and heap costs of recursive functions. The correctness of the analysis is formally proved with respect to an operational semantics for the language and an inference algorithm that automatically reconstructs size and cost bounds is presented. A prototype implementation of the analysis and operational semantics has been constructed and used to experimentally assess the quality of the cost bounds with some examples, including implementations of textbook functional programming algorithms and simplified embedded systems.
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Ishikawa, Erina Schaffer. "Semantic Interpretation of Eye Movements Using Author-designed Structure of Visual Content." 京都大学 (Kyoto University), 2016. http://hdl.handle.net/2433/217199.
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Berger, Aimee E. "Dark Houses: Navigating Space and Negotiating Silence in the Novels of Faulkner, Warren and Morrison." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2732/.
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Poe's "The Fall of the House of Usher," as early as 1839, reveals an uneasiness about the space of the house. Most literary scholars accept that this anxiety exists and causes some tension, since it seems antithetical to another dominant motif, that of the power of place and the home as sanctuary. My critical persona, like Poe's narrator in "The House of Usher," looks into a dark, silent tarn and shudders to see in it not only the reflection of the House of Usher, but perhaps the whole of what is "Southern" in Southern Literature. Many characters who inhabit the worlds of Southern stories also inhabit houses that, like the House of Usher, are built on the faulty foundation of an ideological system that divides the world into inside(r)/outside(r) and along numerous other binary lines. The task of constructing the self in spaces that house such ideologies poses a challenge to the characters in the works under consideration in this study, and their success in doing so is dependant on their ability to speak authentically in the language of silence and to dwell instead of to just inhabit interior spaces. In my reading of Faulkner and Warren, this ideology of division is clearly to be at fault in the collapse of houses, just as it is seen to be in the House of Usher. This emphasis is especially conspicuous in several works, beginning with Faulkner's Absalom, Absalom! and its (pre)text, "Evangeline." Warren carries the motif forward in his late novels, Flood and Meet Me in the Green Glen. I examine these works relative to spatial analysis and an aesthetic of absence, including an interpretation of silence as a mode of authentic saying. I then discuss these motifs as they are operating in Toni Morrison's Beloved, and finally take Song of Solomon as both an end and a beginning to these texts' concerns with collapsing structures of narrative and house.
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Georges, Pierre Marie. "Dramatic space : Jerzy Grotowski and the recovery of the ritual function of theatre." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32820.
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This thesis explores temporal forms of architectural meaning through the investigation of the dramatic space of "ritual theatre." In particular, it analyzes the thought and several theatrical productions of the twentieth century Polish theatre director, Jerzy Grotowski: Grotowski is of particular interest because he designed a "total dramatic space" that incorporated both the actors and the spectators (although without necessarily integrating them) for each of his dramatic works. In each case, the spatial relationships created by the theatrical architecture were indissolubly connected to the meaning of the drama itself. In this way, space was used as a kind of third protagonist that, along with the actors and spectators, participates in the theatrical ritual.
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Blad, Pontus. "Likvärdig bedömning : En kvalitativ undersökning om bedömning i ämnet samhällskunskap." Thesis, Linnéuniversitetet, Institutionen för statsvetenskap (ST), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-95829.
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It is stated in the School Act that the Swedish school should work towards providing an education of equal quality. Teachers are confronted with ethical considerations when assessing and grading. The study aims to clarify the opinion of teachers in the later part of lower secondary school and teachers at upper secondary about the knowledge requirements and how their teaching works to achieving an equal assessment in the school. The survey material consists of qualitative semi-structured interviews. The interviews were conducted with the help of an interview guide, which contained questions to the interviewees. The design of the questions allowed the interviewees to respond descriptively about their own experiences. In total, seven legitimate and active social science teachers were interviewed at various schools in southeastern Sweden. The teachers had to answer questions concerning their interpretative preference and their perception of the knowledge requirements in the subject of social science. The result of the survey shows that there is room for interpretation in the knowledge requirements, which has a negative impact on equal assessment. The result has also been related to a theoretical framework to identify which methods teachers can use to strengthen equality in their assessment. Furthermore, the results have been discussed based on of equality assessment and grading in coherent relevance with previous research
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Iyyani, Shabnam. "Photospheric emission in gamma ray bursts : Analysis and interpretation of observations made by the Fermi gamma ray space telescope." Doctoral thesis, Stockholms universitet, Fysikum, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-116244.
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The large flashes of radiation that are observed in GRBs are generally believed to arise in a relativistic jetted outflow. This thesis addresses the question of how and where in the jet this radiation is produced. It further explores the jet properties that can be inferred from the observations made by the Fermi GST that regularly observes GRBs in the range 8 keV - 300 GeV. In my analysis I focus on the observational effects of the emission from the jet photosphere. I show that the photosphere has an important role in shaping the observed radiation spectrum and that its manifestations can significantly vary between bursts. For bursts in which the photospheric emission component can be identified, the dynamics of the flow can be explored by determining the jet Lorentz factor and the position of the jet nozzle. I also develop the theory of how to derive the properties of the outflow for general cases. The spectral analysis of the strong burst GRB110721A reveals a two-peaked spectrum, with the peaks evolving differently. I conclude that three main flow quantities can describe the observed spectral behaviour in bursts: the luminosity, the Lorentz factor, and the nozzle radius. While the photosphere can appear like a pure blackbody it can also be substantially broadened, due to dissipation of the jet energy below the photosphere. I show that Comptonisation of the blackbody can shape the observed spectra and describe its evolution. In particular this model can very well explain GRB110920A which has two prominent breaks in its spectra. Alternative models including synchrotron emission leads to severe physical constraints, such as the need for very high electron Lorentz factors, which are not expected in internal shocks. Even though different manifestations of the photospheric emission can explain the data, and lead to ambiguous interpretations, I argue that dissipation below the photosphere is the most important process in shaping the observed spectral shapes and evolutions.At the time of the doctoral defense, the following papers were unpublished and had a status as follows: Paper 4: In press. Paper 5: Submitted.
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Otitoju, Oluwabukumni Sharon. "Man in the Mirror: A Mythology-Driven Exploration of Multiple User-Interpretations in a Multimedia Space." Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/32512.
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Artists, designers and writers have long employed ambiguity as a tool in compelling their audience to deduce a personal meaning to their work. As computing becomes less of a strictly workspace, task-oriented phenomenon and more of a ubiquitous, life-space one, it is increasingly important to consider the intelligence of the user in the design of everyday computer-based things. Support of multiple user interpretation through ambiguity is an element whose appropriate inclusion in system design can compel the user to deduce a personal interpretation of the systemâ s meaning and utility.
The work in this paper explores the process by which users may come to deduce a meaning to an ambiguous work, both as individuals and collaboratively. Incorporating elements of ambiguity, we created SenSpace, an immersive physical environment that embeds the Greek myth of Narcissus within itself. The subsequent user study provided insight on the process by which naïve visitors may come to deduce their meanings of a work, both individually and collaboratively. Our results showed that there exists a trade-off between a userâ s level of interaction and depth of the interpretation of the multimedia environment. We also show how ambiguity can be used as a design method, by incorporating observed user expectations into the system. This paper uses experimental evidence to advocate the design of systems that support not only the system goal the designer has in mind, but also the multiple perspectives and meanings that the user often brings to the system.Master of Science
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Griffiths, Sam. "Historical space and the interpretation of urban transformation : the spatiality of social and cultural change in Sheffield c.1770-1910." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/14614/.
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This thesis is concerned with the spatial organisation of the built environment as a temporal phenomenon. It identifies how research into the relationship of urban society and the built environment over time is rendered problematic by the absence of an adequate concept of historical space. The difficulty arises where social theory and empirical research methods fail to comprise a coherent epistemological framework for the interpretation of social change associated with the material upheaval of urban transformation. The result is to compromise the researcher’s intention to understand the effects of changes in urban structure on people’s lives without appearing to endorse a rigid environmental or economic determinism in which the social nature of space and its capacity to be meaningful to human agents remains insufficiently acknowledged. This thesis finds a resolution to this conceptual deficiency in combining the theory and methods of space syntax, associated with Bill Hillier, with the scaling dynamics of fractal geometry, the phenomenology of David Seamon and the ‘human ecology’ of George Zipf. These contrasting but complementary perspectives provide the basis for the formulation of a concept of historical space in which the locative particularities of diverse social practices can be interpreted contextually in relation to the spatial and temporal configuration of the built environment in which they took place. The theoretical-methodological perspective provided by this thesis was developed on the basis of extensive archive-based research and spatio-functional analysis related to the socio-economic history of Sheffield c.1770-1910. The case-study addresses the role of urban form in the organisation and persistence of the ‘innovative milieu’ in Sheffield’s cutlery industry and the shifting spatial orientation of the city’s processional culture. Before c.1850 Sheffield’s physical growth was consistent with the scaled expansion of the cutlery industry over an extended urban area while movement patterns remained typically local and circulatory. However, the centrifugal movement associated with late nineteenth-century suburbanisation began to undermine the distinctive socio-spatial conditions of the innovative milieu, asserting a linearising dynamic that lent increased symbolic emphasis to the presence of middle-class values and state ceremonial within Sheffield’s civic culture. The thesis concludes that the notion of historical space makes a valuable contribution to the interpretation of source data relating to urban transformation by articulating how the built environment constitutes an identifiable but mutable structure for the generation of socio-spatial meanings that are realised and, to a greater or lesser extent, persist, in time.
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Liese, Carsten [Verfasser], and Bernd [Akademischer Betreuer] Siebert. "The KSBA compactification of the moduli space of degree 2 K3 pairs : a toroidal interpretation / Carsten Liese ; Betreuer: Bernd Siebert." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2018. http://d-nb.info/1164158651/34.
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Liese, Carsten Verfasser], and Bernd [Akademischer Betreuer] [Siebert. "The KSBA compactification of the moduli space of degree 2 K3 pairs : a toroidal interpretation / Carsten Liese ; Betreuer: Bernd Siebert." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2018. http://nbn-resolving.de/urn:nbn:de:gbv:18-92512.
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Barker, Simon John. "Probing the god-space : R.S. Thomas's poetry of religious experience, with special reference to Kierkegaard." Thesis, University of Wales Trinity Saint David, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683109.
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James, Ian. "Re-making urban space : writing social realities in the British city." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/10606.
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In this thesis I investigate the narrative rendering of urban experiences and the place of agency within these renderings, looking in particular at the personal stories of urban dwellers. Grounded in anthropological fieldwork in Britain - in the town of Romford (Essex) to the east of London - but also relying on written sources on British social realities, this thesis challenges the idea and practice of a traditional place-based ethnography, calling in turn for an anthropological appreciation of the individual writing of human experience. This I define as the considered ordering of the forms in terms of which individuals experience their lives. I recognise that such ‘writing', conceived as a cognitive pursuit, is possible within speech and not, as some may have it, the exclusive preserve of literary culture. In allowing that individuals may exercise authorship over their lives in this way, I find it is possible, as well as potentially illuminating, to compare individuals' writings, their personal accounts of their lives, with other genres for writing the reality of urban and peri-urban milieux in Britain. I hear significant correspondences between each story-genre, especially as regards the impacts of town planning on urban space for the populations that inhabit it, and discuss the possible theoretical implications of this correspondence. I focus extensively on two such genres in addition to personal stories: the sociological - examining Michael Young and Peter Willmott's sociological classic text ‘Family and Kinship in East London' - and the literary - a reading of the work of English poet and journalist John Betjeman. Running through the thesis is also an appreciation of the figure of the amateur, both as a real actor and as a metaphor for the postmodernist approach to culture to which I also subscribe.
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White, Michael James. "The theme and poetic function of space in Theodor Fontane's works." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/969.
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This thesis proposes a new view of space in Theodor Fontane’s writing as both a mode of literary expression and an object of literary inquiry: space serves a poetic function and is a thematic concern. The research draws on theories of literary space which focus on spatial structures and topographies, as well as those which provide critical tools for analysing individual passages of description, especially focalisation, which elucidates the influence of the viewing figure in the text. Significantly, the subjective experience of a perceptive observer is central to Fontane’s conception of aesthetic processes, and as a result, an analysis of spatial representation often uncovers reflexive discourses on art, its function and value. On the basis of this insight, this study provides new readings of a range of texts, including less well-established and non-fictional works, as well as recognised masterpieces. In Fontane’s local travelogues, the Wanderungen, the poetic function of space is rare, while many passages reflect on the environment’s potential significance. The early novels explore spatial representation as a means of constructing textual symbolism. Spatial representation in Vor dem Sturm functions as a strategy of relativisation; in Schach von Wuthenow and Graf Petöfy topographies and pregnant descriptions serve as commentaries on characters’ levels of awareness. The mature novels Irrungen Wirrungen and Unwiederbringlich explore the sources and practical implications of reading objects in the world as signs. Space retains its formal role, but the represented figural experience of the novels’ worlds becomes a vehicle for reflexive analysis of the world’s perceived meanings. Similarly, in Der Stechlin different types of relationships with exterior reality are expressed spatially, and, as elsewhere, the capacity for aesthetic appreciation is represented positively. This entails and indeed produces critical distance towards modernity: isolated Stechlin is a locus of poetry, a testament to literature’s importance and vitality.
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Stueve, Heather Halm. "A Study of the Meaning Found in the References to Space in Selected Plays of Athol Fugard." PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/4778.
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The south African playwright Athol Fugard of ten explores the problems which apartheid has created within his society -problems ranging from the racial and societal to the spiritual. He seems to communicate his thoughts about these issues through many direct references to space. This study investigates the meanings these spaces communicate. Four plays were chosen as representative of Fugard's subject matter (covering both white and non-white society) and career: Blood Knot (1963), People are Living There (1970), The Road to Mecca (1985), and My Children, My Africa (1990). Then three steps were carefully followed. First, each reference to space was identified and categorized using Keir Elam's and Susanne Langer's definition of "virtual space" as guide to the establishment of categories. Three categories were established: virtual space (that which is immediately visible to the audience), extended-virtual space (the off stage world which is real to the characters but unseen by the audience), and imaginary space (that which the characters project on or into the world around them). second, patterns and relationships among the spaces were identified (using Kenneth Burke's and Mary McCarthy's methodology of image clusters and dramatic alignments). Third and finally, the meaning of these patterns was explored, often using Edward Hall's science of proxemics to facilitate understanding. There is considerable similarity and continuity from play to play in the use of space. Fugard often employs references to extended-virtual space to communicate the many ills which have arisen in South African society. He also typically includes a virtual space or spaces which provide a safe haven from those ills. In addition, be almost always uses reference to imaginary space or spaces to communicate the hope for the future of freedom for all of South Africa's people. Ideally, the recognition of the spaces in Fugard's work should be actively, and knowingly, articulated in any production of his plays. This study provides a methodology for exploring these spaces and an indication of what many of the spaces mean.
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Rose, Adam D. "The Paradox of Protected Natural Area Landscapes: An Interpretation of Ka'ena Point Natural Area Reserve, O'ahu, Hawai'i As a Gardened Space." Thesis, University of Hawaii at Manoa, 2002. http://hdl.handle.net/10125/7086.
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This thesis critically evaluates protected natural areas in terms of the production of space and the cultural representation and definition of nature within them. Idealized representations of nature in protected areas are mediated through Western cultural discourses; space is seen as being wild, natural and conceptually autonomous from the human realm. By using the garden analogy as a metaphoric device, I deconstruct some common representations of nature to reveal how various Western rhetorics and discourses dominate ideas about natural space in protected areas. I interpret the landscape of Kaʻena Point Natural Area Reserve and illustrate that it can be seen as a socially produced space in which nature is controlled, restored, and modified. Paradoxically, protected natural areas are created as wilderness spaces, but their nature is partly constructed (physically and conceptually) and wholly defined through cultural discourse and representation.vii, 114 leaves
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Lockette, Philip M. "Sex in the Kitchen: The Re-interpretation of Gendered Space Within the Post-World War II Suburban Home in the West." DigitalCommons@USU, 2010. https://digitalcommons.usu.edu/etd/668.
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In the decades following 1945, Americans moved increasingly out of cities into suburbs. The migration illustrated the emergence of a new, broader middle class as a result of growing postwar affluence. In the previous half-century, families living in a suburb could claim middle-class status. The emerging class built its identity on the forms and values adopted from this earlier, more affluent Victorian middle class. These adopted values were played out in a home designed around Progressive era ideals of the family. Through this Progressive filter, the new concept of the home was scaled down, without servants, and ceased existing wholly as the wife's sphere of influence--as in the Victorian version. The Progressive impulse also reduced the size of the house to make it more efficient, and through government subsidies shaped the home into a smaller, economically sized package. The financial framework that determined the shape of the postwar home also influenced the technology placed within its walls. This financially influenced technology particularly affected the shape and content of the kitchen. The new, efficient kitchen did not release women from their duty to provide daily family meals, but it did create a culturally safe space for men to cook as a hobby. In the postwar, suburban kitchen women and men contended with economic pressures and changing social realities which complicated the Victorian values and Progressive ideals. Middle-class women needed to leave the home for work, and--now separated from traditional urban social outlets--middle-class men sought refuge in the suburban home. By examining Sunset magazine's "Chefs of the West" column, traditional women's cookbooks and service magazines, men's magazines, building industry trade journals, and census reports, the kitchen demonstrates that women and men reshaped the home in response to changing middle-class values. While financing regulations at first shaped how the emerging middle class lived within the postwar, suburban home, residents reinterpreted the space as a reaction to the economic changes around them. This cycle continued with each new interpretation of the postwar single-family home.
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Parashar, Ayush S. "Representation and Interpretation of Manual and Non-Manual Information for Automated American Sign Language Recognition." [Tampa, Fla.] : University of South Florida, 2003. http://purl.fcla.edu/fcla/etd/SFE0000055.
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Oakley, Julia. "From death and dystopia to a new space age : an analysis of themes and practices in the later works of William S. Burroughs /." Title page, contents and abstract only, 1993. http://web4.library.adelaide.edu.au/theses/09PH/09pho115.pdf.
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Tanguay, Johanne. "Là-bas, suivi de, Espaces et temps du silence durassien." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79979.
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Part one of the thesis. She's leaving. She's running away. Everything goes too fast. If she doesn't, the emptiness in her life will destroy her. There, in Africa, nothing happens. Nothing but sight, silence, space and time. There, she finds another way of living. There, everything happens. Everything that has anything to do with essence. Only then can Gisella, 30, come back.Part two. How can one tell of silence with words? How can silence be what makes not only the style and themes of a fiction, but the whole fiction, resonate, vibrate? In the fiction of Marguerite Duras, more specifically in Aurelia Steiner (Melbourne) and L'amour, the obsession of silence is what modulates the representation of time and space, be it corporal, geographical or domestic, and what transforms reality in an attempt to open the heart of things, beings and time on the infinite, the invisible, the sacred.
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De, Lange Adriaan Michiel. "Conrad's impressionism the treatment of space and atmosphere in selected works." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002272.
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This thesis focuses on Conrad's representation of space and atmosphere in the "impressionistic" works published between 1897 and 1904, notably The Nigger of the "Narcissus" (1897), "Heart of Darkness" (1899), Lord Jim (1900), and Nostromo (1904). The many conflicting statements regarding the nature of Conrad's impressionism lead one to ask two fundamental questions: What constitutes this strange and elusive phenomenon, and how does it bear upon interpretation? This thesis works towards defining the elusive quality of Conrad's writing by investigating and assessing the contribution of impressionist techniques in the creation of a pervasive space and atmosphere; secondly, it considers how the various constituent elements interact with, and complement one another to form a dominant mode of fictional space in each work; and, thirdly, it indicates the possible impact that these particular Conradian configurations of space and atmosphere might have upon the interpretation of his impressionist works. The thesis argues that the existential condition of isolatio~experienced by Conrad's heroes and narrators is a consequence of epistemological frustration and fragmentation, which, in turn, is a function of impressionist ontology. There is a definite and complementary relationship between each of these notions in Conrad's fiction. The mysterious atmosphere in his works results from the interplay between various configurations of theme, narration and description, and these novelistic elements correspond roughly with the notions of existential isolation (the dominant theme), epistemology (narrating, telling and (re)telling as a method of knowing and understanding the space in which the characters find themselves) and, lastly, the ontological dimensions of the various modes of fictional space (as realized in description). The evocation and invocation of cosmic space in The Nigger of the "Narcissus," the mapping of a dorriinant symbolic space in "Heart of Darkness," the (re)constructions of Jim's psychological space in Lord Jim, and, finally, the "transcription" and "inscription" of a mythical space in Nostromo, indicate a definite development from epistemological to ontological issues. Phrased in more theoretical terms, this development is a movement from asking predominantly epistemological questions like "How can I interpret this world of which I am a part?" "What is there to be known?" "Who knows it ... and with what degree of certainty?", to asking predominantly ontological questions, such as "Which world is this?" "What kinds of worlds are there ... and how are they constituted?". Such questions, categorized by McHale as the dominant characteristics of Modernist and Postmodernist fiction respectively, are already present in Conrad's texts, thus undermining any clear-cut division between these broad categories. Indeed, this thesis suggests that these categories are at best tenuous, and that they should perhaps be used heuristically, rather than definitively
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Beattie, Ashlee E. "Performing Historical Narrative at the Canadian War Museum: Space, Objects and Bodies as Performers." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20345.
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This thesis explores the symmetry between theatres and museums, and investigates how a museum experience is similar to a theatrical event. Particularly, this project examines how the Canadian War Museum performs historical narrative through its use of three performative elements of a theatre production: space, objects and actor’s body.
Firstly, this thesis analyses how creating a historical narrative is similar to fiction writing and play writing. It follows the argument of Hayden White and Michel de Certeau who recognize a historical narrative as a performative act. Accordingly, this thesis examines the First World War exhibit at the Canadian War Museum as a space of performance. I apply Lubomír Doležel’s literary theory on possible worlds, illustrating how a museum space can create unique characteristics of a possible world of fiction and of history. Secondly, this thesis employs Marie-Laure Ryan’s theory of narrativity to discuss how museum objects construct and perform their stories. I argue that the objects in museums are presented to the public in a state of museality similar to the condition of theatricality in a theatre performance. Lastly, this thesis investigates the performance of people by applying various theories of performance, such as Michael Kirby’s non-acting/acting continuum, Jiří Veltruský’s concept of the stage figure, and Freddie Rokem’s theories of actors as “hyper-historians.” In this way, this thesis explores concrete case studies of employee/visitor interactions and expands on how these communications transform the people within the walls of the museum into performers of historical narrative.
Moreover, according to Antoine Prost, the museum as an institution is an educational and cultural authority. As a result, in all of these performative situations, the Canadian War Museum presents a historical narrative to its visitors with which it can help shape a sense of national identity, the events Canadians choose to commemorate and their personal and/or collective memories. In its interdisciplinary scope, this thesis calls upon theories from a variety of academic fields, such as performance studies, history and cultural studies, museology, and literary studies. Most importantly, however, this project offers a new perspective on the performative potentials of a national history museum.
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Saraswati, Anita Thea. "Development of a Numerical Tool for Gravimetry and Gradiometry Data Processing and Interpretation : application to GOCE Observations." Thesis, Montpellier, 2018. http://www.theses.fr/2018MONTG077/document.
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Aujourd’hui, la communauté scientifique dispose de jeux de données gravimétriques avec une précision et une résolution spatiale sans précédent qui améliorent nos connaissances du champ gravitationnel terrestre à différentes échelles et longueurs d’ondes, obtenues de mesures du sol à des satellites. Parallèlement à la gravimétrie, l’avancement des observations par satellite fournit à la communauté des modèles d’élévation numérique plus détaillés pour refléter la géométrie de la structure terrestre. Ensemble, ces nouveaux jeux de données offrent une excellente occasion de mieux comprendre les structures et la dynamique de la Terre à l’échelle locale, régionale et mondiale. L'utilisation et l'interprétation de ces données de haute qualité exigent le raffinement des approches standards dans le traitement et l'analyse des données liées à la gravité. Cette thèse consiste en une série d’études visant à améliorer la précision du traitement des données de gravité et gravité de gravité gradients pour les études géodynamiques. Pour ce faire, nous développons un outil, appelé GEEC (Gal Eötvös Earth Calculator), pour calculer précisément les effets gravimétriques dues à tout corps de masse, indépendamment de sa géométrie et de sa distance par rapport aux mesures. Les effets de gravité et des gravité gradients sont calculés analytiquement en utilisant la solution intégrale linéaire d'un polyèdre irrégulier. Les validations aux échelles locale, régionale et mondiale confirment la robustesse des performances du GEEC, où la résolution du modèle, qui dépend à la fois de la taille de la masse corporelle et de sa distance par rapport au point de mesure, contrôle fortement la précision des résultats. Nous présentons une application pour évaluer les paramètres optimaux dans le calcul des gradients de gravité et de gravité dus aux variations de topographie. La topographie joue un rôle majeur dans l'attraction gravitationnelle de la Terre; par conséquent, l'estimation des effets topographiques doit être soigneusement prise en compte dans le traitement des données gravimétriques, en particulier dans les zones de topographie accidentée ou à grande échelle. Pour les études de gravité de haute précision à l'échelle mondiale, le processus de correction de la topographie doit prendre en compte l'effet topographique de la Terre entière. Mais pour les applications locales à régionales basées sur des variations relatives à l'intérieur de la zone, nous montrons que la topographie tronquée à une distance spécifique peut être adéquate, même si ignorer la topographie de cette distance peut générer des erreurs. Pour soutenir ces arguments, nous montrons les relations entre les erreurs relatives à la gravité, la distance de troncature de la topographie et l'étendue de la zone d'étude. Enfin, nous abordons le problème: les mesures GOCE sont-elles pertinentes pour obtenir une image détaillée de la structure d'une plaque de subduction, y compris sa géométrie et ses variations latérales? Les résultats du calcul des avec des modèles de subduction synthétiques calculés à l’altitude moyenne du GOCE (255 km) démontrent que les bords de subduction et les variations latérales du pendage produisent des variations des gradients détectables avec le jeu de données GOCE. Dans l'application à la zone de subduction Izu-Bonin-Mariana (IBM), la topographie et les effets bathymétriques ont été supprimés avec succès. Cependant, dans l'application au cas réel de la zone de subduction Izu-Bonin-Mariana, les caractéristiques géométriques du second ordre du slab sont difficiles à détecter en raison de la présence des effets crustaux restants. Ceci est dû à l'imprécision du modèle crustal global existant qui est utilisée, qui conduit à une élimination impropre de l'effet crustalNowadays, the scientific community has at its disposal gravity and gravity gradient datasets with unprecedented accuracy and spatial resolution that enhances our knowledge of Earth gravitational field at various scales and wavelengths, obtained from ground to satellite measurements. In parallel with gravimetry, the advancement of satellite observations provides the community with more detailed digital elevation models to reflect the Earth’s structure geometry. Together, these novel datasets provide a great opportunity to better understand the Earth’s structures and dynamics at local, regional, and global scales. The use and interpretation of these high-quality data require refinement of standard approaches in gravity-related data processing and analysis. This thesis consists of a series of studies aiming to improve the precision in the chain of gravity and gravity gradient data processing for geodynamic studies. To that aim, we develop a tool, named GEEC (Gal Eötvös Earth Calculator) to compute precisely the gravity and gravity gradients effects of due to any mass body regardless of its geometry and its distance from measurements. The gravity and gravity gradients effects are computed analytically using the line integral solution of an irregular polyhedron. The validations at local, regional, and global scales confirm the robustness of GEEC’s performance, where the resolution of the model, that depends on both size of the body mass and its distance from the measurement point, control strongly the accuracy of the results. We present an application for assessing the optimum parameters in computing gravity and gravity gradients due to topography variations. Topography has a major contribution in Earth gravitational attraction, therefore the estimation of topography effects must be carefully considered in the processing of gravity data, especially in areas of rugged topography or in large-scale studies. For high-accuracy gravity studies at a global scale, the topography correction process must consider the topography effect of the entire Earth. But for local to regional applications based on relative variations within the zone, we show that truncated topography at a specific distance can be adequate, although, ignoring the topography pas this distance could produce errors. To support these arguments, we show the relationships between gravity relative errors, topography truncation distance, and the extent of study zone. Lastly, we approach the issue: Are GOCE measurements relevant to obtain a detailed image of the structure of a subducting plate, including its geometry and lateral variation? The results of gravity gradient forward modelling using synthetic subduction models computed at GOCE’s mean altitude (255 km) demonstrate that both subduction edges and lateral variations of subduction angle produce gravity gradient variations that are detectable with GOCE dataset (∼100 km wavelength and 10 mE amplitude). However, in the application to the real case of Izu-Bonin-Mariana subduction zone, the second-order geometric features of the subducting plate are difficult to be detected due to the presence of the remaining crustal effects. This is caused by the inaccuracy of the existing global crustal model, that leads to inaccurate crustal effect removal
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Yassine, Manal. "The prompt emission of Gamma-Ray Bursts : analysis and interpretation of Fermi observations." Thesis, Montpellier, 2017. http://www.theses.fr/2017MONTS006/document.
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Les sursauts gamma (GRBs pour "Gamma-Ray Bursts" en anglais) sont de brèves bouffées très énergétiques de rayonnement de haute énergie qui sont émises sur de courtes échelles de temps (fraction de seconde à plusieurs minutes). L'émission intense des sursauts gamma à haute énergie est supposée provenir d'un trou noir de masse stellaire nouvellement formé, accompagné d'un vent collimaté (i.e. un jet) se propageant à vitesse relativiste. L'émission est observée suivant deux phases successives, la phase prompte très erratique, et la phase de rémanence, moins lumineuse. Les deux instruments embarqués sur le satellite Fermi, le "Gamma-ray Burst Monitor" (GBM) et le "Large Area Telescope" (LAT), permettent d'étudier l'émission prompte des sursauts gamma sur une grande plage d'énergie (de ~10 keV à ~100 GeV). L'objectif principal de ma thèse est l'analyse et l'interprétation des propriétés spectrales et temporelles de l'émission prompte des GRBs observés par Fermi, en particulier avec les nouvelles données du LAT (Pass 8) qui ont été rendues publiques en juin 2015.La première partie de mon travail est une analyse spectrale résolue en temps de la phase prompte du sursaut GRB 090926A avec les données du GBM et du LAT. Mes résultats confirment avec un meilleur niveau de confiance la présence d'une cassure spectrale à ~400 MeV, qui est observée en coincidence avec un pic d'émission très court. Ils révèlent que cette atténuation spectrale est présente durant toute l'émission prompte du sursaut, et que l'énergie de cassure augmente jusqu'au GeV. L'interprétation de la cassure spectrale en termes d'absorption gamma ou de courbure naturelle du spectre d'émission Compton inverse (CI) dans le régime Klein-Nishina fournit des contraintes fortes sur le facteur de Lorentz du jet. Mes résultats conduisent en outre à des rayons d'émission R ∼10^14 cm qui sont compatibles avec une origine interne de l'émission du keV au GeV au-dessus de la photosphère du jet.La seconde partie de mon travail est une exploration du modèle de chocs internes développé par des collaborateurs à l'Institut d'Astrophysique de Paris (IAP). Ce modèle simule la dynamique du jet et les processus d'émission (synchrotron et CI) d'une population d'électrons accélérés aux chocs. J'ai simulé la réponse instrumentale de Fermi à un sursaut synthétique fourni par ce code numérique, et j'ai construit une fonction paramétrique qui peut être utilisée pour ajuster le modèle aux spectres de sursauts du keV au MeV. J'ai appliqué cette fonction avec succès à un échantillon de 64 sursauts brillants détectés par le GBM. J'ai aussi confronté le modèle de l'IAP au spectre d'émission prompte de GRB 090926A. Mes résultats montrent un bon accord, et j'ai identifié quelques pistes pour les améliorer. Les spectres synthétiques sont plus larges que tous les spectres dans l'échantillon du GBM. En conséquence, je discute brièvement quelques pistes de développements théoriques qui pourraient améliorer l'accord du modèle avec les observations, ainsi que des avancées observationnelles attendues dans le futurGamma-Ray Bursts (GRBs) are very energetic and brief flashes of high-energy radiations which are emitted in a short time scale (fraction of a second to several minutes). The GRB bright emission is thought to be powered by a newly formed stellar-mass black hole that is accompanied by a collimated outflow (i.e. a jet) moving at a relativistic speed. The emission is observed as two successive phases: the highly variable “prompt” phase and the late and less luminous “afterglow” phase. The two instruments on board the Fermi space telescope, the Gamma-ray Burst Monitor (GBM) and the Large Area Telescope (LAT), allow the study of GRB prompt emission over a broad energy range (from ~10 keV to ~100 GeV). In June 2015, a new set of LAT data (Pass 8) was publicly released, which were generated using improved algorithms of reconstruction and classification of gamma-ray events. The main goal of my thesis is the analysis and interpretation of the spectral and temporal properties of the prompt emission phase of the GRBs observed by Fermi, especially using LAT Pass8 data.In the first part of my work, I performed a detailed time-resolved spectral analysis of the prompt phase of GRB 090926A with GBM and LAT data. My results confirm with a greater significance the spectral break at ∼400 MeV that is observed during a fast variability pulse, and they also reveal the presence of a spectral attenuation throughout the GRB prompt emission, as well as an increase of the break energy up to the GeV domain. I interpreted the spectral break in terms of gamma-ray absorption or as a natural curvature of the inverse Compton (IC) emission in the Klein-Nishina regime. Strong constraints on the jet Lorentz factor were obtained in both scenarios. My results lead also to emission radii R ∼10^14 cm, which are consistent with an internal origin of both the keV-MeV and GeV prompt emissions above the jet photosphere.The second part of my work is an exploration of the internal shock model that has been developed by collaborators at the "Institut d'Astrophysique de Paris" (IAP). This model simulates the GRB jet dynamics and the radiations (synchrotron and IC processes) from a population of shock-accelerated electrons. I simulated the response of the Fermi instruments to the synthetic GRB spectra provided by this numerical code. From these simulations, I built a new parametric function that can be used to fit the keV-MeV spectra of GRBs with the model. I applied successfully this function to a sample of 64 GBM bright GRBs. I confronted also the IAP model to the prompt emission spectrum of GRB 090926A. I obtained a relatively good agreement and I identified a couple of solutions that may improve it. The synthetic spectra are wider than any GRB spectra in the GBM sample. I present some theoretical developments that could improve the data-model agreement in the future, and I discuss possible advances from future GRB missions as well
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Serrano, Elisa. "Understanding the spatial elements at the tuberculosis sanatoria in Sweden: 1887-1942 : Cartography and spatial interpretation through geography information systems (GIS)." Thesis, Uppsala universitet, Institutionen för ABM, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-448049.
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This project aspires to understand the tuberculosis sanatoria in Sweden from the perspective of their location in space and the interpretation of the characteristics of their landscapes. The study has sorted the areas of analysis in the following categories: [i] distribution, [ii] altitude, [iii] orientation, [iv] proximity to the sea, [v] proximity to lakes or rivers, [vi] proximity to train stations, [vii] proximity to forests, [viii] proximity to towns or hospitals, [ix] proximity to industries. The spatial analysis will rely on observation and on GIS technology. Two different software have been used, Qgis and ArcGis, but mainly the first due to its disposition as free software and therefore available for all and easily accessible. Thereafter, the results of these analyses have been interpreted in the light of hermeneutical philosophy, seeking the understanding of each of the parts before understanding the whole, and interpreting the spatial results in the light of the information about the anti-tuberculosis movement. Tuberculosis sanatoria cannot be interpreted without the support of medical theories existing during tuberculosis crisis' times. Sanatoria spatial interpretation is also executed under the premises of Corner’s essential points across any spatial analysis: [i] the primacy of perception and [ii] the role of tradition. Considering the primacy of perception, some of the buildings and their surroundings have been visited “in situ” or studied through photos and images. This supported the understanding of the spatial elements of the sanatoria. The weight of tradition existing in the sanatoria is strong. The sanatorium’s environment as an element of the treatment for the patient roots in the 19th century and its hygienic theories. This influenced the organic architecture movement that encouraged a return to nature in search of health, fresh air, and well-being during the industrial revolution. The results proved that many Swedish sanatoria aimed to find good environmental conditions that supported the fresh-air treatment, in harmony with the medical theories of the times but also in areas where they were more needed for the working force. They were hardly ever isolated or placed on high altitudes. Supplies like water and heating were generally nearby to provide the sanatoria with the necessary resources, while other needs could be covered by the proximity to train stations or towns. Other sanatoria were placed within cities, in search of better facilities and services, but they gave up the benefits attributed to the clean and fresh air in the patients. This study shows that spatial analysis has achieved a great understanding of Swedish sanatoria from a new perspective never developed in Sweden. It has demonstrated a relationship between the social workforce and health care, and it could have been the start of a strong investment in popular care in Sweden that has not stopped since.
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Li, Jing. "Problematics of self in moral space : a study of Willa Cather, Susan Glaspell and H.D." HKBU Institutional Repository, 2010. http://repository.hkbu.edu.hk/etd_ra/1177.
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Reed, Marthe. "The poem as liminal place-moment : John Kinsella, Mei-mei Berssenbrugge, Christopher Dewdney and Eavan Boland." University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0136.
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Places are deeply specific, and often richly resonant for us in terms of memory, emotion, and association, yet we nevertheless frequently move through them insensible of their constitution and diversity, or the shaping influences they have upon our lives. As such, place affords a vital window into the creation and experience of poetry where the poet is herself attuned to the presence and effect of places; the challenge for the scholar is to articulate place's nature and role with respect that poetry. In
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Dionne, Caroline. "Running out of place : the language and architecture of Lewis Carroll." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85902.
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This study examines the links between architecture and literature through the work of English author/mathematician/geometrician Lewis Carroll/Charles L. Dodgson. The premise is that throughout Carroll's work, questions concerning the position of the body in relation to its surroundings---the possibility for one to forge a sense of place---are recurrent. Carroll stages a series of bodily movements in space: changes in scale, transformations, alterations, translations from bottom to top, from left to right, from the inside to the outside, and so on. Reading the work, one is constantly reminded that one's perception of space, as well as one's understanding of where one stands, are phenomena that take place in language, through utterances, through words. Approaching Carroll's work with particular attention to the space of bodily movements and to plays on language, one can access a subterranean architectural discourse. This discourse is oblique, suggested rather than explicit, but nonetheless raises pertinent questions concerning the formation of architectural meaning: the relationship of sense to its limits---to nonsense---in architecture.The following texts are studied: Carroll's two architectural pamphlets; the two Alice stories with their convoluted spaces; a long epic poem dealing with the space of discovery; a drama on geometry and a logical exposition on the paradoxes of movement. Throughout Carroll's multifaceted work, nonsense guides the construction of the texts. Working at the limits of language and literary genres, Carroll's parodies possess strong allegorical powers: sense travels obliquely and the work remains enigmatic. However, the reader somehow understands the work; the experience of the work produces a certain kind of knowledge.
In architecture, meaning is also tied to its outer limits---to the polysemy of nonsense. Through one's experience of space, a stable and orderly building becomes heterogeneous, loaded with qualities and symbols. A sense of place emerges and meaning momentarily appears along the sinuous paths that run between bodily movements, thoughts, dreams, desire and words.
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Lobban, Paul. "Inhabited space : writing as a practice in early modern England; Margaret Hoby, Eleanor Davies, Katherine Philips." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phl796.pdf.
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Little, Suzanne Ruth. "Framing dialogues- Towards an understanding of the Parergon in theatre." Queensland University of Technology, 2004. http://eprints.qut.edu.au/15981/.
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This project argues for an elevation and a greater understanding of the importance of framing in theatre. In this respect, the study follows on from Derrida's famous deconstruction of Kant's parergon (frame) in his Critique of Judgement. Derrida's work exposes what he sees as a complicit desire to &qout;limit" the frame to the role of "decorative adjunct". Finding the frame to be "undecidable", Derrida asserts that the frame actively affects the work inside and the space outside while answering a "lack" within the work. Utilising Derrida's work on the parergon as a starting point, this study represents an attempt to formulate a theory of the frame for theatre asserting that the frame provides a prospective key towards understanding persistent "problems" within theatre studies. These include the complicated onstage/offstage and spectator/actor dialectics as well as the point where "reality" ends and theatre begins and also issues of agreed interpretation. Ultimately the thesis posits that theatre is in itself a parergon which virtualises the space in which it installs itself - a finding that goes some way to explaining and/or accommodating these "problems". The research methodology involves a detailed study of literature encompassing framing and related theories drawn from a diverse array of paradigms. A working theory of the theatre frame, along with a series of analogous approaches is developed and further examined through application to a variety of theatre performances. This thesis offers a theory of the theatre frame and a variety of framing research approaches that function to bridge the gap between the traditionally partitioned areas of performance analysis and reception studies. It also adds to our understanding of the frame and the theatre art form itself.
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Silveira, Adalgiso Silva. "Turismo nas fazendas imperiais do Vale do Paraíba Fluminense." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/27/27148/tde-18072009-202853/.
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Este estudo realizado com base em fontes primárias e secundárias está embasado no trabalho de campo que consiste em entrevistas e observações in loco. Consiste em analisar as Fazendas Imperiais no Vale do Paraíba Fluminense para a implementação da atividade turística. Trata do elemento histórico e da cultura material como valor capaz de alavancar o turismo, tendo como sustentáculo a história cotidiana da região do Vale do Café, no período da cafeicultura durante o século XIX. Revela resultados abrangentes para a consolidação de um novo pólo turístico regional tendo as fazendas imperiais como fator motivador da destinação.This study done with basis on primary and secondary sources is based on the fieldwork that consists on interviews and observations in loco. It consists on analyzing the Imperial Farms in the Vale do Paraíba in Rio de Janeiro in order for the implementation of tourist activity. It is about the historical element and the material culture with value enough to promote tourism, having as basis the daily life story of the Vale do Café region, in the period of coffee growing during the 19th century. It reveals inclusive results for the consolidation of a new tourist regional pole having the imperial farms as a motivating factor of the destination.
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Yung, Yuk-yu. "Teaching film as a space of interpretative interaction." Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/HKUTO/record/B38628557.
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Yung, Yuk-yu, and 容若愚. "Teaching film as a space of interpretative interaction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B38628557.
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Zamarioli, Debora. "Cartografia de um corpo em cena: extração e codificação de matrizes corporais através do método Body Mind Centering." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27155/tde-14012010-150951/.
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Este projeto está intimamente ligado à criação artística do ator, suas abordagens, reflexões e métodos. Ele está no âmbito da pesquisa do corpo cênico, de seus movimentos e de sua continua (re)significação perante quem o assiste e, por sua vez, da sua própria (re)organização. Para isso, cartografei meu próprio processo de aprendizagem e criação através dos diálogos entre o método de educação do movimento, Body Mind Centering®, inicialmente desenvolvido pela americana Bonnie Bainbridge Cohen, das formas de extração e codificação de matrizes corporais mapeadas por Renato Ferracini, e dos princípios da performance estudados por Renato Cohen. Assim, o desafio desta pesquisa foi a utilização do material perceptivo, proveniente da prática corporal, para a elaboração cênica. Ou seja, transcrever as sensações em matrizes codificadas, visando uma apresentação final em que este procedimento fosse (in)visível.The present project is closely linked to the artistic creation of the actor, his approaches, thoughts and methods. The project is located in the realm of the research of the scenic body , its movements and its continuous (re)meaning in the face of the spectator and, on its turn, facing its own (re)organization. To achieve my goal I mapped our own learning and creation process through the dialog between the method of educating the movement, called Body Mind Centering ®, firstly developed by Bonnie Bainbridge, through the method of extracting and encoding the body matrixes mapped by Renato Ferracini, and through the performances studied by Renato Cohen. Therefore, the challenge of the present research was the use of perceptive material, deriving from the body practice used to build the scene. That means, translate the sensations into coded matrixes, aiming a final presentation where the said procedure would be (in)visible.