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Journal articles on the topic 'Space Penguins (Fictitious characters)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Paravano, Cristina. "The Space of Identity and the Identity of Space in The City Wit by Richard Brome." Sederi, no. 21 (2011): 71–90. http://dx.doi.org/10.34136/sederi.2011.4.

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My paper examines The City Wit (1629-1632), a city comedy by Richard Brome revolving around the unscrupulous trade world, where all the characters aim at social recognition, even trampling on feelings and moral values. My objective is to investigate the play as one of the earlier examples of strategic use of space in Brome’s dramatic production. Firstly, I will consider the function of space in relation to the identity of the single characters. Secondly, I will show how space can be manipulated for the re-fashioning of a new identity, as in the case of Jeremy, a male servant disguised as a wid

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XU, XUE-FEN, and HONG-YI FAN. "THERMO MINIMUM UNCERTAINTY STATE FOR FERMIONIC TFD THEORY." Modern Physics Letters A 22, no. 36 (2007): 2757–62. http://dx.doi.org/10.1142/s0217732307022955.

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By analyzing the characters of Thermo Field Dynamics (TFD) that every annihilation operator f acting on real Hilbert space has an image [Formula: see text] acting on fictitious space we should choose [Formula: see text] and [Formula: see text], or their linear combination [Formula: see text], and [Formula: see text] for measuring Fermi field's fluctuation at finite temperature. As a consequence, the corresponding minimum uncertainty states are derived, which resembles the form of fermionic squeezed state. This work is the fermionic counterpart of Ref. 8 in which bosonic TFD's minimum uncertain

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3

Oktaviani, Danissa Dyah. "Konsep Fantasi dalam Film." REKAM 15, no. 2 (2019): 125–36. http://dx.doi.org/10.24821/rekam.v15i2.3356.

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Fantasy films were born from the development of fiction films that have shown existence since the beginning of its history. Fantasy films have their own charm because they can penetrate time and space compared to other genres. Fiction films develop from their creators both in terms of story and cinematography because fiction films are at the center of the poles: real and abstract. Its greatest strength lies in its ability to integrate and combine with other genres without exception and can be broadly developed unlimitedly. That is because fantasy films contain elements with different character

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Latham, Monica. "Thieving Facts and Reconstructing Katherine Mansfield’s Life in Janice Kulyk Keefer’s Thieves." European Journal of Life Writing 3 (October 14, 2014): 103–20. http://dx.doi.org/10.5463/ejlw.3.83.

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The aim of this article is to examine how the biographical material that Janice Kulyk Keefer “steals” from Mansfield’s life is used to re-create a “quasi-real” life in a novel which absorbs reality, digests it, and offers an oxymoronic, semi-fictitious product: a biofiction. Keefer selected biographèmes or kernels of truth on which her fictitious details and characters could be grafted: following Mansfield’s physical, emotional and intellectual trail was an imperative part of Keefer’s research plan, as essential as close reading of the modernist author’s letters and journals. Besides seamlessl

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Bidaud, Samuel. "Proust et Hergé : de quelques points communs entre À la recherche du temps perdu et Les Aventures de Tintin." Interlitteraria 23, no. 1 (2018): 173–88. http://dx.doi.org/10.12697/il.2018.23.1.18.

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Proust and Hergé: on some similarities between À la Recherche du temps perdu and Les Aventures de Tintin. Part I. Marcel Proust and Hergé seem to have nothing in common. Their works are indeed very different: they do not belong to the same genre, nor treat the same themes or have the same public. What parallel could be established between À la Recherche du temps perdu (In Search of Lost Time), which revolutionized the genre of the novel, and Les Aventures de Tintin (The Adventures of Tintin), a series of comic albums apparently intended only for children? A closer study reveals however that Pr

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Tatár, Jozef. "Beletristická rekonštrukcia portrétu Štefana Krčméryho z posledných rokov života (Anton Baláž, Povedz slovo čisté, 2017)." Conversatoria Litteraria 17, no. XVII (2023): 149–62. http://dx.doi.org/10.34739/clit.2023.17.11.

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The novel’s portrayal of an unknown part of the life of Štefan Krčméry (1892 – 1955), his stay in a psychiatric asylum (1949–1955), belongs to the category of rare topics in contemporary Slovak fiction. In the novel Povedz slovo čisté, Anton Baláž gradually uncovers Krčméry’s complex, dramatic internal life through depictions of the onset and overcoming of apathetic states in the narrative, which also contains a series of diary entries by Júlia Orlovská, Krčméry’s attending physician. These entries record his lasting commitment to such values as the nation, religious faith, creative freedom, a

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Diz Villanueva, Alba. "Cărtărescu vs. Cărtărescu: el imaginario literario de Melancolia, cambio y pervivencia." Swedish Journal of Romanian Studies 7, no. 2 (2024): 57–82. http://dx.doi.org/10.35824/sjrs.v7i2.25843.

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The aim of this paper is to analyze the differences and similarities between the latest volume of stories published by the Romanian writer Mircea Cărtărescu (Melancolia, 2019, Bucharest, Humanitas) and his previous literary production. Although Melancolia has been associated with Nostalgia and indeed exhibits many parallels with the first volume of short novels published by Cartarescu, the truth is that the 2019 volume refers to the literary universe created from other texts as well. By comparing and contrasting Melancolia with some of his main works, from novels such as the three volumes of t

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Shum, Olga Yu. "Expressive Features of Author Subjectivity in the Literary Ego-Text (Roman Senchin’s What Do You Want?)." Tekst. Kniga. Knigoizdanie, no. 26 (2021): 23–39. http://dx.doi.org/10.17223/23062061/26/2.

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The modern literary process indicates the presence of a large number of fiction with documentary subcurrent: facts from the author’s biography are a very slight hyperbolization. An example of such work would be the novel What Do You Want? (2013) by a contemporary Russian writer Roman Senchin, which became the subject of consideration in this article. The synthesis of auto-documentary and literary principles in the story organizes self-narration with unsteady boundaries between the real (“factual”) and the fictional (“fictitious”). The specificity of the correlation of the factual and the ficti

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Saraskina, Liudmila. "Truths and Lies in a TV Series About “Dostoevsky Beyond the Textbook”." Неизвестный Достоевский 7, no. 4 (2020): 70–105. http://dx.doi.org/10.15393/j10.art.2020.5061.

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The paper offers a detailed analysis of Dostoevsky, a historical and biographical feature TV serial (in eight episodes), produced in 2011, when the writer’s 190th anniversary was celebrated. The film was directed by V. I. Khotinenko, the script was written by E. Ya. Volodarsky. The authors of the series claimed that their objective was to create an image of “Dostoevsky beyond the textbook”, wholly (or largely) unknown to today’s audience. But the authors did not explain what they meant by “Dostoevsky beyond the textbook”, nor, for that matter, by the “textbook” version. Professional expertise

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Малиновский, Артур. "Гетеротопия Г. Ф. Квитки-Основьяненко «Вояжеры» в контексте теории пространственного поворота". Studia Slavica Academiae Scientiarum Hungaricae 66, № 2 (2023): 287–99. http://dx.doi.org/10.1556/060.2022.00039.

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Статья посвящена не исследованной в современном литературоведении повести Г. Ф. Квитки- Основьяненко, интересной с точки зрения жанровых ресурсов, их сложного преломления в перспек-тиве художественного пространства. Рассмотрена пародия на имперское культурное пространство, которое множится, разрастается путем экспансии, трансгрессии на территорию чужого. Кумуляция фиктивных хронотопов с перенесенными на свою почву чужими идеологиями, воображаемой, отор-ванной от реальности, фальшивой европеизацией оборачивается опосредованной формой антико-лониальной критики. Мимикрия, бездумное копирование ст

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Salibra, Luciana. "“ALTRE RICETTE DI PETRONILLA” (1937): OSSERVAZIONI LINGUISTICHE." Italiano LinguaDue 14, no. 1 (2022): 950–71. http://dx.doi.org/10.54103/2037-3597/18334.

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L’indagine si concentra sull’aderenza del ricettario al canone della prescrittività, evidenziandone i supporti lessicali, che fanno riferimento al ruolo dell’enunciatore e alla pressione sul destinatario, le forme verbali ricorrenti e gli allocutivi. Lo schema comune alle ricette è articolato in promessa – difficoltà e avvertimenti – risultato, con una promozione dei piatti che ricorda molto da vicino il messaggio pubblicitario: elativi, alterati, anafore, nell’ambito di una concezione della buona cucina i cui parametri sono l’economicità, la velocità e la facilità di realizzazione, la sostanz

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Alavarce Campos, Camila Da Silva. "A representação da representação: lirismo e ironia romântica em Vícios e virtudes, de Helder Macedo." Caligrama: Revista de Estudos Românicos 19, no. 1 (2014): 5. http://dx.doi.org/10.17851/2238-3824.19.1.5-22.

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<p><strong>Resumo</strong>: O texto refere-se a um estudo dos processos de construção do romance Vícios e virtudes, de Helder Macedo, objetivando a retomada e a discussão do conceito de ironia romântica. Essa ironia, em especial, desmistifica os jogos da representação artística clássica, que entende o texto literário como imitação do real. Ao contrário disso, favorece a expressão do fazer literário com todas as suas limitações, elaborações e reelaborações de linguagem, legitimando o caráter de arte, de natureza fictícia e, pois, de exercício de experimentação presentes na lit

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Hommel, Bernhard, and Niek Stevenson. "An event-coding account of attitudes." Psychonomic Bulletin & Review, July 8, 2021. http://dx.doi.org/10.3758/s13423-021-01969-y.

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AbstractAttitudes (or opinions, preferences, biases, stereotypes) can be considered bindings of the perceptual features of the attitudes’ object to affective codes with positive or negative connotations, which effectively renders them “event files” in terms of the Theory of Event Coding. We tested a particularly interesting implication of this theoretical account: that affective codes might “migrate” from one event file to another (i.e., effectively function as a component of one while actually being part of another), if the two files overlap in terms of other features. We tested this feature-

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Bernhard, Hommel, and Stevenson Niek. "An event-coding account of attitudes." June 2, 2021. https://doi.org/10.3758/s13423-021-01969-y.

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Attitudes (or opinions, preferences, biases, stereotypes) can be considered bindings of the perceptual features of the attitudes’object to affective codes with positive or negative connotations, which effectively renders them “event files”in terms of the Theory of Event Coding. We tested a particularly interesting implication of this theoretical account: that affective codes might“migrate”from one event file to another (i.e., effectively function as a component of one while actually being part of another), ifthe two files overlap in terms of other features. We tes

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15

Abdullayeva Yegane Atamoglan. "FICTIONALITY IN A POSTMODERN NOVELS (BASED ON THE CREATIVITY OF JASPER FFORDE)." International Journal of Innovative Technologies in Social Science, no. 7(28) (December 18, 2020). http://dx.doi.org/10.31435/rsglobal_ijitss/30122020/7295.

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In “The Postmodern Condition”, F. T. Lyotard argues that the logos is a myth with the concept of “sunset of metanarrative” and that the world can only be understood as a fictional story. Postmodernist aesthetics refers to this concept and puts forward the idea that the fictitiousness of a character in a literary work fictionizes its state and the events in which he participates. In this regard, in the context of the literary work, real space and characters are fictitious. Fictionality realizes in different ways, and we can see this in the analysis of British writer Jasper Fforde’s novels “Thur

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16

"Robert Heinlein's Space Cadet and the Young Adult Reader: Understanding the Real World through Narrative Transportation Approach." International Journal of Arabic-English Studies 20, no. 1 (2002). http://dx.doi.org/10.33806/ijaes2000.20.1.5.

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Young Adult science fiction is a growing body of work in the science fiction genre that encourages its readers to envision, evaluate, and question contemporary and future real-world incidents. This paper explores the effect of narrative transportation on young adult readers of Robert Heinlein's Space Cadet, a YA science fiction novel. One of the main aspects narrative transportation theory examines is how literature fosters teens' understanding and awareness of themselves and of issues important to them. In this sense, Space Cadet engages the young adult reader with its narrative, its characte

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17

Gabbiadini, Alessandro, Cristina Baldissarri, Roberta Rosa Valtorta, Federica Durante, and Silvia Mari. "Loneliness, Escapism, and Identification With Media Characters: An Exploration of the Psychological Factors Underlying Binge-Watching Tendency." Frontiers in Psychology 12 (December 15, 2021). http://dx.doi.org/10.3389/fpsyg.2021.785970.

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Nowadays, binge-watching (i.e., watching multiple episodes of a TV series in one session) has become a widespread practice of media consumption, raising concerns about its negative outcomes. Nevertheless, previous research has overlooked the underlying psychological mechanisms leading to binge-watching. In the present work, we investigated some of the psychological variables that could favor binge-watching tendencies in a sample of TV series viewers (N = 196). To this aim, psychological determinants of problematic digital technologies usage (i.e., feelings of loneliness), as well as some of th

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18

"Montreal Six Characters in Search of a Hero: David Fennario’s The Death of René Lévesque." Canadian Theatre Review 69 (December 1991): 87–91. http://dx.doi.org/10.3138/ctr.69.014.

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Theatre, relegated to the entertainment section of the daily newspaper, is so easy to ignore. Sometimes, however, it still has the power to shock, to incite debate, to place difficult political issues right at centre stage. Whereas francophone theatre in Quebec has been at the vanguard of social (r)evolution since at least the 1960s, anglophone theatre, in contrast, has found it difficult to create an imaginative and political space from which to speak. David Fennario’s The Death of René Lévesque, which opened at Centaur Theatre in Montreal in February [1991], has radically changed this tradit

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Fagyal, József Szabolcs. "Kannibalizmus és allegória." Studia Litteraria 55, no. 3-4 (2016). http://dx.doi.org/10.37415/studia/2016/55/4066.

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In Yann Martel’s Life of Pi (2001) and Carol Birch’s Jamrach’s Menagerie (2011), the violation of a taboo is not simply the centre or the climax of the story, but rather, the entire story is told exactly because of an incomprehensible and indigestible event. Both novels are contemporary representatives of nautical fiction, telling an ordeal at sea with the protagonist eventually resorting to cannibalism. The two main characters consume a best friend and a brother respectively, but as a result of their transgressive act, the representational ethics of taking a dead man’s place in order to survi

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20

Humphrey, Harvey, Slater Cain, Gina Gwenffrewi, Leni Daly, Odhran Thomson, and Mathew Wilkie. "As Is and Co-creating Theatre From Research to Stage: The Play’s The Thing." Sociological Research Online, June 10, 2025. https://doi.org/10.1177/13607804251326422.

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We offer a film of an ethnodrama/play: As Is ; originally performed in Glasgow in 2022. Our accompanying article describes the who, how, what and why of bringing this ethnodrama to life on stage. The original research project interviewed 36 trans, intersex and LGBTI activists. The lines of the ethnodrama are drawn verbatim from these participant interviews, with the exception of The Narrator: a fictitious inclusion for the audience’s benefit. The play offers an imagined space to allow these characters to speak to each other, and highlights the ways some felt unable to have their voices heard.

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Kontorovich, Igor’, Nicole Qiusong Liu, and Sun-woong Kang. "Transitioning to proof via writing scripts on the rules of a new discourse." Educational Studies in Mathematics, June 27, 2024. http://dx.doi.org/10.1007/s10649-024-10324-6.

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AbstractComing from the commognitive standpoint, we consider proof-based mathematics as a distinct discourse, the transition to which requires special rules for endorsement and rejection of mathematical statements. In this study, we investigate newcomers’ learning of these rules when being taught them explicitly. Our data come from academically motivated high-school students who took a special course in undergraduate mathematics. The course teacher dedicated three academic hours to introducing and explaining selected rules of proof to support students’ shift to the new discourse. The homework

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22

Pechal, Zdenek. "The Significance of the Symbol and the Role of Dramatisation in Maxim Gorky’s Artistic World." Quaestio Rossica 13, no. 1 (2025). https://doi.org/10.15826/qr.2025.1.969.

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The author of this study highlights the remarkable diversity of Maxim Gorky’s artistic, journalistic, and epistolary works and emphasises the idea that the core of his personality was the talent of artistic vision of reality. In his search for Gorky’s identity, the scholar relies on Umberto Eco’s idea: in the essential interpretive trinity of author, text and reader, Eco raises the question of whether one should look for what the author wanted to say in the text, or whether one should look at what the text says independently of its author. He proceeds from the idea that artistic intent serves

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23

Braun, Carol-Ann, and Annie Gentes. "Dialogue: A Hyper-Link to Multimedia Content." M/C Journal 7, no. 3 (2004). http://dx.doi.org/10.5204/mcj.2361.

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Background information Sandscript was programmed with the web application « Tchat-scene », created by Carol-Ann Braun and the computer services company Timsoft (). It organizes a data-base of raw material into compositions and sequences allowing to build larger episodes. Multimedia resources are thus attributed to frames surrounding the chat space or to the chat space itself, thus “augmented” to include pre-written texts and graphics. Sandscript works best on a PC, with Internet Explorer. On Mac, use 0S9 and Internet Explorer. You will have to download a chat application for the site to functi

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24

Matthews, Justin Robert, and Angelique Nairn. "The Actotron." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3118.

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Introduction – The Advent of the Actotron Imagine a movie production where leading actors are not bound by human limitations, and digital entities render every emotion, movement, and line with breathtaking precision. This is no longer a conceptual idea but is becoming more possible with the increased integration of artificial intelligence (AI) into screen production activities. Essentially, we are at the dawn of the Actotron era. These advanced virtual actors, equipped with artificial intelligence, could transform not just how movies are made, but who makes them and what stories they tell. The

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Rocavert, Carla. "Aspiring to the Creative Class: Reality Television and the Role of the Mentor." M/C Journal 19, no. 2 (2016). http://dx.doi.org/10.5204/mcj.1086.

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Introduction Mentors play a role in real life, just as they do in fiction. They also feature in reality television, which sits somewhere between the two. In fiction, mentors contribute to the narrative arc by providing guidance and assistance (Vogler 12) to a mentee in his or her life or professional pursuits. These exchanges are usually characterized by reciprocity, the need for mutual recognition (Gadamer 353) and involve some kind of moral question. They dramatise the possibilities of mentoring in reality, to provide us with a greater understanding of the world, and our human interaction wi

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26

Haller, Beth. "Switched at Birth: A Game Changer for All Audiences." M/C Journal 20, no. 3 (2017). http://dx.doi.org/10.5204/mcj.1266.

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The American Broadcasting Company (ABC) Family Network show Switched at Birth tells two stories—one which follows the unique plot of the show, and one about the new openness of television executives toward integrating more people with a variety of visible and invisible physical embodiments, such as hearing loss, into television content. It first aired in 2011 and in 2017 aired its fifth and final season.The show focuses on two teen girls in Kansas City who find out they were switched due to a hospital error on the day of their birth and who grew up with parents who were not biologically relate

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Nolan, Huw, Jenny Wise, and Lesley McLean. "The Clothes Maketh the Cult." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2971.

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Introduction Many people interpret the word ‘cult’ through specific connotations, including, but not limited to, a community of like-minded people on the edge of civilization, often led by a charismatic leader, with beliefs that are ‘other’ to societal ‘norms’. Cults are often perceived as deviant, regularly incorporating elements of crime, especially physical and sexual violence. The adoption by some cults of a special uniform or dress code has been readily picked up by popular culture and has become a key ‘defining’ characteristic of the nature of a cult. In this article, we use the semiotic

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Wilson, Shaun. "Situating Conceptuality in Non-Fungible Token Art." M/C Journal 25, no. 2 (2022). http://dx.doi.org/10.5204/mcj.2887.

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Introduction The proliferation of non-fungible tokens has transformed cryptocurrency artefacts into a legitimised art form now considered in mainstream art collecting as an emerging high-yield commodity based on scarcity. As photography was debated “of being art” in the late 19th century, video art in the 1960s, virtual reality in the 1990s, and augmented reality in the 2010s, NFT art is the next medium of artwork tied to emergent cultural forms. From the concept of “introducing scarcity from born-digital assets for the first time ever, NFTs or crypto or digital collectibles, as they are also

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