Relevant bibliographies by topics / Space sensation

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Space sensation'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Space sensation"

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Zhang, Tianyao, Jiahui Liu, and Hongyang Li. "Restorative Effects of Multi-Sensory Perception in Urban Green Space: A Case Study of Urban Park in Guangzhou, China." International Journal of Environmental Research and Public Health 16, no. 24 (December 6, 2019): 4943. http://dx.doi.org/10.3390/ijerph16244943.

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Urban green space is believed as a beneficial landscape for mental restoration in the urban settings. This study aims to examine the restorative quality of the urban green space from a multi-sensory perspective, focusing on both direct and indirect connections between visual, auditory, and tactile sensations and mental restoration. Two hundred and fifty park users of Tianhe Park in Guangzhou, China, were surveyed. Data were collected regarding their three types of sensations, i.e., the perceived mental restoration, health-related behavioral activities and emotional responses in the urban park. As a result, visual and auditory sensation were found to be linked with mental restoration directly and indirectly, while the tactile sensation was only associated with mental restoration indirectly; and health-related behaviors and emotional response mediated the relations between the three sensations and mental restoration significantly. It is concluded that the greater effects of auditory sensation and the under-studied potential effects of tactile sensation on mental restoration should be more emphasized in the future design of urban park. This is expected to contribute to the high restorative quality of the urban green space and promote public health.
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Sato, Makoto, Yukihiro Hirata, and Hiroshi Kawarada. "Space Interface Device for Artificial Reality – SPIDAR –." Journal of Robotics and Mechatronics 9, no. 3 (June 20, 1997): 177–84. http://dx.doi.org/10.20965/jrm.1997.p0177.

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In order to realize a human interface for the efficient modeling of three-dimensional shapes over the computer, it is necessary to create an environment in which shape models can be manipulated in the same way as their actual three-dimensional objects. Such an environment is called a virtual work space. In case that a human manipulates an object with his or her own hands, that person unconsciously uses the sensations, such as those of sight, touch, and force. In order to compose a virtual work space, it is important that information on such sensations be given comprehensively to a human. Moreover, it is necessary that all this information be generated artificially through computer processing. On the basis of these observations, the present paper newly proposes a space interface device SPIDAR as an input/output device necessary for composing a virtual work space. This device can not only obtain information on the positions of end-effectors but also provide information concerning the sensation of force to the end-effectors. Furthermore, an experiment is carried out for investigating the effect of information concerning the sensation of force on the direct manipulability of three-dimensional shapes in this virtual work space, and its effectiveness is verified.
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Umeki, Naoko, and Miwako Doi. "Sensation of movement in virtual space." Electronics and Communications in Japan (Part III: Fundamental Electronic Science) 80, no. 6 (June 1997): 74–82. http://dx.doi.org/10.1002/(sici)1520-6440(199706)80:6<74::aid-ecjc8>3.0.co;2-2.

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Nummenmaa, Lauri, Riitta Hari, Jari K. Hietanen, and Enrico Glerean. "Maps of subjective feelings." Proceedings of the National Academy of Sciences 115, no. 37 (August 28, 2018): 9198–203. http://dx.doi.org/10.1073/pnas.1807390115.

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Subjective feelings are a central feature of human life. We defined the organization and determinants of a feeling space involving 100 core feelings that ranged from cognitive and affective processes to somatic sensations and common illnesses. The feeling space was determined by a combination of basic dimension rating, similarity mapping, bodily sensation mapping, and neuroimaging meta-analysis. A total of 1,026 participants took part in online surveys where we assessed (i) for each feeling, the intensity of four hypothesized basic dimensions (mental experience, bodily sensation, emotion, and controllability), (ii) subjectively experienced similarity of the 100 feelings, and (iii) topography of bodily sensations associated with each feeling. Neural similarity between a subset of the feeling states was derived from the NeuroSynth meta-analysis database based on the data from 9,821 brain-imaging studies. All feelings were emotionally valenced and the saliency of bodily sensations correlated with the saliency of mental experiences associated with each feeling. Nonlinear dimensionality reduction revealed five feeling clusters: positive emotions, negative emotions, cognitive processes, somatic states and illnesses, and homeostatic states. Organization of the feeling space was best explained by basic dimensions of emotional valence, mental experiences, and bodily sensations. Subjectively felt similarity of feelings was associated with basic feeling dimensions and the topography of the corresponding bodily sensations. These findings reveal a map of subjective feelings that are categorical, emotional, and embodied.
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Landy, David. "Kant’s Better-than-Terrible Argument in the Anticipations of Perception." Kantian Review 25, no. 1 (February 10, 2020): 77–101. http://dx.doi.org/10.1017/s1369415419000475.

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AbstractScholars working on Kant’s Anticipations of Perception generally attribute to him an argument that invalidly infers that objects have degrees of intensive magnitude from the premise that sensations do. I argue that this rests on an incorrect disambiguation of Kant’s use of Empfindung (sensation) as referring to the mental states that are our sensings, rather than the objects that are thereby sensed. Kant’s real argument runs as follows. The difference between a representation of an empty region of space and/or time and a representation of that same region as occupied by an object entails that, in addition to their extensive magnitude, objects must be represented as having a matter variable in intensive magnitude. Since it is the presence of sensation (sensing) in a cognition that marks the difference between representing only the extensive magnitude of the object and the object as a whole, it is sensation that represents its intensive magnitude.
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Kirci, Nazan, and Saeid Soltani. "Phenomenology and Space in Architecture: Experience, Sensation and Meaning." International Journal of Architectural Engineering Technology 6, no. 1 (May 15, 2019): 1–6. http://dx.doi.org/10.15377/2409-9821.2019.06.1.

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Beckwith, Naomi. "SAYA WOOLFALK’S UTOPIA: SENSATION AS A SPACE FOR CRITIQUE." Nka Journal of Contemporary African Art 2009, no. 25 (2009): 150–57. http://dx.doi.org/10.1215/10757163-2009-25-150.

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Beckwith, N. "SAYA WOOLFALK'S UTOPIA: SENSATION AS A SPACE FOR CRITIQUE." Nka Journal of Contemporary African Art 2010, no. 25 (March 1, 2010): 150–57. http://dx.doi.org/10.1215/10757163-2010-25-150.

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Nasir, Rabiatul Adawiyah, Sabarinah Sh Ahmad, and Azni Zain Ahmed. "Perceived and Measured Adaptive Thermal Comfort at an Outdoor Shaded Recreational Area in Malaysia." Advanced Materials Research 610-613 (December 2012): 1083–86. http://dx.doi.org/10.4028/www.scientific.net/amr.610-613.1083.

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Psychological adaptation towards environmental ergonomic is important to encourage better usage of outdoor space. Green space is a significant aspect as it is beneficial for the community. Outdoor spaces are supposedly an essential component of urban recreation space that provides opportunities for recreational activities. Human responses to the outdoor environment and actual thermal sensation experienced by individuals are important to determine the people’s level of understanding of the condition. This paper explores people’s perception about the microclimate condition in hot and humid climate. The responses of the respondents are correlated with the measurement of the microclimate condition. The microclimate conditions of the urban recreational area are measured to get the actual sensation of thermal experience of the people. The results confirmed the existence of adaptive thermal comfort amongst the respondents where they perceived better microclimatic conditions compared to what were measured.
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Fishero, Brian A., Kelly M. Guido, Howard S. McGuff, Josefine M. Heim-Hall, and Frank R. Miller. "Hemangiopericytoma of the Parapharyngeal Space." Ear, Nose & Throat Journal 92, no. 9 (September 2013): 436–40. http://dx.doi.org/10.1177/014556131309200908.

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Hemangiopericytomas of the head and neck are rarely found in the parapharyngeal space. We report the case of a 53-year-old woman who presented with a globus sensation in her throat. Imaging detected a left submucosal oropharyngeal mass that extended into the prestyloid parapharyngeal space. The tumor was surgically excised en bloc. Histopathologic examination identified it as a hemangiopericytoma. We discuss the diagnosis and management of this rare entity.
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Dissertations / Theses on the topic "Space sensation"

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Jonas, Clare. "Effects of synaesthetic colour and space on cognition." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/7596/.

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A small proportion of the population experiences synaesthesia, in which a stimulus (the inducer) causes a percept (the concurrent) in its own sensory domain, and in another domain, or another sub-domain of the same sense. This thesis is concerned with synaesthesiae in which numbers and letters take on spatial locations or colours. In Paper 1, alphabet-form synaesthesia is investigated. The majority of alphabet forms belonging to native English speakers are straight, horizontal lines. Any breaks, gaps or direction changes tend to fall in line with the parsing of the Alphabet Song. Synaesthetes show greater inducer-concurrent consistency than controls; their spatial attention can also be cued by letters. In Paper 2, synaesthetes with alphabet forms and number forms took part in case or parity judgement tasks. Synaesthetes behave similarly to controls on the parity judgement tasks (i.e. both groups categorise small numbers more quickly with the left hand than the right hand). In the case judgement task neither group shows an equivalent effect for letters of the alphabet. Controls alone show a QWERTY effect, in which letters on the left of the keyboard are categorised more quickly with the left hand than the right hand. A large-scale study of letter-colour and number-colour synaesthesia in Paper 3 shows that correlations between letter frequency and saturation, alphabetical position and saturation, magnitude and luminance, magnitude and saturation are seen when luminance and saturation are considered as across-hue and within-hue variables. Papers 4 and 5 are concerned with synaesthetic bidirectionality, wherein concurrents can elicit implicit mental representations of their inducers. While no experiment in these papers shows evidence for bidirectionality, this may be due to the presentation of concurrent colours as graphemes instead of colour blocks. However, priming effects appear during a synaesthetic Stroop task when numbers are presented as digits, suggesting a stronger role for digits than other notations in number-colour synaesthesia.
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Jing, Qiwen. "Silence, Light, and Memory in Architecture." Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/87414.

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This work seeks to explore the unmeasurable qualities of architecture that enrich the architectural experience, with a focus on the roles of light, sound, and memory as they interact with architecture in the making of that experience.
Master of Architecture
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De, Kock Servaas Willem Lourens. "Music Performance Lab : architecture as a sensory conductor." Diss., Pretoria : [S.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-11252008-155320.

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Nunan, Mary Bernadette. "Just one encounter : sensation, surface, space : distilling a mixed-mode heuristic, to make the process of inverting original choreographies more transparent." Thesis, Middlesex University, 2013. http://eprints.mdx.ac.uk/12358/.

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This research undertaking suggests that the studio-based process of inventing original choreographic works can be seen, in certain frameworks, as a complex ‘theoretical practice’. It sets out to render the decisions that I, as an artist, make in the process of inventing three choreographic works, ‘Audience (1) Waltzers’, ‘Return Journey’ and ‘HaH’, more transparent and self-reflexive, and simultaneously to enquire into the question of whether, and how, writing might serve to illuminate aspects of my overall choreographic and performance practice. The studio-based process of inventing these three works– with which the written strands necessarily engage – reflects my desire to explore questions about dance, choreography and performance as they emerge in my practice and with reference to the canon of western contemporary dance performance. In the mixed-mode heuristic framework underlying the present investigation the studio-based and text-based strands of inquiry are integrated in an extra-hierarchical mode, functioning thus interdependently as strands having equal epistemic value within that undertaking. That is, each is equivalent in terms of an ongoing enquiry into knowledge. The present undertaking examines and reflects on the ways that modes and methods of inquiry appropriated from the tradition of contemporary and post-modern dance performance, the Somatic practices of Authentic Movement and Body-Mind Centering, together with the Buddhist practice of Mindfulness Meditation, support my status as remaining ‘present with’ sensations, emotions and thoughts that arise and inflect the other-than-linguistic qualitative reasoning that underlies the decisions I make in the process of inventing ‘signature’ choreographic works – by which I mean works that are recognisably my own. Investigations into the relationship between one’s ‘self’ and one’s thoughts are extended by borrowing selectively from published research within the fields of Philosophy, Science, Cognitive Science and Psychology. The mixed-mode heuristic framework provides for the emergence of a relational space between the studio-based and text-based strands of research. In this space the subtle, layered and always evolving sub-strands of both are rendered more transparent, thereby providing for the questions and decision-making processes underlying the invention of ‘Audience (1) Waltzers’, ‘Return Journey’ and ‘HaH’ to surface and become more fully revealed: can I create choreographic structures that might provide for audiences to have an intimate experience of dance and performance? And how might these choreographies also provide for somatic experiences of dance, and the space within which it unfolds, to be shared by the dancer(s) and audience in performance? I propose to demonstrate that this project’s original contributions to knowledge are located in (i) the design of the mixed-mode heuristic framework within which I examine and reflect on how writing, in a range of registers, might serve to illuminate the process of inventing original choreographic works (ii) the choreographic works ‘Audience (1) Waltzers’, ‘Return Journey’ and ‘HaH’ (iii) what can be identified as the category of ‘somatically-revolving-empathy’
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Magner, Jeremy. "The machines of perception." Thesis, Atlanta, Ga. : Georgia Institute of Technology, 2008. http://hdl.handle.net/1853/24630.

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McGrath, Patrick Ryan. "Metaphor[m]: An Exploration of Simultaneous Absence and Presence in Architecture and Landscape." Thesis, Virginia Tech, 2013. http://hdl.handle.net/10919/51825.

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An exploration of simultaneous presence and absence in Architecture and Landscape. The site of memory as metaphor[m] and narrative. Architecture persists the metapsyche glimpse into the infinite. A gestalt of space and time relative to an obscur sensory perspective. Architecture defines place within space. That the vague sphere of mental and psychological perception extends infinite past any boundary. It is these boundaries that awaken the thought of a simultaneous absence and presence within nature. Dimension is witnessed and felt by our need to justify this simultaneity. In this way, Architecture binds and manipulates the infinite [space] into a place of memory. It can then be conceived, conjured, realized, and memorialized as a metaphor of space and time. For the progression of Architecture, Architecture must be a fragment and artifact of the collective narrative. I'm not designing buildings. I'm creating graves to mark where conception and creation dance infinitely.
Master of Architecture
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Sarikulak, Selen. "Changing Identity Of Public Spaces: Guven Park In Ankara." Master's thesis, METU, 2013. http://etd.lib.metu.edu.tr/upload/12615381/index.pdf.

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Place identity changes and transforms in relation with changing social conditions and physical environment. Social conditions change the place identity by changing people&rsquo
s perceptions and experiences in the space, while, at the same time, they are affected by these perceptions and experiences. Thus, place identity is in a state of flux in time with individuals, objects and societies. This thesis aims to study the evolving identity of public spaces by focusing on the case of Ankara, specifically the example of Gü
ven Park which was developed as a part of the public space strategy of creating a modern, westernized and secular capital city of newly-founded Turkish Republic. Therefore, as far as Ankara is concerned, beside &lsquo
place identity&rsquo
, the notion of &lsquo
national identity&rsquo
becomes prominent. This research examines the changes in the identity of Gü
ven Park in relation to the shifts in the identity of Ankara, and the analyses on the public space are carried out regarding three criteria -form or physical setting, activities and meanings attached to the public space- in different time periods.
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Sarin, Anika. "open / close: assimilating immersive spaces in visual communication." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4876.

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I am interested in two spaces obverse to each other: open and closed. An open space develops organically based on how people inhabit it. Interacting with an open space is a dynamic, sporadic, multisensory, immersive, and subjective experience. In such spaces, we are confronted with an alternative aesthetic, one that is in conflict with the seamlessness of a closed space. A closed space is anchored on definite variables like structure, use and boundaries. While interaction between people and space is important, the space is tightly controlled and interaction is designed. Through this thesis project, I present a method that metaphorically transforms the experience of a walk through a closed space into an open-ended and immersive experience. When space develops as a response to our actions, it affords intimacy and a sense of belonging. It facilitates deeper expressiveness through engagement. By applying a method that uses fragmentation, recurrence and motion, I am metaphorically transforming an urban closed space to open. Through this transformation I am creating a fresh person-space dialogue that temporarily destabilizes perception and encourages physical sensation which allows for an intimate experience of the space. An immersive interaction with an open space transgresses the urban sterility of a closed space and is capable of creating a diversity of distinct experiences.
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Coulson, Irene Elizabeth. "Eighteenth-century garden spaces : sensation, inspiration and imagination." Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/415872/.

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My thesis explores and develops an understanding of how the elements of a landscape operate on the aesthetic sense. Jay Appleton notes that while human beings are spontaneously aware of their environment, its objects have associational properties, which are not inherent in the objects themselves. He asserts that there is no detailed analysis of an actual landscape in terms, which can precisely relate biological and psychological experiences with the aesthetic satisfaction derived from the observation of natural and man-made objects distributed in a particular fashion.1 To challenge this assertion, I propose that the structure and confined landscape of certain gardens may be analysed to reveal their metaphysical properties and through them, the creative possibilities that can arise. Three specific locations are discussed, namely: The Leasowes, W. Midlands – the home of William Shenstone; Olney, Bucks – the home of William Cowper together with the associated Throckmorton Estate; and Dove Cottage, Grasmere, Cumbria – the home of William and Dorothy Wordsworth. Those individualistic gardens produced a focused spatial concept of sensory experience: a place to ‘be lived in’, where their owners were able to wander freely, experience freedom of thought, and find depths of poetic expression in response to powerful aesthetic conditions that arose. Their imaginations were able to experience fresh nuances, as they dwelled within places that required their active physical, emotional and intellectual participation. My proposition addresses the possibilities of articulating this spatial temporal phenomenon, in a relationship between psychological experience and aesthetic satisfaction. Examples of these poets’ work illustrate artistic response to the inspirational spaces of their gardens, which became sources of imagination and creativity in the second half of the eighteenth century.
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Luciaková, Katarína. "Architektúra a nevidiaci." Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2010. http://www.nusl.cz/ntk/nusl-233222.

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This thesis explores the relationship between architecture and the blind people. For better clarity and understanding of the topic, The work has been divided into five distinctive parts. In the first, introduction part, I approach space sensation of a blind person from the physiological and psychological angle. This analysis is very important for the understanding of imagination, which the blind person has. Another important fact to understand is the way in which the blind person gets the information about the space and what is his ability to process it. Further, I explain the basic principles of the blind person’s movement through space and describe instructions of how to help blind people in the concrete spatial situations. In the next part, I give a short information about the historical progress of the relation between the society and the blind people. An important fact is that, as late as 200 years ago, the blind people were considered as “sub men” and did not have the full freedom privilege. This relation has been modified over time and nowadays, the blind people have the freedom of movement and all the rights to enjoy their lives. To meet the needs of the blind people, many associations have been created that act on their behalf. The associations have different modes of functioning, but their common goal is to help blind people with their social rehabilitation, looking for employment and removing architectural barriers. The core of my work is divided into two parts. In the first one, I focus on the problematic of the blind people and architecture from the functional aspect. The functional aspect is vital for the blind people. It corresponds to their safety in the environment. In this chapter, I treat in detail basic elements for designing buildings, for specifying barriers and principles of design for blind people. Furthermore, I describe the help tools the blind people need in order to move in the space. I evaluate the future of these tools and indicate the rapid technological progression which makes the life of blind people more comfortable. In the next part, I focus on the problematic of the blind people and architecture from the aesthetic aspect. This question has not been much explored yet, but is, nonetheless, very important. In this part of my work, I use more my personal experience and the knowledge coming from the exploration of space. Aesthetical values are subjective for all the people, with or without a handicap. Therefore, in this final chapter, I try to note the facts that can be used in the process of the aesthetical perception and to reflect on them. In the domain of aesthetical research, there also exist tools and institutions that help blind people in their comprehension of architecture. The division of my work emerged from the compilation of diverse facts in the process of writing. This thesis has an informative and practical character. It is intended for people who want to understand and to be informed about how to design architecture for the blind people. It will be directed towards people who build this kind of architecture and need an overview of how to make it. It is also intended for people interested in learning more about architecture.
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Books on the topic "Space sensation"

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Mass, Wendy. A Mango-Shaped Space. New York: Little, Brown Books for Young Readers, 2008.

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A mango-shaped space: A novel. New York: Little, Brown, 2003.

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The farther shore: A natural history of perception, 1798-1984. New York: Atlantic Monthly Press, 1990.

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Gifford, Don. The farther shore: A naturalhistory of perception 1798-1984. London: Faber, 1990.

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Kirke, Philip James. The architecture of perception. Shelley, W.A: Friend Books, 2006.

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Gifford, Don. The farther shore: A natural history of perception, 1798-1984. New York: Vintage Books, 1991.

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Mitten, Luana K. Cerca y lejos =: Near and far. Vero Beach, FL: Rourke Pub., 2009.

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Meg, Greve, ed. Cerca y lejos =: Near and far. Vero Beach, Fla: Rourke Pub., 2009.

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Sollinger, Emily. The trash planet. New York: Simon Spotlight/Nick Jr., 2009.

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Sollinger, Emily. The trash planet. New York: Simon Spotlight/Nick Jr., 2009.

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Book chapters on the topic "Space sensation"

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Zanker, Johannes M. "Vision 3: From Images to Space." In Sensation, perception and action, 54–70. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-09210-6_5.

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Shimizu, Koichi, Yasushi Ikei, Tomohiro Amemiya, Koichi Hirota, and Michiteru Kitazaki. "Vestibular Display for Walking Sensation in a Virtual Space." In HCI International 2018 – Posters' Extended Abstracts, 334–39. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92279-9_45.

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Boschi, Antonello. "Sensations." In Poetics of Underground Space, 80–94. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003214960-7.

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Takahashi, H., and S. Kanai. "Networked collaborative work space for examining and modifying free-form surface models with haptic sensation." In Rapid Product Development, 556–65. Boston, MA: Springer US, 1997. http://dx.doi.org/10.1007/978-1-4615-6379-2_56.

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Banks, Erik C. "Mach on Space Sensations." In Ernst Mach’s World Elements, 71–76. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-0175-4_5.

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Zarogianni, Eleni, Ioannis Marras, and Nikos Nikolaidis. "Using Haptic-Based Trajectory Following in 3D Space to Distinguish between Men and Women." In Haptics: Generating and Perceiving Tangible Sensations, 225–30. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14075-4_32.

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Han, Jie, Wenheng Zheng, Rong Hu, Zhihong Yang, Guoqiang Zhang, Per Heiselberg, and David Hou Chi Chow. "Comparative Study on Thermal Sensation and Skin Temperature Passing Different Transitional Spaces with or without Air-Conditioning in a Shopping Mall." In Environmental Science and Engineering, 339–49. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-13-9520-8_37.

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Gianoukas, Lindsay. "Space and Sensation:." In Dark Precursor, 222–41. Leuven University Press, 2017. http://dx.doi.org/10.2307/j.ctt21c4rxx.21.

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"Realism, Spectacle, Sensation." In Tomb Raiders and Space Invaders. I.B.Tauris, 2006. http://dx.doi.org/10.5040/9780755695546.ch-003.

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Campbell, John. "Is Tactual Knowledge of Space Grounded in Tactual Sensation?" In The Epistemology of Non-Visual Perception, 146–64. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190648916.003.0007.

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This chapter argues that while vision has only an objective aspect (e.g., we see the objects out there), touch has both subjective and an objective aspects. For example, one can feel a prickling sensation, that is, the subjective aspect of touch, and a pointed object out there, that is, an object aspect of touch. In light of this distinction, how can the claim that experience gives knowledge of our surroundings be understood in the case of touch experience? Unlike vision, one can hardly deny that there are tactile sensations, such as the bodily sensation one gets when a needle is injected in one’s arm. The question then is whether tactile sensations play an essential role in grounding our knowledge of the world. This chapter argues that even if we were to accept that the subjective aspect of touch is intrinsically spatial, we can still ask whether the knowledge we have from the objective aspect of touch is grounded in the knowledge that we have from its subjective aspect. Knowledge of our tactual sensations is grounded in our knowledge of our external environment, and consequently, the characteristics of our tactual sensations are grounded in our knowledge of our external environment. Whether consciousness is essential to our tactual knowledge of our surroundings is a separate matter. We can keep them separate by acknowledging that perceptual consciousness should not be analyzed in terms of sensation.
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Conference papers on the topic "Space sensation"

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Chen, Xiao, Qian Wang, Jelena Srebric, and Moshood O. Fadeyi. "Data-driven state-space modeling of indoor thermal sensation using occupant feedback." In 2014 American Control Conference - ACC 2014. IEEE, 2014. http://dx.doi.org/10.1109/acc.2014.6859168.

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Amemiya, Tomohiro, Yasushi Ikei, Koichi Hirota, and Michiteru Kitazaki. "Vibration on the soles of the feet evoking a sensation of walking expands peripersonal space." In 2017 IEEE World Haptics Conference (WHC). IEEE, 2017. http://dx.doi.org/10.1109/whc.2017.7989907.

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Amemiya, Tomohiro, Yasushi Ikei, Koichi Hirota, and Michiteru Kitazaki. "Vibration on the soles of the feet evoking a sensation of walking expands peripersonal space." In 2017 IEEE World Haptics Conference (WHC). IEEE, 2017. http://dx.doi.org/10.1109/whc.2017.7989970.

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Shimono, Tomoyuki, Seiichiro Katsura, Shigeru Susa, Takayoshi Takei, and Kouhei Ohnishi. "Transmission of Force Sensation by Micro-Macro Bilateral Control with Respect to Standardized Modal Space." In 2007 IEEE International Conference on Mechatronics. IEEE, 2007. http://dx.doi.org/10.1109/icmech.2007.4280061.

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Shimono, Tomoyuki, and Kouhei Ohnishi. "Reproduction of Real World Force Sensation by Micro-Macro Bilateral Control with Respect to Standardized Modal Space." In IECON 2007 - 33rd Annual Conference of the IEEE Industrial Electronics Society. IEEE, 2007. http://dx.doi.org/10.1109/iecon.2007.4460092.

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Maruyoshi, Koichi, Osamu Saijo, and Yasutaka Saito. "The Questionnaire Survey on Motion Sensation and the Evaluation of Habitability for a Floating Artificial Base." In ASME 7th Biennial Conference on Engineering Systems Design and Analysis. ASMEDC, 2004. http://dx.doi.org/10.1115/esda2004-58340.

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In Japan, there are some floating structures on the sea. The structures take the form of pontoon and are called “floating artificial base”. Buildings are able to be constructed on it, so the floating artificial base is expected as utilization of ocean space. It is thought the structural design should be considered habitability for human living in a floating artificial base. We investigated an existing floating structure. In the concrete, vertical acceleration was measured and questionnaire survey was sent out for user of the structure in the purpose of grasping the motion and the habitability. The habitability was evaluated by Saito’s diagram. As a result of this, it is confirmed the existing floating structure shows elastic behavior and rigid motion simultaneously. It is obtained a lot of respondents felt the motion most sensitively at the dolphin mooring however they did not think uneasy or displeasingly from results of the questions. Visual is important factor in feeling the motion. The habitability became Work Level according to Saito’s diagram for evaluation. Therefore it is though activities on the structure are not difficulty.
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MALIENE, Vida, and Ruta DICIUNAITE-RAUKTIENE. "FACTORS INFLUENCING CITIES PEDESTRIAN STREET FUNCTIONALITY AND SUSTAINABLE LAND USE." In Rural Development 2015. Aleksandras Stulginskis University, 2015. http://dx.doi.org/10.15544/rd.2015.052.

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The public space encourages social exchange, develops and maintains social groups and allows the exchange of public messages. When the public space and public life are not supported in the community, there is no one to communicate with, people become isolated, less inclined to help or support each other. Public space is the scene of public life that promotes a sense of community, sense of place, human connection and communication as well as dependence sensation. High-quality and well-managed public space is a benefit to the city's economy, creating shelter from the car-centred life and move to a more natural environment as well as significant urban land use. Therefore, in recent times, in order to establish the right conditions in cities for different human needs, great attention is paid not only to the development of physical infrastructure, but also to other aspects that will help to create sustainable balance of social, economic and environmental aspects. One of the quality of life in the city return ways is the release of urban spaces for pedestrians. Until these days the pedestrian zones are extended little by little, resulting in disposal of the car parking-lots and improved cycling and other transport facilities. Sustainable use of urban pedestrian zones would provide economic, social, environmental and cultural benefits only if these aspects are combined with each other. The aim of the article is to distinguish and critically analyse (on the basis of a literature review) factors influencing the functionality and sustainable development of pedestrian streets. Article object – cities pedestrian street. The study was conducted using scientific publishing content analysis and synthesis techniques. This article is an overview.
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Al-Assaad, Douaa, Nesreen Ghaddar, and Kamel Ghali. "Performance of Mixing Ventilation System Coupled With Dynamic Personalized Ventilator for Thermal Comfort." In ASME 2017 Heat Transfer Summer Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/ht2017-4747.

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This study optimizes the performance of a mixing ventilation system coupled with a personalized ventilator that emits a cool sinusoidal horizontal airflow jet towards the occupant upper body in order to achieve good overall thermal comfort and good air quality in the occupant breathing zone. A transient 3-D computational fluid dynamics (CFD) model coupled with a transient bio-heat model was deployed to predict airflow and temperature fields in the space and around the occupant as well as segmental skin temperature profiles for local and overall thermal sensation and comfort analysis. Simulations were performed using the CFD model to determine the airflow optimal supply frequency, mean flow rate and amplitude at room temperature of 25 °C and PV jet temperature of 22 °C. The system also showed, that when increasing frequency at fixed mean flow rate, thermal comfort increased from by 15.2 %. However when increasing mean flow rate at a fixed frequency, thermal comfort dropped at the low frequency of 0.3 Hz but remained acceptable at the higher frequency of 0.5 Hz.
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Zavrel, Erik A., and Matthew R. Ebben. "A Novel Two-Degree-of-Freedom Mechatronic Bed for Insomnia Treatment." In 2017 Design of Medical Devices Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/dmd2017-3534.

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The population prevalence of insomnia has been surveyed numerous times and is among the most common medical complaints. This common problem has wide ranging psychological and physiological health consequences. Ample anecdotal evidence exists that motion promotes sleep: automobile and train passengers are routinely observed becoming drowsy and falling asleep [1]. The sleep-inducing effect of motion has long been appreciated in the scientific community as well. For example, rocking effectively produces sleep in infants [2]. Sleepiness is also a primary symptom of motion sickness and in some cases may be its sole manifestation [3]. To date, three studies have attempted to determine whether vestibular stimulation promotes sleepiness in adults. Two of these studies involved rocking beds. In one study, investigators found that regular, periodic motion achieved using a rocking bed reduced sleep onset latency (SOL) and increased REM in normal sleepers [4]. In another study, normal sleepers napped in a swinging bed of the same design. The study showed that rocking motion promotes sleep onset and transition to deeper, more restful stages of sleep [5]. In another study, investigators employed electrical stimulation of the inner ear in an attempt to decrease SOL, finding a significant reduction in a subset of participants whose SOL was elevated at baseline [6]. This illustrates that insomniacs may be particularly responsive to vestibular stimulation. The non-pharmacological promotion of sleep is an active commercial pursuit with numerous related patents filed and commercial products introduced in recent years; however, existing devices suffer serious shortcomings. Previous experimental and current commercial designs intended for adults function(ed) as a pendulum, requiring a custom bed (and associated custom linens) along with a special overarching scaffolding installation to suspend the bed [7]. An advanced robotic infant seat [8], while elegantly designed, utilizes active load support, severely limiting the maximum weight capacity and excluding the possibility that a similar implementation could be used for adults. Phillips Respironics developed the SleepWave, a non-invasive (clip-on) device to electrically stimulate the vestibular nerve to generate the sensation of motion, which has undergone promising clinical trials but is not yet commercially available [9]. The motivation for a mechatronic bed as a treatment for insomnia is based on the demonstrated link between motion-induced vestibular stimulation and sleep induction. To date, no design has been proposed that is practical to implement or capable of being incorporated into existing beds: cost, necessary dedicated physical space, and convenience represent substantial barriers to acceptance.
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Tu, Rang, Mengdan Liu, and Lanbin Liu. "Heating Conservation Methods and Economy Analysis of Winter Heating in Rural Residential Buildings in Southeast China: A Case Study." In ASME 2019 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/imece2019-10310.

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Abstract In this paper, energy conservation approaches for residential buildings in rural area of southeast China are studied. There used to be no heating habits in rural buildings of southeast China, which is due to the relatively warm weather in winter. However, as the stand of living is increasing, heating in winter has become more popular in recent years. It is quite important to choose proper heating conservation materials taking both initial cost and operating cost into consideration. In this paper, a typical house in southern part of Henan Province is selected for study. It is a two-level house made of bricks, which was built in 2014. A set of radiators were installed for heating in winter. Water, which is heated by electrical heater, is used as heating medium for these radiators. As compared with heat pumps, draft sensation problem is avoided and temperature in the heating space is more uniform. However, operating fee is very high, which makes this heating method less attractive. To reduce power consumption of winter heating, heating load needs to be reduced and the efficiency of heating equipment needs to be increased. In this study, researches are carried out as following. First, a model is built in DeST, which is a software that can calculate hourly heating load and room temperature. Then, the effect of thermal preservation quality of envelops on room temperature and heating load are investigated. Six models with different envelopes are simulated. Then, heating load as well as power consumptions of electrical heaters and heat pumps among the six envelopes are compared. Lastly, economic analysis is carried out for the energy efficient retrofit case so that the payback period is calculated. The results show that heating load capacity of case F, envelope of which made of 240 bricks plus foamed plastic and hollow glass windows, can be reduced to 1/3 that of case A, envelope of which made of 240 bricks and single glass windows. Considering power consumptions of both compressors and fans, energy consumption density (divided by area) can be reduced from 21.6∼25 kWh·m−2·year−1 of case A, which has the worst heat conservation property, to 6.7∼7.7 kWh·m−2·year−1 of case F. If the building is improved from case A to case F and heat pumps are adopted, the payback period is 3.3∼3.8 years. Because of high cost of window retrofit and small influence of its heat conservation property on the reduction of heating capacity, it is recommended to just improve walls. Air tightness of window is more effective than thermal quality.
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Reports on the topic "Space sensation"

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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. The most popular platform for mass information and social interaction is, first of all, network journalism, which is characterized by mobility and unlimited time and space. Authors have complete freedom to express their views in direct language, including their own word formation. Phonetic, lexical, phraseological and stylistic means of speech create expression of the text. A figurative word, a good aphorism or proverb, a paraphrased expression, etc. enhance the effectiveness of a multimedia text. This is especially important for headlines that simultaneously inform and influence the views of millions of readers. Given the wide range of issues raised by the Internet as a medium, research in this area is interdisciplinary. The science of information, combining language and social communication, is at the forefront of global interactions. The Internet is an effective source of knowledge and a forum for free thought. Nonlinear texts (hypertexts) – «branching texts or texts that perform actions on request», multimedia texts change the principles of information collection, storage and dissemination, involving billions of readers in the discussion of global issues. Mastering the word is not an easy task if the author of the publication is not well-read, is not deep in the topic, does not know the psychology of the audience for which he writes. Therefore, the study of media broadcasting is an important component of the professional training of future journalists. The functions of the language of the media require the authors to make the right statements and convincing arguments in the text. Journalism education is not only knowledge of imperative and dispositive norms, but also apodictic ones. In practice, this means that there are rules in media creativity that are based on logical necessity. Apodicticity is the first sign of impressive language on the platform of print or electronic media. Social expression is a combination of creative abilities and linguistic competencies that a journalist realizes in his activity. Creative self-expression is realized in a set of many important factors in the media: the choice of topic, convincing arguments, logical presentation of ideas and deep philological education. Linguistic art, in contrast to painting, music, sculpture, accumulates all visual, auditory, tactile and empathic sensations in a universal sign – the word. The choice of the word for the reproduction of sensory and semantic meanings, its competent use in the appropriate context distinguishes the journalist-intellectual from other participants in forums, round tables, analytical or entertainment programs. Expressive speech in the media is a product of the intellect (ability to think) of all those who write on socio-political or economic topics. In the same plane with him – intelligence (awareness, prudence), the first sign of which (according to Ivan Ogienko) is a good knowledge of the language. Intellectual language is an important means of organizing a journalistic text. It, on the one hand, logically conveys the author’s thoughts, and on the other – encourages the reader to reflect and comprehend what is read. The richness of language is accumulated through continuous self-education and interesting communication. Studies of social expression as an important factor influencing the formation of public consciousness should open up new facets of rational and emotional media broadcasting; to trace physical and psychological reactions to communicative mimicry in the media. Speech mimicry as one of the methods of disguise is increasingly becoming a dangerous factor in manipulating the media. Mimicry is an unprincipled adaptation to the surrounding social conditions; one of the most famous examples of an animal characterized by mimicry (change of protective color and shape) is a chameleon. In a figurative sense, chameleons are called adaptive journalists. Observations show that mimicry in politics is to some extent a kind of game that, like every game, is always conditional and artificial.
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