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Books on the topic 'Space sensation'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Mass, Wendy. A Mango-Shaped Space. New York: Little, Brown Books for Young Readers, 2008.

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2

A mango-shaped space: A novel. New York: Little, Brown, 2003.

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3

The farther shore: A natural history of perception, 1798-1984. New York: Atlantic Monthly Press, 1990.

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4

Gifford, Don. The farther shore: A naturalhistory of perception 1798-1984. London: Faber, 1990.

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5

Kirke, Philip James. The architecture of perception. Shelley, W.A: Friend Books, 2006.

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6

Gifford, Don. The farther shore: A natural history of perception, 1798-1984. New York: Vintage Books, 1991.

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7

Mitten, Luana K. Cerca y lejos =: Near and far. Vero Beach, FL: Rourke Pub., 2009.

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8

Meg, Greve, ed. Cerca y lejos =: Near and far. Vero Beach, Fla: Rourke Pub., 2009.

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9

Sollinger, Emily. The trash planet. New York: Simon Spotlight/Nick Jr., 2009.

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10

Sollinger, Emily. The trash planet. New York: Simon Spotlight/Nick Jr., 2009.

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11

The trash planet. New York: Simon Spotlight/Nick Jr., 2009.

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12

Sugar & spice: Sensational desserts with vivid flavor. New York, NY: HP Books, 1996.

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13

Capitalism's eye: Cultural spaces of the commodity. New York: Routledge, 2007.

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14

The immersive worlds handbook: Designing theme parks and consumer spaces. Waltham: Focal Press, 2012.

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15

Victoria, Lynn, Art Gallery of New South Wales., and Australian Centre for the Moving Image., eds. Space odysseys: Sensation & immersion. Sydney: Art Gallery of New South Wales, 2001.

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16

(Editor), Charles Spence, and Jon Driver (Editor), eds. Crossmodal Space and Crossmodal Attention. Oxford University Press, USA, 2004.

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17

Charles, Spence, and Driver Jon, eds. Crossmodal space and crossmodal attention. Oxford: Oxford University Press, 2004.

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18

(Editor), Charles Spence, and Jon Driver (Editor), eds. Crossmodal Space and Crossmodal Attention. Oxford University Press, USA, 2004.

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19

LA Philosophie De LA Sensation De Maurice Pradines: Espace Et Genese De L'Esprit. Olms George, 2003.

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20

Mass, Wendy. Mango-Shaped Space. Turtleback Books Distributed by Demco Media, 2005.

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21

A Mango-Shaped Space. Little, Brown Young Readers, 2005.

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22

Mass, Wendy. A Mango-Shaped Space. Little, Brown and Company, 2003.

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23

A Mango-Shaped Space. Little, Brown and Company, 2005.

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24

Sound, Space and Sociality in Modern Japan. Routledge, 2013.

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25

Stevens, Carolyn S., and Joseph D. Hankins. Sound, Space and Sociality in Modern Japan. Taylor & Francis Group, 2016.

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26

de Vignemont, Frédérique. Bodily Space. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198735885.003.0005.

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Imagine that two pressures of equal intensity are applied on your cheek and on your knee inducing two tactile sensations. In what sense do these two sensations feel different? In other words, is there a specific spatial phenomenology that is constitutive of bodily sensations? If one replies negatively, then one would expect free-floating sensations but there seems to be no such thing. But if one replies positively, then one has to explain what grounds this spatial phenomenology that seems to differ on many respects from the one encountered in visual experiences. One may then suggest accounting for it in terms of dispositions to direct actions at the locations of bodily sensations. However, sensorimotor approaches to bodily awareness face major conceptual and empirical difficulties.

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27

Sensational Work Spaces. Hearst Books, 2003.

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28

Mapping Space, Sense, and Movement in Florence: Historical GIS and the Early Modern City. Taylor & Francis Group, 2016.

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29

Squeak Squeal Squawk. Rourke Publishing (FL), 2010.

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30

The Heir and the Spare (Berkley Sensation). Berkley, 2007.

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31

1929-, Cohen Bernard, Tomko David L, and Guedry Fred E, eds. Sensing and controlling motion: Vestibular and sensorimotor function. New York, N.Y: New York Academy of Sciences, 1992.

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32

Cohen, Bernard, and David L. Tomko. Sensing and Controlling Motion: Vestibular and Sensorimotor Function (Annals of the New York Academy of Sciences). New York Academy of Sciences, 1992.

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33

Cohen, Bernard, and David L. Tomko. Sensing and Controlling Motion: Vestibular and Sensorimotor Function (Annals of the New York Academy of Sciences). New York Academy of Sciences, 1992.

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34

Llewellyn, Claire. Kingfisher Readers L2: Amazing Animal Senses. Kingfisher Publications, plc, 2014.

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35

Llewellyn, Claire. Kingfisher Readers L2: In the Rainforest. Kingfisher Publications, plc, 2014.

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36

Llewellyn, Claire. Kingfisher Readers L2: Fur and Feathers. Kingfisher Publications, plc, 2013.

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37

Feldman, Thea, and Brenda Stones. Kingfisher Readers L2: Where We Live. Kingfisher, 2012.

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38

Feldman, Thea. Kingfisher Readers L2: Sun, Moon, and Stars. Kingfisher, 2014.

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39

Kingfisher Readers L2: Trucks. Kingfisher, 2013.

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40

Feldman, Thea, and Brenda Stones. Kingfisher Readers L2: Where We Live. Kingfisher, 2012.

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41

Digital Sensations: Space, Identity, and Embodiment in Virtual Reality. University of Minnesota Press, 1999.

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42

Digital Sensations: Space, Identity, and Embodiment in Virtual Reality. University of Minnesota Press, 1999.

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43

Classen, Constance. Sensations of a New Age. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252034930.003.0008.

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This chapter discusses the new sensations perceived as a result of the cultural and industrial shifts of modernity. It considers the new institutions which were since established at the dawn of the modern age and their emphasis on efficiency and social discipline, in the form of the drill, which shaped not only military bodies but also permeated schools, prisons, and museums as well. In addition, the chapter looks at how the nineteenth-century individual would come to experience tactile sensations in a vastly different city and domestic space from that of the Middle Ages. Moreover, it examines other new facets for sensuality in the modern, industrial age—the advent of electric power and the department store.

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44

de Vignemont, Frédérique. Over and Above Bodily Sensations. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198735885.003.0003.

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At first sight, Martin (1995) provides a promising reductionist account of the first-personal character of bodily ownership in spatial terms: it is sufficient to feel sensations as being located in a part of one’s body to experience this body part as one’s own. There is nothing over and above the location of the sensations. However, Martin’s view fails to account for the following two puzzles. First, one generally experiences no ownership towards tools although one can feel some sensations as being located in them. Secondly, one can experience a sense of disownership towards one’s own limbs despite still feeling sensations in them. What these puzzles reveal is that we should not confuse the feeling of bodily presence and the feeling of bodily ownership: one can be aware of the body as a bounded object in a larger space without being aware of it qua one’s own body

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45

House Beautiful Sensational Work Spaces (House Beautiful). Hearst, 2005.

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46

Sensing Spaces: Architecture Reimagined. Royal Academy of Arts, 2014.

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47

Zanker, Johannes M. Motion Illusions in Static Patterns. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0085.

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Some paintings, and other art forms, create vivid sensations of shimmering and movement, despite the fact that they are nothing more than simple static patterns of paint on a static canvas. This is known as a motion illusion. This chapter explores this type of visual illusion and explains why such motion sensations exist in static images. Understanding such phenomena requires the careful definition of stimulus conditions in terms of space and time, consideration of the visuomotor interaction, and the resulting space-time characteristics of the input to cortical processing networks, through modeling of a quantitative model for the neural networks that generate (in this case, illusory) perception

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48

Hetherington, Kevin. Capitalism's Eye: Cultural Spaces of the Commodity (Cultural Spaces). Routledge, 2007.

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49

Hetherington, Kevin. Capitalism's Eye: Cultural Spaces of the Commodity (Cultural Spaces). Routledge, 2007.

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50

Keegan, Cáel M. Lana and Lilly Wachowski. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252042126.001.0001.

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This book analyzes the filmmaking careers of Lana and Lilly Wachowski as the world’s most influential transgender media producers. Situated at the intersection of trans* studies and black feminist film studies, it argues that the Wachowskis’ cinema has been co-constitutive with the historical appearance of transgender, tracing how their work invents a trans* aesthetics of sensation that has disrupted conventional schemas of race, gender, space, and time. Offering new readings of the Wachowskis’ films and television, it illustrates the previously unsensed presence of transgender in the subtext of queer cinema, in the design of digital video, and in the emergence of a twenty-first-century global cinematic imaginary. It is in the Wachowskis’ art, the author argues, that transgender cultural production most centrally confronts cinema’s construction of reality, and in which white, Western transgender subjectivity most directly impacts global visual culture. Thus, the Wachowskis’ cinema is an inescapable archive for sensing the politics of race and gender in the present moment.

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