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Books on the topic 'Space time movement music'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Engelmann, Jonas. Access denied: Ortsverschiebungen in der realen und virtuellen Gegenwart. Mainz: Ventil, 2011.

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2

ill, Dodge Bill, and Grote Rich ill, eds. Rose faces the music. Portland, ME: Magic Attic Press, 1997.

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3

A dance to the music of time: Third Movement. Chicago: University of Chicago Press, 1995.

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4

Knight, David B. Landscapes in music: Space, place, and time in the world's great music. Lanham, MD: Rowman & Littlefield Pub., 2004.

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5

Landscapes in music: Space, place, and time in the world's great music. Lanham, Md: Rowman & Littlefield Publishers, 2006.

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6

Vella, Richard. Sounds in space, sounds in time: Projects in listening, improvising and composing. London: Boosey & Hawkes Music Publishers, 2003.

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7

Zeit, Dauer und Veränderung: Zur Kritik reiner Bewegungsvorstellungen. Bielefeld: Transcript, 2014.

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8

Holdar, Magdalena. Scenography in action: Space, time and movement in theatre productions by Ingmar Bergman. Stockholm: Konstvetenskapliga institutionen, 2005.

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9

Rasmussen, Anne K., Birgit Abels, and Barbara Alge. Music in Oman: Politics, identity, time, and space in the sultanate. Berlin: VWB, Verlag für Wissenschaft und Bildung, 2012.

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10

The space/time connection: Power techniques to change your life. St. Paul, Minn: Llewellyn, 1989.

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11

Eyben, Florian. Real-time Speech and Music Classification by Large Audio Feature Space Extraction. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-27299-3.

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12

Musik im Raum, Raum in der Musik: Ein Beitrag zur Geschichte der seriellen Musik. Stuttgart: F. Steiner, 1997.

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13

Kongress, Deutsche Gesellschaft für Semiotik Internationaler. Signs & time: An international conference on the semiotics of time in Tübingen = Zeit & Zeichen. Tübingen: G. Narr, 1998.

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14

Raumwissenschaften. Frankfurt am Main: Suhrkamp, 2009.

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15

Musik und bildende Kunst: Von der Tonmalerei zur Klangskulptur. Laaber: Laaber-Verlag, 1990.

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16

The new policeman. London: Bodley Head, 2005.

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17

Kvaalvaag, Robert W. A God of Time and Space: New Perspectives on Bob Dylan and Religion. Oslo: Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), 2019.

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18

Mind-body: A pluralistic interpretation of mind-body interaction under the guidelines of time, space, and movement. New York: Greenwood Press, 1991.

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19

Kokzhaev, Mikhail Artemovich. Topologii︠a︡ muzykalʹnogo prostranstva. Moskva: Kompozitor, 2004.

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20

Cazaban, Costin. Temps musical, espace musical comme fonctions logiques. Paris: L'Harmattan, 2000.

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21

Gasanova, R. T. Prostranstvo zvuka: (Muzykalʹnyĭ zvuk kak obʺekt mezhdist︠s︡iplinarnykh issledovaniĭ). Baku: "Ėlm,", 2006.

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22

Zhangjing, Sun, ed. Xun zhao shi jian de ren. Haikou Shi: Nan hai chu ban gong si, 2008.

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23

Arrest and movement: An essay on space and time in the representational art of the ancient Near East. Cambridge, Mass: Belknap Press, 1987.

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24

Groenewegen-Frankfort, H. A. Arrest and movement: An essay on space and time in the representational art of the ancient Near East. Cambridge, Mass: Belknap Press, 1987.

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25

Generation of forms: Space to inhabit, time to think = Künstlerische Formgebung : Raum zum Wohnen, Zeit für Reflexion. Berlin: Deutscher Kunstverlag, 2009.

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26

Raum in den Künsten: Konstruktion, Bewegung, Politik. Paderborn: Wilhelm Fink, 2010.

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27

Krasnikova, T. N. Faktura v muzyke XX veka. Moskva: Rossiĭskai︠a︡ akademii︠a︡ muzyki im. Gnesinykh, 2008.

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28

Blanco, Massimo. Corpi nell'intervallo: Classico e anticlassico da Mallarmé a du Bouchet. Manziana (Roma): Vecchiarelli, 2012.

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29

Frahm, Laura. Bewegte Räume: Zur Konstruktion von Raum in Videoclips von Jonathan Glazer, Chris Cunningham, Mark Romanek und Michel Gondry. Frankfurt am Main: Lang, 2007.

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30

Mencej, Mirjam. Sem vso noč lutal v krogu: Simbolika krožnega gibanja v evropski tradicijski kulturi = I was wandering in circles the whole night long : the symbolism of circular movement in European traditional culture. Ljubljana: Založba ZRC, ZRC SAZU, 2013.

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31

Matthew, Peterson, ed. Keeping Mozart in mind. 2nd ed. San Diego, Calif: Elsevier Academic Press, 2004.

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32

Shaw, G. L. Keeping Mozart in mind. San Diego, Calif: Academic, 2000.

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33

The girl who became a Beatle. New York: Feiwel and Friends, 2011.

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34

Thompson, Kate. The New Policeman. New York: HarperCollins, 2009.

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35

T︠S︡ivʹi︠a︡n, Tatʹi︠a︡na Vladimirovna. Dvizhenie i putʹ v balkanskoĭ modeli mira. Moskva: Izd-vo "Indrik", 1999.

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36

Rodda, Emily. The key to Rondo. Norwood, S. Aust: Omnibus Books, 2007.

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37

Rodda, Emily. The key to Rondo. Norwood, S. Aust: Omnibus Books, 2007.

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38

Only ever always. New York: Delacorte Press, 2013.

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39

Russon, Penni. Only ever always. Crows Nest, NSW: Allen & Unwin, 2011.

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40

Yolen, Jane. Pay the piper. New York: Starscape, 2005.

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41

Breier, Albert. Die Zeit des Sehens und der Raum des Hörens: Ein Versuch über chinesische Malerei und europäische Musik. Stuttgart: J.B. Metzler, 2002.

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42

Yolen, Jane. Pay the piper. New York: Starscape, 2005.

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43

Fractal time: The secret of 2010 and a new world age. California: Hay House, 2009.

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44

Social and virtual space: Science fiction, transnationalism, and the American new right. Cranbury, NJ: Associated University Presses, 2005.

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45

Brown, David, 1948 July 1- and Loades Ann, eds. The Sense of the sacramental: Movement and measure in art and music, place and time. London: SPCK, 1995.

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46

University of Southern Florida (Contemporary Art Museum), ed. Cross-ing: Time, space, movement. Tampa: Contemporary Art Museum, University of South Florida, 1997.

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47

1964-, Oguibe Olu, Ho Melissa, Enwezor Okwui, University of South Florida. Contemporary Art Museum., Track 16 Gallery and Mainspace., and Indianapolis Museum of Art, eds. Cross/ing: Time, space, movement. Santa Monica, Calif: Smart Art Press, 1998.

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48

Lascaux: Movement, Space and Time. Harry N. Abrams, 2005.

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49

Reily, Suzel Ana, and Jonathan Dueck. Introduction. Edited by Jonathan Dueck and Suzel Ana Reily. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.29.

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Abstract:

This introductory chapter lays the groundwork for the volume, outlining an “ethnomusicology of Christianity” directed at ways of defining and historicizing the relationship between Christianity and its musics in transnational and cross-cultural perspectives. It identifies the movement of Christian musics across space and time, tracking their circulation and transformation over a long historical canvas, as well as the broad range of modalities of encounter and exchange mediated by Christian musicking. The chapter addresses modes of musical imposition, exchange, and transformation in Western missions and colonial projects; cultural boundary openings and closings as managed musically by utopian Christian communities; Christian musics as tools for constructing and challenging “musical spaces”; Christian music within transnational flows of global capitalism; and the ways Christianity is part of musical experience in places where it is a seemingly ever-present dimension of everyday life.

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50

Vella, Richard. Sounds in Space, Sounds in Time. Boosey & Hawkes Music Publishers Ltd, 2003.

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