Relevant bibliographies by topics / Spanish actresses / Journal articles
To see the other types of publications on this topic, follow the link: Spanish actresses.

Journal articles on the topic 'Spanish actresses'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 15 journal articles for your research on the topic 'Spanish actresses.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Shafer, Yvonne. "“That Furious Lesbian”: The Story of Mercedes de Acosta. By Robert A. Schanke. Carbondale: Southern Illinois University Press, 2003; pp. 210. $25 paper; $45 cloth; Women in Turmoil: Six Plays by Mercedes de Acosta. Edited and with an Introduction by Robert A. Shanke. Carbondale: Southern Illinois University Press, 2003; pp. 252. $40 cloth." Theatre Survey 46, no. 2 (October 25, 2005): 339–41. http://dx.doi.org/10.1017/s0040557405350204.

Full text
Abstract:
Many theatre scholars are familiar with the name Mercedes de Acosta but do not know the nature of her connection to the theatre—her close ties to notable actresses and the plays that she wrote. Robert A. Schanke has published two books that hope to clarify de Acosta's place in theatre history. The first is a biography that takes the reader from her exotic background of Spanish ancestry and her stolen inheritance through her innumerable affairs with such figures as Maude Adams, Eva Le Gallienne, Nazimova, Marlene Dietrich, Greta Garbo, and Isadora Duncan. The biography concludes with de Acosta's last years, impoverished, nearly forgotten, and lonely.
APA, Harvard, Vancouver, ISO, and other styles
2

Cuadrada, Coral, and Enric Olartecoechea. "Cuerpos Públicos, Cartas Privadas (ss. XVI-XVII)." Triangle, no. 17 (August 5, 2020): 25. http://dx.doi.org/10.17345/triangle17.25-69.

Full text
Abstract:
The analysis of the correspondence between two sixteenth/seventeenth century female aristocrats —Luisa de Carvajal, Magdalena de San Jerónimo— enables us to reect on the value of relics and their relevance in the Spanish Baroque Counter-Reformation. We correlate Luisa's yearning for martyrdom as well as her mystical and religious exaltation with some of Magdalena's commitments at the Penitents House, at the Flemish Court, and as founder of the prison for prostitutes and female delinquents known as the Casa de la Galera, and, therefore, with dierent bodies and semiotics: the ill body of men, that polluting of 'working girls'; the bodies of virgins, of prostitutes, of actresses. These relate to dierent public spaces: the brothel, the theatre, the Magdalene asylum. And, in a very special manner, to the res publica and the Spanish Empire. All this based on the continuous background of Mary Magdalene's myth, a fundamental text that unites all the women considered here.
APA, Harvard, Vancouver, ISO, and other styles
3

Sánchez Rodríguez, Virginia. "Perfiles profesionales de las actrices del cine español del Desarrollismo (1959-1975) / Professional profiles of actresses in Spanish cinema during Desarrollismo (1959-1975)." Vivat Academia, no. 142 (February 28, 2018): 19. http://dx.doi.org/10.15178/va.2018.142.19-37.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Leeser, Michael J., and Raquel Prieta. "Bilingual parsing strategies in Basque and Spanish." Anuario del Seminario de Filología Vasca "Julio de Urquijo" 49, no. 1/2 (June 14, 2018): 257. http://dx.doi.org/10.1387/asju.18817.

Full text
Abstract:
Over the last several years, one area of sentence processing research that has received considerable attention is how native speakers resolve structural ambiguities while reading, as in Someone shot the servant of the actress who was on the balcony (e.g., Cuetos & Mitchell 1988). Cross-linguistic research on this kind of ambiguous relative clause (RC) attachment has revealed that speakers of some languages prefer to attach the RC who was on the balcony to the first noun phrase (the servant), whereas speakers of other languages prefer attachment to the second noun phrase (the actress). From the perspective of bilingual sentence processing, research on RC attachment can provide insight into a number of important issues related to language transfer, language attrition, and processing efficiency. The present study, therefore, seeks to build upon some of these lines of research by examining the on-line parsing strategies among native speakers of Basque (N = 17) on two self-paced reading tasks in Basque and Spanish. Our purpose was to investigate which parsing routines these bilinguals utilized for each language in order to determine whether they maintained separate strategies or adopted one strategy for both languages. Analyses of reading times at critical regions in experimental sentences suggest that this group of bilinguals employed a single parsing strategy in Basque and Spanish. The findings are discussed within recent proposals of monolingual and bilingual sentence processing.
APA, Harvard, Vancouver, ISO, and other styles
5

DONOVAN, MARY KATE. "Race, Celebrity and Fashion: Anna May Wong in Spanish Magazines of the 1930s." Bulletin of Hispanic Studies 97, no. 9 (October 1, 2020): 931–53. http://dx.doi.org/10.3828/bhs.2020.53.

Full text
Abstract:
Anna May Wong was the most widely known Asian American film actress of her generation, achieving unprecedented success in the Hollywood and European industry. When she traveled to Spain in 1935 to perform at the Teatro Casablanca in Madrid, she was already an international star and her visit garnered extensive coverage from the Spanish press, particularly film magazines of the period. These magazines provided their largely female readership with access to Hollywood stars such as Wong, whose celebrity was the site of complex negotiations of race, ethnicity and citizenship in the United States and Europe during the 1930s. Publications such as Cinegramas and Popular Film represented Wong for Spanish readers who, although removed from the particularities of race politics in the United States, were nevertheless intrigued by her ‘exotic allure’, positioned as she was at the intersection of racial otherness and Hollywood glamour. By reading Wong in Spanish magazines from the 1930s, this article considers how Spanish readers might have used these representations as a tool for negotiating their own identities as cosmopolitan at a moment when Spain was often perceived as existing on the cultural margins of Western Europe.
APA, Harvard, Vancouver, ISO, and other styles
6

Gryakalova, N. Ju. "Who was the Addressee of A. A. Blok’s Poem «To a Spanish Lady»?" Russkaya literatura 4 (2020): 82–91. http://dx.doi.org/10.31860/0131-6095-2020-4-82-91.

Full text
Abstract:
The article discusses the addressee of A. A. Blok’ poem, arguing against the suggestion that it is addressed to Kazarose (B. G. Shensheva), a «small genre» actress. The analysis of the documentary and biographical data, and of the historical and cultural context (in particular, of the «Spanish theme» in the repertoire of the Terioki Entreprise), suggests an alternative version: the implicit addressee of the poem is L. D. Blok. The text itself is considered as a «heraldic construction» («mise en abyme» technique), with a reference to Vs. Meyerhold’s pantomime "The Lovers" as the decoder of the communicative situation.
APA, Harvard, Vancouver, ISO, and other styles
7

Aguilar, Miriam, Pilar Ferré, José M. Gavilán, José A. Hinojosa, and Josep Demestre. "The actress was on the balcony, after all: Eye-tracking locality and PR-availability effects in Spanish." Cognition 211 (June 2021): 104624. http://dx.doi.org/10.1016/j.cognition.2021.104624.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Cordero-Hoyo, Elena, and Begoña Soto-Vázquez. "Women and the Shift from Theatre to Cinema in Spain: The Case of Helena Cortesina (1903–84)." Nineteenth Century Theatre and Film 45, no. 1 (May 2018): 96–120. http://dx.doi.org/10.1177/1748372718791996.

Full text
Abstract:
The purpose of this article is to identify the main causes behind women achieving, on the one hand, important positions as theatre managers in Spain but, on the other, being relegated a marginal status in the shift to cinema. We use the career of the artist Helena Cortesina to illustrate the only known example of a woman becoming a silent cinema entrepreneur in Spain. An actress, producer, and director of Flor de España o la leyenda de un torero ( Spanish flower or the bullfighter's story, 1921) Cortesina transitioned from the variety dances stage to silent film and became a theatrical manager. Her professional career exemplifies the inter-artistic relations between cinema and the scenic arts at the beginning of the twentieth century and the professional bridge between them. This article contributes to feminist film historiography. Following Monica Dall’Asta, it presents a ‘history that invites us to work using creative hypotheses and even imagination’. The article revisits Spanish Film History, reinterpreting the hegemonic production of knowledge that has been historically told from a (supposedly) un-gendered perspective. Our article seeks to disrupt this patriarchal narrative of firsts (including geniuses, technical discoveries, and masterpieces) that relegate women's experiences to the margins of History.
APA, Harvard, Vancouver, ISO, and other styles
9

LACALLE, Charo. "AVA GARDNER EN LA ESPAÑA DEL DESARROLLISMO: LA RECONSTRUCCIÓN CINÉFILA DE LA MEMORIA SOCIAL EN LA FICCIÓN TELEVISIVA ESPAÑOLA." Signa: Revista de la Asociación Española de Semiótica 30 (January 6, 2021): 555. http://dx.doi.org/10.5944/signa.vol30.2021.26763.

Full text
Abstract:
Resumen: Este artículo examina la reconstrucción de la memoria histórica que lleva a cabo Arde Madrid, una comedia ambientada en el Madrid de comienzos de los sesenta donde vivía Ava Gardner. Las referencias al cine español de los años cincuenta y a las runaway productions hollywoodenses se entremezclan con la biografía de Ava Gardner, al objeto de homenajear a una actriz cuyas películas ambientadas en España fueron determinantes en la construcción del mito. La revisión de los símbolos de la españolidad asociados a la Dictadura y el retrato social convierten la serie en un lugar simbólico de la memoria colectiva.Abstract: This article explores the reconstruction of the historical memory of Arde Madrid, a comedy set in Madrid in the early sixties where Ava Gardner lived. References to the Spanish cinema of the fifties and the Hollywood runaway productions intermix with Ava Gardner’s biography, in order to celebrate an actress whose films set in Spain played a key role in the shaping of the myth. The revision of the Spanishness symbology associated with Franco dictatorship and the social portrait of that period make the series into a symbolic place of collective memory.
APA, Harvard, Vancouver, ISO, and other styles
10

Colomina Molina, Teresa. "Metáforas y evocaciones en los títulos de las obras teatrales de Angélica Liddell." Imafronte, no. 27 (December 11, 2020): 1–10. http://dx.doi.org/10.6018/imafronte.459581.

Full text
Abstract:
En este artículo se analiza el significado de los títulos de las obras de teatro más representativas de la dramaturga española, directora y actriz Angélica Liddell. Basándonos en una metodología de estudio de caso se analizan algunos de los títulos comprendidos desde el año 1991 hasta el 2018 desde una perspectiva hermenéutica. Cada uno de los títulos es tomado como pequeñas unidades de información, siendo analizados y clasificados en cinco apartados principales (relaciones interpersonales,contexto sociopolítico, rebeldía, muerte y familia). Estas temáticas configuran el universo de la escritora y adquieren unlenguaje propio y dimensionado al margen del texto dramático que encabezan. This article analyses the meaning of the titles of the most representative plays of the spanish playwright, director and actress Angélica Liddell. With a case study methodology, some of the titles from 1991 to 2018 are analyzed from a hermeneutic perspective. Each of the titles is taken as small units of information, and have been analyzed and classified in five main sections(interpersonal relations, socio-political context, rebellion, death and the family). These themes configure the writer's universe and acquire its own language and a new dimension apart from the dramatic text they lead.
APA, Harvard, Vancouver, ISO, and other styles
11

Téllez, Michelle, Maribel Alvarez, and Brianna P. Herrera. "Sometimes It’s Necessary to Break a Few Rules." Ethnic Studies Review 44, no. 1 (2021): 5–12. http://dx.doi.org/10.1525/esr.2021.44.1.5.

Full text
Abstract:
In October of 2020, the University of Arizona’s College of Social and Behavioral Sciences hosted a lecture series called Womanpower. The final lecture was an interview between Michelle Téllez and Yalitza Aparicio—an Indigenous woman, actress, and activist. This interview transcript (originally conducted in Spanish) discusses Aparicio’s childhood, her experiences with discrimination, her role in the groundbreaking film Roma, and her activism on behalf of domestic workers and Indigenous peoples. In this interview, Téllez highlights issues of Indigenous rights, recognizing how Aparicio’s platform can bring visibility to the O’odham land defenders fighting for their sacred lands today, but also to Indigenous peoples fighting for their territories in Mexico, as alluded to in Roma. Téllez wanted to recognize the power that is ever-present in the bodies and minds of women workers who create possibilities despite their circumstances, and who maneuver between space and place, languages and cultures as they center homes, both their own and others. She points us to Aparicio’s role as a domestic worker to remind us of the silent but ever-present power of women. Téllez connects the interview with her own research and personal experiences growing up along the U.S./Mexico border in the cities of San Diego/Tijuana – where she was witness to the racial, gendered, and classed dynamics of power and exclusion.
APA, Harvard, Vancouver, ISO, and other styles
12

Muñoz-Sanjuán, Ignacio, and Ali H. Brivanlou. "Induction of Ectopic Olfactory Structures and Bone Morphogenetic Protein Inhibition by Rossy, a Group XII Secreted Phospholipase A2." Molecular and Cellular Biology 25, no. 9 (May 1, 2005): 3608–19. http://dx.doi.org/10.1128/mcb.25.9.3608-3619.2005.

Full text
Abstract:
ABSTRACT The secreted phospholipases A2 (sPLA2s) comprise a family of small secreted proteins with the ability to catalyze the generation of bioactive lipids through glycophospholipid hydrolysis. Recently, a large number of receptor proteins and extracellular binding partners for the sPLA2s have been identified, suggesting that these secreted factors might exert a subset of their broad spectrum of biological activities independently of their enzymatic activity. Here, we describe an activity for the sPLA2 group XII (sPLA2-gXII) gene during Xenopus laevis early development. In the ectoderm, sPLA2-gXII acts as a neural inducer by blocking bone morphogenetic protein (BMP) signaling. Gain of function in embryos leads to ectopic neurogenesis and to the specification of ectopic olfactory sensory structures, including olfactory bulb and sensory epithelia. This activity is conserved in the Drosophila melanogaster, Xenopus, and mammalian orthologs and appears to be independent of the lipid hydrolytic activity. Because of its effect on olfactory neurogenesis, we have renamed this gene Rossy, in homage to the Spanish actress Rossy de Palma. We present evidence that Rossy/sPLA2-gXII can inhibit the transcriptional activation of BMP direct-target gene reporters in Xenopus and mouse P19 embryonic carcinoma cells through the loss of DNA-binding activity of activated Smad1/4 complexes. Collectively, these data represent the first evidence for signaling cross talk between a secreted phospholipase A2 and the BMP/transforming growth factor β pathways and identify Rossy/sPLA2-gXII as the only factor thus far described which is sufficient to induce anterior sensory neural structures during vertebrate development.
APA, Harvard, Vancouver, ISO, and other styles
13

Martínez del Baño, Benito. "La huella del flamenco en el primer cine español." Revista de Investigación sobre Flamenco "La Madrugá", no. 17 (December 30, 2020). http://dx.doi.org/10.6018/flamenco.460701.

Full text
Abstract:
Desde edad temprana, el cine español se nutre de las pocas artistas que realmente triunfan en la canción y la radio a principios del siglo pasado, aun con los inconvenientes que ello alberga, al tener que sincronizar durante años película y disco en los pases comerciales. Son un elemento más de la construcción de estos filmes y en muchos casos su eficacia actoral depende más del director que de sus dotes. Son artistas que en la mayoría de casos realizan incursiones esporádicas en el cine. Sólo unas pocas lograrán la continuidad a la hora de participar en películas. Mientras que las mujeres son las que mayoritariamente triunfan y están mejor ponderadas en el terreno de la canción popular, en el campo del flamenco, especialmente son los hombres los que destacan, sobre todo en el cante, y ellas en el baile. La más destacada e internacional de estas actrices es Raquel Meller. Pero, no debemos olvidar a Pastora Imperio, quien, a pesar de estar perdidos sus tres primeros largometrajes, antecede a todas en las lides del cine y destaca entre todos en el flamenco, creando un estilo propio. From an early age, Spanish cinema has been nourished by the few artists who really succeeded in song and radio at the beginning of the last century, even with the disadvantages that this harbors, having to synchronize film and record for years in commercial shows. They are one more element in the construction of these films and in many cases their acting effectiveness depends more on the director than on their talents. They are artists who in most cases make sporadic forays into the cinema. Only a few will achieve continuity when it comes to participating in movies. While women are the ones who mostly triumph and are better weighted in the field of popular song, in the field of flamenco, it is especially men who stand out, especially in singing, and they in dancing. The most prominent and international of these actresses is Raquel Meller. But, we must not forget Pastora Imperio, who, despite her first three feature films being lost, precedes all of them in filmmaking and stands out among all in flamenco, creating her own style.
APA, Harvard, Vancouver, ISO, and other styles
14

Tigner, Amy L. "The Spanish Actress’s Art: Improvisation, Transvestism, and Disruption in Tirso’s El vergonzoso en palacio." Early Theatre 15, no. 1 (July 6, 2012). http://dx.doi.org/10.12745/et.15.1.902.

Full text
APA, Harvard, Vancouver, ISO, and other styles
15

Elsey, Brenda. "Making fútbol straight again: Homophobia, misogyny and the politics of Alexis Sánchez’s sexuality." Radical Americas, October 17, 2018. http://dx.doi.org/10.14324/111.444.ra.2018.v3.1.003.

Full text
Abstract:
This essay examines the media frenzy around the ‘love-life’ of Chilean football star Alexís Sánchez, particularly the 2017 announcement of his romantic involvement with actress Mayte Rodríguez. It discusses the media coverage as a poignant example of misogyny and homophobia in Chilean football culture, as well as one of the forces that perpetuates that culture. During the years of the 2018 World Cup qualifying process, Chile accrued the most severe fines of any country for homophobic behaviour at football matches. This fact has attracted some, but not much, attention. There are few spaces of such extreme gender segregation as football. Once football’s capacity to develop proper masculinity and heterosexuality was widely accepted, football directors, journalists and fans pushed women outside of the sport. The relationship between homophobia and sexism has a long history in the construction of football fandom, play and organization. Media played a crucial role in reinforcing the heteronormative and misogynist aspects of the sport. This essay discusses how these long-standing prejudices have hurt women journalists, fans and athletes. Please note that this essay was previously published in Spanish in De Cabeza .
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Spanish actresses' for other source types:
Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography