Relevant bibliographies by topics / Spanish American Experimental fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic 'Spanish American Experimental fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Spanish American Experimental fiction"

1

Gerdes, Dick, and Naomi Lindstrom. "Twentieth-Century Spanish American Fiction." Rocky Mountain Review of Language and Literature 49, no. 2 (1995): 194. http://dx.doi.org/10.2307/1347996.

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Foster, David William, and Naomi Lindstrom. "Twentieth-Century Spanish American Fiction." Hispanic Review 64, no. 4 (1996): 556. http://dx.doi.org/10.2307/474903.

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Arrington, Melvin S., and Naomi Lindstrom. "Twentieth-Century Spanish American Fiction." World Literature Today 70, no. 1 (1996): 170. http://dx.doi.org/10.2307/40151906.

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Hassett, John J., and Naomi Lindstrom. "Twentieth Century Spanish American Fiction." Chasqui 25, no. 1 (1996): 125. http://dx.doi.org/10.2307/29741271.

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Finnegan, Nuala, and Evelyn Fishburn. "Short Fiction by Spanish-American Women." Modern Language Review 95, no. 4 (October 2000): 1114. http://dx.doi.org/10.2307/3736678.

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Chaddick, Larisa. "Short Fiction by Spanish-American Women." Hispanic Research Journal 2, no. 3 (October 2001): 279–80. http://dx.doi.org/10.1179/hrj.2001.2.3.279.

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Berg, Mary G., and Donald L. Shaw. "A Companion to Modern Spanish American Fiction." Hispania 86, no. 4 (December 1, 2003): 824. http://dx.doi.org/10.2307/20062945.

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Davies, Lloyd Hughes, and Donald L. Shaw. "The Post-Boom in Spanish American Fiction." Modern Language Review 95, no. 1 (January 2000): 253. http://dx.doi.org/10.2307/3736451.

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Dabove, Juan Pablo. "The Post-Boom in Spanish American Fiction." Revista Iberoamericana 66, no. 190 (March 13, 2000): 207–11. http://dx.doi.org/10.5195/reviberoamer.2000.3607.

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Williams, Raymond Leslie, and Donald L. Shaw. "The Post-Boom in Spanish American Fiction." Hispania 83, no. 1 (March 2000): 74. http://dx.doi.org/10.2307/346128.

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Dissertations / Theses on the topic "Spanish American Experimental fiction"

1

Burke, Debra Pauline. "Pandora's box : sexual fiction by Spanish and Latin-American women from the late 1970's to 2000 /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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Dorling, Alan. "Experimental forms in contemporary fiction." Thesis, University of Nottingham, 1985. http://eprints.nottingham.ac.uk/13310/.

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Concerned with developments in contemporary innovative fiction Experimental Forms in Contemporary Fiction locates 'post- Modernist' writing largely within a North American context. William Burroughs, Ronald Sukenick, Donald Barthelme, Ishmael Reed, Robert Coover and Steve Katz are identified as the exemplary post-Modernist figures; their favoured techniques --a combination of cancellation and erasure, fragmentation and discontinuity, game and play--express an indeterminancy of meaning which places post-Modernist writing at some distance from the writing of contemporary figures like Vladimir Nabokov, John Hawkes and John Barth, who, as identifiably 'neo- Modernists', are essentially concerned with extending Modernism's restorative and paralleling features into the contemporary literary discourse. At the same time, post- Modernist fiction bears only a passing resemblence to the work of innovative contemporary British writers like B. S. Johnson, Gabriel Josipovici and J. G. Ballard, who are inclined to impose a series of disruptive forms upon mimetic substance. Uniquely post-Modernist fiction celebrates an eternity of displacement by insisting that unity, coherence and system are totalitarian concepts inimicable to the necessary free- lay of the imagination. Therefore, even as Burroughs et al express long-standing American literary concerns, post- Modernist fiction is demonstrably part of the deconstructive shift away from holistic and humanistic ideas and procedures. Post-Modernist writing, therefore, initiates a crisis within literary criticism, one which needs to be examined against the background of contemporary philosophical, cultural, and social developments.
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Martella, Gianna María. "Spanish American detective and crime fiction : the question of the other /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Pino-Ojeda, Ximena W. "Subalterno y nación en la escritura femenina latinoamericana : Elena Poniatowska, Rosario Ferré y Diamela Eltit /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/8278.

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Kramer, David Scott. "The rhetorical war : class, race and redemption in Spanish-Amarican War fiction : Stephen Crane, Frank Norris, Richard Harding Davis and Sutton Griggs /." View online ; access limited to URI, 2006. http://0-digitalcommons.uri.edu.helin.uri.edu/dissertations/AAI3239910.

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Shea, Maureen Elizabeth. "Latin American women writers and the growing potential of political consciousness." Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184310.

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This dissertation provides a feminist reading of the works of Latin American women writers since the decade of the sixties to the present who focus on the particular historical moment of their times from a political perspective. A systematic study of the narrative figure in novels by Dora Alonso, Elena Poniatowska, Claribel Alegria and Darwin Flakoll, and Isabel Allende, reveals an awareness of the undercurrents of oppression existent in their societies based on racial and class stereotypes with a growing understanding of oppression based on sex. From the perspective of the female narrator in Tierra Inerme by the Cuban writer Dora Alonso, the Cuban social structure before 1959 is condemned for its inequality on the basis of class, race, and sex. However, the perspective of the narrator reveals that she has not entirely escaped the prejudices that permeate her society concerning women. Hasta no verte Jesus mio, by the Mexican writer Elena Poniatowska concentrates on the testimony of Jesusa Palancares who condemns the structural inequality existent in Mexican society. Although Palancares' perspective reveals an awareness of the unequal treatment of women, because of her underprivileged status she concentrates on oppression based on class. In Cenizas de Izalco by Darwin Flakoll from the United States and the Salvadoran Claribel Alegria, the 1931 massacre of the peasants in El Salvador is condemned. However, through the contrasting perspectives of the male and female narrators, oppression on the basis of sex is most emphasized. La casa de los espiritus by the Chilean Isabel Allende depicts brutal class, racial and sexual oppression in Chile from the 1920's to 1973. It is in this novel that sexual oppression is portrayed most vividly, again through the contrasting perspectives of the male and female narrators. Although a growing awareness of sexual oppression emerges in the novels studied becoming most emphatic in this decade through an awakening feminist consciousness, the perspective of the narrators emphasize to varying degrees the importance of solidarity among women to combat injustice of every form to achieve a more equitable existence for all oppressed people.
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Rincones, Díaz Rosix Emilia. "From Tristan to Don Juan : Romance and courtly love in the fiction of three Spanish American authors." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3408/.

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This thesis is centred on Gabriel García Márquez’s novel El amor en los tiempos del cólera, Álvaro Mutis’ novella La última escala del Tramp Steamer, and Juan Rulfo’s novel Pedro Páramo. Its aim is to analyse how the works of these Spanish American authors are inscribed within the traditions of Tristan, Don Juan and other related stories. Analysis is rooted in three aspects: 1) the study of the language and style conventions in the initial works of romance and courtly love that are developed in the studied works on fiction. 2) It was crucial to see how the authors in question developed paradigms of gender relations through the traditions they borrowed, and 3) how the medieval and renaissance traditions relate to Spanish American literary discourse through matters of similar religious and social contexts, specific traits of Spanish colonization and the presence of medievalisms in modernity. García Márquez’s reinvention of the Don Juan through the alliance narrator-Florentino, Mutis’ depiction of the steamer as a symbol of love and poetry, Rulfo’s portrayal of the lover’s spiritual failure and Susana San Juan’s statements and redemption through her body, show the complexity with which medieval romances have been rewritten in twentieth century Latin America.
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Hurst, Darin Scott. "El amor, la belleza, y el arte en la novela decadente hispanoamericana la dialéctica de la decadencia /." Oxford, Ohio : Miami University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1051278715.

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Carney, Jason R. "The Shadow Modernism of Weird Tales: Experimental Pulp Fiction in the Age of Modernist Reflection." Case Western Reserve University School of Graduate Studies / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=case1396650887.

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Guzman-Medrano, Gael. "Post-Revolutionary Post-Modernism: Central American Detective Fiction by the Turn of the 21st Century." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/917.

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Contemporary Central American fiction has become a vital project of revision of the tragic events and the social conditions in the recent history of the countries from which they emerge. The literary projects of Sergio Ramirez (Nicaragua), Dante Liano (Guatemala), Horacio Castellanos Moya (El Salvador), and Ramon Fonseca Mora (Panama), are representative of the latest trends in Central American narrative. These trends conform to a new literary paradigm that consists of an amalgam of styles and discourses, which combine the testimonial, the historical, and the political with the mystery and suspense of noir thrillers. Contemporary Central American noir narrative depicts the persistent war against social injustice, violence, criminal activities, as well as the new technological advances and economic challenges of the post-war neo-liberal order that still prevails throughout the region. Drawing on postmodernism theory proposed by Ihab Hassan, Linda Hutcheon and Brian MacHale, I argued that the new Central American literary paradigm exemplified by Sergio Ramirez’s El cielo llora por mí, Dante Liano’s El hombre de Montserrat, Horacio Castellanos Moya’s El arma en el hombre and La diabla en el espejo, and Ramon Fonseca Mora’s El desenterrador, are highly structured novels that display the characteristic marks of postmodern cultural expression through their ambivalence, which results from the coexistence of multiple styles and conflicting ideologies and narrative trends. The novels analyzed in this dissertation make use of a noir sensitivity in which corruption, decay and disillusionment are at their core to portray the events that shaped the modern history of the countries from which they emerge. The revolutionary armed struggle, the state of terror imposed by military regimes and the fight against drug trafficking and organized crime, are among the major themes of these contemporary works of fiction, which I have categorized as perfect examples of the post-revolutionary post-modernism Central American detective fiction at the turn of the 21st century.
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Books on the topic "Spanish American Experimental fiction"

1

Vanguardia y renovación en la narrativa latinoamericana. Madrid: Editorial Pliegos, 1996.

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Bustillo, Carmen. La aventura metaficcional. Caracas: Universidad Simón Bolívar, 1998.

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Subway de los sueños, alucinamiento, libro abrierto: La novela vanguardista hispanoamericana. Madrid: Iberoamericana, 2004.

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Before the Boom: Latin American revolutionary novels of the 1920s. Lanham, MD: University Press of America, 2001.

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Mattalía, Sonia. Tupí or not tupí: Ensayos sobre la narrativa de vanguardias en América Latina. Edited by Bravo Víctor 1949-. Mérida, Venezuela: Ediciones El Otro, El Mismo, 2004.

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Mora, Yanna Hadatty. Autofagia y narración: Estrategias de representación en la narrativa iberoamericana de vanguardia, 1922-1935. Madrid: Iberoamericana, 2003.

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Angulo, Carlos. Zaraué: Bandadas de noche. 2nd ed. Caracas: Ediciones Proyecto Sueños Venezuela, 2012.

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Las ironías de la ficción y la metaficción en cine y literatura. México, D.F: Universidad Autónoma de la Ciudad de México, 2007.

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Zavala, Lauro. Las ironías de la ficción y la metaficción en cine y literatura. México, D.F: Universidad Autónoma de la Ciudad de México, 2007.

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Román, Isabel. La invención en la escritura experimental: Del barroco a la literatura contemporánea. Cáceres: Universidad de Extremadura, 1993.

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Book chapters on the topic "Spanish American Experimental fiction"

1

Robinett, Jane. "The Moral Vision of Technology in Contemporary Latin American Fiction." In Philosophy of Technology in Spanish Speaking Countries, 289–95. Dordrecht: Springer Netherlands, 1993. http://dx.doi.org/10.1007/978-94-011-1892-7_23.

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James, David. "Experimental Fiction." In The Cambridge Companion to Twenty-First Century American Fiction, 43–62. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108974288.004.

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"MODERN FICTION." In An Introduction to Spanish-American Literature, 308–46. Cambridge University Press, 1995. http://dx.doi.org/10.1017/cbo9781139166614.015.

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YOUNG, REGGIE SCOTT. "Theoretical Influences and Experimental Resemblances:." In Contemporary African American Fiction, 11–36. Ohio State University Press, 2020. http://dx.doi.org/10.2307/j.ctv16rddnz.5.

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"Magical Realism in Spanish American Fiction (1955)." In Magical Realism, 109–18. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822397212-007.

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Flores, Angel. "Magical Realism in Spanish American Fiction (1955)." In Magical Realism, 109–17. Duke University Press, 1995. http://dx.doi.org/10.1215/9780822397212-006.

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FLORES, ANGEL. "Magical Realism in Spanish American Fiction (1955)." In Magical Realism, 109–18. Duke University Press, 1995. http://dx.doi.org/10.2307/j.ctv11cw5w1.9.

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Cervero Sánchez, N. "1956.American background in Spanish Experimental Housing." In Structures and Architecture: Bridging the Gap and Crossing Borders, 1048–55. CRC Press, 2019. http://dx.doi.org/10.1201/9781315229126-125.

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"Journalism, modernity, and narrative fiction in Spanish America." In Journalism and the Development of Spanish American Narrative, 1–20. Cambridge University Press, 1993. http://dx.doi.org/10.1017/cbo9780511551314.001.

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"DANGEROUS (TO) WOMEN: SEXUAL FICTION IN SPANISH AMERICA." In Latin American Women's Narrative / Narrativa Femenina en América Latina, 197–220. Vervuert Verlagsgesellschaft, 2003. http://dx.doi.org/10.31819/9783954871025-010.

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Reports on the topic "Spanish American Experimental fiction"

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Diego, P., and MM Grandío Pérez. Settlement of the Spanish fiction series abroad (2005-2017). The case of the North American adaptation of Los misterios de Laura from the perspective of its creators. Revista Latina de Comunicación Social, April 2018. http://dx.doi.org/10.4185/rlcs-2018-1284en.

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