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Journal articles on the topic 'Spanish American Experimental fiction'

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Published: 4 June 2021
Last updated: 7 February 2022

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1

Gerdes, Dick, and Naomi Lindstrom. "Twentieth-Century Spanish American Fiction." Rocky Mountain Review of Language and Literature 49, no. 2 (1995): 194. http://dx.doi.org/10.2307/1347996.

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2

Foster, David William, and Naomi Lindstrom. "Twentieth-Century Spanish American Fiction." Hispanic Review 64, no. 4 (1996): 556. http://dx.doi.org/10.2307/474903.

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3

Arrington, Melvin S., and Naomi Lindstrom. "Twentieth-Century Spanish American Fiction." World Literature Today 70, no. 1 (1996): 170. http://dx.doi.org/10.2307/40151906.

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4

Hassett, John J., and Naomi Lindstrom. "Twentieth Century Spanish American Fiction." Chasqui 25, no. 1 (1996): 125. http://dx.doi.org/10.2307/29741271.

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5

Finnegan, Nuala, and Evelyn Fishburn. "Short Fiction by Spanish-American Women." Modern Language Review 95, no. 4 (October 2000): 1114. http://dx.doi.org/10.2307/3736678.

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6

Chaddick, Larisa. "Short Fiction by Spanish-American Women." Hispanic Research Journal 2, no. 3 (October 2001): 279–80. http://dx.doi.org/10.1179/hrj.2001.2.3.279.

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7

Berg, Mary G., and Donald L. Shaw. "A Companion to Modern Spanish American Fiction." Hispania 86, no. 4 (December 1, 2003): 824. http://dx.doi.org/10.2307/20062945.

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8

Davies, Lloyd Hughes, and Donald L. Shaw. "The Post-Boom in Spanish American Fiction." Modern Language Review 95, no. 1 (January 2000): 253. http://dx.doi.org/10.2307/3736451.

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9

Dabove, Juan Pablo. "The Post-Boom in Spanish American Fiction." Revista Iberoamericana 66, no. 190 (March 13, 2000): 207–11. http://dx.doi.org/10.5195/reviberoamer.2000.3607.

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10

Williams, Raymond Leslie, and Donald L. Shaw. "The Post-Boom in Spanish American Fiction." Hispania 83, no. 1 (March 2000): 74. http://dx.doi.org/10.2307/346128.

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11

Craig, Herbert E., and Donald L. Shaw. "The Post-Boom in Spanish American Fiction." Chasqui 28, no. 1 (1999): 126. http://dx.doi.org/10.2307/29741505.

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12

Hintz, Suzanne S., and Donald L. Shaw. "The Post-Boom in Spanish American Fiction." South Atlantic Review 64, no. 2 (1999): 180. http://dx.doi.org/10.2307/3201996.

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13

Shaw, Donald L. "When Was Modernism in Spanish-American Fiction?" Bulletin of Spanish Studies 79, no. 2-3 (March 2002): 395–409. http://dx.doi.org/10.1080/147538202317345087.

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14

Alonso, Carlos J. "Review of: Twentieth-Century Spanish American Fiction." MFS Modern Fiction Studies 42, no. 1 (1996): 173–75. http://dx.doi.org/10.1353/mfs.1995.0034.

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15

Sklodowska, Elzbieta, and Donald L. Shaw. "A Companion to Modern Spanish American Fiction." Modern Language Review 99, no. 4 (October 2004): 1078. http://dx.doi.org/10.2307/3738568.

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16

Vázquez- Espinosa, Emma, Claudio Laganà, and Fernando Vazquez. "The Spanish flu and the fiction literature." Revista Española de Quimioterapia 33, no. 5 (July 7, 2020): 296–312. http://dx.doi.org/10.37201/req/049.2020.

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This review focuses on the fictional literature in which the Spanish flu is represented either as an anecdotal or as a historical aspect and the effect on the author or fictional character. We examine this sociocultural period in the press and mainly in Anglo-Saxon literary works and from other countries, including Spanish and Latin American literature that is not very represented in some international reviews on the subject. Also, we include books about the previous and subsequent influenza pandemics to the Spanish flu.
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17

Swanson, Philip, Terry J. Peavler, and Peter Standish. "Structures of Power. Essays on Twentieth-Century Spanish-American Fiction." Hispanic Review 65, no. 4 (1997): 482. http://dx.doi.org/10.2307/474318.

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18

Oberhelman, Harley D., Terry J. Peavler, and Peter Standish. "Structures of Power: Essays on Twentieth-Century Spanish-American Fiction." Hispania 80, no. 2 (May 1997): 312. http://dx.doi.org/10.2307/345909.

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19

Shaw, Donald. "Inverted Christian Imagery and Symbolism in Modern Spanish American Fiction." Romance Studies 6, no. 1 (June 1988): 71–82. http://dx.doi.org/10.1179/ros.1988.6.1.71.

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20

Oberhelman, Harley D., Terry J. Peavler, and Peter Standish. "Structures of Power: Essays on Twentieth-Century Spanish-American Fiction." Hispania 82, no. 1 (March 1999): 87. http://dx.doi.org/10.2307/346078.

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21

Lindstrom, Naomi, Terry J. Peavler, and Peter Standish. "Structures of Power: Essays on Twentieth-Century Spanish-American Fiction." World Literature Today 70, no. 4 (1996): 928. http://dx.doi.org/10.2307/40152360.

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22

Tittler, Jonathan. "Contemporary Spanish American fiction in English: Who is translating whom?" Journal of Iberian and Latin American Research 4, no. 1 (July 1998): 91–104. http://dx.doi.org/10.1080/13260219.1998.10429946.

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23

Rony Garrido. "The Post-Boom in Spanish American Fiction (review)." Arizona Journal of Hispanic Cultural Studies 3, no. 1 (1999): 291–93. http://dx.doi.org/10.1353/hcs.2011.0372.

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24

Shaw, Donald. "Inverted Christian Imagery and Symbolism in Modern Spanish American Fiction." Romance Studies 5, no. 2 (December 1987): 71–82. http://dx.doi.org/10.1179/026399088786621348.

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25

Shaw, Donald L. "The Boom in Barcelona. Literary Modernism in Spanish and Spanish American Fiction (1950–1974)." Bulletin of Spanish Studies 84, no. 1 (January 2007): 138–39. http://dx.doi.org/10.1080/14753820601141055.

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26

Beardsell, Peter, and Julie Jones. "A Common Place: The Representation of Paris in Spanish American Fiction." Modern Language Review 94, no. 4 (October 1999): 1140. http://dx.doi.org/10.2307/3737304.

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27

Lichtblau, Myron I., and Julie Jones. "A Common Place: The Representation of Paris in Spanish American Fiction." Hispanic Review 69, no. 2 (2001): 273. http://dx.doi.org/10.2307/3247058.

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28

Fernández, Salvador C. "Transatlantic Borders: Spanish and Mexican/American Literary Relations in Detective Fiction." Chasqui 35 (2006): 46. http://dx.doi.org/10.2307/29742148.

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29

Shaw, Donald L. "Boullosa's "Llanto" and the Quest for Order in Spanish American Fiction." South Atlantic Review 67, no. 4 (2002): 63. http://dx.doi.org/10.2307/3201661.

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30

Doyle, Michael S. "Contemporary Spanish and Spanish American Fiction in English: Tropes of Fidelity in the Translation of Titles." Translation Review 30-31, no. 1 (September 1989): 41–46. http://dx.doi.org/10.1080/07374836.1989.10523464.

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31

Karoui-Elounelli, Salwa. "Character as a Vanishing Point in American Experimental Fiction." American, British and Canadian Studies Journal 19, no. - (December 1, 2012): 56–76. http://dx.doi.org/10.2478/abcsj-2013-0004.

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Abstract My paper discusses the construction of character in some American experimental narratives within the optical paradigm of the vanishing point. In a first part the investment of the pictorial notion of the vanishing point in Faulkner’s Light in August will be discussed as an instance of the occasional confrontation in Modernist fiction of the limits of literary representation, even if the pictorial category is adapted (and so limited) to the specific issue of biracial identity. In a second part, William Gass’s short story “Mrs. Mean” and Paul Auster’s The Locked Room will be examined as instances of a sustained critical recasting of the very concept of character. The trope of the vanishing point is consciously deployed in both texts to reinvent fictional character within the challenging scope of borderlines between presence and absence, the life-like (mimetic) and the purely verbal.
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32

Lee, Alejandro. "At the Margins of the Nation: Chinese Immigrants in Contemporary Spanish American Fiction." Amerasia Journal 38, no. 2 (January 2012): 85–101. http://dx.doi.org/10.17953/amer.38.2.h65548831617783m.

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33

McCard, Victoria L., and Deborah N. Cohn. "History and Memory in the Two Souths: Recent Southern and Spanish American Fiction." South Atlantic Review 67, no. 4 (2002): 163. http://dx.doi.org/10.2307/3201678.

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34

Williams, Raymond L. "Modernist Continuities: The Desire To Be Modern in Twentieth-century Spanish-American Fiction." Bulletin of Spanish Studies 79, no. 2-3 (March 2002): 369–93. http://dx.doi.org/10.1080/147538202317345078.

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35

Cynthia L. Palmer. "Structures of Power: Essays on Twentieth-Century Spanish-American Fiction (review)." Arizona Journal of Hispanic Cultural Studies 1, no. 1 (1997): 227–28. http://dx.doi.org/10.1353/hcs.2011.0067.

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36

Bollig, Ben. "Textual Exposures: Photography in Twentieth-Century Spanish American Narrative Fiction - by Russek, Dan." Bulletin of Latin American Research 36, no. 4 (September 5, 2017): 560–61. http://dx.doi.org/10.1111/blar.12687.

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37

Traub, Courtney. "“Ecocatastrophic Nightmares: Romantic Sublime Legacies in Contemporary American Experimental Fiction”." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 72, no. 2 (2016): 29–60. http://dx.doi.org/10.1353/arq.2016.0010.

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38

Faris, Wendy B. "History and Memory in the Two Souths: Recent Southern and Spanish American Fiction (review)." Comparative Literature Studies 38, no. 3 (2001): 249–52. http://dx.doi.org/10.1353/cls.2001.0022.

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39

Moreira, Paulo. "Decolonizing Modernism — James Joyce and the Development of Spanish American Fiction by José Luis Venegas." Hispanófila 168, no. 1 (2013): 174–75. http://dx.doi.org/10.1353/hsf.2013.0034.

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40

Campos, Alfredo, and Victor Manuel Astorga. "Spanish, North American, and Canadian Ratings of Imagery Values of Words." Perceptual and Motor Skills 63, no. 2 (October 1986): 889–90. http://dx.doi.org/10.2466/pms.1986.63.2.889.

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This paper reports the correlations between the ratings of the imagery values of words obtained by Spanish subjects, and North American, and Canadian subjects. Although we have observed differences in ratings among these groups (Spanish and North American 0.39, Spanish and Canadian 0.21), correlations are high: Spanish and North American .88, Spanish and Canadian .88.
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41

Callahan, Laura. "The Matrix Language Frame model and Spanish/English codeswitching in fiction." Language & Communication 22, no. 1 (January 2002): 1–16. http://dx.doi.org/10.1016/s0271-5309(01)00018-0.

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42

FIDDIAN, ROBIN WILLIAM. "James Joyce and Spanish-American Fiction: A Study of the Origins and Transmission of Literary Influence." Bulletin of Hispanic Studies 66, no. 1 (January 1989): 23. http://dx.doi.org/10.3828/bhs.66.1.23.

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43

Fiddian, Robin William. "James Joyce and Spanish-American Fiction: A Study of the Origins and Transmission of Literary Influence." Bulletin of Hispanic Studies 66, no. 1 (January 1989): 23–39. http://dx.doi.org/10.1080/1475382892000366023.

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44

Morales Morante, Fernando, Anna Tous Rovirosa, and Tatiana Hidalgo-Marí. "With a Latin Flavor: Cultural and Narrative Contributions of the Latin American Telenovela to Spanish Fiction." Journal of Iberian and Latin American Research 26, no. 1 (January 2, 2020): 1–17. http://dx.doi.org/10.1080/13260219.2020.1778769.

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45

Ayuso Rodríguez, Elena. "Génesis y realización del primer radioteatro de `Don Quijote´producido por la BBC en 1947." INDEX COMUNICACION 9, no. 2 (June 30, 2019): 35–53. http://dx.doi.org/10.33732/ixc/09/02genesi.

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In 1947, BBC produces the first radio drama on Don Quixote to celebrate the 400th anniversary of Cervantes’ birth. Released in Spain and Latin America in 27 chapters, BBC defined it as “the most ambitious project ever carried out.” The goal was to enhance BBC reputation in Spain. The radio play had the participation of actors from Radio Madrid, Spanish exiles in London and Latin American professionals. BBC surrounded with experts to adapt Cervantes narrative to radio language; deal with Spanish accents diversity; and compose music, which accompanied this radio version. The Quixote of BBC spread Cervantes’ work throughout all Spanish-speaking countries and promoted the production of other Quixotes within the radio in Spain. Keywords: Radio; Radio Drama; Radio Fiction; Don Quixote; BBC.
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46

Caminada Rossetti, Lucía. "Argentine Literature as Part of the Latin-American: Debates, Characteristics and Dialogues." Interlitteraria 25, no. 2 (December 31, 2020): 359–66. http://dx.doi.org/10.12697/il.2020.25.2.8.

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The article will suggest that the texts and ways of reaching some materials and perspectives in Argentina, remains at a national level. It is important to notice that in order to read criticism and theory regarding Latin American literature, Spanish from Río de la Plata separates at some point the fields. In that regard, one of the greatest assets and achievements of Argentinian literary research concerns the relationship between politics and fiction. In connection with this it might be asked how we can think of Argentinian literature without linking it to the social discourse? How can we think of the comparative field of Latin-American and Argentinian literature as one academic area of studies? In our view, comparatism seems to be one of the loneliest areas of studies in terms of the fields of theory, fiction and criticism. We thus suggest that in Argentina, literary research and criticism in general are strictly concerned with only one option: the national culture. Thus, exclusively, western theoretical frames are chosen to read literature and comparative perspectives are mostly applied to European studies. That is why I insist on the fact that comparative literary research is not represented institutionally at all.
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47

Caminada Rossetti, Lucía. "Argentine Literature as Part of the Latin-American: Debates, Characteristics and Dialogues." Interlitteraria 25, no. 2 (December 31, 2020): 359–66. http://dx.doi.org/10.12697/il.2020.25.2.8.

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The article will suggest that the texts and ways of reaching some materials and perspectives in Argentina, remains at a national level. It is important to notice that in order to read criticism and theory regarding Latin American literature, Spanish from Río de la Plata separates at some point the fields. In that regard, one of the greatest assets and achievements of Argentinian literary research concerns the relationship between politics and fiction. In connection with this it might be asked how we can think of Argentinian literature without linking it to the social discourse? How can we think of the comparative field of Latin-American and Argentinian literature as one academic area of studies? In our view, comparatism seems to be one of the loneliest areas of studies in terms of the fields of theory, fiction and criticism. We thus suggest that in Argentina, literary research and criticism in general are strictly concerned with only one option: the national culture. Thus, exclusively, western theoretical frames are chosen to read literature and comparative perspectives are mostly applied to European studies. That is why I insist on the fact that comparative literary research is not represented institutionally at all.
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48

Cabrera, M. Teresa Caneda. "Decolonizing Modernism: James Joyce and the Development of Spanish American Fiction by José Luis Venegas (review)." James Joyce Quarterly 48, no. 4 (2011): 772–75. http://dx.doi.org/10.1353/jjq.2011.0082.

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49

Bautista-Maldonado, Salvador, and Silvina Montrul. "An experimental investigation of differential object marking in Mexican Spanish." Spanish in Context 16, no. 1 (February 27, 2019): 22–50. http://dx.doi.org/10.1075/sic.00025.bau.

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Abstract Differential Object Marking (DOM) is a phenomenon widely attested in Spanish. In two experimental studies using production and acceptability judgments we examined the extent to which Mexican Spanish presents some variation among monolingual speakers with respect to expansion of DOM. We tested whether DOM with animate and specific objects is categorical in this variety, and whether DOM is expanding to inanimate definite and indefinite objects as observed by diachronic studies of Mexican and other Latin American varieties. We also tested DOM with other constructions: bare plurals, the verbs like tener and haber, small clauses and causative and perception verbs. Our study contributes new data documenting linguistic variation in native speakers and confirms synchronic and diachronic analyses of DOM in Spanish.
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50

STEENMEIJER, MAARTEN. "Other Lives: rock, memory and oblivion in post-Franco fiction." Popular Music 24, no. 2 (May 2005): 245–56. http://dx.doi.org/10.1017/s0261143005000450.

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The functions and meanings of the global discourse of American and British rock in national literatures have hardly been studied so far. This article focuses on the very interesting case of Spanish literature after Franco. The central question is: How has rock functioned in the literature of the new Spain, both as intertext and as cultural memory? To be more specific, the main purpose of this contribution is to study the presence, functions and meanings of rock in the narratives of two leading authors of two generations of post-Franco novelists: Antonio Muñoz Molina (1956) and Ray Loriga (1967). Particular attention will be paid to the complicated processes of memory and oblivion articulated by explicit and implicit references to rock in the pivotal novels El jinete polaco (Muñoz Molina 1991) and Héroes (Loriga 1993), and to their functions and meanings in the historical-cultural process of memory and trauma in post-Franco Spain.
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